Tag Archives: Stef Burns

STEF BURNS – Interview from the archives, 09/2000

This is an interview from September of 2000 with Amreican guitarist Stef Burns. At the time Stef was promoting his first full length solo album Swamp Tea. That album came out in 1999 (late ’98 in Japan). Like many back then, this was done via email. I’ve added in some links and songs here as well. In retrospect, some of these questions may seem a bit dorky now. At the time I was excited getting to send interview questions to someone who’d been on an Alice album (being an AC fan). Stef has released a few more solo albums since Swamp Tea (not all instrumental).

AN INTERVIEW WITH FORMER Y & T and Alice Cooper guitarist for his solo album ‘Swamp Tea’.

Guitarist Stef Burns is best known for his time in Alice Cooper’s band in the early ’90s, as well as being in the last incarnation of Y & T. Recently Stef’s been working with Huey Lewis, and has released his first solo CD “Swamp Tea”. Swamp Tea is an instrumental album. Here I did some Questions and Stef answered, and gathered more info on his career, his time with Alice, Y&T, and his solo project. ”

Who were your earliest influences? how did you get into guitar?
SB: Jazz, blues, soul records of my parents. My dad played a little guitar and I picked it up around 7 years old. Then I became more influenced by the great guitarists like, Jimi Hendrix, Jeff Beck, B.B. King, etc. Allman Bros, then later by Larry Carlton, Robben Ford, Mike Stern, Scofield, Pat Metheny, sax players, singers, drummers all were very influential.

What were your favorite albums & bands growing up? favorite guitarists in early days?
SB: Hendrix – Are You Experienced, Jeff Beck – Blow By Blow, Allman Bros. – Live at Fillmore East, Montrose, Deep Purple – Machine Head, Led Zeppelin – All of them, The Beatles – All.

What was your first professional gig?
SB: Touring with the R&B group – “Omega” featuring members from the Elvin Bishop Group.

How did you get involved with Y & T?
SB: Being a San Francisco Bay Area musician we kind of hear about each other. They asked me to join and I accepted. Was really a good hard rocking time.

How was the 1998 “Endangered Species” album received? What has the band done over the past decade?
SB: That was the last album recorded by the band. I hardly had anything to do with it other than one song as I was busy working in Italy that year (’96). I like that album though because it has a raw trio kind of feel to it. Dave plays his ass off on that one as well as “Musically Incorrect” (’94). I was more involved with “Ten” (’90) and “Yesterday and Today, Live” (’91)

You mean you only played on 1 track on the album??
SB: Yes.

Did you write & record on ‘Ten’? where & when was Live recorded? [what labels are these on?]
SB: Yes, I played a lot on “10”, 4 solos. It is on Geffen. “Yesterday and Today, Live” is on Metal Blade.

Seeing as Dave M. and Jimmy D. both played on your album, are there any plans for future Y & T gigs or recordings? What are the other Y & T guys currently up to?
SB: No plans as of now, but I think some day we’ll get together and do something. Don’t know exactly what though. Dave works with his band and does other projects in his studio. Jimmy is in Megadeth. Phil has a bunch of great songs I hope he releases some day.

What other recordings and name bands were you involved with prior to working with Alice Cooper?
SB: Well, there was Michael Bolton, Sheila E., Pablo Cruise, Berlin, Jesse Colin Young, (we’re going back to ’82 now). There was a band I was in, in ’88 called the VU. The stuff we did then will be released in Europe next year. It’s power pop rock, I guess you would call it, and sounds really good.

A lot of “pop” stuff! Who was in VU? anyone of notoriety ?
SB: Ross Valory, Prairie Prince, Kevin Chalfant and Tim Gorman.

How did you get involved with Alice Cooper? what do you recall of the auditions, etc… ?
SB: I was recommended to Alice by Joe Satriani, whom I know from the Bay Area, and I sent Alice a tape, got hired to do the “Hey Stoopid” album, then to tour. Then I recorded “The Last Temptation” which I felt more involved in creating sonically.

You were not in the songwriting credits on ‘Hey Stoopid’ or ‘The Last Temptation’; why not? was songwriting a ‘closed shop’ with Alice due to his working with outside ‘pro’ writers?
SB: I don’t know. I really didn’t have anything prepared that was in the Alice Cooper style.

Hey Stoopid had a lot of big names on the album, including other guitarists. What do you recall of these sessions?
SB: I was only present during the Motley stuff. Oh yeah, and Slash too. He was super cool, little bit drunk, but…

Why were there almost no big name guest stars on The Last Temptation?
SB: I guess that was Alice’s choice to make more of a band sound.

When did you tour with Alice ? Any stories or recollections?
SB: Toured a lot with Alice from 91 to 95. Again in the end of 98. It was always fun.

How close were you to Alice? How was he to work with? Are you still in contact?
SB: Alice is a breeze to work with. Very easy on stage and rehearsal. Great poker games on the bus. Haven’t talked to him in a while though we sent messages to each other through mutual friends.

What are your personal favorites [songs] from the stuff you recorded with Alice Cooper?
SB: The Last Temptation.

The song? anything else ?
SB: No, the record. Some of my favorite songs are, “Stolen Prayer”, “Cleansed By Fire” and “You’re My Temptation”.

What have you been doing since The Last Temptation?
SB: Vasco Rossi, tons of sessions, released “Swamp Tea”, Huey Lewis etc…

What’s your involvement with Huey Lewis? [Recordings, tours, etc…] [What’s Huey been doing for the past 15 years?]
SB: Right now it’s just touring. The new album to be released first of 2001 was finished before I joined. Chris Hayes plays his ass off on this CD. Some of his best playing ever, I think. Huey has always been working.

Have you done any recording with Huey? How long you been in his band? [where have you toured? where’s his market these days, cause I ain’t seen anything of him until the other day when i saw him in the promo for the “Duets” movie].
SB: Have not done any recording yet. Will play on one live track that I think will be for Europe. I have been playing with The News since March. The band’s market is spread out. We just played for 12 000 people at Pine Knob in Detroit.

How did the solo project come about? [who runs Lakeside Records? ]
SB: I did it myself with the help of my friends and collaborators. Always wanted to. John Seppala and I worked a lot together to finish it. He’s amazing.

‘Swamp Tea’ is less of the Alice Cooper riff-rock stuff, and more of a almost progressive / fusion sound. Is that the style of music you are more into? How did the sound / idea come about to not be a ‘metal’ album, but a more prog style?
SB: We just came up with music that we liked. Sometimes very melodic or jazzy. I never wanted to do a metal album. 

What can you tell me about a few of your favorites on Swamp Tea? Any stories behind any of the tracks? any favorites?
SB: Some of my favorites are Walking the Penguin, Echo Lake, Summer of ’68. These have a bit more of a soulful melody style.

How was the response to Swamp Tea in Europe and Japan? What promo plans are in the works for North America – any gigs, tracks receiving any radio attention, major mag features, etc.. ?
SB: I did an Italian tour and it went well. There were features in a few of the Italian guitar mags. I think I’ll go back to Italy first of the year. My Italian band is great. Next I think I’ll get working on my next CD.

What would you compare it to? Familiar with [fond of] Steve Morse’ work?
SB: I don’t compare it at all, but some of the influences that I hear are Todd Rundgren, Led Zeppelin, Toto, Deep Purple, Jeff Beck, Jimi Hendrix, Mike Stern. I am familiar with Steve Morse but I am not really influenced. John’s song – “Wayfunner”, has a ‘Dregsish’ line in the verse.

How has the reaction been so far? any plans to do a follow up?
SB: Good and yes.

Any ideas for the next CD ?
SB: Not sure yet really.

Aside from the Italian mags, any major features, chart placings [ie internet, foreign countries, etc…]
SB: Haven’t got my first statement yet, so don’t really know what I sold.

What are you listening to these days? what guitarists out there do you admire these days?
SB: I still listen to the old guys. Beck, Hendrix, more Miles Davis, Stan Getz, Pat Martino, Rage Against the Machine.

( KJ: thanks Stef!)
SB: You’re welcome. This is the longest interview I have ever typed in my life!

https://www.facebook.com/stefburnsofficial

https://www.discogs.com/artist/300337-Stef-Burns

ALICE COOPER – Top 10 Solo albums

Well, I started out (months ago!) compiling a Top 50 list of favorite Alice Cooper solo songs. Many Alice lists I see on Youtube (and elsewhere) tend to mix the original band and his solo recordings into one list, but for me, I see (and hear) a big difference, so I absolutely have to separate the 2. Much like I wouldn’t compile a favorite list of Black Sabbath albums and include Ozzy or Dio albums! Anyway, a good half of this list was easy to come up with, but the bottom half got a bit tougher to choose. Feel free to leave your picks in the comments.

Hey Stoopid (1991)

I like Trash when it came out, but over time it hasn’t aged well with me, being Alice’s ‘Bon Jovi’ album, and too many guests that I’m not a fan of. So, Hey Stoopid is the follow up, still in that 80s style, and with even more guest players and co-writers. BUT, gone is the Bon Jovi feel and just better songs, and a bit more bite. I also like the cover-art here. But aside from maybe 2 songs (I don’t need to hear “Feed My Frankenstein” ever again), I love all of this. Favorites being “Snakebite”, “Dangerous Tonight”, “Little By Little”, “Hurricane Years”, and “Burning Our Bed”.

The Eyes Of Alice Cooper (2003)

I’ve seen this one ranked near the bottom on many Alice Cooper album rankings on youtube, and really wonder why(?) I think this is a great album, full of Alice rockers and ballads, and humor! Not perfect (I can do without “Novocain”), but “What Do You Want From Me”, “Man Of The Year”, “Detroit City” (w/ Wayne Kramer), “Love Should Never Feel Like This”, as well as the ballads “The Song That Didn’t Rhyme” and softer “Be With You A While”, are good to outstanding by me. Alice uses his touring band here, without an excess of ‘guest’ players, so it sounds like a band album. The original CD release of this album came with 4 different eye (and circle) colors.

Welcome To My Nightmare (1975)

An easy favorite for most; it’s the album that started off Alice’s solo career (effectively marking an end to the original band). His Nightmare band featured guitarists Dick Wagner and Steve Hunter (as well as the rest of Lou Reed’s band), who would work with Alice for some years to come But the concept, theatrics, and songs here are just classic. This included the anthem “Department Of Youth”, the live favorite “Cold Ethyl”, the top 20 hit ballad ” Only Women Bleed”, a guest appearance from Vincent Price on “Black Widow”, the introduction of the (recurring) character “Steven”,… The album would be made into a TV special aired as Alice Cooper: The Nightmare. More recently a live show from this tour was released on Record Store Day, featuring Alice’s new band performing a set that included (almost) the entire album, as well as a few previous AC hits. Alice followed up this album with Alice Cooper Goes To Hell, which can be seen as a sequel…

Brutal Planet (2000)

Alice didn’t record a lot during the 90s, like many other older artists, but as he tended to do ever few albums, he switched gears, creating perhaps his most ‘metal’ album this one, released in the summer of 2000. Taking in sounds of industrial or new metal at the time, with a heavier sound, and darker lyrics,, reflecting what was currently happening in music and the world. Produced by Bob Marlette, who’s credits included Rob Zombie, Marylin Manson, Rob Halford, and many others. Loved the title track, as well as favorites “Blow Me A Kiss”, “Pick Up The Bones”, “Cold Machines”, and the ballad “Take It Like A Woman”. The follow up, Dragontown, was pretty much a sequel to Brutal Planet. I liked that one too, just not as strong IMO.

Raise Your Fist And Yell (1987)

The follow up to Alice’s comeback album Constrictor. Taking on the 80s metal sound, and inspired by current happenings (the PMRC hearings), and slasher films! The second to feature Kane Roberts as guitarist and co-writer throughout. I played this album non-stop! Not a bum track here. I can still pull this out and love it. Featured the hit “Freedom”, plus “Prince Of Darkness” (from the John Carpenter movie), and favorites like “Give The Radio Back”, “Time To Kill”, and the slasher trilogy on side 2 (“Chop, Chop, Chop”, “Gail”, “Roses On White Lace”). Saw this tour twice.

Dada (1983)

The last album in what’s been labelled Alice’s ‘blackout’ years, and his last for Warner Brothers. This, and the 1 before it sold poorly, with little promotion, and no touring. I bought this one, and the 2 before it, off the 99 cent rack at a local convenience store! But hey, these weren’t bad at all! Dada being my favorite of Alice’s early 80s 4 album run, where he changed the look and sound to fit with the times. Dada featured a fresh sound, good songs, and flow, with standouts like “Former Lee Warmer” (formerly Warner), the hilarious “I Love America”, and epic “Pass The Gun Around”, highlighted by one of Dick Wagner’s most memorable solos.

From The Inside (1978)

Following Alice’s stay at an asylum for alcoholism, he co-wrote a lot of this with Bernie Taupin (Elton John), and used members of Elton’s band, as well as the likes of Steve Lukather, David Foster… From The Inside featured the hit ballad (Alice’s 4th in a row), “How You Gonna See Me Now”, as well as memorable rockers like “Serious”, “Wish I Were Born In Beverly Hills”, and the title track, plus a few more ballads and lighter cuts. A pretty clean sounding album, featuring stories inspired by his stay in the asylum, and the effect on those around him (“For Veronica’s Sake” about his dog). A solid album. Check out the non-LP b-side “No Tricks” as well, a duet with soul singer Betty Wright.

Zipper Catches Skin (1982)

See above! I played the heck out of this one. Lots of fun rockers like “Adaptable (Anything For You)”, “Tag, You’re It”, “Zorro’s Ascent”, as well as “I Am The Future” (from Class Of ’84). “Make That Money (Scrooge’s Song)”, and the hilarious title of “I’m Alive (That Was The Day My Dead Pet Returned To Save My Life)”. Featured guitarists (and co-writers) John Nitzinger, Dick Wagner, Billy Steele, as well as Mike Pinera, and players Erik Scott (bass), and Duane Hitchings (keys), among others. Wagner later claimed there was a lot of crack cocaine use on this one, but I liked it.

Constrictor (1986)

Alice’s comeback album, after finally kicking his previous habit (cocaine), made sober, and full of energy. The first to feature new guitarist Kane Roberts, as well as a return to a hard rock guitar sound and the classic Alice image (eye make up and leather). Produced by Beau Hill and Michael Wagener, who were big at the time with many 80s metal acts. The drum sound kinda gives this a dated sound now, but at the time, I’d never thought I’d get to see Alice (being a newer fan, and Alice being out of the public eye), but I got to see this tour. Constrictor was the first Alice album in years to chart, and get any radio play. Cuts like “Teenage Frankenstein”, “Give It Up”, and “Life And Death Of The Party” were favorites. It also included “He’s Back (The Man Behind The Mask)”, from Friday The 13th: Part VI (Jason Lives).

The Last Temptation (1994)

This last spot was the toughest for me to decide on… The Last Temptation was an Alice Cooper concept album, a series of morality plays….Anyway, the full story was explained over a series of comics by Neil Gaiman and Michael Zulli. The Last Temptation opened with “Sideshow”, and followed on with excellent rockier cuts like “Nothing’s Free”, “Bad Place Alone”, the title track, the single “Lost In America”, and lighter songs such as “Stolen Prayer” (co-written with Chris Cornell) and favorite “It’s Me” (co-written with Tommy Shaw and Jack Blades). The album featured guitarist Stef Burns (Y & T), as well as Derek Sherinian (keys), among others, as we as guest Dan Wexler (Icon) who co-wrote a number of songs, and played guitar on one. There was no tour for this album, but eventually a few songs were worked in to the live show. The 90s were a tough time to be an Alice fan!

And then…..Paranormal, Lace and Whiskey, Goes To Hell, Dirty Diamonds, Flush The Fashion, Trash, Along Came A Spider, Special Forces, Welcome 2 My Nightmare, Detroit Stories, Road,

KILLINGTON PIT release cover of Rainbow’s ‘Kill The King’, as 2nd single

KILLINGTON PIT consists of singer Terry LeRoi (Granny 4 Barrel), bassist Chuck Garric (Alice Cooper, Beasto Blanco), as well as guitarist Troy Mclawhorn and drummer Will Hunt (both of Evanescence) . The new band’s first single release was a cover of the 1983 Accept classic, “Balls to the Wall,” and they have a new single – a rendition of the Rainbow classic, “Kill the King”. This features guest guitarists Stef Burns (Alice Cooper, Y&T, Huey Lewis & The News) and Jeff Blando (Slaughter, LynchMob). *Chck out the videos and links below the band’s info and comments…

Terry LeRoi says, “Recording “Kill The King” was an incredible experience! We were fortunate enough to have 2 insanely talented special guests on this recording; Stef Burns and Jeff Blando! It really was a privilege working with everyone on this! I’ve always been a huge fan of the Blackmore/Dio “Rainbow” era and paying tribute to that band and those musicians is a true honor. “Kill The King” is a legendary track and was one of our first choices as we were assembling our collection of songs for the Killington Pit covers album. I had read some past articles where Ronnie explained the song was inspired by the game of chess. That inspired us to create a video that we hope Ronnie would’ve loved and the fans of Rainbow will truly enjoy!”

Stef Burns – “Kill The King is killer!! It was super fun blasting out that classic Rainbow track with great players such as Will Hunt, Blando, and my Alice Cooper brother Chuck Garric! Terry sings his butt off! Of course I’m a longtime Blackmore fan so that made it extra fun.”

Jeff Blando  – “What a blast it was rocking out with all these great and talented musicians. My partner in crime, William Hunt on drums, Power Vocals from Terry LeRoi, Wild Man Chuck Garric on bass and I’ve always wanted to jam with the Incredible Stef Burns on guitars. Getting to pay homage to one of my all-time favorite vocalist, Mr. Ronnie James Dio was an incredible fun and rocking experience. I hope everyone digs this track as much as I had fun being a part of it. ROCK ON!!!!”

Will Hunt –  “I had a blast tracking this classic Rainbow tune Kill The King with the fellas. It was a great opportunity personally for me to pay homage to the legendary Cozy Powell who was taken from us way too soon. I wanted to copy a lot of what he did because it was so perfect for the song while adding some of my own flavor to it. I think the end result is pretty bombastic.”

Chuck Garric – “It’s an honor to pay homage to my mentor and my friend!…..To the King “Ronnie James Dio” 

LeRoi adds – “Over the coming months we will be releasing our full length covers album with accompanying videos. 2024 will see us playing select shows worldwide and releasing original Killington Pit music. We’re looking forward to sharing this with all of the fans!”

For more info: https://killingtonpit.com

LINKS:

https://www.facebook.com/KillingtonPit/

https://www.instagram.com/killingtonpit

Y & T: Yesterday & Today Live expanded reissue

Before there was the LA metal scene, before there was the likes of Motley Crue, Quiet Riot, and even Van Halen – there was Yesterday & Today. Originally from Oakland, Dave Meniketti (guitar/vocals), Joey Alves (guitar), Phil Kennemore (bass), and Leonard Haze (drums). The band released 2 albums as Yesterday & Today in 1976 & ’78 (on London Records), before signing to A & M and releasing 5 studio albums and 1 live set from 1981 to ’85. The band released 2 more albums by 1990, and by then Haze had been replaced by Jimmy DeGrasso and Stef Burns had replaced Alves. With changes in the music scene and no record deal the band played farewell shows and released Yesterday & Today Live in 1991, on MetalBlade.

Originally released with 13 tracks, Live has been expanded to 15 tracks, with a set that features (almost) every album up until then. Absent was the band’s 1985 hit “Summertime Girls”, but as far as a live recording and document of a legendary band that should’ve been something bigger – Live is a ‘must hear’ classic hard-rock/metal set. Classics like “Mean Streak”, “Midnight In Tokyo”, “Beautiful Dreamer”, “Don’t Stop Runnin”, and “Forever” sound great here, and if you don’t know this band, this is a good place to start (as well as the 4-CD Earthquake: The A&M Years) This reissue also comes in various colored vinyl editions, as well as a 2-CD set. Dave Meniketti still carries on with Y & T. *For more on Y & T check out the press info and the links below!

Yesterday and Today Live features 15 songs and more than 84 minutes of live Y&T recorded in 1990, with never-before-seen photos and two bonus tracks, ‘Earthshaker” and “Rescue Me.” “Earthshaker” was originally on the first Yesterday and Today (self-titled) album in 1976, and “Earthshaker” was also the title of Y&T’s 1981 third studio album; “Rescue Me” appears on the “Earthshaker” album. Both bonus tracks appear on all versions/variants of Yesterday and Today Live.

The iconic songs on Yesterday and Today Live (initially released in 1991) were written by the classic lineup of Dave Meniketti, drummer Leonard Haze, bassist Phil Kennemore, and guitarist Joseph Alves.

Singer/songwriter and guitarist Dave Meniketti says of the album: “Very happy to have this vinyl re-release of Yesterday and Today Live come together. This was recorded at a time when the band had decided to disband–however temporary that was–and these tracks were taken from what we considered were to be the last shows Y&T would perform. Because of our state of mind at the time, songs like “Hard Times” were especially poignant. Even though the changing music industry had us in turmoil, the band was at the top of our game and these tracks give a good window into that time of our lives. I believe this is truly one of our finest Y&T live recordings.”

Yesterday and Today Live (Expanded Edition) Tracklisting:
01. Mean Streak
02. Hurricane
03. Don’t Stop Runnin’
04. Struck Down
05. Winds of Change
06. Black Tiger
07. Midnight in Tokyo
08. Beautiful Dreamer
09. Hard Times
10. I’ll Cry
11. I Believe in You
12. Squeeze
13. Forever
14. Earth Shaker (Bonus Track)
15. Rescue Me (Bonus Track)

LINKS:

https://www.facebook.com/YandTRocks

https://www.metalblade.com/us/