Tag Archives: hard-rock

AVI ROSENFIELD releases ‘Very Heepy Very Purple XV’

The recording machine who is Israeli guitarist/songwriter AVI ROSENFIELD has released a new album in his ‘Very Heepy Very Purple’ series, making this one ‘XV’, featuring 10 original tracks than are in the vein of that classic heavy early 70s sound. This one features a number of guests, most notably Canadian singer Nick Walsh (Slik Toxik, Moxy, Famous Underground), American singer Harry Conklin (Jag Panzer, The Three Tremors), American guitarist Brian Young (David Lee Roth, Jeff Scott Soto), singer Bryan Ketelaars (August Life), and Argentiian singer Pablo Sanchez. A series of albums worth checking out. Highlights on ‘XV’ include “Metal Tears”, a Rainbow inspired rocker (reminiscent of “Stargazer”), one of a few tracks featuring Nick Foley on Hammond organ and “Lady Luck” features Nick Walsh on vocals, with a Gillan era Purple vibe and Heep-ish backing vocals, as well as a cool Hammond organ intro and performance by Niall Temple (of UK band Lost In Thought). Later on “Wheels Are Turning” lightens things up a bit here, and features Italian guitarist Claudio Acampora, while Atomic Punks’ guitarist Brian Yooung (and ex David Lee Roth) lays down a killer solo on “It’s Alright”. Check it out!

You can listen to & purchase the album Very Heepy Very Purple XV @ https://avirosenfeld.bandcamp.com/album/very-heepy-very-purple-xv

LINKS:

www.facebook.com/AviRosenfeldBand

avirosenfeld.wix.com/avirosenfeldband

www.youtube.com/user/AviRosnfeld

LUCIFER’S FRIEND Where The Groupies Killed The Blues (1972)

German band LUCIFER’S FRIEND released their 2nd album in 1972 (’75 in the US & Canada). The band’s self-titled debut is often hailed as a proto-metal classic,  lumped in alongside albums from Deep Purple, Black Sabbath and Uriah Heep in that year, 1970. But, despite being not quite as ‘heavy’ or early metal, the band’s follow up album, with the odd title of Where The Groupies Killed The Blues is pretty impressive as well. Lucifer’s Friend would expand their sound, adding more piano, acoustic guitars, ballads, while using more instruments, such as keyboardist Peter Hecht on electric piano, moog, Hammond organ, mellotron, as well as being credited with string arrangements. Engineered by the legendary Conny Plank, and produced by the band and Herbert Hildebrandt (The Rattles, Randy Pie). Songs written by the band, along with some lyrics from another English musician – John O’Brian Docker (who also wrote for Randy Pie). An interesting cover by Klaus Witt (Witt Studio, Hamburg), with a strange photo of band members in some hippy party-type feast (or something! Anyone?); with the original German press coming in a gatefold cover, lyrics inside, and other prints being a single sleeve with a printed inner sleeve. Tracklist order also changed from Germany to North America editions.

The album itself featured the single “Hobo”, released in Germany & Spain, but more so it included such classics as the heavy “Prince Of Darkness” (highlighted by Peter Hesslein’s guitar soloing & Peter Hecht’s piano), as well as more proggy epics like “Mother”, the title song, and “Rose On The Vine”. Best known track here though has to be the ballad “Burning Ships” (nicely covered a few years back by Jason Kane & The Jive!). Hard to believe this wasn’t the single, just a great song and performance. Singer John Lawton stood out again throughout this album. 

A shame this album never got a better deal or is seen by casual rock fans as a great album alongside the debut, but those of us who know the band dig this one. As the band went on making regular albums throughout the 70s they covered many other styles from jazz rock, fusion, prog, and pop. But Where The Groupies Killed The Blues remains a favorite for me.

John Lawton – lead vocals RIP, Peter Hesslein – lead guitar, acoustic guitar, percussion, vocals, Peter Hecht – piano, Hammond organ, electric piano, moog, mellotron, Dieter Horns – fender bass, bass-fiddle RIP, Joachim Rietenbach – drums, percussion RIP

LINKS:

http://www.lucifersfriend.com

https://www.facebook.com/profile.php/?id=100063500899957

https://www.facebook.com/profile.php/?id=100063473165257

https://www.45worlds.com/cdalbum/cd/rr4143wp

SAXON & URIAH HEEP Announce US Tour dates!

Hell, Fire & Chaos – The Best Of British Rock & Metal is the title of the upcoming United States tour by two British Legends in the Rock and Metal genre

URIAH HEEP and SAXON.

With almost 50 studio albums combined and numerous live records, selling multi-millions, this tour will truly be THE BEST OF BRITISH ROCK AND METAL!

The tour is a 100% co-headline with both bands playing equal set lengths, with some cities Uriah Heep closing and others Saxon.

SAXON were formed in 1979 and became leaders in the NWOBHM movement alongside bands such as Iron Maiden and Def Leppard and inspiration to the likes of Metallica, Pantera, etc. Touring to support their 24th studio album Hell, Fire & Damnation, released on January 19th 2024, the band have continued to be at the top of their game throughout the years. Headlining many of the major rock festivals annually in Europe as well as an extensive touring commitment around the world, their massive and loyal fan base continues to grow and the band don’t look as though they are slowing down at any point soon. Their setlist will consist of all the classic tracks such as Wheels Of Steel, 747 (Strangers in the Night), Strong Arm of the Law, Power and the Glory, Denim and Leather.

URIAH HEEP are currently into their 54th year and have never stopped! With a 25 studio albums catalog, the band are touring to support their 2023 release Chaos & Colour that has had rave reviews from both fans and media alike worldwide. As part of the “Big Four” in the 70’swhich also included Led Zeppelin, Black Sabbath and Deep Purple, Uriah Heep were pioneers in the hard rock field and an inspiration to many major touring and recording Artists still to this day. The band continue to tour around the world with 63 countries under their belt over the years.  Having sold over 40 million records, fans old and new continue to flock to shows and festival appearances to experience the classic hits such as Easy Livin’, Gypsy, Stealin’, Sweet Lorraine and July Morning.

The Tour will take in the following cities with dates as follows:

Tuesday April 23rd  Fort Lauderdale, FL – The Parker

Wednesday April 24th  Tampa, FL – Hard Rock Event Center

Thursday April 25th  Orlando, FL – The Plaza Live

Sunday April 28th  Louisville, KY – Mercury Ballroom

Tuesday April 30th  Morgantown, WV – The Metropolitan Theatre

Wednesday May 1st  Pittsburgh, PA – Roxian Theatre

Thursday May 2nd  Jim Thorpe, PA – Penn’s Peak

Friday May 3rd  Englewood, NJ –  Bergen Performing Arts Center

Sunday May 5th  Boston, MA  – Citizens House of Blues

Tuesday May 7th  Long Island, NY – Patchogue Theatre

Wednesday May 8th  Glenside, PA – Keswick Theatre

Friday May 10th  Peekskill, NY – Paramount Hudson Valley Arts

Saturday May 11th  Cleveland, OH – TempleLive at the Cleveland Masonic

Sunday May 12th  Elkhart, IN – Lerner Theatre

Monday May 13th  Detroit, MI – St. Andrew’s Hall

Tuesday May 14th  Grand Rapids, MI – GLC Live at 20 Monroe

Thursday May 16th  Marietta, OH – People’s Bank Theatre

Friday May 17th  Cincinnati, OH – Bogart’s

Saturday May 18th  Joliet, IL – Rialto Square Theatre

Sunday May 19th  St. Charles, IL – Arcada Theatre

Tuesday May 21st  Nashville, IN – Brown County Music Center

Wednesday May 22nd  Milwaukee, WI – Pabst Theater

Friday May 24th  Springfield, MO – Gillioz Theatre

Saturday May 25th  Wichita, KS – TempleLive at Scottish Rite Center

Wednesday May 29th  Houston, TX – House Of Blues

Thursday May 30th  San Antonio, TX – Tobin Center for the Performing Arts

Friday May 31st  Dallas, TX – Glass Cactus

More Dates to be added!

Tickets are available via general on sale Friday January 12th through all usual ticket outlets.

VIP packages are also available consisting of a pre-show Meet & Greet with both bands together, Signed Photo of each band, Personal Photo Opportunities, Exclusive Merchandise Item from each band and a special VIP Tour Laminate.

www.uriah-heep.com

www.saxon747.com

John Lawton Of Lucifer’s Friend : Black Moon Interview

Lucifer’s Friend’s brand new album “Black Moon” is out! [see my review], and fans of this well aged German band [fronted by an English singer] will be happy to hear it! Fan  and album artist Damian Bydlinski [of Lizard] also gives us a few words on how he got involved and his favorite LF songs!

Singer John Lawton was with the band in the beginning and has sang on all but 2 of the band’s 11 albums. Here John answer questions regarding the band’s brand new album and updates on members and future Lucifer’s Friend plans.

http://www.lucifersfriend.com 

LF black moon 1

LF has been back together for 4+ years and Black Moon is the bands 4th release. Did you forsee the band being so busy and are you happy with the reception overall that the bands return has received?

John: Yes I think so. After such a long time away fans of the band were naturally curious to see what we had to offer. That we could play Sweden Rock festival made it easier to reach quite a few new fans. Overall the reaction has been good plus the fact that it gave us the push to write new material.

The first thing that stands out on the new album is the artwork. I like how it ties in with the bands debut from 1970. Can you tell me a bit about how that piece came together and if bandmembers had much input (idea wise)?

John: Actually the artwork was put together as a backstage pass by Damien Bydlinski the singer with our support band Lizard on our Polish tour. He is not only a good musician but also a graphic designer. We loved the idea and after a few tweaks we had it…..

How do songs for LF come together nowadays – pieced together through emails or is there a time where you’re all in the studio together?

John: The days when bands spend time in the studio rehearsing before they record I think are gone. Firstly, the logistics of spending the amount of time it takes to go through say 10-15 songs arrangements, keys etc. is really time consuming. These days with so much computer stuff available to musicians, it’s easier to sit at home and fine tune everybody’s parts…..
It the same with LF, Peter Hesslein or Dieter Horns will forward to me the basic track which I can the add the vocals too. I record my vocals in peace 😎😎here in the UK and then via the wonders of the web, they are sent back for the guys to work their final parts. The only time we spend together apart from gigs is in the rehearsal room before the live stuff. But even when we are not recording or gigging we are on the phone to each other at least a couple of times a week…..

You write the lyrics – what sort of inspires you for ideas and topics these days?

John: A lot of the lyrics are based upon stories I hear in the news or read about. For instance on TOO LATE TO HATE some of the lyrics relate to the thousands of refugees trying to get to Europe for a better life. Even 2 years later this story is still making headlines….

Can you give me a bit of insight into particular songs on the new album – how they started, ideas – really like the title track, Call The Captain, Little Man, Passengers,

John: CALL THE CAPTAIN is based on recent stories again in the news about mental heath issues and how younger people are being manipulated by social media, wanting to be like the celebrity’s they see in magazines. The title is just about trying to reach parts of the brain (the captain and pilot) for the right direction….🙂🙂

LITTLE MAN relates to my 2 grandsons and watching the grow up. PASSENGERS is written to open people’s eyes to the shit we are doing to the world….

BLACK MOON – Really just about those days when everything seems doomed to failure but you struggle through….

Any others that you’re particularly happy with?

John: I’m happy with all of them, they all have meanings hopefully not only to me but also to the listener…..

There’s a number of guests on this album, really dig the horn solo on Black Moon – classic LF touch. Can you comment on how some these (or this one) come up?

John: On BLACK MOON Peter and I were talking about a particular solo part and we tossed around a few ideas until Stephan (drummer) suggested a trumpet player who was with the James Last Orchestra (Chuck Findley). He lives in LA but very kindly went in the studio and put down (I think) a blistering solo…
On FREEDOM Peter new Stephan (violin player) from studio days and again asked him to put something together….and he did and I think it’s one of the highlights of this album….

What can you tell me about Simon Hesslein and his involvement with the band?

John: Simon runs a very successful music business in New York and has hits under different names, he has always wanted to produce a Lucifer’s Friend album so we said hey go for it. Unfortunately, it was at the wrong time as he was also very busy so that’s why the delay in the release. Simon is very accomplished at what he does and we are very proud of the final mix….

How is everyone’s health?

John: Not so good actually. Peter really needs an operation on his shoulder as he is in pain daily. The only drawback is that the operation is very complicated and the recovery time is long…at least a year and the surgeons have told him there is no guarantee of a complete recovery…it’s very sad that it happened to Peter but we hold out for him to get back to playing ASAP ….
Dieter Horns has recovered well from his problems, which is a great relief and I’m getting there slowly….oh the joys of getting older 🤪🤪🤪🕺🕺

Will we see many LF shows this year and will there be plenty from Black Moon in the set?

John: For the foreseeable future we won’t be performing live, some people have said “we could get another guitarist to stand in for Peter or another bass player for Dieter” – but we couldn’t go out as LF without those 2. I am hopeful that one day we could be on stage again together….
We still have one more new album to release….I still need to do the vocals etc. but that looks like 2020 release…..

You’ve used Jogi [Wichmann] on keyboards over several LF projects, but he’s only a guest on BM. Was it just easier for Peter to do keyboards or something else?

John: Jogi was very busy doing studio work around that time and he was playing keyboards in the musical CATS…..
Peter had put down most of the keyboard parts that he wanted Jogi to play but his were really good, so we stuck with it….

One thing – there is no vinyl edition of Black Moon (or previous few releases). Any chance this can be fixed ? 🙂

John: At the moment I don’t think so, unless we sell quite a bunch of CD’s the company is a bit reluctant to go vinyl…..There was talk of TOO LATE TO HATE on vinyl but nothing concrete yet….

Next year Mark’s the 50th anniversary of the first Lucifers Friend album. (A couple of things) – do you have any long outstanding g memory or stories fro. Making that album?
Will there be any anniversary reissue or show to celebrate it?

JohnWow – is it that long [?]….it has stood the test of time, I think 🥳🥳
It was a strange time for me, coming off the back of doing vocals on Asterix and then going straight to something really heavy was a bit of a kick but a good one…..
Looking back, it was a great time and when I think that there was no rehearsal time, I was it in at the deep end with heavy lyrics 👹👹👹
The guys were looking for an English singer and I happened to be there at that time….
I don’t think there will be a re-issue as the there have been so many bootleg copies etc. down the years but it’s not such a bad idea….

From the Album’s Cover Artist – Damian Bydlinski : 

“I am a big fan of Lucifer’s Friend. The proposal to make a cover was a great honor for me. 

I love all their albums. But for the best, I think – two albums: “Banquet” and “… Where the Groupies Killed the Blues”.
With favorite songs – it’s harder because there’s a lot of them and a derivation from different albums. But the most important ones are:
Hobo, Burning Ships, Ride the Sky, Groovin Stone, Spanish Galleon, Dirty Old Town, Fugitive ….
However – there is a song – at which time since I heard it for the first time – I always have shivers and I am overcome with emotion –
“Thus Spoke Oberon” – amazing melody, arrangement and brilliant singing of John.

The history of the cover is quite simple. Two years ago – LF and my band Lizard – we played three concerts in Poland. For this occasion, I designed a poster and tickets – the project appealed to John and asked if they could use it for the new LF album. After introducing some changes in the color scheme – this cover was created.”

For more on Damian’s art [he does most of the art for Lizard albums] and to check out his band, visit –  http://lizard-band.com/index.html

 

For more reading:

https://glassonyonpr.com/2019/04/27/lucifers-friend-releases-new-studio-album/

http://www.grande-rock.com/interviews/lucifers-friend 

http://www.roadtometal.com.br/2017/11/john-lawton.html 

https://www.artrock.pl/artykuly/1211/lucifers_friend_lizard_wroclaw_firlej_14_paxdziernika_2017_roku.html

KJJ, 05/’19

LUCIFER’S FRIEND : Black Moon

Since German based rockers Lucifers Friend reunited 4 years ago they’ve been very busy. what started out as a ‘best of’ compilation with a few new songs grew into a few live shows, a live album, more live shows, a new studio, and now their latest – “Black Moon” – the band’s 4th release in as many years. Founding members – Peter Hesslein [guitar, keyboards], Dieter Horns [bass], and John Lawton [vocals], along with [drummer] Stephan Eggert, and a handful of guests on this album.
First off – love the album artwork, paintings by Damian Bydinski. LF had a few classic album covers in the 70s, and I love this one, even including the original characters from the debut album [nearing 50 years]. My only beef is there’s no vinyl LP available for this album. Oh well…

LF black moon
Too Late To Hate was released in 2016. It was a decent album, but I think Black Moon is a step up. The title track is great opener; LF fans will easily dig this rocker; added trumpet solo and congas are a nice touch [this band usually mixed it up with brass, and different instruments on early albums]. The 2nd track here is “Passengers”, a more progressive rocker, love the lengthy intro; this one bounces along with Lawton’s vocals coming in and the song building back up. In their earliest days LF drew comparisons to the likes of Deep Purple & Uriah Heep, and certainly the first few songs will impress fans looking for those sounds. Black Moon keeps up a pretty good pace with “Rolling The Stone”, “Palace Of Fools” and “Call The Captain” – another favorite here, a bit of a pop-rocker, but a good tune and memorable chorus. There’s some decent more poppy tunes in “Behind The Smile” and “Glory Days”, these remind me a bit of the band’s “Sumo Grip” stuff. Featured ballad is “Little Man”, a bit of blues and soul – perfectly suited for Lawton’s voice, and a brief / cool guitar break from Hesslein.

Interesting thing about this band is they could never be categorized. Starting out as a very heavy band, then veering in to jazz, fusion, pop, prog,.. so aside from good songs and great vocals, don’t have any pre-conceived ideas of what to expect. [And here one could easily stick a good few tracks amongst their early LF favorites]. Yeah – I’d like this band to make a really heavy album [and turn up the guitar], but Lucifer’s Friend is not that band this time out, and those that like the band’s past albums will be quite happy with Black Moon.

https://www.cherryred.co.uk/product/lucifers-friend-black-moon-cd/

http://www.lucifersfriend.com

https://www.facebook.com/LucifersFriendOfficial/

KJJ, 05/’19