Tag Archives: Bakerloo

Album of the Day: BAKERLOO’s lone 1969 LP

British blues-rock trio Bakerloo was a short-lived outfit, who’s debut album became highly sought after, not just for solid heavy blues-rock on it, but also for the connections of the players involved. Bakerloo guitarist Dave ‘Clem’ Clempson – who would go on to Colosseum, Humble Pie, Rough Diamond; drummer Keith Baker – who would join the pre-Supertramp band ‘Daddy’, and then Uriah Heep where he’d tour and play on the Salisbury album, and bassist Terry Poole, who would later work with Graham Bond, and with Colin Blunstone (Zombies). Baker wasn’t the band’s first drummer, there were many – including Bill Ward (before him) and Cozy Powell (after him), but Baker was there for the majority of 1969 when the band recorded their lone LP. Released in the UK & Europe, Bakerloo consisted of 7 tracks , largely written by Clempson & Poole, It’s pretty heavy blues, blues-rock,a bit of jazz, jams, a few cuts without vocals. Clempson and Poole also sang a few songs each, and Clempson was also credited with harmonica, Harpsichord, and piano.

Bakerloo highlights included the Willie Dixon cover “Bring It On Home”, as well as “Gang Bang” – which is the lone track to include Keith Baker on the writing credits, and this is likely due to almost half of the track being a drum solo! There’s also the fast, energetic opener “Big Bear Ffolly”, and the 15 minute “Son Of Moonshine – which is an epic of blues rock, proto-metal, and a few tempo changes, a must hear for Clempson’s guitar playing.

There have been a few CD reissues of this, but the 2013 Esoteric package includes 5 bonus tracks, liner notes from Malcolm Dome, an interview with Clem Clempson, as well as various images – a much better prospect than holding out for an LP w/ original gatefold cover, which can fetch 200-300 $ US.

BAKERLOO “Bakerloo” (Harvest SHVL 762 stereo).
IN the nouveau manner of jazz- rock fusions. Bakerloo are yet another group more musically competent than most. They tend to use attractive jazz percussion work combined with mediocre material-but basically they are a quality outfit. Musically, this LP is worth listening to-they are good. Interesting to hear further records. * * * * – Record Mirror, Sept 13, 1969