All posts by KJ

Erja Lyytinen – releases 2nd single from upcoming ninth album

Finnish blues rock slide guitarist and singer songwriter Erja Lyytinen is pleased to announce the release of  “Last Girl”, the second single taken from her upcoming ninth studio album Waiting For The Daylight.

The single, released Wednesday September 7th, is available to stream and buy on Spotify, Apple Music, Tidal, and Amazon Music via https://ffm.to/ylyrxan. Watch the Last Girl music video

Released by Tuohi Records on Friday October 7th,  Erja’s new album Waiting For The Daylight features nine original songs, and is available to pre-order from https://erjalyytinen.com/waiting-for-the-daylight.

In November, Erja heads out on a co-headline UK tour with the award-winning Belfast-based blues guitarist Dom Martin.  Tickets are available from https://erjalyytinen.com/tour and www.dommart.in/tour.  Dates include Southampton, The 1865 (Nov 7), Bilston, The Robin (Nov 8), London, The Grace (Nov 9) and Grimsby, Yardbirds (Nov 10). 

Last Girl deals with the subject of bullying in schools and the feeling of being left out of a friendship group, says Erja. “This song is for those who feel as if they are outsiders, which is a current topic as the new school year is about to start. A lot is happening in the song, and it is quite intense and energetic, just like the school world is.”

“Continues Erja, “Making the music video for ‘Last Girl’ felt essential because it’s such an important topic to me. A young girl features in the music video, and at the end, she is playing an electric guitar with me as part of the group and having a good time. The song speaks out on many levels.”

“It was fascinating to create guitar parts for ‘Last Girl’. It has some vibes from rock bands like Iron Maiden, but I also wrote twin-part guitar harmonies to the C – part in the style of an Allman Brothers Band. I wanted to create a song with an old classic rock feel but executed with modern sounds and techniques.”

“The intro has pull-offs and some fast licks and flute notes combined which creates the main guitar theme for the whole song. This song has probably one of the most challenging guitar parts I have written so far.” 

For musicians, the last two years have been a period of reflection and soul searching. What to do with oneself in the absence of life on the road? And would live music ever be able to return to the way it was pre-pandemic? Artists and music fans alike waited for that glimmer of hope and the return of some semblance of normality. Written largely during the pandemic era Erja Lyytinen’s new studio album Waiting For The Daylight encapsulates these emotions.

With time on her hands, Lyytinen was able to pause, dig deep and fully process her feelings. Some of which she had been carrying for a long time. This journey of self-exploration proved to be a source of inspiration for the artist’s latest offering. Carrying on from the gifted guitarist’s last two studio albums, Stolen Hearts, and Another World, respectively, Lyytinen continues to explore themes such as love, loss, heartbreak, and sometimes even revenge. Events transpiring around the world occasionally fed into the storyboard of Lyytinen’s songwriting.

The album was recorded during the first half of 2022, between Erja’s hectic touring schedule, with the bulk of the sessions taking place at The Hollywood House in Helsinki, Finland. Lyytinen was joined in the studio by long-standing bass player Tatu Back and drummer Iiro Laitinen. Having played on every one of Lyytinen’s albums since 2008, Harri Taittonen features once again on Hammond and keyboard.

Waiting For The Daylight
 illustrates a new chapter in Erja’s musical and artistic trajectory. The album was proudly produced by Lyytinen herself. Subsequently, Erja simultaneously explored sounds on the periphery of the blues-rock genre. She fearlessly pushed herself and the band further than previously before. 

During her formative years, Erja was schooled on the sounds of the ’60s and 7’0s by her mother, and with her latest offering, she pays homage to rock greats such as Led Zeppelin, Deep Purple, and Uriah Heap. With its heavy groove, atmospheric textures, and passionate delivery the title track is a testament to this. The song Waiting For The Daylight also features perhaps one of the artist’s most mesmerizing and emotive solos to date. Lyytinen further showcases her chops during the album’s hook-laden opening number and lead single, “Bad Seed”.

The artist pours her heart and soul into the cathartic number Last Girl”. Erja describes the latter a cross between Satriani meets Iron Maiden. Says Erja, “The song talks about bullying in schools and how you can be left out of a friendship group. I always put something of my own in the songs as well, so it became a very important song on many levels.”

Just as the title dictates, at approximately seven minutes long, “The End of Music” concludes the release to great effect. “The song talks about missing being back on stage and the audience, as many of us musicians did during the pandemic,” explains Erja.

For Erja and her fans alike, the new studio album and her return to touring the UK is worth the wait. 

TRACK LISTING:

Bad Seed (5:13)
Last Girl (5:28)
Run Away (5:00)
Waiting For The Daylight (6:12)
Never Really Had You (5:15)
Diamonds On The Road (4:25)
You Talk Dirty (6:17)
Love Bites (3:58)
The End of Music (6:55)

LINE-UP:

Erja Lyytinen – Vocals, Guitars, Violin, Keyboards
Harri Taittonen – Keyboards, Hammond
Tatu Back – Bass
Iiro Laitinen – Drums

Recorded and mixed by Matias Kiiveri at Hollywood House in Helsinki Finland 2022 .

Produced by Erja Lyytinen
Executive producer Erja Lyytinen for Bluesland Productions
Photographer and digital design by Antti Karppinen, Alias Creative
Graphic design by Jan Yrlund, Darkgrove Design . All songs, lyrics, and music by Erja Lyytinen

LINKS:

https://erjalyytinen.com/

https://www.facebook.com/erjalyytinen

https://www.youtube.com/user/ErjaLyytinenOfficial

Joanne Shaw Taylor – New single, new album announced

Joanne Shaw Taylor’s new breakthrough studio album Nobody’s Fool releases on Joe Bonamassa’s KTBA Records worldwide Friday, October 28th

The album is available to pre-order on CD, Vinyl, and digital –  HERE

The new album, recorded at Sunset Sound in Los Angeles, is produced by Joe Bonamassa and Josh Smith and features Joe Bonamassa on “Won’t Be Fooled Again,” guitarist Carmen Vandenberg (Bones UK) on “Figure It Out,” cellist Tina Guo on “Fade Away” and music legend Dave Stewart on a cover of the Eurythmics classic “Missionary Man.”

The first single from the album, “Just No Getting Over You (Dream Cruise),” released today and can be streamed and downloaded HERE.

Joanne as born and raised in the UK and was discovered at the age of 16 by music icon Dave Stewart of the Eurythmics. Right from the get-go, Joanne’s incredible guitar playing, and distinctive sultry vocals set her apart from the rest of the crowd.

Nobody’s Fool is her most personal album to date. Joanne’s writing lays bare love, loss, and the desire to be free of the past through the vessel of catchy hooks and infectious guitar riffs.

Her vocal style, writing prowess and guitar skills take the listener on a journey into the wasteland of love and back into the light of hope and redemption. Nobody’s Fool takes Joanne into new territory that can be described as retro pop with a modern flare, yet still encompasses the emotion of her blues roots.

“The title track opens the album and sets the mood with JST’s signature husky, soulful vocals embellished with some powerful guitar lines,” says Guitarist Magazine.

Joanne wrote all the songs on the album except “Missionary Man,” which is written by Annie Lennox and Dave Stewart of the Eurythmics.

Joanne co-wrote “New Love” with Josh Smith, Calvin Turner, and Dylan Altman, “Then There’s You” with James House, “Fade Away” with Sharon Corbitt, and “The Leaving Kind” co-written with Joe Bonamassa, Leslie Satcher, and Beth Nielsen-Chapman (Willie Nelson, Sheryl Crow, Bonnie Raitt).

TRACK LISTING:

1. Nobody’s Fool (3:36)
2. Bad Blood (3:49)
3. Won’t Be Fooled Again feat. Joe Bonamassa (4:54)
4. Just No Getting Over You (Dream Cruise) (4:40)
5. Fade Away feat. Tina Guo (4:52)
6. Then There’s You (3:23)
7. Runaway (3:49)
8. Missionary Man feat. Dave Stewart (3:08)
9. Figure It Out feat. Carmen Vandenberg (3:48)
10. The Leaving Kind (4:03)
11. New Love (4:03)

Musicians:
Joanne Shaw Taylor – Vocals & Lead Guitar
Joe Bonamassa – Rhythm Guitar
Josh Smith – Rhythm Guitar
Lemar Carter – Drums
Calvin Turner – Bass
Deron Johnson – Piano/Wurlitzer/B3
Danielle De Andrea, Gaby Moreno & Jeff Young – Background Vocals
Tina Guo – Cello (“Fade Away”)
Carmen Vandenberg – Guitar Solo/Lead Guitar (“Figure It Out”)

https://www.facebook.com/joanneshawtaylor

https://www.youtube.com/c/joanneshawtaylor/featured

*photos – Chris Wilson

THY ROW reissue debut album ‘Unchained’ on limited vinyl

Finnish heavy metal band Thy Row will celebrate the one-year anniversary of their debut album Unchained with the release of a limited edition vinyl along with a brand new digital single entitled “Blue Blood”, a cover of one of the biggest hits by the biggest Japanese metal band of all time X Japan.

The band comments:

“We were so proud of how our debut album turned out, that we knew that it deserved a vinyl release with a bonus track as well as a brand new vinyl master. The bonus track which was initially released only in Japan is a cover of the country’s biggest ever metal band X Japan. We’ve had a ton of fun performing the song ‘Blue Blood’ live multiple times, and while recording ‘Unchained’ we decided to record that one as well! The result is energetic and heavy, just as the speed metal classic should be! Join us and our wonderful label Rockshots Records who were open to realizing these wishes in celebrating the one-year anniversary of our first album, and we hope you enjoy what we have to offer with these releases!” 

The vinyl was mastered by Svante Forsbäck (Rammstein, Volbeat) at Chartmakers Studios, and will be released together with the digital single ‘Blue Blood (X Japan Cover)’ on October 7th, 2022.

Recommended for fans of The Scorpions, Megadeth, and Queen, Thy Row’s vinyl of Unchained is available for pre-order at – bit.ly/ThyRowVINYL

Founded in 2017, Thy Row made their first entry on the Finnish scene with their 2019 independently released self-titled EP. The record’s lead single “The Round” reached over 110K streams on Spotify and added to the EP’s overall praise that gave the group the opportunity to tour Japan in 2019 with Beast In Black and Swallow The Sun.

Following the success of that EP, Thy Row’s offered up their first full-length, a fresh mix of the finest heavy metal with modern hard rock that every metalhead can bang their heads to. With ten tracks, there are lots of great melodies spiced up with shakin’ riffs that are sure to encourage fans to turn up their stereo knobs all the way to eleven and enjoy.

Unchained features guest artists Ben Varon (Oceanhoarse, ex-Amoral), Ilja Jalkanen (Raskasta Joulua, Kiuas), and Teemu Mäntysaari (Wintersun, Smackbound) plus was mixed by Jussi Kraft (Starkraft Studio) and partly by Nino Laurenne (Sonic Pump Studios).​

Thy Row is:
Mikael Salo – Vocals
Jussi Laulainen – Guitar
Ville Vase – Guitar
Juho Jokimies – Bass
Teemu “Snake” Laitinen Drums

For more info:
Rockshots.eu
Facebook.com/ThyRowBand
Instagram.com/thyrowband
Spotify

​Links:

THY ROW – Unchained

ARTHUR BROWN – Monster’s Ball to be released next month, new single out now.

The God Of Hellfire ARTHUR BROWN Invites You To His MONSTER’S BALL, Releases New Single LUCIFER SAM With DEEP PURPLE’S IAN PAICE & STEVE HILLAGE!

Features performances by James Williamson, Ian Paice, Mark Stein, Nik Turner, Shuggie Otis & More

Los Angeles, CA – Fans of dark and ghoulish rock & roll are all cordially invited to attend what is sure to be the biggest party of this year’s Halloween season, Monster’s Ball, the new album from the one and only God Of Hellfire and theatrical rock visionary, Arthur Brown! For his latest macabre-themed masterpiece, Brown is joined by a murderer’s row of talented co-conspirators including the album’s producers Alan Davey, who also co-wrote several of the songs, and Fernando Perdomo, all of whom have helped Brown craft one of the most energetic and thrilling albums of his long and distinguished career. From The Stooges’ guitarist James Williamson, who brings the heat on a new version of Brown’s iconic 1968 hit “Fire” to the killer collaboration with Vanilla Fudge’s Mark Stein on “Zombie Yelp,” Monster’s Ball promises to be one hell of a good time!

Today, Brown is proud to share another song from the album, the psychedelic opener to the album “Lucifer Sam,” penned by none other than Syd Barrett and featuring ripping performances by Gong guitarist Steve Hillage and Deep Purple drummer Ian Paice. Brown had this to say about the song, “As a prelude to the album launch on October 21st here’s a mysterious track by the enigmatic Syd Barrett. Fernando Perdomo’s bold production, the song’s adventurous structure, and the input of Steve Hillage and Ian Paice make this a delight of spooky fun. Shadows flickered and felines howled as I sang this portrait – Happy Halloween!”

Stream the single: https://orcd.co/arthur_brown_lucifer_sam

Monster’s Ball will be available on all formats starting October 21 but you can pre-order your copy now!

Pre-order CD/VINYL: https://cleorecs.com/store/?s=arthur+brown+monster%27s+ball&post_type=product

Pre-order/pre-save the digital: https://orcd.co/arthur_brown_monsters_ball

Track List:
1. Lucifer Sam feat. Ian Paice & Steve Hillage
2. Screamin’ Ball (At Dracula’s Hall) feat. Alan Davey
3. I Feel Free feat. James Williamson & Rat Scabies
4. Bucket O’ Blood feat. Nik Turner
5. Zombie Yelp feat. Roye Albrighton & Mark Stein
6. Whistlin’ Past The Graveyard feat. The Sinclairs
7. Fire feat. James Williamson, Brian Auger & Carmine Appice
8. The Monster Hop feat. Shuggie Otis
9. Curse Of The Hearse
10. Mad Witch
11. The Vampire feat. The Coffin Daggers
12. Late Last Night feat. Steve Hillage, Roye Albrighton, Gilli Smyth & Joel Vandroogenbroeck
BONUS TRACK [CD ONLY]
13. Karn Evil #9 feat. Jordan Rudess

Steve Hackett – Genesis Revisited Live: Seconds Out & More out now + Foxtrot At 50 tour

Steve Hackett releases Genesis Revisited Live: Seconds Out & More album in CD/Blu-Ray and DVD format today 2nd September. Vinyl formats will follow on 25th November.

Seconds Out was Genesis second live album, released in October of 1977, and and it was the last album to feature Steve Hackett, as he left the band while the album was being readied for release.

Steve Hackett and his band comprise Roger King, Rob Townsend, Jonas Reingold, Nad Sylvan & Craig Blundell, and they were joined by Amanda Lehmann as special guest on the night.

It will also be available as Ltd Gatefold 180g 4LP+2CD, and as Digital Audio Album (in 16 & 24bit). Order now here: https://stevehackett.lnk.to/GenesisRevisitedLive-SecondsOutAndMore

Watch the previously released clips:

‘The Devil’s Cathedral’: https://youtu.be/If-qk7gFAjs

‘Squonk’: https://youtu.be/5hDktUIzoQo

In September and October 2022, Steve Hackett & band will present their ‘Foxtrot at Fifty’ 25-date tour in the UK. Full list of dates below. To buy tickets go to HackettSongs.com

The album’s highlight was the 23-minute epic Supper’s Ready which remains a concert favorite and featured on Hackett’s recent Second’s Out tour. ’Supper’s Ready’ was a sojourn, an odyssey and something that goes down very, very well with audiences now.” Hackett adds. As part of ‘Second’s Out’ I’ve been playing the whole of that again, it really has stood the test of time. 

We were a young, struggling band at that time. By the time we were doing ‘Foxtrot’, the band was becoming more ambitious. ‘Foxtrot’ is a must for fans of the early Genesis work. Fifty years ago? It doesn’t feel like those ideas are fifty years old because it was-genre defining, rather than following trends. It still sounds current, now.” 

STEVE HACKETT Links:

SALLY STEELE – ’80s recordings get released

For fans of ’80s hard rock comes this official release of Sally Steele’s recordings from 1988 and 89. Alone in Love (1988-1989) features six tracks of guitar driven rock that sounds like it could’ve done well had it come out back in the day. Call it ‘hair metal’ or whatever, but there’s some good stuff with rockers like the title track that kicks things off here, as well as “Too Bad (It Had To Be You), and the keyboard infused “Leave My Heart Alone”. There’s also the power ballad “The Only One”. Any of these songs would’ve fit nicely on radio in the ’80s.

Sally Steele would go on to great success starting and publishing Vegas Rocks! Magazine, as well as VegasRocksTV.com

*for more info check out the press release and links below…

Vintage ‘80s Metal Recordings From Video Vixen SALLY STEELE Finally See Worldwide Release!

Los Angeles, CA – With her teased-up blonde hair and supermodel looks, it’s no surprise that Sally Steele found herself cast in music videos by the likes of Loverboy, Eric Carmen, Bruce Willis and others. But her true passion was always in music creation and so, in 1986, she put a band together and started performing shows in the musical mecca of Hollywood’s Sunset Strip.

Soon she crossed paths with mega producer Paul Sabu (Heart, John Waite, Glass Tiger and more) who helped Steele bring two of her songs to life, “Too Bad (It Had To Be You” and “Leave My Heart Alone.” A music video was filmed for the latter and premiered on MTV’s Basement Tapes show in 1988.

After some personnel changes, Steele’s band soldiered on with more songs and recordings. They became regulars at The Coconut Teaser, FM Station, Madame Wong’s and The Whisky. However, as the music scene began to change in the early ‘90s Steele decided it was best to hang up her guitar – but she never lost her true passion. As Steele puts it “It was back when the Seattle grunge scene had replaced the music I loved from the ‘80s and I was told my music was ‘too commercial.’ But here we are today and I am so excited to finally get my material out to the world. I hope you enjoy my songs from the 1980s. And one thing that has never changed is – I still live and breathe rock n’ roll 24 hours a day!”

Stream/download the album: https://orcd.co/8qdbo1a

Links:

http://sallysteelerocks.com/

https://www.youtube.com/c/SallySteele

The COMMONERS – New single, new album .

Canadian classic roots and blues rock band The Commoners release “Too Much”, the second single from the forthcoming album Find A Better Way on Friday August 26th.  The single is available to buy and stream from https://lnk.fu.ga/thecommoners_toomuch. The “Too Much” music video can be streamed on You Tube .

The album is released on CD, limited edition vinyl and digital by Gypsy Soul Records on Friday 4th November and is available to pre-order from thecommoners.ca. and pre-save from https://lnk.to/TheCommonersFABW.

The band describe the Too Much single as follows – “Erupting with the growling vigour of an old Beaumont, Too Much drives The Commoners to the brink of surrendering their dreams for the comforts of home. A high horsepower performance peels out with rowdy riffs and lively organ in tow, delivering a relatable sentiment that never proves to be too much.”

Possessing a sound tapped from the oaken belly of a whiskey barrel, The Commoners are a four-piece Roots/Blues Rock band from Toronto, Canada.

Described as “a classic rock and roll affair,” the nine songs take the listener on a sonic voyage through the lives of the band, from the dusty back roads of rural Ontario to the bright lights of the big city. Offering their own blend of rock and roll, southern blues, and roots music, the Toronto-based four-piece band are known for their high-energy riffs, soulful vocals, and rich harmonies. The result is an authentic Southern-style rock experience. 

The group was cobbled together over the course of a decade, adapting through numerous obstacles to form the unit as it exists today: Chris Medhurst (vocals/guitar), Ben Spiller (bass), Ross Hayes Citrullo (lead guitar), and Adam Cannon (drums). Often joined by their friend, organist Miles Evans-Branagh, The Commoners unite under a shared dream: to write, perform, and share music that is an authentic nod to the greats who paved the way before them.

“The new album authentically embodies the rock and roll, soul, and blues rock experience,” says the band’s lead singer, Chris Medhurst. “That’s something we really wanted to bring back. That’s the roots. That’s what we listen to.”

“The Black Crowes are a considerable influence for us,” says Medhurst. “Derek Trucks, Marcus King, Led Zeppelin, and The Allman Brothers Band, too. These are the bands that we wear on our sleeves as we aspire to create our own music and sound.”

Find A Better Way is an album that demands attention from the first note. The opening lines “If I scream at the top of my lungs, and stamp my feet, ’til the floor comes undone,” immediately inform that a wild ride lies ahead. The album was recorded and produced at RHC Music in Toronto by the band’s guitarist Ross Hayes Citrullo. Ross collaborated with executive producer Renan Yildizdogan to strike the perfect balance of new and old recording treatments. The goal was to create something that felt new and original, yet still familiar to their target classic roots rock and blues rock audience.

“The vision from the beginning was to marry old and new southern rock together in a way that was unique to the band’s Canadian roots,” explains Citrullo. “By adding the soul and rock elements of the Black Crowes, and the southern blues rock undertones of the Allman Brothers to a production style akin to Blackberry Smoke and Rival Sons, I think we developed an authentic sound that compares sonically to some of our favorite records across all of those music genres.” 

The album’s lyrical themes drill into the essence of humanity: love, regret, ambition, and fear. Circling the forever challenge of doubt vs. desire, The Commoners place themselves into the shoes of the everyman. The result? Nine tracks that function as a comfort and companion through all of life’s trials and tribulations, with melodic solos, soaring organ, and a punchy rhythm section to drive the messages home.

Drummer Adam Cannon says – “Music, like so much in life, is about the exchange of energy.” and The Commoners make more than a fair trade. Striving to present an impactful, memorable, and downright exhilarating live experience that accurately represents their recorded works, the band carries the listener over spirited choruses and group chants, before returning them back to earth in need of a shot of something smooth. You can expect to leave fully satisfied, sweat drenched, and heart racing, a good time guaranteed—just what we all need.

The Commoners enlisted a handful of Toronto’s finest musicians to help bring their record to life. On the title track Find A Better Way, the band brought on keyboardist Jeff Heisholt (The Trews) to lay down an iconic organ track. For the rest of the album, keyboardist Miles Evans-Branagh performed organ, piano, and Rhodes.

To accompany Ben and Adam on backup vocals, The Commoners called upon three of Canada’s top backup singers. Tash Lorayne and Shezelle Weekes (The Arkells), and Chantal Williams joined in to arrange vocal parts and enliven the mix with their vivacious voices resulting in a spine-tingling performance. 

The Commoners also invited local legend Michael Eckert to lend his pedal steel talents on I Won’t and Alive. Adding the final cherry on top, renowned multi-instrumentalist Ben Healey treated Deadlines to a guitar solo worthy of the world’s greatest stadiums. Though these songs were all written by The Commoners, the contributions of these amazing guest musicians make the album something special.

“Every time we brought an outside player into the studio, they would offer their own unique instincts and interpretations of each song. This helped the album grow into a collaborative art piece that continues to surprise us with every listen.”

A rock anthem to its core, the title track, “Find A Better Way” carries a message that encapsulates the entirety of the record. With growing uncertainties, society faces challenges previously unseen, leaving the collective in a perpetual state of questioning, with doubt directed towards governments, public leaders, and our neighbors. From the aftermath of COVID-19, the increasing mental health crisis in North America, war crimes in Ukraine, and the explosion of social movements and protests, one thought unites us all—we need to find a better way to co-exist on this planet. Find A Better Way takes an inward look at confronting our tumultuous past and accepting personal accountabilities to uncover the strength needed to seek a solution.

“Find a Better Way” is the only track on the record to mixed outside of Canada. The band worked with legend Producer/Mixer Kevin Shirley (the Black Crowes, Joe Bonamassa, Led Zeppelin) at Caveman Studios in Sydney, Australia. Kevin’s mix helped set the perfect tone for the album, which Ross Hayes Citrullo was then able to follow for the rest of the record. Kevin’s involvement set The Commoners on the right path with this epic title track.

Mastering was also an important consideration for the band and their label. For this stage, the team sent their record all the way to Nashville, Tennessee to Pete Lyman (Tedeschi Trucks, Blackberry Smoke, Chris Stapleton, Rival Sons) at Infrasonic Sound. Pete’s specialty for mastering southern rock made the mixes come alive, making them sonically competitive to the band’s influences.

As a collective, we find ourselves emerging into a changed society, with uncertainty looming and shadowing the future. In their upcoming release The Commoners remind us that music has a unique ability to heal, a medicine of extraordinary merit, and balm for the soul during dark times. Every major movement in history gave rise to change makers, and The Commoners are taking their stand, here to lead and inspire us all to Find a Better Way.

TRACK LIST:

FIND A BETTER WAY
FILL MY CUP
MORE THAN MISTAKES
TOO MUCH
NATURLLY
I  WON’T
DEADLINES
HANGIN’ ON AGAIN
ALIVE

Chris Medhurst – Lead Vocals, Rhythm Guitar
Ross Hayes Citrullo – Lead Guitar
Ben Spiller – Bass, Vocals, Piano (5, 9)
Adam Cannon – Drums, Percussion, Vocals

Miles Evans-Branagh – Organ, Rhodes, Piano | Jeff Heisholt – Organ (1)
Michael Ekhart – Pedal Steel (6, 9) | Ben Healey – Lead Guitar (7)
Chantal Williams, Shezelle Weekes, Tash Lorayne – Backing Vocals

All songs written by The Commoners
Produced by Ross Hayes Citrullo and The Commoners
Executive Producer – Renan Yildizdogan
Recorded at RHC Music, Toronto ON

Album Photography by Lindsay White
Album Design by Emily Goguen

THE COMMONERS 2022 Tour Dates:

12/08/22 Toronto-Canada @ The Horseshoe Tavern
23/09/22 London-Canada @ Eastsides
12/10/22 Norderstedt-Germany @ Music Star
13/10/22 Hoganas-Sweden @ Garage Bar TBC
14/10/22 Varberg-Sweden @ Maja’s
15/10/22 Avesta-Sweden @ Kulturgaraget
16/10/22 Stockholm TBC
18/10/22 Malmo-Sweden @ Folk & Rock
19&20/10/22 Hamburg-Germany @ Cowboy und Indianer TBC
21/10/22 Asendorf-Germany @ Break Out
22/10/22 Singwitz-Germany @ Kesselhaus
23/10/22 Burglengenfeld-Germany @ RockStürbl
24/10/22 Bratislava-Slovakia @ Muzeum Ochbodu
26/10/22 Bremen-Germany @ Meisenfrei
27/10/22 Köln-Germany TBC
28/10/22 Rimsting-Germany TBC
29/10/22 Fiesch-Switzerland @ Inch Bar
30/10/22 Switzerland TBC
31/10/22 Solothurn-Switzerland TBC
03/11/22 Barcelona-Spain @ Sala Textil
04/11/22 Castellon-Spain @ Sala Because
05/11/22 Orihuela-Spain @ La Gramola
06/11/22 Valladollid-Spain @ Puerta Caeli
07/11/22 Leon-Spain @ Babylon
08/11/22 Ourense-Spain @ Cafe Auriense
10/11/22 A Coruna-Spain @ Sala Mardi Gras
11/11/22 Cangas-Spain @ Salason
12/11/22 Valles-Spain @ Bocanegra
13/11/22 Vitoria-Spain @ Urban Rock
15/11/22 Chambery-France @ Brin de Zinc
16/11/22 Besançon-France @ Bar De L’U
17/11/22 Metz-France TBC
18/11/22 Krefeld-Germany @ Kulturrampe
19/11/22 Ostend-Belgium TBC

Links:

Story Behind The Album Cover : Golden Earring’s Tits ‘N Ass, by Claudia Hek

Golden Earring’s 25th and final full length studio album was 2012’s Tits ‘N Ass. The album contained 14 tracks, and is one of their more underrated albums with rocking cuts like “Identical”, “Little Time Bomb”, “Dope Runner”, and “Avenue Of Broken Dreams”, as well as a few ballads, notably “What Do I Now About Love”. With many of the band’s releases Tits ‘N Ass was not released in North America.

Tits ‘N Ass stands out visually, with the artwork of artist Claudia Hek. From The Netherlands, Claudia Hek is best known for her pin-up art and tattoo designs, described ‘as a mix of comic, old school and realism in a retro jacket.’ Her cover-art for Golden Earring is her best known – but not the only album cover to feature her work.

In this short interview, Claudia tells the story behind her creating the cover for Tits ‘N Ass, as well as more about her artwork, influences, other album covers and more. The album Tits ‘N Ass is being reissued in October on limited 180-gram translucent red colored vinyl (Music On Vinyl).

Your art was used for the cover of Golden Earring’s Tits n Ass album. Was the art already done and selected by the band or was it created specifically for the album?  How did that come about? 

It was created specifically for the album. I got a call from the record company if I wanted to create the album art for the band. Apparently Barry Hay who loves pin-ups and tattoo art got in touch with my work and really liked it.

Can you tell me a bit about that drawing – does it have it’s title or character name? 

The title for the album was Tits and Ass and they told me they wanted a pin-up that showed tits and ass and that was what I created.

How was this created and what inspired that particular piece, with the airplane, etc… ? And were you happy with ended up appearing (on record) 

The photo of the background was created by somebody else. I only made the illustration and I think another graphic designer put it all together. I was curious to see if my work would look good on a photograph but it came out great.

Being from the Netherlands, how familiar were you with Golden Earring? (much of a fan of their music?) 

I like them. I’m not a huge fan but most of their hit songs I really like. And through the illustration I got to meet Barry and see them live two times which was great! I also read the book Hay and loved that too. Barry is a really nice guy!

What sort of music do you listen to (or purchase) – -any favorite bands or musical artists? 

I listen to all kinds of music but mainly rock n’ roll. I am a big fan of the Rolling Stones, I love country, southern rock, 60’s beat, rockabilly, soul and old blues but also listen to classical music and reggae. Basically everything besides techno or electronic music.

Has your art been used on many other album covers? Can you give me a few names or details[?] 

Yes, I made  a few record covers, for ‘the Boogie Chillers’, a great Dutch garage band from Groningen, ‘the Anaconda’s’, a surf band from Amsterdam, ‘Tio Gringo’, a hillbilly band also from Holland,  and a few 45 covers, for ‘E.T Explore Me’, a Dutch garage punk band, ‘the Doodle-Li-Bop’s’, a garage band from Switzerland, and the ‘Transatlantic Bunnies’. a pop band from the Netherlands with members from the US and Canada.

I also did a lot of poster art and logo’s and t-shirt designs for bands when I was still active in the music scene as a drummer, but not so much anymore.

What sort of influenced your own art –  the style that and characters in your work? 

I’ve always been hugely influenced by pin-up art from the 40’s and 50’s and comic art. Bettie Page has always been a great inspiration and artists like Bill Ward and Eric Stanton are two of my favorites.

Can you tell me a few details of your (new) book? And is there prints of your art pieces (Such as Tits n Ass) available at your website?  

My book gives an overview of my work from the last 10 years and also contains a short personal story. It’s very versatile, it contains not only my pin-ups work but also my graphic work, my poems, tattoo designs, animals, kinky stuff, spiritual stuff, realistic pencil- and pen drawings and some comic drawings.

And besides all that it also contains about ten short stories / testimonials that other people wrote. It’s more personal than my first book which came out ten years ago and only contained images.

Both my new book and prints of my art (including the illustration I made for the Golden Earring) are all available through the webshop on my website: www.claudiahek.com

Links:

https://www.facebook.com/claudiahekart

https://www.instagram.com/claudiahekart/?hl=en

https://www.musiconvinyl.com/catalog/golden-earring/tits-n-ass#more

08/’22

JOHN SLOMAN – Releases book Lost On Planet Artifice

LOST ON PLANET ARTIFICE: Rock musician John Sloman writes rock- memoir-cum-survival-manual for 21st Century.

John Sloman – singer/songwriter/multi-instrumentalist , has released his book Lost On Planet Artifice, which is his own story.

Over the years, family members and close friends have suggested I write a book about my time in music. My response has always been the same: “I’d write it, but who would read it?”

Having been in such bands as Lone Star, Uriah Heep, and Gary Moore, Sloman would be hosed over on a number of occasions (such as the story of his 1989 solo album!), and grew to dislike the music business. In the 2000s he began recording a number of solo albums, mainly all on his own. His latest is Two Rivers. Both that album And Lost On Planet Artifice can be purchased on Amazon. (Kindle edition for under $5 Canadian!).

The first review on the book states – “Reading John Sloman’s book was a revelation in the sense that here’s a man who has been shafted and betrayed by the powers that be and it is outrageous that few in the ‘business’ give a damn. His prose is very well constructed and his stories are, in places, hilarious. It certainly makes a change reading this work from all the usual drivel of so many rock stars writing about life on planet ‘Orifice’. Well done to this brave Welshman.” (Derek Pringle).

I am looking forward to this, and highly recommend, whether you’re just a Heep fan or not – you check it out.

08/’21

https://www.facebook.com/johnslomanofficial

Lonely Robot launch third single taken from new album ‘A Model Life’

Photo credit: Tom Barnes

Lonely Robot, the project masterminded by vocalist, guitarist & producer John Mitchell, are set to release their fifth studio album ‘A Model Life’ on August 26th, 2022. With just a few days till release, a video for the album’s third single ‘Digital God Machine’ has been launched.

John comments: “It’s the internet age people! And with every computer connected to it comes a free opinion. For some reason, the world of progressive rock fandom bears down on the timid musician struggling to make his way with the weight of said opinion. Said fandom LIKES and values it’s own opinion with much aplomb and shares it with alarming regularity from the bravery of great distance and safety. Thus is born the ‘Digital God Machine’.”

The album will be available as Limited CD Digipak, Gatefold 2LP+CD & as Digital Album. Pre-order now here: https://LonelyRobot.lnk.to/AModelLife

LONELY ROBOT online:
https://www.facebook.com/LonelyRobotband/
https://twitter.com/LonelyRobot_UK
www.johnmitchellhq.com

*For more info, check out my previous post on Lonely Robot.