Tag Archives: doom metal

WOLFNAUT – to release Return Of The Asteroid

Heavy doom/metal trio WOLFNAUT, hail from Norway, and this will be the band’s 4th album, though the 2nd under their altered name from Wolfgang. Return Of The Asteroid is a good album start to finish, with some cool different sounding songs, aside from the heavy rockin’ cuts which stand out like the opener “Brother Of The Badlands”, “My Orbit Is Mine”, the faster paced “G.T.R.”, and “Something More Than Night” (something in that guitar break reminds me of Thin Lizzy). Best cut here tho’ is the slow haunting ballad “Arrows”; pretty unique atmospheric track. 9 tracks in all, ending with the 10-minute+ slow, dark epic “Wolfnaut’s Lament”.

*Return of the Asteroid will be released on black vinyl, limited colored vinyl, CD and digital on April 21st through Ripple Music. For more info, check out the band bio / press release below.

WOLFNAUT (formerly known as Wolfgang) started life in the mid-1990s in the town of Elverum, a two-hour drive northeast of the Norwegian capital Oslo. Their energetic live shows and debut album, ‘Welcome to the Cactus Mountains’, went down a storm in their hometown, and the album even garnered a solid review in Kerrang! WOLFNAUT reformed again in 2013, and the band released its second album, ‘Castle in the Woods’, to raving reviews in 2016. The band’s aptly titled third album “III” was released in 2022. “III” brought the Norwegian trio’s blend of catchy tunes and heavy stoner riffs to a larger international audience. For their fourth album, WOLFNAUT has teamed up with US-based label Ripple Music to spread the word even further.

“Return of the Asteroid” is the slightly darker and doomier cousin of “III”. Wolfnaut’s penchant for writing catchy rockers is still very much alive and well on songs like “Brother of the Badlands”, “My Orbit Is Mine” and “G.T.R.”, but “Return of the Asteroid” also sees the band developing their love for more dynamic songs. There is more of both light and shade on Wolfnaut’s fourth long-player, which can clearly be heard on offerings like “The Mighty Pawns”, “Crates of Doom” and “Wolfnaut’s Lament”. The album even introduces a first for the band: a ballad! “Arrows” was originally released on “Castle in the Woods” in 2016, but the band didn’t feel that the hard rock approach on the original recording did the song justice. Stripped down to its core elements, the song now has a new lease on life.

“Return of the Asteroid” was recorded at Audioskop studio, Sofiemyr, Norway. Production was handled by the band, with invaluable help from engineer extraordinaire Bjørn Barstad. Swedish sound wizard Karl Daniel Lidén (Greenleaf, Lowrider, Dozer, Demon Cleaner) was enlisted to mix, master, and put the finishing touches to the album. Eminent graphic designer Mirko Masala created the visuals. With a career now spanning 25 years, four albums and countless live shows, WOLFNAUT is ready to spread the word of Norwegian stoner rock to an even wider international audience. Now part of the Ripple Music family, expect to see the band somewhere on the road in the not-so-distant future.

TRACKLIST:
1.    Brother of the Badlands 
2.    My Orbit Is Mine
3.    The Mighty Pawns
4.    Crash Yer Asteroid
5.    Arrows
6.    G.T.R.
7.    Something More Than Night
8.    Crates of Doom
9.    Wolfnaut’s Lament

WOLFNAUT :
Tor Erik Hagen – Bass
Ronny «Ronster» Kristiansen – Drums & Percussion
Kjetil Sæter – Guitars, Vocals & Piano

WOLFNAUT Links:
WebsiteFacebookBandcampInstagramSpotify

OCEANLORD – Australian doom metal band to release debut ‘Kingdom Cold’

Australia’s OCEANLORD are ready to release their debut album Kingdom Cold on May 26. The heavy doom trio have recorded 6 tracks, full of haunting tales, thick guitars, slower tempos, with melodies and solid vocals and production. Check out the first single/video “2340” (and read the story behind it). Six massively heavy and cool songs, including favorites “Isle Of The Dead” and “Come Home”.

*Available for pre-order on CD and translucent blue vinyl. Check out the press release and links below!

Behold! Hark! From the dark depths of the southern oceans, Australian doom trio OCEANLORD have conjured an eldritch monster of an album with their tentacled debut “Kingdom Cold”.

Frying guitars with an extra helping of thick fuzz and a crusty top deliver a tasty doom sound. Songs that range from very slow via slow to mid-tempo with occasional outbursts of energy also stand firmly on the rock solid ground of this classic metal genre. OCEANLORD display traces of the American, British and Swedish schools of thought with the clean vocals slightly tilting towards the latter.

Yet below the surface of all the time-honoured elements traditionally associated with doom, there is an extra layer of darkness lurking in these tracks. A foreboding sense of dread, madness, and unspeakable horrors is creeping in to replace the well-worn theme of melancholia usually accompanying the style. This sets OCEANLORD clearly apart from most of their peers. This is no accident, as the Australians are very openly inspired by the horror genre and the writings of New England author Howard Phillips Lovecraft in particular.


OCEANLORD came into being in Melbourne in 2019 when bass-player Jason Ker joined guitarist and singer Peter Willmott for a serious drink to ponder work, family, mortality, and the hellscape of corporate existence. When the conversation turned to music,  the connoisseur of black, death, and progressive metal, Peter, found common ground with Jason, an acolyte of alt-rock and grunge in early heavy metal and doom. Jon May, with his history of punk and rockabilly in Perth followed by country-folk and swamp-blues in Melbourne, did not appear the most obvious choice for the drum-stool, but he brought a secret passion for everything slow and heavy, not to mention a van and good gear.

In the rehearsal room, the initial sound was primal and ponderous, with a glimpse of melody under thick, sludgy riffs. Stoner doom was the answer to save their souls from the slow soul-death of the modern corporate drone. Basement writing sessions began, riffs started flowing, and in 2020, the trio released a demo that caused a stir throughout the doom-underground.

During Melbourne’s dramatic 263 days of pandemic lockdown, Peter built a home studio and in 2022, OCEANLORD tracked their debut release. So beware of this monstrous record: “Kingdom Cold” takes doom to even darker depths than ever explored before!

Tracklist
1. Kingdom
2. 2340
3. Siren
4. Isle of the Dead
5. So Cold
6. Come Home

Line-up
Peter Willmott – guitar, vocals
Jason Ker – bass
Jon May – drums

Recording by Peter Willmott at Studio R’lyeh, Melbourne, Australia
Mix & Mastering by Esben Willems at Studio Berserk, Gothenburg, Sweden

*Artwork by Gabby Willmott

Links:

http://lnk.spkr.media/oceanlord-kingdom-cold

https://oceanlord.bandcamp.com/album/kingdom-cold

https://www.facebook.com/oceanlordau

Blackwulf – Thieves & Liars out now!

The 4th album from Oakland’s Blackwulf is now out. Thieves & Liars, featuring 9 tracks, notably the lead off cut & single “Shadow” . These guys deliver a solid massive ’70s inspired heavy album that is not short on killer doomy riffs, hooks and solos, with great vocals that are somewherez between a younger + heavier Ozzy and a young Rob Halford, at times — this, along with melodies and changes should appeal to fans of Black Sabbath and early Judas Priest fans, among others heavy ’70s . Of the 9 tracks that run together nicely, check out the title track, which oddly reminds me of Sabbath’s “Heaven And Hell”, as well as cuts like “Seems To Me”, “Failed Resistance” and “Brother” (w/ singer Alex Cunningham sounding like a younger Rob Halford at times) – all easily likable heavy doom metal rockers. Thieves & Liars is also highlighted by the 8 and a half minute epic “Psychonaut/Edge Of Light”, which featured one great heavy slower doom number that fades in to the ballad featuring acoustic guitars…which blends in to the brief atmospheric instrumental “Mysteries Of This”. One of those albums that just flows so well from track to track, with no duds, and is over before ya know it. Awesome cover art from David North.

*You can order Thieves & Liars on vinyl (colored, splatter, black), as well as CD and digital download at – https://ripplemusic.bandcamp.com/album/thieves-and-liars

BLACKWÜLF links
WebsiteFacebookBandcampInstagramSpotifyRIPPLE MUSIC links
WebsiteFacebookBandcampInstagram

LAS CRUCES – Cosmic Tears

Texas (San Antonio) doom metal band Las Cruces released their 4th album in 2022. The band formed in the mid-90s and underwent a number of changes (pretty sure no one on the band’s 1996 debut album is still here). Cosmic Tears took a number of years to get released, and features most of the same line-up as the band’s 2010 album Dusk. This one features Jason Kane on vocals (Kane of Jason Kane & The Jive), who joined the band and recorded his vocals when he was just 17. These guys have some cool album covers, with Cosmic Tears being done by Michelle Sanchez Menchaca.

Cosmic Tears is full of heavy doom metal, very much in tune with early Black Sabbath, with dark heavy slow riffs, heavy on the bass and fantastic drums. This album really is a solid set of songs front to back that any self-respecting Sabbath fan should check out, with the near 8 minute opening title track, and album favorites being the lead off single/video “Wizard From The North”, “Egypt”, and “Holy Hell”. The CD features 10 tracks, while the LP (which I have) includes just seven.

This album was finally released in June of last year, and is a tribute to longtime drummer Paul DeLeon who passed away in January of ’21 from complications of Covid. The band did play live last year to promote the album and are booked at the Maryland Doom Festival in June of this year.

LAS CRUCES:

Jason Kane – vocals
George Trevino – guitars
Mando Tovar – guitars
Jimmy Bell – bass
Paul DeLeon (RIP) – drums

Links:

https://ripplemusic.bandcamp.com/album/cosmic-tears

Las Cruces | Doom Metal San Antonio, TX

https://www.facebook.com/crucesdoom/

Check Out Jason Kane’s Story