Tag Archives: Quiet Riot

MARK HUFF – Dark Mile (interview)

American singer Mark Huff became known to hard-rock/metal fans in 2010 when he took on the frontman’s role in a reformed Quiet Riot, following the passing of Kevin Dubrow. A difficult task, no doubt. His tenure with the band ended in 2012 with health issues, and Huff would return once healthier and sing in various projects. Last year he joined DARK MILE, a new band put together by Paul Alfery (guitar/keyboards) and former Dio guitarist Tracy G., and along with bass player Randy Oviedo put out their excellent self-titled debut album. I recently spoke with Mark about his past, his various other bands, Quiet Riot, and the Dark Mile CD, as well as what else is on the go. If you haven’t checked out this album yet, I highly recommend it!

Who were some of your favorite singers you grew up on?

Don Henley, Phil Collins, Paul Rodgers, Robert Plant, Steve Walsh.., and the list goes on. 

Did you buy a lot of albums growing up? Do you still keep an album collection?

I keep a few albums, tapes etc. I still have – Eagles Hotel California, Steve Miller’s Book of Dreams, Nazareth Hair of the Dog, Kansas Point of No Return, Kiss Alive signed by Paul and Gene, and a bunch of well-worn Led Zepplin, Steppenwolf, Deep Purple Machine Head… 

What other bands did you grew up on?

Beatles, Golden Earring, Bad Company, Eagles, Aerosmith, Kansas, Cheap Trick, Cars, Ted Nugent.   

So when you landed in California, what were some of the first bands you got involved in?

That was OU812. That was a good friend of mine named Angel Llanos. He’s still there in San Diego. He does a tribute to Carlos Santana, and he stays real busy doing that.

0U812, 5150/ Atomic Punks, Lead Foot Overdrive,             

What were some of your favorites from that Van Halen era of Sammy? Do you have any song preferences from that era?

5150, We played all the hits from the Van Hagar era and a few obscure deep cuts – “Right Now”, “Dreams”, “When It’s Love”, “Black n Blue”. With 0U812, we did ANYTHING SAMMY – Montrose, solo songs, Chicken Foot, The Wabo’s….             

That’s good. I love all those albums. 5150 was a favorite of mine.

I think that my covering of the vocals of the Sammy era, live and on video, are what got me recognized and a call from Frankie Banali.

Cool, and the Deep Purple stuff you did as well?

‘Deeper Purple’, we covered songs from, I think, all three singers. That was fun to me and that was always a challenge too.

During this time prior to Quiet Riot, had you done any recording stuff or any kind of original stuff?

Prior to Quiet Riot, I did a project with a band called ‘Leadfoot Overdrive’ in San Diego and Jeff Poremba, Steve Bernstein, Greg rupp and Mikey Panone. No releases but a great project. I still have recordings. 

So that stuff you did prior to Quiet Riot, some of that was original stuff?

Yes, all original songs.

And the Quiet Riot thing, you were there with Frankie and the guys had been there for a while!?

Yes. Frankie ,Chuck Wright, Alex Grossi (he’s still playing).

With Quiet Riot, I know you were there for a couple of years, did about 40 shows. I know it didn’t end well, but what were kind of the highlights while you were there?

All a learning experience through a time I wasn’t physically well. But biggest crowd was in Germany ‘Bang Your Head Festival’, maybe 30,000 + the travel and locations I will never forget.  I was fortunate to be included in many shows alongside people I had to pinch myself to question the reality. It was all an honor and a privilege. Doing a show in the mountains, snowing outside, stage is outside and at that elevation, they offered oxygen tanks if you needed to take a pull on stage. Shout out to all the kind people along the way!   

Was there any opportunity or talk of doing anything original while you were there?

The possibility was discussed, but I wasn’t there long enough to see it happen 

Post-Quiet Riot, you’ve done some other things as well, at least one or two albums?

‘Steel Imagination’ doing covers, and ‘Endangered Species’ – all original; I have recordings of that as well

I did some music with Craig Goldy. After I was well enough and anybody locally thought that I was ready to start getting involved in music again, he was one of the people that approached me too; that was probably from seeing me play in a ‘Deeper Purple’ show at Brick by Brick.

Greg and I worked on some stuff, and he was the first initial one to kind of … ‘baptize me’ with trying to record from home. We did everything from my house, and he mastered everything at home. And that was a learning experience, and he was the one that kind of helped me feel like I could still do this. We aspired it to do other things with it, but… it was more about the politics of who I sang with…and maybe politics for him personally too, I don’t know. I did that with Craig and those things were called ’13th Floor” (live, this was Endangered Species).

And then I hadn’t done anything for a while and I went to Florida, did a show with a band called Trixie Lee Taylor (with Taylor Murphy). I was blessed that people cared about me, wanted to be involved with me and for anything that was positive that way. I got to bounce around a little bit. And then after that I got approached, by someone on the phone, from up your way there in New York. And (he) approached me about doing some music. He already had songs written. And again, he kept me active in music and stuff and that didn’t work out. So, we’re at where we are right now.

You did an album in 2017!?

It was called ‘Steel Mountain Crossing’.

What was that about?

I was contacted by someone who wanted to make some music with me. We made some recordings, originals and a few covers. None of my songs. We are on opposite coasts so it was too hard to do long distance at the time. Creative differences but we gave it a go.   

You eventually met Paul Alfery and Tracy G, and they’ve started this Dark Mile project. What did you think about that when they approached you with it? I think they had a lot of the songs written before you joined, correct?

Paul Alfery contacted me via a musicians’ app called ‘Band Mix’. My profile only states that I am a professional singer looking to stay active. Paul said a project he is working on needs a vocalist to finish a song, possibly more. We get through the song as we come to know who is in this project…. Tracy G, Paul Alfery, Randy Oviedo. So out of respect to these gentlemen, I had to reluctantly let them know that I was that guy from QR. When anything on the internet about you is not very positive, the last thing you would want to do is brag about any of it. I wanted a job where I didnt have to act, look, or sound like any one or thing except me.   You can always be compared to someone else, the look, the sound. I appreciate this opportunity. My vocal spot here is…,I sing.,I have not written any of these songs. I give input. We collaborate. And these guys make it super simple for me.  We tweak the melody, words here and there. Come up with another verse, float it around to each member until it works. 

You did all the vocals from home?

Yes I did.

And were all the lyrics done for you? Or did you have to tweak a few here and there?

Every song comes to me differently. We tackle each song differently depending on what Paul has planned. The process gets better all the time; practice makes perfect.

Do you have a favorite, any favorite tracks on there? Or are you just all, you’re happy?

I like “The Boy” and I like, “He Said, She Said”, “Maybe On A Sunday”,…”Can’t Help You” …We are proud of the efforts, it’s all my favorite!! 

How far along are you guys with the second album?

Just a couple songs to finish, we just finished a ballad for #2.. We thought we should put one on there. 

Will it still maintain that kind of that 80s hard rock vibe?

That’s hard for me to say without hearing mastering, but it sounds great!!

Has there been any discussion about doing any live shows at some point?

We are prepared to do live shows in support of our music if warranted.  I’ve been doing my parts, I have them tattooed on my brain and I’m ready to do this live, no problem… We all are!

What else are you involved in right now?

I’m working on doing something local soon, some recording.  

What’s the live scene like where you are?

My friends Jeff Mills, Lynn Sorenson are active in the scene here. It’s about time for an open mic drop. People are getting back to entertainment!                                                  

Lynn Sorenson, he was on a couple, he was on the Stuart Smith album with Heaven and Earth.

Yes, he was. Lynn lives north of me. He stays busy doing what he loves. He’s played with Bad Company for a while, Paul Rogers and stuff. He’s a string player, he plays anything with strings, but he’s a great singer as well.

Cool. Lastly, do you listen to, you’re familiar with any Canadian bands?

Kim Mitchell, Loverboy, Honeymoon Suite, BTO, Rush, April Wine, Triumph, Mahogany Rush, The Guess Who, Steppenwolf…

I used to play the club circuit from all of Washington and Oregon, and all the way to the Canadian border. And we were playing Port Angeles. We had a guy in the audience for the whole night, and it was an off night, (early in the week), but he was very appreciative, and we got talking to him and it was Randy Bachman! He was going to catch his ferry back over to Victoria. We used to cover a lot of Loverboy, “Working For The Weekend” and “Turn Me Loose”, a few songs… April Wine was one of my favorites too, as far as the 3-guitar piece band, and the vocals and everything; we did a few April Wine songs too,

Anything else you’re listening to these days?

The works of Tracy G. The Winery Dogs, Myles Kennedy and everything that still inspires me! 

LINKS;

https://www.instagram.com/darkmileband/

http://www.prideandjoy.de

QUIET RIOT release new track featuring Kevin DuBrow and Frankie Banali

QUIET RIOT , the LA band that originally featured guitarist Randy Rhoads, as well as frontman Kevin DuBrow, and longtime drummer Frankie Banali. QR were best known for being the first LA metal band to have a number One album with Metal Health, which had been released in March of 1983 and hit #1 on the Billboard charts in November. That success is often regarded as the turning point for the LA metal scene with major record companies rushing to sing numerous other metal bands. The band’s follow up album Conditional Critical was less successful, and the band would never returned to their massive success as they had in ’83. Line up changes would take place over subsequent albums, followed by breaks, reunions, reformations, etc… DuBrow released a fine solo disc of covers titled In For The Kill in 2004, and in 2006 QR released Rehab. Sadly, DuBrow passed away a year later in November of 2007. A few years later Frankie Banali would resurrect the band, going through years of changing singers, while the band also included guitarist Alex Grossi and bass player Chuck Wright, who’d worked with the band before, even played on a few Metal Health tracks (including the title track). QR even recorded a few new albums in more recent years. Banali was diagnosed with cancer in October of 2019, and sadly passed away in August of 2020. The band carried on, and in 2021 Chuck Wright left the band, and Rudy Sarzo returned.

The ‘new’ track was from the Rehab era, written by Dubrow & Grossi. It features DuBrow, Banali, Grossi, and bass from Rudy Sarzo, as well as a few added players, such as Dizzy Reed on keyboards (Reed plays alongside Grossi, current QR drummer Johnny Kelly, and WASP bassist Mike Duda in Hooks & Blow). The song “I Can’t Hold On” is a classic melodic power ballad. I’ve played this track a dozen times and it’s got to be one of the best things the band ever recorded. In another decade “I Can’t Hold On” would’ve been a major hit. But it is something special to hear this now. The accompanying video was directed by Regina Banali (Frankie’s widow), and it is a moving video featuring plenty of photos and film clips of DuBrow and Banali, pesonal clips of Banali in his last days, as well as recent clips of Grossi and company putting the song together, with Sarzo adding bass in the studio. Apparently there are more tracks that were started by Frankie Banali, and the band is looking to release a full album next summer.

Quiet Riot is also reissung Rehab (digitally) at present. The single “I Can’t Hold On” is available on digital platforms (Spotify, Amazon US…).

Links:

https://www.facebook.com/quietriot

https://www.quietriot.band/

https://www.metaledgemag.com/metal-wire/quiet-riot-share-newly-unearthed-kevin-dubrow-and-frankie-banali-era-song-i-cant-hold-on

https://www.facebook.com/HNBMerch

https://www.facebook.com/MissyWhitneyQuietRiotSquad

QUIET RIOT – Keep On Rollin’: the book!

Aside from a great new single, Quiet Riot and Kevin DuBrow are also the topic of a new book titled Keep On Rollin’ : My Fan Club Years with Kevin DuBrow & Quiet Riot, by Missy Whitney, who ran the band’s fan club in the ’80s. The book has been in the works for years and is now ready. It includes photos from Mark Weiss and Ron Sobol. Watch a quick preview of the book below and check out the press release, ordering info, and links at the bottom.

Quiet Riot released their debut album Metal Health in 1983. The band made history as the American heavy metal debut album ever to reach No. 1 on the Billboard charts in the United States. Quiet Riot’s Metal Health ultimately sold over six million copies in the U.S. and was
credited with leading the way for other heavy metal bands worldwide to find their success.
After guitarist Randy Rhoads and bassist Rudy Sarzo left the original Quiet Riot lineup to join Ozzy Osbourne, Kevin DuBrow picked up the pieces. He started his band under the name DuBrow. And from 1980 – 1982, he played tirelessly in Southern California clubs with multiple
musicians until he found the lineup—Kevin DuBrow, Frankie Banali, Rudy Sarzo, and Carlos Cavazo.
Missy Whitney worked alongside DuBrow in promoting his band to secure a record deal from the very beginning. DuBrow played a total of 106 gigs (Whitney reports) where she was in attendance, growing the band’s support and fan base.
In September 1982, producer Spencer Proffer signed the band to a U.S. recording contract with CBS Records and recorded Metal Health. And with the release of Metal Health, Whitney continued to work with the band in an official fan club capacity by running the Quiet Riot Squad.

She was instrumental in connecting fans to the band, pre-social media, and developing fan newsletters, merchandise, and fan street teams across the U.S. Writing about her time working with DuBrow and Quiet Riot, Whitney completed her memoir entitled, “Keep On Rollin'” – My Fan Club Years with Kevin DuBrow and Quiet Riot in 2020. In it, she shares her unique experiences working alongside Kevin DuBrow and Frankie Banali. In her book, she discusses DuBrow’s untimely death in 2007 and pays tribute to Frankie Banali, who recently died of pancreatic cancer in August of 2020.
The book is a collection of personal photos and handwritten letters from Kevin DuBrow. Plus, contributing photographs (and book cover) from iconic photographer Mark Weiss and early Quiet Riot photographer Ron Sobol.
Missy Whitney and Mark Weiss partnered in 2020 and published under Mark Weiss’ new publishing company MiMa. Quiet Riot’s bassist, Rudy Sarzo, wrote the book’s foreword and Laura Mandell (Kevin DuBrow’s mother) wrote the afterword.

Keep On Rollin’ is hardcover, 208 pages.
Links for purchase:
$35 for book
https://py.pl/1Kb4C6
$45 for personalized book with collector’s guitar pic
https://py.pl/B2IY1

(for international orders, contact keeponrollin2021@gmail.com for shipping rates)

ABOUT THE CONTRIBUTORS:
Mark “Weissguy” Weiss is a world-renowned photographer who has traveled the globe photographing legends from Quiet Riot, Van Halen, Ozzy Osbourne, Aerosmith, Metallica, Guns N’ Roses, Bon Jovi, and KISS. His photographs have been published in thousands of magazines worldwide. He is responsible for two of the era’s defining album covers, Bon Jovi’s Slippery When Wet and Twisted Sister’s Stay Hungry. His inimitable photographs helped craft the visual imagery of rock and metal in the 1980s.
Ron Sobol, Quiet Riot photographer (1975-1980). Writer, producer, and director of Randy Rhoads: The Quiet Riot Years.
Foreword contributor Rudy Sarzo is best known as the bassist for the heavy metal rock band, Quiet Riot. Also known for playing with such heavyweights as Ozzy Osbourne, Whitesnake, Dio, Blue Oyster Cult, and The Guess Who.

QUOTES:
“I want to say kudos to what you guys (Mark Weiss and Ron Sobol) for what you are doing with Missy’s book because very little is known about the DuBrow period. In 1979 when Randy Rhoads left for Ozzy Osbourne—the period of Missy’s book ties the previous Quiet Riot, Metal Health,
the world knows today. This book celebrates Kevin DuBrow, Frankie Banali, and Randy Rhoads. And it should be in the collection of—not only Quiet Riot and Ozzy Osbourne fans but in the collection of every music fan. I am honored to do the foreword because I was there and Missy
was the O.G. fan club president.” —Rudy Sarzo, Quiet Riot

“Missy was looking for photo for the cover of her book and my photo was really special to her because she gave Kevin that necklace. He wore it on a one of my photo shoots, he wore it all the time, but it was really prominent in this one photo—which is going to be the cover. Her
manuscript was just so genuine and pure—I thought—I gotta get involved with this. I think that people are going to see Kevin in a different way—that I think needs to be shown.” —Mark “Weissguy” Weiss

Fan Review:
I can’t recommend anything more strongly than I will recommend this. Any Quiet Riot fan or music history enthusiast would be lucky to count this among their archives. Missy shows us sides of both Quiet Riot and Kevin DuBrow that have been lost to time or reserved only for
those lucky enough to have been close to the band in its initial stages – she shows us who DuBrow was on and off the stage in his early days, drawing readers in with candid accounts of her friendship with the man himself. Following DuBrow’s example, she gives an honest account of her time as the Quiet Riot Squad president and a friend of the band that will evoke nostalgia for those who lived through the glory days and a yearning for those who were too young to have been there. Accompanied with rare photographs, a foreword by Rudy Sarzo and
an afterword by Laura Mandell (DuBrow’s mother), Missy has built a wonderful tribute to a dearly departed friend that will make readers feel as if they had known him as well. — Shelby Geisert, Grand Valley, CO

Links:

https://www.facebook.com/MissyWhitneyQuietRiotSquad

https://www.facebook.com/MarkWeissPhotography

CHUCK WRIGHT – Makes Solo Debut

American bass player (& songwriter) Chuck Wright has been a part of several major bands over the decades, though best known for being the long time bass player in Quiet Riot (going back to playing on a few tracks on the legendary Metal Health album, to Guiffria & House Of Lords, Blackthorne (supergroup w/ Graham Bonnet), as well he was a member of Heaven & Earth (playing and writing on 2013’s excellent Dig album).

This past summer it was announced that Chuck was leaving Quiet Riot and moving on to other projects (like this solo album). This guy’s list of credits is extensive and outstanding, not just the bands that he was a member of (https://www.discogs.com/artist/136623-Chuck-Wright).

Chuck has just released a video for “Army Of Me” from his forthcoming solo album. *Check out the press release and link to video and download below.

https://archive.blabbermouth.net/news/quiet-riots-chuck-wright-on-rudy-sarzos-return-ive-supported-the-band-for-40-years-and-will-continue-to-do-so/

QUIET RIOT’s Longtime Bassist CHUCK WRIGHT Releases First Official Single & Video “ARMY OF ME” From His Debut Solo Album, CHUCK WRIGHT’S SHELTERING SKY!

Los Angeles, CA – Long-time bassist for multi-platinum rockers Quiet Riot, Chuck Wright, proudly presents the release of the first single from his new solo album. Wright has also worked alongside such rock music luminaries as Alice Cooper, Greg Allman, Ted Nugent, various members of Guns N’ Roses and Kiss to name a few, and now embarks on his first-ever solo excursion.

The first single is a hard-rocking, intense interpretation of Björk’s 1995 hit “Army of Me” and is accompanied by a video that represents Wright’s exploration into disorder and parallels with the recent chaotic state of world affairs. The visuals include a 3D animation of an “army” of Ruth Bader Ginsburgs, the late Supreme Court Justice, feminist icon, and steadfast advocate for women’s rights and gender equality. “I chose to recognize the late Justice Ginsburg in this video as she was such a formidable presence on and off the bench. She challenged the status quo knocking down legal obstacles to women’s equality and inspired an army of believers.”

The track “Army Of Me” features several of Wright’s musical peers including the late Pat Torpey (Mr. Big) on drums, guitarist Lanny Cordola (House of Lords), and Sven Martin (Jonathan Davis Band) on keyboards along with songstress Whitney Tai, the recent “Best Vocalist” winner at The Intercontinental Music Awards.

Watch the video: https://youtu.be/BeORufRPfVo
(Mixed by Tim Janssens)

Stream/download the single: https://orcd.co/chuck_wrights_sheltering_sky_army_of_me

The full-length album from Chuck Wright’s Sheltering Sky, coming in 2022, features over 30 guest performers including members of Mr. Big, Skid Row, Tesla, Dream Theater, Great White, Asia, Jefferson Starship, acclaimed solo artists Allen Hinds, Toshi Yanagi, and many others. Wright is finally stepping out on his own with a wide range of genres, from Jazz Fusion, Prog, Funk to in-your-face Hard Rock, which was in itself one of the things that led him to want to forge his own way and create this unique collection of songs within his “Sheltering Sky” project.

Top photo: Mari Kawaguchi

For more information:
www.chuckwright.com
Facebook: www.facebook.com/ChuckWrightOfficial  
Instagram: @chuckwrightbass

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/

11/”21

Kevin DuBrow – 2004 Interview

 November of 2017 marked 10 years since Kevin DuBrow’s passing. This was an interview I did with him in 2004 to promote the release of his solo album In For The Kill. It was one of my favorite interviews. Kevin had a love for a lot of the same great ’70s hard rock as myself, and was very easy and down to earth to talk with.  Quiet Riot [who lead the LA scene in the early 80s] were huge in the ’80s, and although the band was past their peak at this point, DuBrow could still belt ’em out. RIP. 

 Kevin DuBrow was the frontman for legendary LA metal band QUIET RIOT since the mid ’70s.  Back then the band was relatively unknown outside of the LA scene, but also featured a young guitarist named Randy Rhoads. A few years later Rhoads would become internationally known playing on the first 2 Blizzard of Ozz albums [before passing away in a plane crash in March of ’82]. DuBrow however had kept the Quiet Riot name going with guitarist Carlos Cavazo, drummer Frankie Banali [later to work with WASP] and bass players Rudy Sarzo [also with Ozzy’s band] and Chuck Wright. The band was a huge success in the early ’80s with such albums as Metal Health and Condition Critical, both of which featured a few hit singles and great videos. [most notably a Slade cover on each!] 


By ’87 DuBrow was out of the band [following QR III], but revised things in the early ’90s following a short stint as ‘Heat’ with Cavazo. From 1993 to 2001 Quiet Riot would release another string of CDs before splitting in the fall of 2003.
In May of ’04 Shrapnel Records released Kevin DuBrow’s solo album In For The Kill, which was an album of covers, mostly obscure ’70s classics by the likes of Deep Purple, Nazareth, the Sweet, Montrose and more. DuBrow had also put together a new band and was on the road as part of the “Bad Boys of Metal” Summer tour, which also featured Jani Lane [ex Warrant singer, RIP] and Steven Adler [ex of Guns N Roses].  

You can still find In For The Kill on Amazon. Frankie Banali still carries the Quiet Riot flag these days – touring, and a new album > https://quietriot.band/

Q – Can you tell me a bit about your new solo album?
K – In For the Kill was something I was approached to do in December of last year by Mike Varney from Shrapnel Records. He wanted me to do an album of all cover tunes; actually he wanted Quiet Riot to do it, but Quiet Riot had broken up in September. So, it was something I wanted to do for many many years; I had planned on doing with Quiet Riot drummer Frankie Banali. I had the songs selected already, so it happened very quickly. We agreed on a price, we agreed on the songs, we went in the studio within 10 days.

Q – So, it was pretty quickly done!?
K – Yes, we just had to find the right musicians. Some guys he had lined up to do it, and one guy I really wasn’t thrilled about using, so we changed one of the players, and we got in a great line-up of guys. He has this great guitar player named Kevin Curry that’s just really got the spirit of the thing down, because it’s a real 70s album in the sense that it’s all songs from that era and the 80s guitar players wouldn’t really be able to cop the feel correctly. So we got Kevin Curry who really pulled it off well. He got Michael Lardie, who was going to record & mix it and also ended up co-producing it with me. He’s super-talented and a really nice guy.

Q – How did you go about picking the songs?
K – They’re obscure covers, like b-sides and outtakes. There’s only one well known song – ‘Stay With Me’ [by The Faces]. Otherwise, it’s ‘Red Light Mama’ [by Humble Pie], ‘Burn On The Flame’ [by The Sweet], ‘Good Rocking Tonight’ [by Montrose], ‘Rolling With My Baby’ [by Silverhead], ‘Drivin Sister’ [Mott The Hoople]. Most of these songs have not been covered before.

Q – That’s good, because most cover albums tend to feature the same songs over and over.
K – Correct. I didn’t want to do ‘Smoke On The Water’, Again!

Q – Why an album of covers as opposed to an album of originals?
K – Because when you do an album of covers every song is great, when you do an album of brand new songs, only a few songs are great. He [Mike Varney] didn’t really want to do a new album from me at that time although I have a whole album’s worth of material written. I wanted to do an album with Glenn Hughes, my good friend from Deep Purple. We’ve been friends for a long time and we’ve been wanting to do something together for a long time, and we probably will next year. But this is what he wanted to do. So, it was an easy way for me to release a record quickly. I was not objected to it at all.

Q – How did you approach doing the covers? There’s a few cover albums out there where they kind of do a note for note cover and then you get a few others that are a bit more experimental.

K – I’m in the middle. I did the arrangements very similar to the originals, but they weren’t note for note. They were with our personalities. We didn’t try to copy the originals but we didn’t try to do it like, say … some of those Hendrix cover albums, where they completely re-do them.

Q – Who else is on the album, other than Kevin [Curry, the guitar player]?
K – Michael Lardie played keyboards and produced with me, Jeff Martin [from Racer X] is on drums, and a guy named Gunter Nezhoda’s bass.

Q – Who’s in your touring band?
K – Jeff Martin on drums, Chuck Wright on bass, and Alex Grossi on guitar. It’s a really good little band.

Q – Are you doing a lot of the covers or mixing it up with the Quiet Riot stuff?
K – We’re doing 3 songs from ‘In For The Kill’ and the rest is Quiet Riot stuff.

Q – Are you changing the 3 around?
K – The same 3. The 3 that I really like doing – ‘Burn On The Flame’, ‘Red Light Mama’ and ‘Good Rocking Tonight’.

Q – Was there any songs that you recorded or considered recording that you took off or decided against at the last minute?
K – We started to record ‘I Ain’t Superstitious’ by The Jeff Beck band, and right at that time we started having major equipment problems, so we took it as an omen that we were done with the tracking.

Q – Growing up and listening to a lot of the early 70s stuff, did you have much of a preference of the British bands or the American bands?
K – I liked the British bands much better. I mean, I liked Montrose. That was the only American band from the 70s I liked. I didn’t care for many American bands. I was a big British rock guy.

Q – Humble Pie!?
K – Loved them! … Free, Spooky Tooth, Bloodwyn Pig – all that stuff! We did a song by Quatermass, ‘Black Sheep Of The Family’.

Q – That’s the Rainbow song!?
K – Yes, that’s the same song. They covered Quatermass’ version. I did the Quatermass’ arrangement.

Q – What will you follow this album up with?
K – I’m going to do an album of originals later in the year. I’ve got the songs written pretty much. And I want to do it with, like, say Glenn, Frankie Banali on drums, somebody cool on guitar, somebody real ’70s’ on guitar; like a Ronnie Montrose or Pat Travers – somebody like that. Someone that’s got that whole bluesy thing going on. I don’t want to use somebody that’s a real ‘Whammy’ Bar, 80s kind of a guy – I’m sick of that kind of guitar playing. There’s nothing wrong with it, I’ve just had my fill of it for a while. It doesn’t have a lot of feel to me.

Q – Are you nervous about being out as a solo artist as opposed to being part of a band?
K – I never even think about it. I’m just out there doing what I feel I need to do for myself. I was always the main songwriter in Quiet Riot, and the lead singer, so whatever I do is going to have a certain distinctive sound to it. It’s up to the people, if they like it and purchase and come see me play. I always try my best to give a good live show.

Q – What’s the status of the guys and Quiet Riot? I know you’re friends with Frankie. Do you have any intentions of working with those guys in the future?

K – Me and Frankie are definitely going to do something together again. I haven’t spoken to Carlos since the band broke up. Definitely, Rudy Sarzo won’t be involved in anything having to do with anything I do for the rest of my years on this planet. Life’s too short. I want to do things that make me happy, not things that make me miserable.

Q – I take it, it was a frustrating time over the past few years!?

K – OH yes, very unpleasant!

Q – The last few albums you guys did weren’t too bad. I liked ‘Alive & Well’ a lot. What did you think of that period as far as the albums were concerned?

K – Some songs were better than others. I liked the guy that produced Alive & Well, Bob Marlette. He was real easy to work with. He made it real easy. He really knew how to use the Pro-Tools technology. The song ‘Don’t Know What I Want’ [from Alive & Well] was one of my favorite songs I’ve ever written. There’s some other songs on there…once again, I don’t like to write by committee, so when you get people involved in the songwriting process that aren’t songwriters it can be difficult and frustrating. ‘Guilty Pleasures’ was a lot easier to write, but the guy that produced it wasn’t really a producer, didn’t know what he was doing, so it made the mixing process difficult. I prefer the ‘Terrified’ album we did in ’93. I really like that. It’s heavier, it’s angrier; it’s ballsier, less pop-ish. But the rhythm section … we couldn’t play blues oriented stuff…..

Q – Who’s idea was it to do the remakes on the Alive & Well album?
K – That was Cleopatra’s idea. I hated the idea. I hated the way they turned out too; they’re awful!

Q – Was it just a quick sell idea?
K – Yes, that was their idea. I thought it was just garbage. I can’t express how much I hate those versions.

Q – And you did the AC/DC song on there?
K – That was different. That was for an AC/DC tribute album, and I really quite liked the way that turned out. That was on a one-day recording from beginning to end. It had a lot of energy and a lot of spark and we did it our own way. That I dug.

https://www.youtube.com/watch?v=PpSRmibU9EE

Q – One thing I like about you guys that you could always recognize, from Terrified, Live & Well, and the earlier ones, that not just because of your voice, but it’s obviously the same band and you never got in to all the experimental crap that the ’90s had.
K – It wouldn’t have been believable from us.

Q – Another thing I’ve always liked about the band is Frankie’s drumming, because he’s one of those drummers that you can actually recognize the drums with.
K – Great drummer! Cozy Powell was like that too. And playing with Frankie is a joy because of that reason.

Q – If you listen to the stuff he did on the WASP albums, he makes a world of difference.
K – For sure.

Q – Was it ever frustrating during the late 80s / early 90s, where you’re connected to that 1 [or 2] albums that were huge and then not getting that same backing again?
K – No. That’s the nature of the business. It’s sort of like evolution. In the evolutionary scale dinosaurs die off and certain animals eat their young. It’s the nature of the business. The business eats it’s young.

Q – You had a few other things during the late 80s/ early 90s, like ‘Heat’!?
K – That was basically me and Carlos doing Quiet Riot with a different rhythm section.

Q – What else do you have in the works?
K – Well, this tour starts, and that’s going to be my big focus. It should be really interesting – 11 guys on a 12 bunk bus starting next week for a month. It should be insane

Q – What are some of your own favorite recording moments?

K – I really like ‘Don’t Know What I Want’ [from Alive & Well] because I really love the song. It turned out so great. ‘Love’s A Bitch’ was great. We did ‘Metal Health’ because it turned out so much different than we expected it to turn out. ‘Bang Your Head’ was probably one of my greatest moments because it sounded like I envisioned it to sound when it was done.

Q – Your album’s not so much ‘metal’. Do you perceive yourself getting away metal stuff and doing more things like blues-rock?
K – Yes, hard-rock / blues-rock – like Free and Humble Pie. But, if Quiet Riot got back together next year we would do a very metal record. And if Quiet Riot ever does get back together I want to continue doing solo stuff because Carlos Cavazo is not a very bluesy guitar player. He can’t do the bluesy stuff I want to do – which is OK, because he sounds right for Quiet Riot. I’d like to do other things. 

Q – Can you tell me any of Randy’s guitar influences?
K – Yes, Bill Nelson from Be-Bop Deluxe; he loved him. He loved Johnny Winter, Leslie West, Glen Buxton from the Alice Cooper Group, Mick Ronson.

Q – What did you think of the 2 albums he did with Ozzy?
K – I thought they were produced badly, I didn’t think they sounded good [I still don’t]. I think the guitar playing was great. I think some of the songwriting’s very cool.

Q – What did you think of that original line-up with Bob & Lee?
K – It was good. I think that Bob’s a great bass player, a really inventive songwriter, and Lee is a great basher drummer and plays what’s right for the songs. That was the band to me.

Q – Are you familiar with Bob & Lee’s stuff with Uriah Heep?
K – I know Lee’s still with Uriah Heep. I saw Uriah Heep a million times. I got to meet Lee and Trevor Bolder. When Metal Health came out in 1983, we were in France and the French record label took us out to dinner and Heep was playing the same city. And Trevor Bolder was a HUGE hero of all of our’s, being with Bowie, and he was in Uriah Heep. So, we took Lee, Bob and Mick Box out to dinner with the French label. And, it was great! I saw Uriah Heep open for Deep Purple in like 1971 and they blew Deep Purple off the stage! So, we loved the guys. And Randy Rhoads adored Lee! He thought he was the greatest guy. And he’s the one who told me Lee wrote all the vocal melodies that Ozzy sang. I’ve not met Bob Daisley in person, but I have had correspondence with him over the e-mail, he seems like a really nice guy.

Q – Do you have any favorite old Heep songs?
K – We almost did one for this [solo] album. We were going to do ‘Tears In My Eyes’, but when I went to sing it, it really wasn’t in the register for me. I really wanted to do ‘Stealin’, but Mike Varney wouldn’t let me do it; he thought it was too down tempo. So, I’ll do it the next time.
I was a huge Uriah Heep fan. I loved all the bass players – Mark Clarke, Gary Thain…

Q – Yes, Mark Clarke went on to Billy Squier and was in to a bunch of stuff…
K – He was in a band ‘Tempest’; I loved them – with Alan Holdsworth and John Hiseman. I’m a huge collector of that stuff.

Q – What are you listening to these days?
K – I just got the Jeff Beck ‘Live At BB Kings’ in the mail today [because you can only get it from the web-site]. I love that; it’s really recorded well. I love Jeff Beck. I’ve been listening to some Type O Negative. I don’t buy too many records. I don’t like much new stuff that comes out, doesn’t really interest me.

Q – Do you find yourself [like me] looking for older bands with new albums?
K – Kind of…a lot of older bands have new albums, and I don’t like their new albums. Jeff Beck’s ‘Beckola’ album with Rod Stewart, they’ve re-released it with 4 new songs on it, so I’ve got to buy that.

Q – Lately I’ve picked up a bunch of Glenn Hughes solo stuff….
K – I got all of it his solo stuff, pretty much.

Q – The one that got me back in to him was ‘Crystal Karma’.
K – I love Crystal Karma! That’s my favorite solo album; that and ‘From Now On’. Midnight Meditated, Mojo – it’s a great record! I like From Now On, The Way It Is, I love the Burning Japan : Live. He has a DVD coming out, you know. It’s a live DVD and I sang back-up on it. And I also interviewed him for it.

Q – Is there any other people from your genre that you keep in touch with?
K – No, not like Glenn. Glenn and me have a connection. We have a really common sense of humor. Frankie Banali played drums on the Hughes/Thrall album, so I knew Glenn from that. Nobody like Glenn, Glenn’s a special animal.

Q – Is there anything you have to add about the new album?
K – Check it out. It’s got the best reviews of anything I’ve done in my career.
Thanks.

Links:

Quiet Riot: Kevin Dubrow on Metal Health Album, Randy Rhoads, Rudy Sarzo, Frankie, Carlos, Interview – YouTube

Kevin Dubrow: Quiet Riot lead singer | The Independent | The Independent

Keep On Rollin’ – The Book | Facebook

Interview: © KJ. /  July 2004