Tag Archives: Heavy Metal

Story Behind the Album Cover – WINGS OF STEEL, with Spencer Caligiuri

California artist Spencer Caligiuri has created the artwork for Wings Of Steel’s debut EP as well as their fist full album Gates Of Twilight, released earlier this year. Both covers are fantastic and give the band a theme and cool logo from cover to cover. In this episode of Story Behind The Album Cover, Spencer Caligiuri details his art & early days, as well as a few of his favorite album covers, And his creating and work on the Wings Of Steel covers. WOS are fairly new hard-rock / metal band from LA, who will play big ’80s influenced rock, for fans of Whitesnake, Dokken, Michael Schenker Group, Great White, and numerous others. Check them out! For more on Spencer Caligiuri’s work, check out the links at the end, You can find a review and interview on Wings Of Steel elsewhere at this site.

What is your art background, and have you done any other album covers or artwork for bands? 

Going back into the past, I’ve been an artist of some sort for as long as I can remember. I started by drawing of course. Doodling animals as a child, trying to copy exactly as they looked, encouraged by my mom, aunts and grandmother. My grandma was a landscape oil painter. I think seeing her paintings hanging around the house was something that made painting feel within reach, and not just something produced by the great masters. I continued this for all of childhood through highschool. I studied portrait and figure drawing late high school at a local art school before doing a brief, unsuccessful attempt at the Art Institute of CA for graphic/animation. This was stunted by my overwhelming urge to choose partying and drugs over getting serious about my future. But I got back on my feet, albeit taking me multiple years of falling on my face, and got very into writing and oil painting in 2009. I gravitated toward anything with water, and the weirder and more psychedelic the better. Painting was all I cared about until l found tattooing which is a long story in itself. But that is my life now. For the last 10 years I tattoo 5 days a week so most of my extracurricular artistic passions have taken a back seat.

I’ve done a few album covers. Buffalo Trance is an incredibly talented 3 piece progressive rock band from Ventura, CA.  I grew up with these guys and they’ve been killing their respective instruments since we were in early high school.  The other cover is a 36” X 36” physical oil painting I did for a San Diego reggae band called Burning Wave.

How did you get connected/involved with Wings Of Steel? 

I started working with WOS through an email they sent me inquiring my help bringing their EP cover to life. I was instantly intrigued. these dudes knew exactly what they wanted and as soon as they sent me their demo I was fucking blown away. We instantly set up a meeting at the tattoo shop and we’re off and running. I really couldn’t believe two young musicians in their mid/early 20’s were writing music like this. The first track I heard was their self titled track “wings of steel.” As soon as I heard Parker’s guitar sound I knew I was in. if that wasn’t enough, Leo’s vocals and lyrics hit and I was instantly a fan, determined to be part of what they were channeling. 

Can you tell me about the design for their new album — what inspired it, did anyone in the band offer ideas, etc..

Their new album “Gates of Twilight” was definitely riffing on the concept of the EP. the two stallions which would seem to be a recurring fixture of their image and representation of Leo and Parker. The dark and light, for sure present in their opposing dark and light hair. At least this is my interpretation. Leo and Parker both knew exactly what they wanted to see in this and were super clear on their thought process for it. I tried to bring what I had from the EP into this, yet incorporating the Gates of Twilight, represented by a towering staircase flanked by columns, and silhouetted by the heavens. I thought the standard wrought iron gate has been done so many times and might get lost in the background noise.  There’s Some darker tones in this album as well, reflected in many of Leo’s lyrics and song titles, hence the apocalyptic landscape of collapse, fire, and decay. But still punctuated by the contrast of the ever-prevailing light. A true heaven and hell landscape and motif that will never die. 

Did you hear the Wings Of Steel music beforehand, and did that have a part in the cover design? 

When I started the concept for their EP they sent me their demo which I blasted constantly while drawing for that one. The same went for the full length. this time even more fueled after seeing them deliver such a powerful live performance. Their first ever as Wings of Steel.  It absolutely drove my hand to bring the same fever, melodies and aggression their music does. 

Can you tell me a few of your own favorite albums and album covers? bands and album artists you liked? (maybe a short list of each) 

Oh boy, this is a tough one. A tough question for anyone who loves music especially with so much easily at our fingertips now. 

Let’s start with Tool. One of the first bands that helped me discover music in my formative years of the mid/early 90’s. Still all of them making my list of favorite albums and covers to this day.  

Both of these albums have a completely interactive covers or jewel cases. Aenima was like a hologram when you moved it the eyeballs would waver in and out. 

The Lateralus cover was composed of like 6 clear pages that you could scroll through to see the individual layers, that when it was fully closed you could see the full image here. 

King Gizzard and the Lizard Wizard: Nonagon Infinity, All them Witches: Baker’s Dozen

Any other album covers or projects you’re currently working on and links you’d like to share? 

I am a full time Tattooer and oil painter. You can find Me on Instagram at @artofspencer @artofspencerfinearts and artofspencer.com

DOKKEN to release new studio album in October

A new Dokken album coming, will be the band’s first in over 10 years. The first single is out, and it sounds good. Don Dokken has gone though a number of health issues, and there’s been many comments about his voice over the last several years, but he sounds fine on “Fugitive”. The guy’s not in his 20s or 30s, but still has that recognizable voice here. Longtime bandmate Jon Levin does an outstanding job on this one. A memorable chorus, big solo, looking forward to hearing the rest of the album. Dokken and Levin are joined by longtime drummer BJ Zampa, and bassist Chris McCarvill (both ex House of Lords). Heaven Comes Down will be available on blue vinyl, CD, and cassette HERE. *For more info check out the new video for “Fugitive” , and read the bio/press info in the details.

Track Listing:

Fugitive

Gypsy

Is It Me Or You?

Just Like A Rose

I’ll Never Give Up

Saving Grace

Over The Mountain

I Remember

Lost In You

Santa Fe

Don Dokken – Vocals / Jon Levin- Guitar/ Chris McCarvill- bass/ BJ Zampa- drums. +Bill Palmer: acoustic guitar on ‘Santa Fe’. Mark Boals: special guest (background vocals).

Dokken Upcoming Dates:

Saturday 19 August – Shoshone Bannock Casino Hotel – Chubbuck, ID

Wednesday 20 September – The Big E – West Springfield, MA

Saturday 14 October – RCU Theatre – Eau Claire, WI

Saturday 21 October – The Piazza – Aurora, IL

Saturday 11 November – Piere’s – Fort Wayne IN, 

Friday 17 November – Golden Nugget Hotel & Casino – Las Vegas, NV

Saturday 18 November -Whisky A Go Go – West Hollywood, CA

LINKS:

https://www.dokken.net/
https://www.facebook.com/DokkenOfficial
https://www.youtube.com/DokkenOfficial
https://www.twitter.com/Dokken
https://www.instagram.com/dokken_official

http://sl-music.net/en/

https://blabbermouth.net/news/don-dokken-is-very-proud-of-upcoming-dokken-album-heaven-comes-down

Y & T: Yesterday & Today Live expanded reissue

Before there was the LA metal scene, before there was the likes of Motley Crue, Quiet Riot, and even Van Halen – there was Yesterday & Today. Originally from Oakland, Dave Meniketti (guitar/vocals), Joey Alves (guitar), Phil Kennemore (bass), and Leonard Haze (drums). The band released 2 albums as Yesterday & Today in 1976 & ’78 (on London Records), before signing to A & M and releasing 5 studio albums and 1 live set from 1981 to ’85. The band released 2 more albums by 1990, and by then Haze had been replaced by Jimmy DeGrasso and Stef Burns had replaced Alves. With changes in the music scene and no record deal the band played farewell shows and released Yesterday & Today Live in 1991, on MetalBlade.

Originally released with 13 tracks, Live has been expanded to 15 tracks, with a set that features (almost) every album up until then. Absent was the band’s 1985 hit “Summertime Girls”, but as far as a live recording and document of a legendary band that should’ve been something bigger – Live is a ‘must hear’ classic hard-rock/metal set. Classics like “Mean Streak”, “Midnight In Tokyo”, “Beautiful Dreamer”, “Don’t Stop Runnin”, and “Forever” sound great here, and if you don’t know this band, this is a good place to start (as well as the 4-CD Earthquake: The A&M Years) This reissue also comes in various colored vinyl editions, as well as a 2-CD set. Dave Meniketti still carries on with Y & T. *For more on Y & T check out the press info and the links below!

Yesterday and Today Live features 15 songs and more than 84 minutes of live Y&T recorded in 1990, with never-before-seen photos and two bonus tracks, ‘Earthshaker” and “Rescue Me.” “Earthshaker” was originally on the first Yesterday and Today (self-titled) album in 1976, and “Earthshaker” was also the title of Y&T’s 1981 third studio album; “Rescue Me” appears on the “Earthshaker” album. Both bonus tracks appear on all versions/variants of Yesterday and Today Live.

The iconic songs on Yesterday and Today Live (initially released in 1991) were written by the classic lineup of Dave Meniketti, drummer Leonard Haze, bassist Phil Kennemore, and guitarist Joseph Alves.

Singer/songwriter and guitarist Dave Meniketti says of the album: “Very happy to have this vinyl re-release of Yesterday and Today Live come together. This was recorded at a time when the band had decided to disband–however temporary that was–and these tracks were taken from what we considered were to be the last shows Y&T would perform. Because of our state of mind at the time, songs like “Hard Times” were especially poignant. Even though the changing music industry had us in turmoil, the band was at the top of our game and these tracks give a good window into that time of our lives. I believe this is truly one of our finest Y&T live recordings.”

Yesterday and Today Live (Expanded Edition) Tracklisting:
01. Mean Streak
02. Hurricane
03. Don’t Stop Runnin’
04. Struck Down
05. Winds of Change
06. Black Tiger
07. Midnight in Tokyo
08. Beautiful Dreamer
09. Hard Times
10. I’ll Cry
11. I Believe in You
12. Squeeze
13. Forever
14. Earth Shaker (Bonus Track)
15. Rescue Me (Bonus Track)

LINKS:

https://www.facebook.com/YandTRocks

https://www.metalblade.com/us/

Album Of The Day – HURRICANE’s Liquifury

HURRICANE were a short-lived ’80s band, known for featuring members with more famous brothers at the time (Robert Sarzo and Tony Cavazo, who both had brothers in Quiet Riot). Hurricane also featured 2 others who would be much more known years later – Kelly Hansen and Jay Schellen. They recorded an EP, and 2 LPs, the first LP Over The Edge being somewhat successful with the hit “I’m On To You”, as well as a cover of Alice Cooper’s “I’m Eighteen”, with the album being produced by Bob Ezrin! The band’s 1990 follow-up featured Doug Aldrich on guitar (replacing Sarzo). The band split, with Hansen joining Schellen for one Unruly Child album in 1998, as well as singing on Stuart Smith’s debut Heaven And Earth, and then collaborating on an album with Tim Donahue (Into The Light, 2000). In 2001 Hansen and Schellen recorded a new album under the Hurricane name, but without Sarzo or Cavazo, instead using bass player Larry Antonino (Unruly Child) and a number of guitar players, mostly Sean Manning. With all the hoopla over Kelly Hansen’s time with Foreigner coming to an end with the ‘farewell tour’, I pulled this out a while back and had it in the car. I forgot just how good this album was!

Certainly better than the previous Hurricane album, and more guitar heavy, less polished, with lots of really good songs on it. Liquifury opens with what sounds like a guy driving in the rain and flipping radio channels – of which each is playing an old Hurricane song, before tuning to the next one and the rocking opener “River Gold” kicks in. A shame this album likely didn’t get a lot of attention at the time, tracks like “Heart Made Of Stone”, “New God”, and “Torn” are some of the best songs ever released under the Hurricane name. This album definitely sounds more ‘live’ than the previous ones. Best pick for a hit single here is the heavy power ballad “Happy To Be Your Fool”. A solid album, well worth revisiting if you can find it.

Soon after this Hansen would go on to join Foreigner and sang on the Can’t Slow Down album, which I don’t think is as good as Liquifury! Schellen went on to work with Asia (featuring John Payne), GPS, Unruly Child, and eventually YES. Sarzo and Cavazo have recently resurrected Hurricane with a new singer and drummer (and the drummer’s last name is Hansen!). I imagine due to Kelly Hansen’s commitments to Foreigner and Schellen’s commitments to YES, neither were available for this, a shame I guess as I think of Hansen’s vocals when I think of Hurricane… (the same way some may think of Lou Gramm and Foreigner 😉 ). But anyway, the new Hurricane album is called Reconnected and is out this month, so I’ll be checking that out soon.

Story Behind The Album Cover – RAVEN’s All Hell’s Breaking Loose, with Andrej Bartulović

In this latest post of Story Behind The Album Cover, artist Andrej Bartulović (All Things Rotten) discusses the cover art for the brand new RAVEN album All Hell’s Breaking Loose. Andrej has done numerous album covers for the likes of Mortis, Nocturnal Breed, and the latest from Alcatrazz! Enjoy the read, and check out the links below for more on Andrej Bartulović’s work.


First, can you give me a bit of background on yourself, how you got into art (different media’s) and in particular, album art? 

I got into art while I was practically a kid. Got more involved into band stuff in high school and started working for bands around 2000. – the great time of MySpace. Awesome times!

Do you have favorite artists, and particular rock album artists, any favorite album covers (by other artists) from your youth? 

Always loved Ed Repka, we all grew up with his covers. But artists I admired were regular metal fanboy list artists, starting with Giger then Cappullo. Grew up with Italian comics, not American. Dylan Dog was my fave comic and for many years Corrado Roi was my fave artist back then. Today I worship Riccardo Federici, an absolute beast and God (for me at least).

You’ve done the latest Raven album (did you happen to do the previous one?)  Can you tell me a bit about your connection to the band? 

If you are referring to “Metal City” as the previous one, then no. I didn’t do that. I did their “Leave ’em Bleeding” EP. I started working for the band years before on some shirts. I think Mike Heller just posted on Facebook that he needed artsy/graphic guy and I answered. He checked  my page and I think that’s how it all started, that was years before. Working with Mike since. We toss ideas around, I do sketches, brothers are deciding is it a go or no. They’re all cool guys. I’m honored for a chance to work with them.

What inspired the whole idea and drawing for the All Hell’s Breaking Loose cover? Were there ideas put forth from the band or drawn from the music? 

I think the idea came from the album directly, it’s actually all hell’s breaking loose on that record. It’s mayhem of an album (in a good way). Guys wanted madness, monsters, basically Metal City on steroids on steroids on steroids (yes, I wrote that 3 times haha).

Can you detail how you created the artwork for AHBL – techniques, materials,… It is a very detailed piece. Excellent 

Thank you for your kind words, appreciated! It was hand drawn on tablet, colored and textured too. There were many changes concerning poses and faces, kinda tricky to pull those out. I used reference photos, of course. Monsters were the easy part haha. Also drew the logo by hand to fit the aesthetics of the cover and get more comic book feel. And yes, would use this opportunity (thank you again) to say loud and not so proud – bass guitar has 2 extra tuning machines. It’s a honest mistake we’ve all overseen. Super weird! But we were busy adding all those laser spiders.  So yeah, shit does happen but I think it doesn’t ruin anything, just adding bit of charm. 

Anything else you can tell about this cover, and how well it turned out? 

The answer is below the previous answer, basically. But I’m happy how it turned out, guys love it and people seem to dig it too. So it’s win-win-win.

You’ve done a number of other covers, notably the last 2 Alcatrazz albums. What are some of your favorite covers you designed, with a line or 2 about them? 

Yes, I did the last 2 Alcatrazz covers, gotta thanks to Giles (for the opportunity and trust) and Silver Lining Music for patience. Some of my faves? Bah, I always think the last thing is the best thing. I’m super critical about stuff I do so I really can’t decide about faves. I like the last Nocturnal Breed stuff I did.

What sort of music do you listen to? And any favorite tracks from the new Raven album?

At this exact moment as I write this I have Dissection playing through the speakers. It’s usually death and black metal, but I also love Arjen Lucassen stuff too… weird heavy stuff like Lost Horizon, Laibach, EMF, ABBA…hahah. Last few years I’m mad about video game soundtracks… nostalgia all the way.
My fave Raven track from the new album would proly be “The Far Side”, but the whole album is absolute batshit crazy and young bands should take some notes.

What other projects are you working on (music related or otherwise)? 

Just finished some book cover illustrations; but generally it’s more or less about music – shirt designs, banners, whatever the band needs. But whenever someone needs any art done I’m around, like a sleazy weirdo hiding in the bushes.

LINKS:

https://www.facebook.com/AllThingsRottenOfficial

https://www.instagram.com/maggotmeister79/?hl=en

https://www.discogs.com/artist/3746421-Andrej-Bartulovic

RAVEN – release new album: All Hell’s Breaking Loose

British metal legends RAVEN have a brand new album out – All Hell’s Breaking Loose. If you like your rock fast and furious, check this out. There’s 3 singles/videos released so far (see below), as well as favorite cuts like “Turn Of The Screw”, “Desperate Measures”, and “Invasion”. Ten tracks that don’t let up from beginning to end. The band has also released a new single/video for the album’s title track (today). Great production, love the sound of this album. Dig the album art courtesy of Andrej Bartulović at All Things Rotten! *For more info check out the press info, videos, and links below…

photo_ Jay Shredder

Prepare yourself for a metal rampage the likes of which you haven’t enjoyed in many a year as New Wave of British Heavy Metal stalwarts RAVEN deliver the electric mayhem of All Hell’s Breaking Loose, their 15th studio album, released June 30th on Silver Lining Music. 

The Newcastle pioneers, formed by the Gallagher brothers (bassist/vocalist John and guitarist Mark) and rounded out by drummer extraordinaire Mike Heller have emerged from Heller’s own Heaven And Heller Studios in Los Angeles with 10 crisp, visceral metal classics, each fused with riffs, twists, turns, chaos and more hooks than all the Hellraiser movies combined (think hyperbole, ‘turn-it-UP’ and find out for yourself)!

Among the stand-outs are lead single “Go For The Gold”, with the redline pushed hard by a cavalcade of riffs and furious, percussive madness, yet behind it all a melodic journey that makes it multi-dimensional skull-crushing.

“‘Go For The Gold’” is our first single as it really represents the new album mission statement… 100% full on RAVEN lunacy!!!!”,  enthuses John Gallagher. “If you’ve got an initial great riff, you just build from it,… you try not to milk it to death. You want a good structure. You want a good verse with hooks, a good pre-chorus with hooks, a great chorus, and then you want little left turns here and there to spice it up. Otherwise it can sound boring. And if you have too many left turns then it turns into jazz fusion, so it’s a funny line you gotta dance on to have structure but also the chaos part as well.”

Title track “All Hell’s Breaking Loose” twists and turns with accents and flavours buried inside the chaos. “Lyrically the song is about the constrictions of being locked down during the pandemic and the desire and need to ‘break free’ from it all or risking going insane…” explains co-founding member and guitarist Mark Gallagher. “It’s about taking control of your freedom!” Mark exclaims. Meanwhile “Surf The Tsunami” sees  Heller gatecrash your eardrums with a furious flurry of his own, before some supreme twister riffs bring on the full metal chaos; “Turn Of The Screw” bounces on the upbeats before smashing you with a thunderous chorus; “The Far Side” has as classic a metal riff as you’ll hear in 2023; “Desperate Measures” is pure ’81-saturated tales of hardship and despair, if you ever wondered what RAVEN at the Marquee were like on a sweaty metal night in ’83; “Edge of A Nightmare” is your portal to paradise, thundering as hard as the opener “Medieval”. 

What RAVEN have delivered with All Hell’s Breaking Loose is permission for everyone to remember exactly what it’s like to lose yourself in the healing aural waters of supreme heavy metal music, resplendent in sweat-soaked denim and leather. 

“You got three guys with very strong, passionate, opinions,” offers Mark, “and when those are brought together, it’s a case of ‘iron sharpens iron.’”

“We’re very hard on ourselves,” adds John, “it had to be ‘all killer, no filler’. Absolutely every single part of every song had to make sense, had to mean something, and had to be there for a purpose.”

And All Hell’s Breaking Loose makes it clear that RAVEN aren’t messing around in that regard.

*To order on green vinyl, CD, and Cassette(!), check out – https://raven.tmstor.es/?lf=92b7b4d1d4cd1b587d5f32f64b525256

Recommended to fans of  Anvil, Lizzy Borden, Diamond Head, Saxon, Metal Church, Exciter, Armored Saint.

Links: 

https://smarturl.it/AllHellsBreakingLoose

http://sl-music.net/en/60-news-silver-lining/1058-ravens-all-hells-breaking-loose-out-now

Home

https://www.facebook.com/ravenbandofficial

https://www.instagram.com/official_raven_lunatics/

ROZARIO – Norwegian band issues debut single

ROZARIO is the new Norwegian band, fronted by singer David Rosario. The Norwegian Melodic Heavy Metal band will release their debut album on Pride & Joy MusicTo The Gods We Swear on October 22nd, with 3 singles to come before then (the first one is out now!). Produced by Trond Holter (Wig Wam, Dream Police, Holter, Jorn), the album will be released on CD, LP and digitally.

Check out the band’s debut single/video to the song “To The Gods We Swear”. A memorable opening riff, a massive guitar sound, with great lead and big backing vocals. Love the production of this. An excellent song, and a huge sound. Looking forward to the rest of the album!

“This is our first single out and with this song, we salute Norse mythology…maybe not in it’s correct form, but we wish to highlight the greatness and courage that the Vikings stood for. In other words, this is a tribute to the history of Norway and the Norwegian people. Enjoy this salute to the greatest of them all ; Odin and Thor and their conquest for victory.”

Rozario might just be one of the most exiting new bands on the exploding new Norwegian metal scene, and the debut album can be expected later this year. This album is definitely a monster you want to be attacked by. The upcoming album consists of 11 songs that will dig into your soul…and stay there. – *Pre-order the album Here

About the band: David Rosario was looking for someone to record some of his songs with. David had been impressed with guitarist Stein Hjertholm and drummer Per-Helge Bruvoll after seeing several gigs with their band, so he reached out to them. The three of them recorded a 3 song demo, and during this process, the chemistry between them was eminent and the idea of Rozario was born. This was just prior to the pandemic and naturally all activity became very restricted. They used their time wisely and focused on song-writing and finding the direction of the band, with songwriting contributions from all three.
Rozario then teamed up with producer Trond Holter (Wig Wam, Holter, Jorn etc.) and started to record what would become “To The Gods We Swear” in his studio in Halden, Norway.
During the recordings of this release, the lineup of the band was finalized when young guitar virtuoso Johan Jamtfall & bassist Anders Halsan Engum joined them.

Photo: Marius Sørgjerd

Links:

https://www.facebook.com/rozarioband

https://www.rozarioofficial.com/

https://www.instagram.com/rozarioband

https://www.facebook.com/PJMRecordLabel

Story Behind the Album Cover: ARJEN LUCASSEN’S SUPERSONIC REVOLUTION’ Golden Age Of Music

Arjen Lucassen’s Sonic Revolution have a fantastic new album out titled Golden Age Of Music is now out. The album pays homage to and celebrates the great ’70s rock era with plenty of references to bands and albums from the period. The album’s cover is colorful and eye catching, with references to a number of classic albums as well. Awesome packaging, designed by Arjen, himself. So here’s a new installment of The Story Behind The Album Cover where Arjen discusses the new album’s artwork, as well as picks his own favorite classic covers.

You are credited with design, logo, and layout for the Supersonic Revolution cover/package. So, I presume you had a vision and oversaw the whole design and cover being put together!?  

Oh yes, always. I’m a total control freak! There are obviously some images included/influenced from some other classic album covers (the moons, the pyramid, the rainbow, etc…)..

Without giving it ALL away – how many are there and what inspired that idea and how it connects to the album’s theme/concept?  

I explain it all in the unboxing video here:  

Hope that helps! 

Can you tell me how important to you has your album covers/artwork been to you and how you see it as part of the whole record buying package?  

Incredibly important! As a kid I bought so many albums just because of the artwork. Or the opposite… I didn’t buy them when the artwork didn’t pull me in. I bought all the Hipgnosis and Roger Dean stuff, unheard. 

Can you give me some insight to those that helped create the artwork via drawings, photos, layout?  

I basically come up with all the basic ideas. I draw them all out on a piece of paper, very basic and sketchy. And then they perfect it. But it’s a long process, I’m such a perfectionist! I’ve driven many art workers crazy. Really. 

Can you give me a list of Your favorite album covers (5-10 perhaps), growing up, that  had an influence/impact on you later on (Not the music, but just those favorite covers that really impressed)?  

Sure!  Led Zeppelin – Houses of the Holy, Yes – Tales of Topographic Oceans, Alice Cooper – Billion Dollar Babies, T Rex – Electric Warrior, Jethro Tull – Thick as a Brick, Pink Floyd – Dark Side of the Moon, UFO – Phenomenon, Nice – Elegy, Uriah Heep – Magician’s Birthday, Pink Floyd – Animals, Led Zeppelin – Presence.  Not sure if that was 10, haha! 

Do you keep (and still collect) a big record collection?  

No. I was really stupid. I had thousands of vinyl albums and I gave them all away. I hated the scratches on vinyl so much! I kept a lot of the sleeves though, and they are hanging all through my house, (see attachment). 

Links:

Album of The Day : ARJEN LUCASSEN’S SUPERSONIC REVOLUTION’s Golden Age Of Music

Dutch songwriter/multi-instrumentalist Arjen Lucassen has done numerous big projects over the past few decades, under such names as AYREON, Arjen Lucassen’s STAR ONE, GUILT MACHINE, and THE GENTLE STORM. His new band is called ‘Arjen Lucassen’s Supersonic Revolution’, and they have debuted with the massive Golden Age Of Music album. I say massive, as it’s 15 tracks over 2 LPs, and it is a great production of ’70s inspired heavy rock, not quite metal and not quite totally prog. Golden Age Of Music essentially pays homage to the prog and heavy bands of the ’70s. There’s tons of Hammond organ throughout this, big intros, fantastic heavy guitar, a good bit of variety, and plenty of references to classic bands and iconic songs & albums.

Immediate highlights include the title track (check out the band & song references in this one), “Rise Of The Starman” (Bowie!?), “Burn It Down” (a twist on Deep Purple’s “Smoke On The Water”, and dig the Jon Lord-like intro), “They Took Us By Storm”, and “Holy Holy Ground” (a more soulful number that reminded me of something Glenn Hughes might do) . Love this whole album! Side 4, (or the ‘bonus’ tracks) consists of 4 covers, including ZZ Top’s “Heard It On The X” (which is how this project got started), as well as versions of songs by T-Rex, Roger Glover, and Earth, Wind & Fire.

Lucassen plays bass on this, as well as writes most of the music & lyrics, and produces / engineers the project, even designing the awesome cover-art (check out the various classic album references on it!).

Arjeb Lucassen’s Supersonic Revolution includes:

Arjen – bass

Jaycee (John Cuijpers) – vocals (Praying Mantis)

Koen Herfst – drums (The Cards, Vandenberg)

Joost van den Broek – keyboards (Ayreon, After Forever, Epica)

Timo Somers – guitars (Vengeance, Delain)

WINGS OF STEEL release debut album – Gates Of Twilight

LA based metal band WINGS OF STEEL have released their first full-length album, following up last year’s 5-track EP. Gates Of Twilight is graced with cover artwork from Spencer Caliguiri, and features 10 new tracks. If you checked out the band’s debut EP, Gates Of Twilight is excellent listening for fans of ’80s influenced metal – heavy guitars, big solos, riffs, great vocals. But these guys aren’t exactly from that LA ‘hair metal’ class, more classic metal along the likes of Queensryche, MSG, Dio, Whitesnake…

Gates Of Twilight opens with “Liar In Love”, an easy favorite as it kicks off with a killer riff, and rolls in to a heavy rocker reminiscent of early Queensryche, and dare I say the other band that comes to mind is Lizzy Borden here. Great production! There is plenty of different and strong tracks here, from the more power-metal of “Fall In Line”, “She Cries” – which starts as a ballad before kicking into 5th gear and running away as a fast pounding rocker, the blues beat of “Leather and Lace”, the power ballad “Slave Of Sorrows”, and the darker title track, and the classic “Lady Of The Lost” – the latter 2 both kinda in that Dio/Sabbath feel. A solid album of heavy metal, that will get better the more you dig in to it, as there’s lots going on here with fine songwriting, performances, and the production.

Gates Of Twilight was written and recorded by Leo Unnermark (vocals, backing vocals) and Parker Halub (guitar & bass), with Mike Mayhem (drums).

Tracklisting:

Liar In Love
Fall In Line
Garden of Eden
Cry of The Damned
She Cries
Lady of The Lost
Leather And Lace
Slave of Sorrows
Gates of Twilight
Into The Sun

LINKS:

http://www.wingsofsteelband.com

https://www.facebook.com/OfficialWingsofSteel

https://officialwingsofsteel.bandcamp.com/album/gates-of-twilight

https://www.youtube.com/@wingsofsteel

https://stormspell.bigcartel.com/product/wings-of-steel-gates-of-twilight-cd