Brazilian metal band CREATURES have released a new live video for the song “Nothing Lasts Forever”. The song appeared on the band’s debut album in 2022 (Creatures), being a standout, but when the band changed line-up (save for founder, guitarist, songriter Mateus Cantaleano) including new singer Marc Brito, it was re-recorded in 2024, given a major upgrade in sound and production, as well as an official video. This version was included on the band’s latest album Creatures II, which is something I’ve been playing a lot of. Creatures have recently put out a live version of “Nothing Lasts Forever”, recorded in Sao Paulo, Brazil. A great rocker, with shades of Maiden, Priest, Dokken…as well as being an anthem that works with the audience.
*Check out all 3 versions below, and check out Creatures II.
Canadian band LOCKHART released a video for the track “Can’t Shake It” yesterday. A heavily inspired ’80s video (outfits, hair, and camera shoots). An excellent ’80s synth heavy pop rocker, that kinda reminds me of the Christopher Cross hit “All Right” (1981). Imagine if this song and video came out over 40 years ago!? The song comes from the band’s first full album City Pulse, coming out on June 12, on High Roller Records. Pre-order HERE
Hard rock legends NIGHT RANGER are proud to announce their new ‘Best Of’ album, set for release on August 28th via Frontiers Music Srl. The album features newly remixed & remastered versions of classic hits spanning NIGHT RANGER’s illustrious career, alongside some standout tracks from the band’s more recent releases.
To give fans a taste of what’s to come, the band shares a fresh remaster of their 1982 hit, “Don’t Tell Me You Love Me (2026).” The track arrives alongside an official visualizer video, linked below. This album will be released on both CD and Vinyl. The double LP is available in 3 different colors: black, gold, & orange splatter.
Few bands have defined the sound of American melodic rock quite like NIGHT RANGER. From the soaring anthem of “Sister Christian” to the thunderous riffs of “Don’t Tell Me You Love Me,” and fan favorites like “You Can Still) Rock in America” this album’s ‘Best Of’ collection captures the very essence of their decades-long career — now refreshed for 2026.
Featuring the classic hits alongside standout tracks from their more recent albums, this compilation spans the full spectrum of NIGHT RANGER’s signature sound: anthemic choruses, blazing guitar solos, and unforgettable melodies. Highlights include the power-pop perfection of “(You Can Still) Rock in America,” the heartfelt balladry of “When You Close Your Eyes,” and the cinematic sweep of “Four in the Morning.”
But the ‘Best Of’ is not just a look back. It also celebrates the band’s creative output over the last 20 years, spotlighting tracks like “Time of Our Lives,” “High Road,” “No Time to Lose,” “Somehow Someway,” and “Truth,” proving that NIGHT RANGER’s energy, songwriting, and musicianship have only grown stronger with time. These songs show that the band continues to innovate while staying true to the melodic rock roots that made them legendary.
The band— Jack Blades (bass and vocals), Kelly Keagy (drums and vocals), Brad Gillis (guitars), Eric Levy (keyboards), and Keri Kelli (guitars) — delivers every track with the energy and precision that have kept NIGHT RANGER at the forefront of rock for more than four decades.
This ‘Best Of” album also features two bonus tracks that make this collection of songs truly special: a fresh take on “Wasted Time” recorded live off the floor at Sweetwater Studios, also accompanied by an exclusive music video, and a festive live performance of “Feliz Navidad” that showcases the band’s playful side.
Perfectly timed ahead of their summer 2026 tour, this ‘Best Of’ album serves as both a definitive introduction for new fans and a must-have collection for longtime followers. Whether revisiting the classics or discovering the new 2026 remasters, NIGHT RANGER’s ‘Best Of’ is a celebration of enduring melodies, electrifying performances, and the unforgettable spirit of one of rock’s most iconic bands.
So, 2 Alice Cooper solo reissues, and I must say neither is high on my list of AC favorites. Along Came A Spider is my preference of the two. From 2008. this concept album featured a few great tracks in “I Know Where You Live”, “The One That Got Away”, and “Killed By Love”. The video single “Vengeance Is Mine” was another standout, this one featuring Slash on lead guitar. An album I still dig on occasion. With the follow-up, 2011’s Welcome 2 My Nightmare I was not a huge fan of when it came out. Alice reunites with Bob Ezrin on this one, as well as contributions from AC originals Michael Bruce, Neal Smith and Dennis Dunaway, Dick Wagner, Steve Hunter, Vince Gill, etc…, but the title I never understood (I don’t see or hear much of a connection to the original WTMN). The original band all perform on Michael Bruce’s “When Hell Comes Home”. Ke$sha duets on “What Baby Wants”…favorites include “I Am Made Of You”, “I’ll Bite Your Face Off”, “Something To Remember Me By” (a ballad), and “Under The Bed”. Revisiting this one, it’s actually better than I remember. Lots of bonus tracks on each of these, making for an appealing package for Alice fans. Check out the press info, tracklisting, and ordering links below.
ALICE COOPER RELEASES REISSUE ALBUMS
ALONG CAME A SPIDER + WELCOME 2 MY NIGHTMARE ARE OUT VIA earMUSIC
Two nightmares. One legacy. And they’re both back, louder and darker than ever.
Alice Cooper returns with the reissues ofAlong Came A SpiderandWelcome 2 My Nightmare— two chapters from the twisted playbook of shock rock’s original showman. Fresh formats, bonus material, and that unmistakable bite. If you know, you know. If you don’t, this is a pretty great place to start.
For more than five decades, Cooper has been bending the rules of rock, dragging theater, horror, and dark humor onto the stage and daring everyone else to keep up. Guillotines. Snakes. Electric chairs. Hooks that stick in your head for years. It’s not just music. It’s a whole world. And these two albums sit right in the middle of it, telling stories that are as unsettling as they are addictive.
Along Came A Spider drops you straight into the mind of a serial killer. It’s gritty. Tight. No filler. Tracks like “Vengeance Is Mine” hit even harder with Slash on lead guitar, while “Wake the Dead” carries the weight of Ozzy Osbourne behind the scenes. With Greg Hampton and Danny Saber shaping the sound, the album leans raw and immediate. It doesn’t ask for permission. It just goes for it.
This remastered reissue lands in two formats. A Jewelcase CD and a 2LP Gatefold (45 RPM) vinyl edition. Both come packed with three bonus tracks, giving fans a little extra to dig into. Turn it up and let it play out. That’s how it’s meant to be heard.
Then there’s Welcome 2 My Nightmare. The return to Steven’s story. The sequel fans waited decades for, and yeah, it delivers. It pulls threads from the original 1975 album and twists them into something new. Familiar, but not stuck in the past.
The guest list reads like the invitation list to a very exclusive nightmare. Desmond Child brings his hitmaking touch, while Ke$ha adds a surprising edge. Even better, original band members Michael Bruce, Dennis Dunaway, and Neal Smith step back in, reconnecting the sound to its roots.
This reissue comes as a newly mastered 2CD digipak and a 3LP Gatefold (45 RPM) vinyl set, built for serious listening. Seven bonus tracks are included, among them live cuts of “Poison” and “No More Mr. Nice Guy” recorded at Download Festival. Big stage energy captured properly.
Both albums remind you why Cooper is still standing at the front. The voice. The attitude. The commitment to detail. Nothing half done. Never has been.
The reissues of Along Came A Spider and Welcome 2 My Nightmare are available across all major platforms and in multiple physical formats.
Step back into the nightmare. Or step in for the first time.
Order your copies now and experience both albums the way they were meant to be heard. Loud. Dark. And just a little dangerous.
While these reissues bring two standout chapters of Alice Cooper’s catalogue back into the spotlight, Alice Cooper shows no signs of slowing down on stage. He continues to tear through electrifying live shows across the globe.
ALONG CAME A SPIDER TRACK LISTING: SIDE A: “Prologue/I Know Where You Live” “Vengeance Is Mine” “Wake The Dead” “Catch Me If You Can” SIDE B: “(In Touch With) Your Feminine Side” “Wrapped In Silk” “Killed By Love” “I’m Hungry” SIDE C: “The One That Got Away” “Salvation” “I Am The Spider/Epilogue” SIDE D: “Shadow Of Yourself”(Bonus) “I’ll Still Be There” (Bonus) “Salvation” (Bonus)
WELCOME 2 MY NIGHTMARE TRACK LISTING: SIDE A: “I Am Made Of You” “Caffeine” “The Nightmare Returns” “A Runaway Train” SIDE B: “Last Man On Earth” “The Congregation” “I’ll Bite Your Face Off” SIDE C: “Disco Bloodbath Boogie Fever” “Ghouls Gone Wild” “Something To Remember Me By” “When Hell Comes Home” SIDE D: “What Baby Wants” “I Gotta Get Outta Here” “The Underture” SIDE E: “Under The Bed (Bonus)” “A Bad Situation (Bonus)” “We Gotta Get Outta This Place (Bonus)” “Flatline (Bonus)” SIDE F: “Poison” (Bonus)* “No More Mr. Nice Guy”(Bonus)* “The Black Widow” (Bonus)*
If you like your ’80s keyboard/synth heavy pop-rock, you will dig this! LOCKHART’s first full album City Pulse comprises of 9 tracks, 7 easily likeable synth driven rock tunes (most including a cool guitar solo), and 2 ballads (one being just a keyboard instrumental piece). Think Toto, Journey, Survivor, ’80s Heart… If this was released 40 years ago, there’d be a few potential hit singles, and one could easily imagine a few of these tunes in some ’80s movies, such as the final cut “No Chance In Heaven” fitting nicely in a Rocky film!… Best picks would be “Can’t Shake It”, “Together As None”, and “You Wouldn’t Know Love”.
Lockhart is a new melodic rock/AOR band from Canada, fusing synthesizer-fueled eighties arena rock with classic hard rock. The trio consists of Devon Kerr (vocals, guitars, keyboards), Jason Junop (bass) and Fabio Alessandrini (drums). Jason is best known for his work in Cauldron and Goat Horn. Devon’s main band is Axxion, and Fabio plays or has played in Bonfire, Enforcer, Annihilator, Hardline and many others.
Lockhart issued their debut EP “No Chance” in 2022, followed by the single “City Pulse” in 2025. The band has signed with High Roller Records, and their first full-length album “City Pulse” is now ready to be unleashed to the public.
It’s hard to describe the specific sound of Lockhart in all its details but on “City Pulse” you will certainly hear a lot of Journey, Boston, Toto, Foreigner, REO Speedwagon, and maybe even some Starcastle. “The influences are endless,” comments the vocalist, guitarist and keyboard player Devon Kerr, “and they go deep. I appreciate the comparisons. These bands are monumental. Lockhart has a sound of its own though. Bands that existed during the times you mentioned definitely provide influence! However, if you look past the surface (overdriven guitars and old synthesizers), you’ll hear influences from 50s doo wop, legends like Brian Wilson, and straight up choral music, too.”
Compositions such as “The Dose That Made You Poison”, “Under Fire”, “Before The Fall’” or “Together As One” are very well constructed and flawlessly performed. “For me, songwriting is a deliberate process,” explains Kerr. “I set out a time and carve out the songs. Lyrics are written last. Once the song is ready, it undergoes hours of polishing to mold the perfect choir parts, guitar leads, and so on. Everything is very deliberate and carefully selected. Nothing was written by accident.” You can clearly hear that on “City Pulse”.
With their melodic, at times even poppy approach Lockhart may stand out a bit on High Roller Records. Devon Kerr: “Our music has so many elements that traditional metal fans value, but with something very different, too. Something that might be new for some of the High Roller Records fanbase. I mean for those unsure, we’ve got Nick from Municipal Waste shredding guitar leads on ‘You Wouldn’t Know Love’, and Ian from Cauldron on ‘Can’t Shake It’ …” MATTHIAS MADER
TRACKLISTING: 01 City Pulse 02 Can’t Shake It 03 The Dose That Made You Poison 04 Together as None 05 Under Fire 06 Just Can’t Wait 07 You Wouldn’t Know Love 08 Before the Fall 09 No Chance in Heaven
LINE-UP: Devon Kerr – lead & backing vocals, guitars, synthesizers, grand piano Jason Junop – bass, vocals Fabio Alessandrini – drums, percussion
Guest Musicians: Imogen Wasse – backing vocals on “City Pulse” & “You Wouldn’t Know Love” Ian Kilpatrick – guitar solo on “Can’t Shake It” Nick Poulos – guitar solo on “You Wouldn’t Know Love”
British keyboard player, producer, Paul Bliss can be found on the lone album by Dog Soldier, which also included Miller Anderson and Keef Hartley (both of the Keef Hartley Band), he went on to work for various bands before forming The Bliss Band, and releasing 2 albums – 1978’s Dinner With Raoul and 1979’s Neon Smiles. The 2nd album received good reviews, but it’s the album’s last track, “That’s The Way That It Is” (clocking in at over 7 minutes!) that would gain the most notoriety for it being recorded by a few other acts, notably Graham Bonnet for his 1981 solo album, following his time in Rainbow, and then being a comeback hit single in the US for Uriah Heep, on their 1982 album Abominog. Ironically Heep’s then-new singer, Peter Goalby had been replaced by Bonnet in Rainbow!
Songwriter, Paul Bliss recalls that the song was inspired by “just a discussion between two friends with a difference of opinion about something political. I always put more weight behind the music than the lyrics…..which is why I always liked writing with my songwriting partner Steve Kipner because he was so great at meter”.
Recalling the songs creation and recording – “The guitar riff was mine but Bliss Band guitarist Phil Palmer and producer Geoff Westley layered many tracks of guitar to get ‘that’ sound. If memory serves I think there was a track or two recorded at half-speed to get that 12-string effect. “
On the few covers of his song, Bliss notes – “I have heard all the versions and particularly liked the Uriah Heep version…possibly because it was the best known.“
Although it was never released as a single for The Bliss Band, Paul recalls that the track did get airplay in Brazil.
The Covers…. For the most part I’ve included covers that were officially relased. There are a few other fairly decent versions on Youtube from cover bands.
GRAHAM BONNET, 1981
Fresh out of RAINBOW, Bonnet included the song on this 1981 solo album Line Up , which included Mickey Moody, Cozy Powell, Jon Lord, and others. Bonnet’s version was released as a single in the UK and in Australia, in October thqt year. In the UK, it hit #76. It’s a very good version, shortened to just under 3 and a half minutes, a bit laid back, with the focus being on Bonnet’s voice. Line Up also included 2 Russ Ballard (Argent) covers – “S.O.S.” and “Liar”.
URIAH HEEP, 1982
Included on Uriah Heep’s 1982 comeback album, Abominog. This was released as a single and video. It reached #25 on the rock charts, and was close to the top 100 singles, as well as the video being in regular rotation for some time.
Ashley Howe (Producer, 2002) – “The Way That It Is, which I think was a very nice track for them, we originally recorded that at Ridge Farm Studios, and it had the Hammond C3 organ on it, and it was far more ‘Uriah Heep’ than it ended up, but what I tried to do with that was I had originally recorded that as the ‘old’ Uriah Heep, and the old Uriah Heep sound, but we ended up scrapping it because basically it ended up as a good song, but it felt like the ’60s. so what I did was I stripped the whole thing down and I re-started it more along the lines of Journey, like ‘Who’s Crying Now’ – type of feel to it. And we retained the song, which was a good song, and I think just having the whole band out, then they all join in on the 2nd part of the first verse – they came in as Uriah Heep. And I think it was a good new sound for them. “
THE PRESIDENT, 1983
From this Dutch band’s 1983 album By Appointment Of. This was also released as a single. Curious to hear from anyone who knows how this version was received in the Netherlands back then.
BLACK PEARL , 2011
I’ve included this version, even though it is a live video only as it features Stef Fontaine (I believe the vocal was re-recorded and dubbed in). Fontaine would replace Peter Goalby in Uriah Heep, briefly in 1986.
Rising hard rock force Upper Lip returns with their explosive second studio album, Devil’s Ride – an eight-track powerhouse that marks a bold and darker evolution from their debut record, Deep Within.
Following the success of their first release, Upper Lip ventures deeper into the shadows with Devil’s Ride, an album that explores betrayal from those meant to stand by us, the weight of internal struggles, and the eternal duality between good and evil. While the themes cut deep, the record ultimately carries a powerful message of hope – a call for unity and resilience in the face of pain, hardship, and forces that seek to divide and destroy.
Drawing inspiration from the raw blues fire of Rory Gallagher, the intricate acoustic textures of Bert Jansch, and the riff-driven mastery of Jimmy Page, Upper Lip fuse classic rock authenticity with unapologetic power. The swagger and grit of Guns N’ Roses and the explosive, anthemic energy of The Who echo throughout the record, shaping an album that honors rock’s golden era while forging its own commanding identity.
Notably, the track “The Castle” ventures boldly into heavier territory, with verses embracing classic heavy metal textures and dark tonal weight reminiscent of Black Sabbath, adding a brooding, ominous edge to the album’s sonic landscape.
Devil’s Ride was recorded at the iconic Temple Studios in Mistra under the guidance of producer David Vella, who also produced the band’s debut album. The record captures Upper Lip’s raw energy while elevating their sound into darker, more intense territory.
All the music and lyrics on the album were written by Joseph Azzopardi, showcasing his uncompromising creative vision and songwriting depth.
Speaking about the new release, songwriter Joseph Azzopardi reflected on the journey behind the album: “I love this record so much. It took a lot of work to get it where it is, but I think it really shows how much we’ve matured as a band. My favourite track on the album is Won’t You Listen because it’s a very personal song for me. What I really love about Devil’s Ride is how varied it is it merges different styles and influences, and that’s something I’ve always loved in a record.”
On vocals, Christopher Portelli, often hailed as the band’s very own Bon Scott, delivers a commanding and electrifying performance that channels pure rock ‘n’ roll spirit. Reflecting on the album, Portelli highlights one track in particular: “One of the songs I love the most on the album is Goddess of the Sun. I’m a massive old-school rock fan, and that song really captures that classic vibe that I grew up loving. Recording this album was also a big step for me personally as a singer I feel like I improved a lot throughout the process and pushed myself further vocally.”
Reflecting on the album, bassist Marcel Paul Grima shared his personal highlights: “My favorite riff on the album is from ‘The Duel,’ it really gives me that old western movie standoff vibe. The song I connect with most is ‘Won’t You Listen,’ because it’s about how stubbornness can create barriers between people, but also about not giving up. It was actually the most challenging song for me to get right, as it needed a very specific feel, but I ended up loving the vibe and melody it became. Looking back at our first album, Deep Within, I feel we’ve grown a lot as a band, both in songwriting and musicianship, and now we really know what we want.”
The rhythm section brings thunder and groove, with Marcel Paul Grima on bass and seasoned Finnish drummer Sami Karpinnen behind the kit. Karpinnen, known for his work with Therion and his collaborations and touring with Opeth, injects the album with dynamic power and precision.
The album’s striking artwork was created by local artist Peter Magro. The cover depicts an intense and symbolic scene: the devil behind the wheel, with two figures riding in the back — a powerful representation of the choices we make and the paths we choose. The imagery perfectly encapsulates the album’s title and underlying message: life itself can feel like a ride steered by temptation, but the direction remains ours to confront.
SWEET’s Live at the Capitol (Hannover 1991) will be released by Metalville on June 12.
For the very first time, Live at the Capitol (Hanover 1991) is being released in a carefully restored reissue as a CD digipack and limited-edition white vinyl.
Recorded at the height of their live power in the early ’90s, SWEET treat their enthusiastic audience to high-energy renditions of their classics as well as rare album tracks at this concert.
Alongside founding member Andy Scott, SWEET at that time consisted of Mal McNulty (Slade), Bodo Schopf (Eloy/MSG), Jeff Brown (Wildfire), and Steve Mann ( MSG/Lionheart).
Canadian rockers TEAZEreunited in 2019, I was fortunate to catch that first show in Windsor, Ontario. An energetic rock performance, and great evening. From 1976 to 1980 Teaze released 4 studio albums, plus the classic Tour Of Japan. Following 1980’s Body Shots the band split up, but their return has been most welcome, and with the release of last year’s Live In Leige, a new studio album seemed to be the next step. The first single, “Man Of Vision” is instantly likeable and recognizeable as Teaze, and among the 11 tracks, there’s a new take of their classic “Sweet Misery”, as well as an excellent cover of Rainbow’s “Man On The Silver Mountain”. More on Rev Your Engines in a few days. Check out the press info below, as well as “Man Of Vision”. The album comes out on CD, May 29 viaDeko Entertainment.
TEAZE, the iconic Canadian rock band, is back and stronger than ever, ready to captivate audiences on major stages worldwide. Known for their explosive sound and electrifying live shows, the band continues to build on a legacy that stretches back to the mid-1970s while proving that their best days are far from behind.
Formed in Windsor, Ontario, in 1975 by bassist and vocalist Brian Danter, guitarists Mark Bradac and Chuck Price, and drummer Mike Kozak, Teaze quickly earned a reputation for their high-energy live performances and powerful melodic hard rock sound. Their early albums produced fan favorites like “Rockin’ With The Music”, “Boys Night Out,” and “Sweet Misery,” helping the band build a loyal following in Canada, Europe, and Japan.
Now, decades later, Teaze is experiencing a resurgence. Recent live performances have drawn enthusiastic crowds, including sold out shows in their hometown region and memorable appearances alongside legendary acts. The band’s chemistry, musicianship, and passion remain undeniable, connecting longtime fans with a whole new generation of rock audiences.
The next chapter for Teaze arrives with their highly anticipated new album, Rev Your Engines. The album captures everything fans love about Teaze, soaring vocals, huge guitar riffs, memorable hooks, and the unmistakable energy that has always defined the band. At the same time, it introduces a fresh, modern edge that proves Teaze is not simply reliving the past but pushing forward with purpose and confidence. They just dropped their new single “Man of Vision” and as founding member Bradac comments, “Man Of Vision is a powerful rock anthem in the grand tradition of Teaze classics like “Heartless World” & “Touch The Wind”. MOV speaks of a righteous person living in a world of chaos, facing uncertainty, searching for truth, and rising above all fear.”
Rev Your Engines is everything Teaze has always been about, big guitars, powerful vocals, great songs, and that same energy that made people fall in love with the band in the first place,” says the band. “We’re proud of where we came from, but this album proves we’re not living in the past. This is Teaze, right now, louder and stronger than ever.”
As Teaze continues to perform live and prepare for the release of Rev Your Engines, the band is proving once again why they remain one of Canada’s most enduring and exciting rock acts.”
Rev Your Engines Man Of Vision Turning The Night Away Gotta Rock Let Me Go We Are One The Man On The Silver Mountain Wonder Can’t Stop Loving You City Of Roses Sweet Misery
NESTOR are set to present their thrilling live energy on record for the first time with new albumLive at Gothenburg Film Studios, out August 14 via Napalm Records! Originally formed back in 1989, the band took the international rock scene by storm with its comeback and first music releases in 2021, unleashing the debut album Kids In A Ghost Town (earning a Swedish Hard Rock/Metal Grammis nomination!). The following studio album Teenage Rebel (2024) entered several charts internationally (incl. #12 on Official German Album Charts and #19 in Sweden), and the band has gathered millions of streams on several of hits.
On Live at Gothenburg Film Studios, NESTOR showcase their nostalgic, ’80s-inspired melodic anthems in a new light — infused with their signature, radiant live presence. The band has won over live audiences around the world, from huge European festivals to the Monsters Of Rock Cruise in the U.S. and headline shows in Japan, and shared stages with legends like KISS and Europe. Now, the band is gearing up to release its first-ever live album. Make sure to pre-order your physical copy, and stay tuned for the first single!
Vocalist Tobias Gustavsson comments: “When I listen to Live at Gothenburg Film Studios, it becomes clear to me that it shows everything that NESTOR was about, from the beginning. A live performance with all the little quirks and mistakes that makes it human, a thing that I have learned to love even more in an era of AI generated music. Live at Gothenburg Film Studios is less clinical and more of a human experience in comparison to our studio albums and shows a different side of NESTOR. I hope you will enjoy it as much as we did recording it up on stage.”
Pre-Order Your Copy of Live at Gothenburg Film Studios NOW
Live at Gothenburg Film Studios treats fans old and new to a hefty selection of live versions of future classics from NESTOR’s celebrated catalogue. The band brings the heat with a new rendition of the track “Firesign” (originally from Kids in a ghost town, 2021) – catchy riffs and rhythms carry the heavily 80s-inspired, authentic sound that is topped with impressive rock vocals. The nostalgia-drenched following track “Teenage Rebel” (title track of the latest studio album, 2024) gets audiences singing along without a failure with its irresistible chorus that is accompanied with emotion-loaded melodies and massive riffs. Further highlights of this extensive, 16-track offering include a live rendition of one of the biggest NESTOR hits to date, “On The Run” (also from the praised debut Kids in a ghost town, 2021), featuring epic, AOR-inspired keys and guitars, and another one of the band’s possibly catchiest singalong-choruses so far.
This comprehensive live album, available even as a DVD, draws from NESTOR’s impressive repertoire of arena-worthy anthems and rock ballads, polished with the very best AOR and classic 80s rock influences. Without a doubt, NESTOR continue their steady mission to restore the glory of rock!
TRACK LISTING: “Intro” “We Come Alive” “Kids In A Ghost Town” “Stone Cold Eyes” “Perfect 10” “The One That Got Away” “Last To Know” “Unchain My Heart” “Signed in Blood” “Victorious” “Caroline” “Firesign” “On the Run” “Teenage Rebel” “1989” “It Ain’t Me”
Live at Gothenburg Film Studios will be available in the following formats: 2 LP Gatefold MARBLED TRANSLUCENT REPTILE – Napalm Records Mailorder only (strictly limited) 2-LP Gatefold SOLID RED 1-CD + 1-DVD Digisleeve, 12p Booklet
NESTOR LIVE 2026: Festivals 7/17 — Laukaa, FI — John Smith Rock Festival 7/25 — Mönchengladbach, DE — BOBfest 7/31–8/1 — Turku, FI — Baltic Metal Storm 8/15 — Falköping, SE — NestorFest 2026 8/19–8/22 — Haddeby, DE — Baltic Open Air
Outsider Rock 