The band formed and lead by British guitarist, songwriter & producer Mick Jones was something of a ‘supergroup’, and who’s massive success started with their 1978 debut album, Jones had previously recorded 3 albums with SPOOKY TOOTH, as well as played with Leslie West. Ian McDonald had been in KING CRIMSON, (drummer) Dennis Elliott had recorded a number of albums with British band IF, and relatively unknown singer Lou Gramm had recorded 2 albums with Rochester based BLACK SHEEP.. Prior to the 3rd album, bass player Ed Gagliardi was replaced with Pete Wills, who’d played with Peter Frampton, among others.

While Foreigner and Double Vision had elements of prog on them, and were very 70s sounding (in retrospect), Head Games took on a bit of a fresh modern AOR / hard rock approach. It’s like a big step forward into the ’80s, with the production. The first hit single off this album was the hard-rockin’ lead off track “Dirty White Boy”, while the hit (single) title track lead side 2. But beyond these 2 stand-outs, Head Games featured a number of classics such as “Love On The Telephone”, “The Modern Day” (sang by Mick Jones), the ballad “Blinded By Science”, and the classic closing cut “Rev On The Red Line” (the best song here, IMO). The record went to #5 in Canada and the US.

Head Games was produced by Roy Thomas Baker, Mick Jones, and Ian McDonald, with Jones writing (or cowriting with Gramm) almost every song and being credited for ‘musical direction’ .

Head Games is my most played album of the band’s catalogue, and although Foreigner 4 was their massive hit (#1) album, I thought it all downhill after this, as the band dropped 2 members (becoming ‘4’), and going in a more pop and ballad direction. 4 I liked, though I don’t need to hear “Juke Box Hero” or “Waiting For A Girl Like You” ever again, Agent Provocateur I just never got into.