All posts by KJ

The Bolton Iron Maiden: 1970-76 & Today

Paul O'Neill of The Bolton Iron Maiden: Interview – At The Barrier

As pointed out in a previous article, long before Steve Harris formed Iron Maiden in England, there were other bands who had used the name, most notably a band from Bolton, in northern England, who existed from 1970 to ’76. The trio featured Ian Boulton-Smith [guitar], Derek George Austin [bass, backing vocals] and Paul T.J. O’Neill [drums, lead vocals, keyboards…]. Noel Pemberton Billing would later replace Boulton-Smith, who would return later as well. Although the band would go through a few other changes those were the 4 members who would be captured on cassette live and on tape in the band’s lone studio recording of 4 tracks. Ian Bouton-Smith [aka Beak] passed away June 23rd, 1976 of testicular cancer, and thus this Iron Maiden came to an end. Ironically, Steve Harris’ band was just getting off the ground, and I believe I read that it was Beak who informed Harris that another band was already using the name! Fast forward 30 years, and Paul T.J. O’Neill wanted to honor Beak’s passing and decides to compile a CD of the band’s recording – 4 taken from their only studio venture and a number of live tracks salvaged from a fans’ cassettes at the time. Proceeds of this 12 track CD are also donated to Macmillan Cancer Relief and Cancer Research UK in the guitarist’s name.

Maiden Flight was released in 2005 under the name The Bolton Iron Maiden, as Paul O’Neill had reached out to the world famous band’s manager Rod Smallwood, who not only suggested adding the Bolton to the name [for clarification and legalities], but also threw his support behind the release by having it mentioned on the band’s website and in their news. The Iron Maiden Bolton were a good band back in the day, and judging from the 4 proper studio tracks alone, it’s a shame they never got signed and had some of these songs put out in the day. Citing the likes of Zeppelin, Cream, and Free as influences back then, it is pretty spot on as far where to put this band — a solid blues-based hard rock band. The first of the studio 4 is “Cracked Path”, a song about addiction, and it is a definite Zeppelin early type of rocker, would’ve made a neat single! “Crawl Crawl Night-time” is a longer rocker, lyrically penned about O’Neill’s insomnia. You may recognize the riff, as it is pretty much “Hocus Pocus” by Focus; the Dutch band had recorded their hit classic not too long before this, and the similarity caused the band a bit of stress [an interesting story at their website]. But aside from the Hocus Pocus riff, this is really a stand out track here, love the lead guitar and fills. “Cell Debris” is a tale of man who’s wife has passed and he stands at her grave, reflects on his past and awaits his own end. A pretty interesting and chilling tune, musically reminds me of Cream in places. “Red Sky” is the last of the studio tracks, and it’s a rocker about a time traveler. An interesting theme [time travel], as many of the band’s songs would be based around sci-fi topics, and the time traveler would idea would be the basis for the 2020 album Puppet Master : the Rise and Rise of Slick Dandy. The rest of the originals are well worth hearing, though the sound is not great, and Paul O’Neill would overdub the vocals.

There is plenty of good original songs here performed live and one can only imagine that the likes of “A New Place Of My Own” and “The Naughtiest Girl Is Alive And Well” – which features a lengthy guitar solo [and a nod to Bowie’s “Ziggy Stardust”] that this Iron Maiden could’ve delivered a pretty decent album in the early ’70s, perhaps one of those odd rarities we’d all be paying stupid prices for!? Last of the live tracks is the band’s signature song “Maiden Flight”, another based on time travel, and this containing a good bit of jamming, clocking in at over 12 minutes. *Gotta say also, great detail put in to the CD packaging, filled with stories and notes about the songs and times, and a few pics!

A 2nd CD of live tracks was issued in 2007 titled Boulton Flies Again : The Covers [the spelling of Boulton after the band’s guitarist Ian Boulton Smith]. It consists of 11 songs featured in the band’s set, and were [again] saved from a fan’s cassette recordings at the time. The sound is not great, but again – very good for an audience recording of the time, and you can get a good listen and feel for how the band was then. It’s an interesting blast back to the early 70s pub scene, with a band that was still trying to make it, playing plenty of others’ material. Funny thing is Bolton Iron Maiden didn’t play a predictable batch of hits, but some pretty cool gems from other bands who weren’t too far in to their careers, notably they played “Black Cloud” by Trapeze, Spirit’s “Fresh Garbage”, Mountain’s “Mississippi Queen”, Free’s “All Right Now”, The Groundhogs’ “Cherry Red”, and the early Mott The Hoople classic “Thunderbuck Ram”, in which Beak does a fine job covering brilliant Mick Ralph’s guitar work . Heck, I am glad to hear this CD being a fan of ’70s rock [and born too late to be there then], so I am finding a few gems I want to hear more of.

In 2018 Paul O’Neill decided to resurrect the Bolton Iron Maiden name again with a concept album about – time travel, as it was the basis for the band’s “Maiden Flight”. The album and story included within the CD titled Puppet Master: The Rise And Rise Of Slick Dandy tell the tale of a 50 year old musician named Norman Normal who’s wishes are answered when the Time Traveler takes him back 30 years, introducing him to an agent, who then introduces him to the ‘Sven Gali to the stars’ who has Norman change his name, becomes a huge star, but in time falls in love, loses the girl, and wants another chance to go back and not lose her. It is quite a unique and detailed stories, with a number of characters and great ending. But it is the story one will enjoy along with the music and the booklet [detailing the characters and tales]. As such, this album is quite varied in musical styles, and theatrical. There are 17 tracks, though some of them are short pieces relevant to telling the story. So you get some excellent rockin’ tracks [closer to the old Iron Maiden sound], and you get more theatrical pieces / ballads, as well as a bit of spoken word where required. Among favorite cuts are the upbeat rocker “Menamong Men”, “Rock n Roll Star” and “Gone Are The Days”. There’s also the excellent “Slick Dandy” [the main character], it’s a pop rock song that builds up heavier – it reminds me of The Fixx’s “One Thing Leads To Another”, and it features Don Airey [this guy is everywhere] on Moog synthesizer, There’s a few fine ballads in “Time Traveler” [the opener], “Old Sad Clown”, and “Who Pulls The Strings” – which has a very David Gilmour feel to it musically, and in Paul’s vocal.

The Rise And Rise Of Slick Dandy is a very detailed album, and once you sit down to ‘get’ the story, it is quite unique, and the music suits it so well. As mentioned there are some excellent individual pieces, but it’s more worth hearing the whole thing. O’Neill unfortunately could use a few former bandmates due to travel issues, but all are mentioned in some way in the detailed liner notes. He does use guitarists Rob Harris and Martin Low, as well as bass players Garry Cutress and Brian Ralph, his daughters on backing vox, and guests Nick Hill [trumpet] and Brian Sage [sax]. All mixed at the legendary Abbey Road Studios!

*Aside from this latest project Paul O’Neill also released a solo album in 2009 titled Totally Swept Away, which features 10 tracks – which are all stories based on Sea adventures / legends, with titles like “Pirates”, “The Mayflower – Hearts Of Oak”, “The Loss Of The Birkenhead”, and “The Captain Is Mad”. Musically more adult contemporary, progressive, pop, well produced… if I dare say this reminds me a bit of Phil Lanzon’s [Uriah Heep] solo albums and even Jethro Tull on occasion. Love the cover art!

*And just to be clear this Iron Maiden [from Bolton] existed before Steve Harris’ band, but there was no connection, though it would be interesting to hear the world famous metal band covering “Cracked Path” or “Maiden Flight”. Nor is this band to be confused with the Iron Maiden from Basildon, UK, who existed from the mid ’60s til mid 1970 and released a single that year. They too released a CD of recordings several years later titled Maiden Voyage.

*all images borrowed from CD cover and the band’s website. + CD promo poster courtesy of PO!

Links / Ordering / More info:

The Bolton Iron Maiden

http://paultjoneill.com/

(20+) The Bolton Iron Maiden | Facebook

Paul TJ O’Neill of The Bolton Iron Maiden – Puppet Master: The Rise And Rise Of Slick Dandy: Album Review – At The Barrier

One to Watch: The Bolton Iron Maiden | The Bolton News

KJ, 07 / ’21

Top 10 Canadian Albums Of 1985

Well, this is the year where things kinda took a turn, IMO. Not a huge list to choose from, and for the most part these are where bands got way more ‘commercial’ or pop oriented, more keyboards (or introduced keyboards)… Not the best from many. Considering I pretty much hated the ’90s, and there was less releases going forward; these lists may get tougher.

Rush – Power Windows

I thought “Big Money” was great as the lead off single here, and it’s still the stand out song for me on this. “Territories”, “Manhattan Project”, good songs, even if it was further into the use of keyboards, etc… but give Rush credit for always moving forward and doing something new – that is why they lasted. Released in October. I saw this tour at Maple Leaf Gardens.

Coney Hatch – Friction

The 3rd in the ’80s trilogy by the Hatch, and the 2nd with Max Norman. A very good album, though the focus on 1 lead singer lost a bit of the magic in the band. But, great tracks – “She’s Gone”, “This Ain’t Love”, and good singles “Girl From Last Night’s Dream” and “Fantasy”.

Headpins – Head Over Heels

The 3rd and final album from the Vancouver band fronted by the amazing Darby Mills, and lead by Brian “Too Loud” McLeod. This one seemed to come and go with less impact than the previous 2. Less of the heavy, a bit more ’80s pop driven, but plenty of good songs – “Stayin’ All Night”, “Never Come Down From The Danger Zone”, “Be With You”…

Helix – Long Way To Heaven

The 3rd Helix album during their heyday, released in November. My favorite one, with “Deep Cuts The Knife”, “The Kids Are All Shakin'”, “Without You”. I remember seeing these guys walking through a local mall back then – wearing their tour jackets! I got Brian Vollmer’s autograph on the back on gift card bag [I was Christmas shopping].

Loverboy – Lovin’ Every Minute Of It

The band’s 4th, released in August This one featured 2 top 10 Billboard hits, the title track [penned by Mutt Lange, who thankfully did not produce this album], and a ballad “This Could Be The Night” [with a co-writing credit to Jonathan Cain, uhg]. A bit heavier overall, another lame cover. I did like this album.

FM – Con-Test

The ‘reunion’ album w/ Nash The Slash returning. A definite more ’80s keyboard pop direction featuring a few hits like “All Of The Dreams”, “Just Like You”, and “Why Don’t You Take It”, as well as favorite “Distant Early Warning” [Ben Mink on guitar].

Kick Axe – Welcome To The Club

This Regina, Saskatchewan band’s 2nd album, and 2nd with Spencer Proffer producing. Some deliberate attempts at breaking the big time with a guest-list filled cover of The Beatles’ “With A Little Help From My Friends”, but it’s the band’s own songs that I liked far better, like the ballad “Never Let Go”, “Comin’ After You” [single], the title track, and “Hellraisers”.

Saga – Behaviour

Released in August, the last to feature the ‘classic’ line up [for a few years]. Included the hits “What Do I Know”, “Listen To Your Your Heart”, as well as favorites “Here I Am” and the title track.

Orphan – Salute

The 2nd and final album from this Winnipeg band, released in the summer. Featured the hit “Lyin’ To Me”, as well as favorites “Open Up The Skies” and “Woman In Love”.

Aldo Nova – Twitch

Released in October. Not much hard-rockin’ here, with [again] way more keyboards and pop produced tunes. But, heck there are a number of very good songs, like the hits “Rumours Of You” and “Tonight (Lift Me Up)”, and rocker “Heartless”.

Other releases: Lee Aaron Call Of The Wild , Blind Vengeance Blind Vengeance , Hanover Fist Hungry Eyes , April Wine Walking Through Fire , Convict Go Ahead…Make My Day Touchdown Tricks Of A Trade

06 / ’21

Foghat 50th Anniversary Live Album!

Noisy S.O.D., Inc.

FOGHAT CELEBRATES 50TH ANNIVERSARY WITH JULY 16TH RELEASE OF LATEST LIVE ALBUM,

‘’8 DAYS ON THE ROAD” VIA FOGHAT RECORDS, DISTRIBUTED BY SELECT-O-HITS

Multi-Platinum rockers FOGHAT celebrate 50 years of Rock n’ Roll with 8 DAYS ON THE ROAD, a 14-track live performance that will be released as a double CD/DVD package on July 16, 2021 on their own Foghat Records label, distributed by Select-O-Hits (which is part of the Sun Records family and is owned by Sam Philips’ son and nephew). It will also be available on 180 Gram Vinyl later this summer.  Recorded on November 17, 2019 at Daryl’s House Club in Pawling, NY, the collection features the band’s biggest and most legendary hits, including “Slow Ride,” “I Just Want To Make Love To You,” “Fool For The City,” and so many others. Pre-orders are available on digital outlets including Spotify , and iTunes includes an instant download of “Road Fever” with purchase.
A video for “Road Fever” can be seen on the band’s official YouTube page today. The collection will also be available on 180 gram vinyl in the coming months.
 The band has already started to work on a new Blues/Rock studio album to be released in 2022. Track listing:
1. Drivin’ Wheel
2. Road Fever
3. Stone Blue
4. Fool For The City
5. It Hurts Me Too
6. Take Me To The River
7. Home In My Hand
8. 8 Days on the Road
9. Chateau Lafitte ’59 Boogie
10. I Just Want To Make Love To You
11. Chevrolet
12. Maybellene
13. Play That Funky Music
14. Slow Ride


Also available on the Foghaonline store: 
PRESS CONTACT:
Amanda Cagan
ABC Public Relations
Amanda@abc-pr.com
 
Contact us directly at boogie@foghat.com 
www.foghat.comwww.facebook.com/foghatwww.youtube.com/foghatwww.twitter.com/foghat  

06 / ’21

Be Bop Deluxe – Live! In The Air Age [Box Set]

If you weren’t familiar with this British band from the ’70s, you are missing out, and perhaps one of the greatest live albums of the era, released with the shows – 7 full shows to be precise. 7 shows from the band’s spring 1977 UK tour! While Live In The Air Age was initially released as an 10 track LP/EP and would become the band’s biggest seller, this box set includes all the shows recorded to draw from for that album – in their full glory. Lead by founder Bill Nelson, who handled all guitar and vocals, as well as being the band’s songwriter. Live In The Air Age set list of 15 tracks each night was pulled from the band’s 4 studio albums to that point. Be Bop Deluxe mixed various styles, with the glue being Nelson’s often blues influenced soaring guitar leads with bits of jazz influence, and his stunning and lengthy solos. He had such a unique tone. Musically the band were ahead of their time, likely influencing many hard rock and new wave acts of the late ’70s & ’80s with their progressive style of rock, smooth vocals, keyboards, and harmonies, delivered so well played each night. There are no ‘off’ sounding nights. And though the set-list rarely changed [save for the odd night without the encore], each night is a fantastic listen for the improvisations, Bill Nelson’s speech intros, and simply the playing of the band’s best material such as their biggest hit “Ships In The Nights”, and favorites such as “Sister Seagull” [classic riff], “Life In The Air Age” [the opener each night], and the rockin’ “Mill Street Junction”. The latter half of the shows would feature lengthier improvised jams and solos on such tracks as the instrumental “Shine”, as well as “Terminal Street” [killer heavy guitar solo here] and encore “Blazing Apostles” [which usually runs for 20 minutes] . Nelson’s amazing guitar sound was complimented not only by the rhythm section of Charles Tumahai [bass, backing vocals] and Simon Chase [drums] , but also by the varied spacey keyboards of Andy Clark [see “Adventures In A Yorkshire Landscape”]. The box also comes with a colored booklet full of photos, images, and an essay from Bill Nelson, detailing the era, his recollections of that UK tour, adding a few stories, as well as his eventual reasons for putting the band to rest after 1978’s Drastic Plastic. There’s also further notes from journalist Mark Powell. *There is also a condensed 3 disc version featuring the restored original album, as well as the full show from one of the evenings at Hammersmith Odeon.

LIVE IN THE AIR AGE Box details:

• A DELUXE 16 DISC LIMITED EDITION BOXED SET OF THE CLASSIC 1977 LIVE ALBUM BY BE BOP DELUXE
• THE ORIGINAL ALBUM IS NEWLY REMASTERED FROM THE ORIGINAL MASTER TAPES RESTORING THE CORRECT ALBUM
RUNNING ORDER
• WITH AN ADDITIONAL 14 CDs FEATURING EVERY CONCERT RECORDED ON THE BE BOP DELUXE UK TOUR OF
FEBRUARY & MARCH 1977 ALL NEWLY REMIXED FROM THE ORIGINAL MULTI-TRACK TAPES BY STEPHEN W. TAYLER
• INCLUDES A BBC RADIO ONE JOHN PEEL SESSION FROM JANUARY 1977
• ALSO INCLUDES A DVD (NTSC / REGION FREE) OF THE STAR RIDER IN CONCERT TV FILM FIRST SCREENED IN 1977,
RELEASED HERE FOR THE FIRST TIME
• INCLUDES A LAVISHLY ILLUSTRATED BOOK WITH MANY PREVIOUSLY UNSEEN PHOTOGRAPHS & NEW ESSAY BY BILL NELSON
• ALSO INCLUDES POSTCARDS AND A REPLICA POSTER

Esoteric Recordings is proud to announce a new re-mastered super-deluxe expanded boxed set limited edition release (comprising 15 CDs and a DVD) of LIVE! IN THE AIR AGE by BE BOP DELUXE. This legendary live album was released in July 1977 and would prove to be the band’s most successful album, peaking at number 10 in the UK charts. The album was issued at a time of growing commercial success for the band and followed on the heels of two highly acclaimed studio albums in thirteen months, Sunburst Finish and Modern Music, both of which reached the top twenty of the UK album charts. Live! In the Air Age would be the band’s only live record and was recorded on a series of dates in the UK in February and March 1977 on the Rolling Stones mobile unit with John Leckie, who had engineered co-produced the band’s previous two albums, supervising the location recordings.

The band’s UK tour began in late January and was an audio-visual extravaganza that featured the use of projection screens and excerpts from the 1927 German silent film Metropolis, director Fritz Lang’s striking science fiction masterpiece. Continuing into February, the first concert to be recorded was at the De Montfort Hall in Leicester on the 12th of that month. The following two nights saw concerts at the Grand Theatre in Leeds which were both captured on tape and saw Bill Nelson perform to an enthusiastic home audience. However, at this juncture fate would intervene to cause a postponement to the remainder of the tour. Travelling to a concert in Bristol on 15th February 1977, Bill Nelson and John Leckie were involved in a car accident which resulted in them being hospitalized at Huddersfield Infirmary. Thankfully, all involved recovered quickly from their injuries, but as a result of the accident, the remaining concerts were postponed until the end of March. The tour began again with two concerts at Hammersmith Odeon in London on March 25th and 26th 1977 which revealed the band to be on top form, feeding off the tremendous warmth of the audience. Further shows in Bristol and Bournemouth on the 27th and 28th March respectively also contained many fine moments. Bill Nelson and John Leckie selected the best performances for mixing at Abbey Road and Advision studios in London and LIVE! IN THE AIR AGE was released in July 1977.

Research of all of the Be Bop Deluxe master tapes revealed that multi track tapes of all the shows recorded on the UK tour of 1977 had survived. After digitizing and listening through to all of the Rolling Stones mobile unit 24-track tapes it was decided to include each concert in its entirety in this expanded boxed set. The concerts were mixed over a period of several months by Stephen W. Tayler and are presented here for the very first time. They reveal the improvisational side of Be Bop Deluxe, particularly on pieces such as Shine and Blazing Apostles which made each concert unique.

This set features the original album, newly remastered from the original master tapes, and restores the correct running order of the original LP release and has three bonus tracks drawn from a BBC Radio One JOHN PEEL SHOW session from January 1977. This box also adds an NTSC / Region Free DVD of STAR RIDER IN CONCERT – BE BOP DELUXE, which was first screened on television in 1977 and appears exclusively in this boxed set for the first time. Finally, this limited-edition boxed set includes an illustrated 68-page book with many previously unseen photographs and an essay of recollections by Bill Nelson. Additionally, the set includes postcards and a replica poster. This special deluxe limited-edition boxed set of LIVE! IN THE AIR AGE is a fitting tribute to a fine live band and the creative vision of Bill Nelson.

Additional Links:

Pre-order- Be Bop Deluxe: Live! In The Air Age, 15CD/1DVD Limited Edition Box Set – Cherry Red Records

Be Bop Deluxe: Live! In The Air Age, 3CD Remastered & Expanded Edition – Cherry Red Records

Bill Nelson – 40 Years Of Recordings – Interview by Mark Powell – YouTube

Bill Nelson: Be Bop Deluxe And Beyond… – Music Republic Magazine

Bill Nelson – Talks about Be Bop Deluxe, His Guitar, Influences & more – Radio Broadcast 02/05/21 – YouTube

06 / ’21

Golden Earring – Live

Golden Earring is from Holland, and as far as most in North America know of them, they were a 2-hit wonder. They had huge hits with “Radar Love” (1973) and “Twilight Zone” (1982), but Golden Earring is the longest running band that until recently – regularly released albums and toured. The band formed as The Tornados in 1961, changed their name to The Golden Earrings and released their first album was in 1965. And although they’d have hits and success in their homeland, it wouldn’t be til the early ’70s that the band had distribution and an impact in North America with a string of classic albums – Moontan, Switch, To The Hilt, and Mad Love when they’d signed to MCA Records. Many years ago I had [still have] been given a few compilation cassettes of the band from my [late] uncle Jim. I never gave them much play, but in recent years I started filling in the gaps in my Golden Earring collection, and more so started digging the band’s 1977 Live album [2LP]. which – if you don’t have it – I think is one of the greatest Live albums of all time.

At this point the band included founding members George Kooymans [guitar, vocals] and Rinus Gerritsen [bass, keyboards, harmonica, guitar], as well as Barry Hay [lead vocals, guitar, flute], sax – since ’67] and Cesar Zuiderwijk [drums, since 1970] , as well and Eelxo Geiling [guitar]. Aside from Geiling, the other 4 members would remain permanent members until the end. The only personnel changes in the ’70s would be the extra guitar player or keyboard player that the band added for various albums. But, yeah – at the time of the Live album, Golden Earring was a 5 -piece, guitar heavy band; not heavy like ‘metal’, just lots of that cool ’70s guitar sound, with some slide guitar, lengthy solos, etc… The band was far from a ‘pop’ band here, stretching out the 10 tracks here with extended jams and solos, You get a 12 minute take of “Radar Love”, a 12 & a half minute play of the classic “Vanilla Queen”, and a 6 and a half minute version of “To The Hilt”.

Most of the tracks are taken from the band’s latest albums, though material from the classic Switch album is absent. There’s also a 10 minute rendition of “Eight Miles High”, which was actually shortened from the near 19 minute version that the band recorded for their 1969 album of the same name. Side One is probably my favorite here kicking off with “Candy’s Going Bad”, followed by “She Flies On Strange Wings” [from 1971’s Seven Tears] , and a near 10 minute rock out on “Mad Love’s Comin'” – the title track to their latest album at the time, and one that makes me wonder if Iron Maiden was listening to this[?].

If you have nothing of or very little of Golden Earring, Live is the best place to start, just an amazing recording of a classic band at their peak. Recently reissued on white vinyl. Would be nice if there was more to these recordings [see the new Be Bop Deluxe Live In The Air Age box set]. There would be a 2nd Live released in 1981, which only got released in the Netherlands and Germany; it features a completely different set of tracks, played to regular lengths [no 10 minute + jams]. And if you are picking up Golden Earring albums, do yourself a favor and get the original European version of Moontan! it features the classic artwork in a gatefold, as well as the proper 6 tracks, where as the North American version cheaps out on the cover art, and shortens the album to 5 songs. But, as I said – start here with Live. Guitarist George Kooymans was diagnosed with ALS earlier this year, putting an end to the band’s amazing 60 years on the rock stage. But, if you’re a fan of those ’70s guitar / jam bands Live is a ‘must have’. The band’s catalogue is long, but well worth looking in to beyond the hits.

*Live has been recently been reissued on white vinyl vi Music On Vinyl.

Links:

Golden Earring Announces Retirement After 60 Years | iHeartRadio

(9) Golden Earring | Facebook

Golden Earring (golden-earring.nl)

GOLDEN EARRING – LIVE – Music On Vinyl

KJ, 06 / ’21

Uriah Heep – 12 Favorite Tracks From The Bernie Shaw Years.

Uriah Heep Announce Living the Dream 2018 UK Tour - Your Online Magazine  for Hard Rock and Heavy Metal

Canadian singer Bernie Shaw recently turned 65. Bernie relocated to the UK in the late ’70s and went on to record with such bands as Grand Prix, Praying Mantis, and Stratus, before joining Uriah Heep at the end of 1986. He’s sang on the band’s 9 studio albums since 1989, as well as numerous live albums. Keyboard player [and major writer in Heep’s albums for the past 32 years] is Phil Lanzon, who joined Heep not too long prior to Bernie, so the pair have given the band great stability as well as a number of excellent albums over the past 3 decades. This is just my own list, but feel free to drop any of your own favorites in the comments!

Between Two Worlds

From 1998’s Sonic Origami. Spooky intro build-up to the band kicking in. Just a great intro and epic rocker. Lyrical subject about being able to cross over and share the stage again with former members no longer in this world. I love this album, tho’ I wish there was a few more in this style on it.

Against The Odds

When I first heard 1995’s Sea Of Light, I couldn’t believe how much better it was than it’s predecessor and just loved the songs and production. This [again] being a killer opener, one of the best & heaviest guitar rockers the band ever did.

What Kind Of God

From 2008’s Wake The Sleeper. A crushingly heavy album; I really preferred side 2, which is what this track opens. Inspired by the book [and story within] of Bury My Heart At Wounded Knee. Very to different to anything on WTS, love the drum march throughout, the Hammond organ, the bass and the bass solo near the end, not to mention Bernie’s vocals….

Logical Progression

At the time Sea Of Light was still new my favorites on it changed many times, but this one jumped out right away, and was always a favorite. Very smooth, love the Hammond organ throughout this and the chorus…

Take Away My Soul

From 2018’s Living The Dream. This album didn’t let up for the first 5 tracks, and this song I liked more so for Mick’s guitar solos. Cool that the song begins with the chorus, a neat twist. If anything, in my opinion this should’ve been the first track on the album [though “Grazed By Heaven” was an excellent choice as first video-single]. Reminds me “Between Two Worlds” and “Against The Odds” in it’s energy.

One Minute

This one, from 2014’s Outsider stood out on this album, and got a good bit of attention for the band [w/ Alice Cooper featuring it on his radio show]. The piano / vocal intro is such nice piece on it’s own [wish there was more of this here], it’s a beautiful intro before the band kicks in to a pop-rock track that is very catchy, with such a memorable chorus.

Blood Red Roses

The first studio album with [then new] singer Bernie Shaw from 1989 was Raging Silence. It’s like the band tried to recapture the impact of Abominog with this album, and all the covers. But it’s the band’s own songs that I prefer here, particularly this one, which was written by departed vocalist / songwriter Peter Goalby! A great pop-rocker for the time, and still sounds great. I occasionally wonder if only PG had stuck around for this one…. hmm…

Trail Of Diamonds

I really like 2011’s Into The Wild, lots of excellent songs [tho’ I wasn’t crazy about the single]. This one being one of those epic blends of everything Heep – light and heavy, a few changes, great vocals from Bernie…

Love In Silence

Perhaps the track most loved by the Heep faithful from Sea Of Light [?]. An epic ballad! Phil Lanzon did an amazing job on this song with the piano, the Hammond break, the strings, and the various changes throughout the track. A great feel good Heep classic.

I Hear Voices

Sonic Origami had a lot of lighter stuff, but I really enjoyed that album. This one being a great pop-rocker, with a memorable chorus and vocal effects. I really liked this one as the following track to “Between Two Worlds”, such a great pair kicking off the album, back to back.

I’m Ready

Great straight ahead upbeat rocker and [I believe] show opener at the time. This should’ve been the album opener [IMO] .

Knocking At My Door

Cool guitar / organ intro, to a favorite rock track from Living The Dream. Bernie does a great job delivering the words dealing with paranoia. And excellent mid song break and solo from Mick.

URIAH HEEP Studio Discography w/ Bernie & Phil:

Raging Silence – 1989

Different World – 1991

Sea of Light – 1995

Sonic Origami – 1998

Wake The Sleeper – 2008

Celebration – 2009

Into The Wild – 2011

Outsider – 2014

Living The Dream – 2018

06/’21

Stamped Live & Official Bootlegs

The stamped covered album, often labeled as an ‘official bootleg’, you know – to make them look like those old ’70s bootleg LPs, or in some cases – just typed titled, no art or photos [unless inserted]. In some cases, they’re not even Live, but private pressed for promo. When I recently interviewed Andy Curran of Coney Hatch he mentioned and idea behind the band’s presentation of their new album Live At The El Mocambo, that being The Cars famous bootleg from the same venue decades ago. In this list, I came up with 10 LPs [and a few EPs] that came in a simple jacket, minimal packaging, and in some cases an interesting tale behind them. Most come out as some sort of limited press, scooped up years ago by fans, and later worth more.

If there’s anything of interest I’ve forgotten [LP releases only] , let me know in the comments….

The Who – Live At Leeds [1970]

One of the best live albums of all time, featured a simple light brown cover, in a gatefold sleeve, with the band’s name and title stamped on it. Simulating a bootleg release, but within the gatefold were included inserts for buyers, such as band photo, a poster, lyric sheet, adverts, etc…

Turner And Kirwan Of Wexford : Bootleg [1974]

Well, this one is not so live, in fact this LP features a few live tracks with alternate takes, and demos of songs that were either singles or would later feature on the duo’s debut album. Pierce Turner & Larry Kirwan were a Irish duo, who’s music combined folk, pop, art / prog rock, with great vocals. This ‘bootleg’ came out in very limited numbers following the band’s debut single, and prior to their lone 1977 album. I’ve added a link for more info on the duo & this rare release – Turner & Kirwan of Wexford – Bootleg | Rock Roots: The Irish Rock Music Archive (wordpress.com)

Tom Petty & The Heartbreakers – Official Live Bootleg [1977]

Recorded at the end of ’76, following the first album. Promo copies of this came in a simple white jacket with the band logo sticker stuck on in the middle. The UK version also got 1 more track than the US, which had 4. The UK versions also only list Tom Petty on the LP label [as artist]. Official releases would later change the cover to feature rows on Tom Petty shots on film.

The Blues Band – Official Blues Band Bootleg Album [1980]

The Blues Band which featured former members of Manfred Mann & McGuiness-Flint, among others. The first UK issue of this LP was limited to 3000, in a plain white sleeve with the band name & title stenciled in the corner, as well as being signed by band members! Consisting of blues standards and a few originals, it was sold at shows and used for promotion, gaining enough attention then for the band to get a proper record deal. The album was soon reissued on Arista in places either with a similar plain cover or with the band photo and new design.

Tokyo Blade – The Cave Sessions (Official Bootleg) [1985]

A 4 track 12″ EP from this NWOBHM act was only issued in France. Not sure on the whole story here, but I read these were demos, with a couple of the tracks finding homes on proper albums, and the whole EP eventually being used as bonus material and in the band’s box set. Cool band stamp, with the title written on cover & labels [copied].

Uriah Heep – Live At Shepperton [1986]

Uriah Heep - Live at Shepperton - 1974

Not intended as a live album originally, these were the recordings of the band at Shepperton, done for US television. Focusing on the band’s latest album at the time – Wonderworld. As it was recorded for TV, the sound was not great originally, with there even being the odd track fade in and out. It was later released with a photo of Mick Box on the cover, and later [CD reissue] with a brown cover and improved sound, and more tracks. First LP issue came with very little info, as well as plain white labels on LP sides, with tracks listed, no record company stamp.

Trisomie 21 – The Official Bootleg (Million Lights Tour) [1988]

Not much out there about this release [or band]. Trisomie 21 were [are] a new wave/synth pop act from France, who released a number of albums in the ’80s. This one not appearing on a label. Pretty simple cover.

The Futureheads – Official Bootleg Pop Recs Ltd. [2019]

A 4 -rack live 10″ EP from this Brit post-punk [?] band. This was recorded in 2019 following the band’s reuniting and recording new material.; issued in limited edition. The only pic I found was from Discogs, so not sure if all copies came signed.

Coney Hatch – Live At The El Mocambo [2021]

Coney Hatch Live At The El Mocambo | OutsiderRock

Recently released, and what got me thinking about these covers…. CH Live At The El Mocambo comes in the straight white sleeve, 2 LPs, with a stamped label, as well as the Hype sticker on the outer plastic, and a simple white insert with credits & track list. It’s all ya need sometimes. Very limited number of these LPs were issued, signed by the band!

Kiss – Off The Soundboard : Tokyo 2001 [2021]

A new release from the band’s 2001 performance in Tokyo [w/ Ace still in the band]. This is a 3 LP set, with cardboard sleeves for each LP (each with their own track listing), all slipped in to a the cover jacket, stamped nicely, with bandmembers listed below. Looks pretty cool, much preferable to a pile of pics of these guys .

KJJ, 06/’21

Thor – Alliance

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Thor – the band formed around vocalist Jon Miki Thor, a former body builder turned rock star. Thor delivers heavy metal with some awesome riffs, some comic book influence, melodies as well as power metal rockers, and anthems…. Alliance features 17 tracks, as well as a lengthy and impressive list of guests, most notably Chris Holmes [ex W.A.S.P.] and ‘Ross The Boss’ Friedman, guitarist [and former bandmate] Frank Soda, Al Harlow [of Prism], and numerous others. Kicking off with the anthem “We Need Musclerock”, Alliance contains plenty of fun hard driving rockers, with favorites being “Power Hungry”, “Bounty Hunter”, and “Rock Around The World” [w/ Danko Jones]. “Queen Of The Spiders” is my favorite song here though, it’s with Frank Soda, a bit more laid back, a bit of a Doors feel. I am not so familiar with Thor’s back catalogue, but this is a mighty collection of hard rock & metal tunes that [presumably] anyone who’s familiar with these guys will enjoy, and a cool start for those unaware.

Metal Titan THOR Forges The Ultimate ALLIANCE With W.A.S.P.’s CHRIS HOLMES & ROSS THE BOSS In A New Video/Single From His Forthcoming Album!

Los Angeles, CA – Like the Heavy Metal Avengers, heroes and icons from all over the metal world have united behind the legendary god of metal thunder, THOR, on an epic new studio album, entitled Alliance! Only a figure of such mythic strength and power as the mighty THOR could unite such an astounding armada of artists including W.A.S.P.’s Chris Holmes, Raven vocalist John Gallagher, Soilwork singer Björn Strid, Danko Jones, Anthrax’s Neil Turbin, Ross “The Boss” Friedman and many more. Together, this battalion of champions fuse their talents to create one of the heaviest, most melodic THOR albums of all time! Just check out the album’s first single, “The Ultimate Alliance,” a heart-pounding, metal riffing powerhouse of a track that features some stellar guitar solos from Chris Holmes & Ross The Boss as well as the vocal talents of A Sound Of Thunder singer Nina Osegueda and Lords Of The Trident frontman Fang VonWrathstein! The track is debuted here alongside a superbly fun, special-effects heavy video.

Watch the video: https://youtu.be/eZASqUhTCcc

Stream/download the single: https://orcd.co/thor_the_ultimate_alliance_single

Alliance features stunning artwork from Timo Wuerz and will be available July 16 on both digital as well as on CD in a digipak and limited edition silver vinyl in a gatefold jacket! Watch for Thor to launch several shows and festivities in this year as he celebrates his 39th studio album and an astounding 50 years of metal mayhem as well as co-starring in a feature-length action movie “Pact Of Vengeance,” which will feature music from the new album!

Pre-order the CD & Vinyl: https://cleorecs.com/store/?s=thor+alliance&post_type=product

Pre-order/pre-save the digital: https://orcd.co/thor_alliance_album

Track List:
1. We Need Musclerock feat. John Gallagher (Raven)
2. Niflhel (Realm Of The Dead) feat. Björn Strid (Soilwork)
3. The Ultimate Alliance feat. Chris Holmes (W.A.S.P.), Ross “The Boss” Friedman (Manowar), Nina Osegueda (A Sound Of Thunder) & Fang VonWrathenstein (Lords Of The Trident)
4. Ode To Odin feat. Dan Cleary (Striker)
5. We Will Fight Forever feat. Neil Turbin (Anthrax)
6. Because We Are Strong
7. Rock Around The World feat. Danko Jones
8. Queen Of The Spiders feat. Frank Soda (The Imps)
9. Power Hungry
10. Bounty Hunter feat. Frank Meyer (The Streetwalkin’ Cheetahs) & Dennis Post (Warrior Soul)
11. Battlements feat. Trevor William Church (Haunt)
12. Thor vs. The Juggernaut (War Of The Gods) feat. Sean Peck (Death Dealer)
13. Generation Now feat. Joey Killingsworth (Joecephus & The George Jonestown Massacre)
14. After The Laughter feat. Martin Gummesson (Thundermaker)
15. Good Stuff feat. Al Harlow (Prism)
16. Congregate feat. Joey Roads & Sheldon Byer (Roadrash)
17. We Will Fight Forever (Reprise)

The Ultimate Alliance” video credits:

Written by: Jon Mikl Thor / John Leibel

Lead Vocals: Jon Mikl Thor

Special Guests:
Lead Guitar: Chris Holmes
Lead Guitar: Ross “The Boss” Friedman
Lead Vocals: Nina Osegueda
Lead Vocals: Fang VonWrathenstein

Lead Guitar: John Leibel
Rhythm Guitar: Matt Hamilton
Bass: Ted Jedlicki
Drums: Tom Croxton

Video Directed by: Josh Grambo

Special Effects and Editing: Josh Grambo and John Magz
Videography: Josh Grambo, Javier Cedillo, Kevin Stuart Swain, and Lisa Freakrock
Additional Videography: Don Watson, Matthew Szablewicz, Ty Christian, Josh Schwartz, and Catherine Holmes

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

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Steve Hackett: Surrender Of Silence – New Album.

FOR IMMEDIATE RELEASE:
 Steve Hackett Announces release of Surrender of Silence Out September 10th
 Legendary guitarist Steve Hackett, releases his new studio rock album Surrender of Silence on 10th September 2021, via Inside Out Music. The album features 11 new songs as Steve Hackett has been working hard through Lockdown and, the first time, has completed two studio albums for release within the same year! 

Hot on the heels of his classical-acoustic travelogue Under A Mediterranean Sky, which was released in January and hit Number 2 in the UK Classical Album Chart, Surrender of Silence is a further exploration of Hackett’s love of world music, discovering different sounds, moods and textures to deliver a rock album of extraordinary variety, power and beauty.

As with Under A Mediterranean Sky, Surrender of Silence was also recorded during Lockdown and, again, Hackett has called upon some of his musical friends from across the world to contribute. Hackett’s regular touring band of Roger King (keyboards, programming and orchestral arrangements), Rob Townsend (sax, clarinet), Jonas Reingold (bass), Nad Sylvan (vocals) and Craig Blundell (drums) are supplemented by Phil Ehart and Nick D’Virgilio (drums), the vocal talents of Amanda Lehmann, Durga and Lorelei McBroom, Christine Townsend (violin, viola), Malik Mansurov (tar) and Sodirkhon Ubaidulloev (dutar).

This new album is full-on electric…

“Lockdown cobwebs are blown away in one fell-swoop here!” says Steve Hackett. “With the monster rhythm section of Jonas, Craig, Nick and Phil along with Rob’s soaring sax and bass clarinet, Nad, Amanda and myself on vocals, Roger’s darkly powerful organ and my guitar, we plunge full-pelt into that wild release of energy.”

Our journey takes us from the classical orchestrations of Russia (Natalia) to the plains of Africa (Wingbeats) to mysterious Eastern shores (Shanghai To Samarkand), all via the ocean’s depths (Relaxation Music for Sharks (featuring feeding frenzy)). The Devil’s Cathedral pools the talents of Hackett’s entire touring band and features King’s atmospheric Gothic organ and a powerhouse rhythm display from Blundell and Reingold.
Hackett’s vocals have never been bettered and his duet with Amanda Lehmann adds emotion to Scorched Earth a lament for the environmental horrors facing our planet. Throughout Hackett’s guitars add a rich tapestry of color with soaring solos and intricate weaving melodies.

“It’s a ‘no holds barred’ album,” adds Hackett, “riding that wave, unleashing those demons, dreams and nightmares, all crashing together over the shore.”

“I enjoyed the power of this album allowing my guitar to scream in joy and rage… and once again flying across those oceans to distant lands. It’s terrific to connect creatively with musicians from far flung places, particularly when we’ve all been unable to meet. We all have a voice in our cacophony of sound and we cry out together in the Surrender of Silence!” 

Steve Hackett “Surrender of Silence” track listing:
1. The Obliterati (02:17)
2. Natalia (06:17)
3. Relaxation Music For Sharks (Featuring Feeding Frenzy) (04:36)
4. Wingbeats (05:20)
5. The Devil’s Cathedral (06:31)
6. Held In The Shadows (06:20)
7. Shanghai To Samarkand (08:27)
8. Fox’s Tango (04:21)
9. Day Of The Dead (06:25)
10. Scorched Earth (06:03)
11. Esperanza (01:04)

Steve Hackett shares writing credits with both Jo Hackett and Roger King on several tracks. All tracks were recorded by Roger King and produced by Steve Hackett with Roger King at Siren. 

About Steve Hackett

Steve Hackett joined Genesis at the beginning of 1971 and gained an international reputation as the guitarist in the band’s classic line-up alongside Peter Gabriel, Tony Banks, Mike Rutherford and Phil Collins. Hackett’s intricate guitar work was a key element of Genesis’ albums from Nursery Cryme (1971) to Wind And Wuthering (1977) including the classic Selling England By The Pound.

After leaving Genesis at the end of 1977, Hackett’s solo career, which now spans more than 30 albums, has demonstrated his extraordinary versatility with both electric and acoustic guitar. Hackett is renowned as both an immensely talented and innovative rock musician and a virtuoso classical guitarist and composer and this was recognized in 2010 when he was inducted into the Rock Hall Of Fame. He has also worked alongside Steve Howe of YES in the supergroup GTR.
Hackett’s compositions take influences from many genres, including jazz, classical and blues. For his later studio works The Night Siren (2017) and At The Edge Of Light (2019) Hackett has explored the influences of world music. Recent tours have seen Hackett celebrate his time with Genesis – including a spectacular 2018 tour in which he realized a long-held ambition to perform the works of Genesis live with his band and an orchestra. 

The lockdown enforced by the 2020 global pandemic has proven to be a particularly creative period for Hackett. He began by releasing Selling England by the Pound & Spectral Mornings: Live at Hammersmith, a live recording of 2019’s hugely successful tour celebrating that Genesis classic together with the 40th anniversary of one of his most-loved solo albums. Lockdown also gave Hackett the opportunity to write and record two new studio albums, the UK Classical Chart hit Under A Mediterranean Sky and the forthcoming Surrender of Silence.

Surrender of Silence – Release Date – 10th September

Formats: Limited Edition CD+Blu-ray Mediabook in hardcover slipcase, Standard CD Jewel case,
Gatefold 2LP+CD & LP-Booklet and Digital Album.

http://www.hackettsongs.com
http://www.facebook.com/pages/Steve-Hackett/123101228589
www.twitter.com/HackettOfficial
 
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06 / ’21

Story Behind The Album Cover: Albert Bouchard’s Re Imaginos

Blue Oyster Cult fan & artist Richard Zoll is fairly new to creating album covers, but in the past few years he’s created superb covers for albums by Blue Coupe [the trio featuring Albert & Joe Bouchard, along with Dennis Dunaway], and last year he created the artwork for the highly anticipated album from Albert Bouchard – Re Imaginos.

Here Richard Zoll gives the background and the details on the artwork that he created for Albert Bouchard’s ‘must have’ album for any BOC fan. Richard’s artwork covers a beautiful gatefold package with the 2 LPs, and lyrics on the inside. *Check out the links at the end of this article.

Connection to Albert Bouchard… Back in the advent of the internet getting into full swing I think the first time I really met Albert was at Brain Surgeons shows. I would bring home made stickers of my own design and hand them out to people at shows. After gigs they would ask Albert and the band to sign them. I guess that is when he first took notice. I was on the BÖC related boards in the early internet days as “Astro” and that was it. Albert is one of the few that still occasionally call me that lol. I followed every iteration Albert and Joe got involved in and tried to see live stuff whenever miles and time permitted.

Then I got into making unofficial posters, stickers and went on my own private promo campaigns online for artists I followed and enjoyed. The Bouchard brothers, I felt, were constantly forging onward and creating new songs and it was an easy way to feel involved while letting off my creative steam. Once they teamed up with Dennis of the original Cooper group to for Blue Coupe, it seemed like a combination of two of my favorite bands ever and gave me an endless idea well to draw from. They needed artwork for a CD called ‘Eleven Even’ and asked me to come up with something, so I did. They used it.

Suggestions, ideas, art concept… I was given pretty much free reign so in that respect the concept was mine. I was asked by Albert for artwork on the Re-Imaginos Vol. 1 and immediately wanted to do it. I was provided unfinished rough drafts of the play list for inspiration. that is the way to do it unless you are going to use art that already exists for a cover (just my opinion). The design was accepted by Albert as is. Chosen is more like it. Out of several I submitted to him. It may be more accurate to say the artwork was mine, but the concept was Pearlman / Bouchard to be fair.

Creating the cover… The back is a 3D model I made of an ice plane with small eroded mountains. The sky was a photo I took of a storm rolling into the Oswego Harbor in NY. I superimposed a shot of the Super moon I took, and topped it off with a lighthouse on the horizon getting its beacon light from the “Phecda” star of Ursa Major in the sky.

  • The front is also a composite. I wanted something spacey but underwater. I made a telescope in 3D and buried it in the sand, and only used that part as if to be windowed under the tide. I saw other works with the cut away effect and thought it would work perfectly for this. There is a silhouette of a sailing ship with sea birds numbering 7 times 4 on the horizon. Those were actually 4 flocks of 7 in other unused versions and I think appear in that flocked form in some posters. Again with the sky and a moon emitting more as a light source than a reflection of the sun light. Also another instance of Ursa Major to the moon’s right, and last but not least, a ghostly, semi-transparent vulture, soaring out of a photo I took and into the realm of Re Imaginos. Buzzardo if you will, the shape shifter

Photos / Images … With the possible exception of the silhouette of the ship, a photoshop paint brush I made of the birds, and Possibly the clouds part of the front sky, I created the 3D models, took the photos, and made the effects myself. I thought the sea foam green was right, and the turquoise.

The lettering… Yes, the lettering was a warped and modified version of a font I bought that couldn’t have been more perfect for this album cover. Interesting question because I spent a lot of time trying to form the correct ebb and flow by use of each letter being lower case or capital, each sized and placed, converted to shapes and then warped.

richardzoll.com

albertbouchard.net

Albert Bouchard Re Imaginos Full Album Review – YouTube

KJJ, 06 / ’21