Tag Archives: Helloween

HELLOWEEN – Giants & Monsters to be released next month

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L-R: Daniel Löble (drums), Michael Weikath (guitars), Markus Grosskopf (bass),
Michael Kiske (vocals), Sascha Gerstner (guitars), Andi Deris (vocals), Kai Hansen (guitars, vocals) Photo credit: Mathias Bothor

With 15 gold awards, six platinum awards and over ten million records sold, HELLOWEEN are celebrating the band’s 40th anniversary with the successor to their self-titled #1 album from 2021. GIANTS & MONSTERS is the second album for the legendary line-up and the title immediately states where the album is heading.

Confident and bursting with vigor, the septet presents what probably is the most versatile album of their career. Already the opener “GIANTS ON THE RUN” flips the switch from the very first riff and impressively marks the terrain with the power voices of Andi Deris and Kai Hansen. No trace of restraint – the track takes a breath, takes off and unleashes a roar that leaves no doubt about the blazing pulse of the ten new songs. On this album, the experience and musical enthusiasm of a band that can do anything and everything blazes its way: Heavy, speed, rock, ballad – plain, intricate or progressive. With five strong songwriters and seven world-class musicians, creative limits are set aside once and for all on GIANTS & MONSTERS.

Musically rather straightforward and a veritable hit, “A LITTLE IS A LITTLE TOO MUCH” gives Andi Deris and Michael Kiske the space their monumental voices need for an intimate story. “Basically, it’s about the famous straw that breaks the camel’s back. During the writing process, however, I remembered an experience I had at the age of 15 and the lyrics ended up being pretty erotic – about little things that can quickly put an end to a big thing”, grins Deris. “THIS IS TOKYO” is another personal track. “I’ve always wanted to write this song. Japan plays a very special role in my life because I had my first big successes there with Pink Cream 69, and they have always treated me incredibly well. I wanted to create a tribute to Japan and finally had the right idea for the lyrics. Because ‘Tokyo’ sounds better in a chorus than ‘Japan’, the city stands for a whole country that is very important to me.”

“‘UNIVERSE (GRAVITY FOR HEARTS)” is a reminder that everything in the universe is connected, and what looks like an infinite number of stars could actually be moments, hearts and decisions,” describes songwriter Sascha Gerstner. With a playing time of over eight minutes, “UNIVERSE (GRAVITY FOR HEARTS)”, together with “MAJESTIC”, not only stands out as a longtrack – they both surprise with dizzying dynamic changes and huge melodic arcs that create entire worlds: Whatever you believe in is real. Alongside “WE CAN BE GODS”, “MAJESTIC” is also one of the tracks featuring all three singers of the HELLOWEEN super alliance. Both songs were penned by Kai Hansen and launch all trademarks that secured his place deep in metal hearts. “The space and aliens are my favorite themes and pretty fascinating. But you could also read the chorus as a description of the band: ‘We’re back and we’re the Masters of Power Metal’ – I’ll leave that up to the listeners,” laughs Hansen.

Masterclass is just as evident in gigantic ballads, and “GIANTS & MONSTERS” serves the first one in this constellation. “INTO THE SUN” is a duet in which Deris and Kiske sweepingly pour their hearts out, carried by masterfully orchestrated string cascades and yearning guitar solos. “Originally the song had different lyrics, but now it’s about reincarnation and that suits the track much better,” reveals Deris. “Michi and I share similar beliefs in that area, and I really wanted us to record the song together. He just sounds great when he sings it”. “SAVIOR OF THE WORLD”, a classic Weikath at his best, could have well been on one of the legendary ‘Keeper’ albums, and the extravagant “UNDER THE MOONLIGHT” also underlines his exceptional songwriting talent.

Consistently topping superlatives and presenting yet another milestone with “GIANTS & MONSTERS” requires the courage to keep reinventing a colossus like HELLOWEEN as well as continuing to challenge seven brimming careers even after four decades. And the instincts of the congenial producers Charlie Bauerfeind and Dennis Ward. For example, the fact that Dani Löble recorded all tracks on three different drum sets to individually decide which set delivers the perfect vibe for a song was only imaginable through unrestrained love of experimentation and highest standards. An effort and attention to detail that not everyone is willing to bring to the table. The mix was done at the legendary Wisseloord Studios in Hilversum, which have witnessed the works of the greatest names in music – from Iron Maiden to Judas Priest and Def Leppard to Rammstein.

Friction is another secret of the band that experiences a second spring with the reunion. “What keeps motivating us is the fact that we’re extremely different. That generates suspense and creative energy,” explains Weikath, “and if problems do occur, we connect through our passion and our sense of humor. We try not to take ourselves and everything around us too seriously,” adds Hansen, before Deris concludes: “In the end, we’re just seven guys who want to make music and enjoy the incomparable force that arises when we’re together. HELLOWEEN is way more powerful than the sum of its parts.”

The world-famous unique pumpkin power will once again flood all stages on the upcoming anniversary tour when the band and their fans celebrate 40 years of HELLOWEEN. The band will be touring the planet’s prime arenas with an ultimate setlist including classics, newer songs and some legit surprises. The first dates of the European tour, starting in mid-October, were sold out immediately and tickets for additional shows in Madrid and Bochum are already on sale. The recently released live CD and Blu-ray/DVD “LIVE AT BUDOKAN,” documenting the first sold-out gig at the legendary Budokan in Tokyo, is the perfect warm-up before HELLOWEEN take their fans and all the world’s “GIANTS & MONSTERS” on their next victory lap through metal paradise.

Track Listing:
01. Giants On The Run
02. Savior Of The World
03. A Little Is A Little Too Much
04. We Can Be Gods
05. Into The Sun
06. This Is Tokyo
07. Universe (Gravity For Hearts)
08. Hand Of God
09. Under The Moonlight
10. Majestic

“GIANTS & MONSTERS” will be released on August 29, 2025, as CD Jewel case, CD Digipak (incl. bonus track), Earbook (incl. bonus CD), 2-LP Gatefold (in various colors) and 2-LP Picture (incl. bonus track), MC and digital.

*Pre-order here: https://helloween.rpm.link/giantsmonstersPR

LINKS:

https://www.helloween.org

https://m.facebook.com/helloweenofficial/

https://www.instagram.com/helloweenofficial/

New Tracks: Harem Scarem, Russ Ballard, Envy Of None…

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Well, a quick run down of some new tracks & videos worth checking out! If you got any new classic rock/hard recommendations, drop me a note or put them in the comments! As always, for more info, check out the descriptions in the videos for more info and links.

RUSS BALLARD – New York Groove

Originally of the classic band ARGENT, Russ Ballard left the band for a solo career, and is likely better known as a songwriter who’s songs have become hits for numerous acts like Rainbow, Kiss, Santana, America, and this song – which was a hit for Kiss’ Ace Frehley in 1978. The song was previously covered by British glam band ‘Hello’. And now Ballard has made a new version of the song.

HAREM.SCAREM – Reliving History

Canadian rockers HAREM SCAREM have a new single out. I picked up the band’s first 5 or 6 albums way back, and always enjoyed them. This is good, very likeable compared to the early stuff.

HOUSE OF LORDS – Cry Of The Wicked

Fronted by singer James Christian, HOL is pretty consistent with good songs and album covers! 🙂 This is from the band’s new album Full Tilt Overdrive.

ENVY OF NONE – Under The Stars

the 2nd single from the 2nd (forthcoming) album of EON, which features Alex Lifeson (Rush), and Andy Curran (Coney Hatch). Check it out. Very atmosphere track, nothing like anything you’ve heard before.

STREETLIGHT – Captured In The Night

New single from Swedish band that is influenced by 80s AOR/melodic Hard rock like Journey, Toto, Kansas… Their new (2nd?) album is titled Night Vision, due out next month.

HELLOWEEN – Future World (live)

From German power metal legends HELLOWEEN, who have a new Live At Budokan release out now.

HELLOWEEN – KEEPER OF THE SEVEN KEYS: PART I reissued on splatter vinyl

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Keeper of the Seven Keys: Part I is the second studio album by German power metal band Helloween, released in 1987. It marks the first appearance of vocalist Michael Kiske, and is considered the album that created the genre of European-style power metal. Now as part of the 40th anniversary celebrations for Noise, this classic album gets a limited edition reissue on splatter vinyl with album cover poster.

Loudwire named the album at third in their list “Top 25 Power Metal Albums of All Time” and commented the album is “a tireless LP and perhaps the first genuine power metal album.” ThoughtCo also named the album in their list “Essential Power Metal Albums.”

Tracklisting:

Side A
Initiation
I’m Alive
A Little Time
Twilight Of The Gods
A Tale That Wasn’t Right

Side B
Future World
Halloween
Follow The Sign

To Order – https://helloween.lnk.to/kotskpt1

VANDERLUST To release debut album

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For fans of Maiden, Helloween, and Angra, among others. Italian band Vanderlust will release their debut album next month. The album features fast and metallic rockers, as well as using some acoustics on the stand out cuts “The Last Ganymedian” and “Zima Blue”. Fave rockers being “High Hopes” and “Ten Years Black”, great sounding heavy guitar, and the latter should appeal to fellow Maiden fans.

*Check out the press release below

Cosmic metallers VANDERLUST (ft. members of S91, Dreal) will be rocketing their self-titled debut album on April 15th, 2022 via Rockshots Records

Birthed to travel the cosmos, Italy’s Vanderlust is a power-heavy metal band with prog-thrash influences that tells tales of space travels, astronomy, space engineering, and sci-fi adventures.

“We tried to mix a prog-thrashy riffing in the roots of Megadeth, Vektor and Tool with epic vocal parts like Iron Maiden, Helloween, Angra, and Lione’s Rhapsody. We also put sci-fi elements in our songs, so you can hear also something from Voivod.” adds the band.

This debut recording is like a stellar system with 12 different planets. The star at the center of the system represents the heavy-power metal around all the songs revolving. Despite all the tracks being irradiated by the same light, they are all different from each other. Vanderlust has fast thrash, slow and doom, shiny and brilliant to grunge, and darker songs. Like planets, which appear like simple small bright spots, but in reality, are all big worlds, Vanderlust‘s songs are more complex than they sound at first listen. In fact, you can easily sing along to some of the choruses even if there are complex riffs in the background. Vanderlust is particularly proud of the participation of opera singer Letizia Cappellini who does vocals on select tracks and helps the band further expand the vocal register of their compositions. The band also adds the presence of synths and electronic elements to the compositions to set the sci-fi mood of the lyrics.

“The main goal was to start a metal band that could be an inspiration for young people, a band that could tell them stories from the future when mankind will have overcome its limits and the solar system will be an entire human colony. This idea came to mind to founding members Francesco and Santo when they began their search for other members that could fit. Drummer Giacomo Mezzetti joined the space odyssey right before the covid-19 outbreak. Vocalist Riccardo Morello joined the band during the first lockdown in Italy, so the first song was entirely composed online, using videocalls and file sharing.” adds the band.For their live aspect, Vanderlust is currently working hard to create a thrilling spectacle, giving all their energy to the fans and letting them join them on the space journey.

Track Listing:
1. Intro (0:58)
2. High Hopes (3:34)
3. Orphan Planet (3:41)
4. Forgotten Breed (5:13)
5. The Last Ganymedian (3:45)
6. Scavengers Of Kuiper Belt (4:02)
7. Mass Effect Destruction (2:04)
8. Requiem For An Ancient World (4:59)
9. 3 Suns (4:44)
10. Dyson’s Swarm (4:00)
11. Ringworld (3:26)
12. Ten Years Back (3:38)
13. Zima Blue (4:39)
Album Length: 48:49

Rockshots.eu | Facebook.com/vanderlustofficial | Instagram.com/vanderlustband | Spotify

Album CD pre-order – https://bit.ly/Vanderlust_CD

Digital – https://bfan.link/vanderlus

Vanderlust is recommended for fans of Iron Maiden, Angra, Tool, Helloween, and Vektor.