Released in the summer of 1983, Line Of Fire was the Headpins 2nd album on Solid Gold Records. Founded a few years prior with (then) Chilliwack members Ab Bryant (bass) and Brian MacLeod. The band went through a few changes, with drummers Matt Frenette (Loverboy) and Bernie Aubin essentially changing places, and singer Denise McCann being replaced by Darby Mills. The band’s debut Turn It Loud, gained a lot of attention and radio play with the hit single “Don’t It Make Ya Feel”, as well as the title track – “Turn It Loud” and “Breakin’ Down”. The Headpins sound centered around MacLeod’s guitar sound and Darby Mills powerful vocals (dubbed the “Queen of scream”). Line Of Fire took on a bit more of a radio friendly approach in the songs and a bit of keyboards on a few tracks. The album’s cover is a photo of the band on and around a motorcycle, with the back cover being another band photo, but geez, the small red lettering on the back, makes a good bit of this hard to read!
Anyway, I saw the Headpins open for Loverboy in August of that year. During their set Darby Mills announced that the new album would be in the shops the next day before the band played “Feel It (Feel My Body)”, which was the only new song included in their set!
Line Of Fire was a very good album, all around. It featured 2 classic dark, hard n heavy side openers in “Mine All Mine” and “Don’t Stand In The Line Of Fire”. Then there was the 3 singles, all melodic rockers – “Celebration”, “Just One More Time” (the band’s only single to crack Billboard in the US, @ #70). The more poppy “Feel It (Feel My Body”) featured a bit more keys and horns, and received a good bit of radio play. “Double Trouble” was another fine rocker. 8 tracks, all written by MacLeod (with Mills co-writing 2, and Ab Bryant another). Line Of Fire gave the band their 2nd platinum album in Canada.
The band’s label Solid Gold went under before the band’s 3rd (and final) album 2 years later. Head Over Heels was recorded for MCA records, a bit lighter, featuring the single “Stayin’ All Night”, as well as favorites “Never Come Down From The Danger Zone” and “Still The One”, but it didn’t fare as well as the previous 2 records. Still well worth checking out. Darby Mills left the band soon after, and released a solo album in 1991 (Never Look Back), while McLeod wrote & recorded with Mike Reno (Loverboy), and recorded an album with Chrissy Steele (Magnet To Steel) in ’91. MacLeod passed away in 1992. The Headpins would eventually reform with a few new players, and still play today (albeit with a different singer as well).
A collection of favorite Canadian ‘live’ albums (ok, initially I meant to stop at 10…). I do realize there’s a lot more out there (and I have), so maybe a part 2 in the future (?). Feel free to drop omissions in the comments.
SAGA – In Transit
Released in August of 1982. My first and favorite SAGA album. I have a clear memory of buying this at the Eaton’s in the Rexdale Mall, not long after it came out. The mall was a few blocks from my grandmother’s house, so I’d go there when visiting. I bought it based on the 2 songs I’d heard on the radio – “On The Loose” and “Wind Him Up”. Loved this album – “Don’t Be Late”, “Humble Stance”, “Careful Where You Step”,… In Transit marked the end of the band’s best era (IMO). Still my favorite Canadian live album. Wish there was more from the shows tho’ to make an expanded reissue.
APRIL WINE – One For The Road
One of my first concerts was APRIL WINE at the Kingswood Music Theatre, at Canada’s Wonderland, just north of Toronto. What an amazing show! Too bad this was the band’s final tour, and more so a shame that this originally came out as a single LP. The 1985 release included 11 tracks, and really the band’s best-known songs, mainly from the 1978 onward era, though it only features 1 from the band’s final studio album Animal Grace (a shame they never played more from it). But “Anything You Want” was a killer opener, followed by classics like “I Like To Rock”, “All Over Town”, “Sign Of The Gypsy Queen”, and so on, plus a medley of ballads… But, there are a few glaring omissions with the original track listing, which was largely corrected years later with 4 songs added to CD and 2 LP reissues. All classic tunes and loads of energy capping off the band’s most successful era!
TEAZE – Live At Liege
In their day TEAZE only lasted about 5-6 years, 4 studio albums and their classic Live in Japan. But the band has reformed since 2019 to play a number of shows. This recent show (just released) captures the band, now pushing into their 70s, but you’d never know it from the energy and the lead vocals (Brian Danter). A dozen great rockers and anthems here, with favorites like “Back In Action”, “Touch The Wind”, “Heartless World” and “On The Loose” (which closes the set). If you don’t know anything about this band, this live disc is the place to start.
RUSH – Different Stages
There’s lots of RUSH live albums, but this is the one I play the most (from 1998)….and then maybe Rush In Rio (released 5 years later)…. But I like the sound of this one, and the set list, which features tracks from the band’s comeback pair of 90s albums – Counterparts and Test For Echo, as well as more from the band’s 80s (despite the glaring omission of “Subdivisions”). Love the inclusion of “Analog Kid” and “Big Money”, and newer favorites like “Driven” and “Animate”, plus the full 2112. Much prefer this to A Show Of Hands. it also came with a 3rd disc (bonus), of the band at London’s Hammersmith Odeon in 1978. Originally released on CD, but I see a 4-LP version was issued last year.
GODDO – Lighve: Best Seat In The House
Those first few GODDO albums were packed full of punchy, energetic rock tracks, and this 2 LP set was a bold move after just 3 albums, but it is a ‘must hear’, featuring all the band’s favorites (which, most of remained in the set forever). With what became their standard opening of “Anacana Panacana” (intro tape) and “So Walk On” and highlighted with best known favorites like “Sweet Thing”, “O Carole (Kiss My Whip)”, “Under My Hat”, and a 7+ minute performance of “Let That Lizard loose”. Years later the band repeated with 2nd Best Seat In The House, as well as an archived live release and a 35th Anniversary live set. I saw Goddo years ago in St Catharines, it was actually the first sit-down interview I ever did. Greg Godovitz recently put together a new version of the band to play shows to celebrate the band’s 50th Anniversary.
MOXY – Live In Toronto
Released in 2014 as Live In Toronto and also included as part of the band’s 40th Anniversary 2CD/DVD 40 Years And Still Riding High) release a year later (which I have). One of those ‘better late than never’ things, and with a new line up led by guitarist Earl Johnson and featuring lead vocals from Nick Walsh (Slik Toxic). 11 tracks (including the drum solo), taken from the band’s first 3 classic albums. Walsh was a great fit for the band as they went through favorites like “Out Of The Darkness”, “Nothing Comes Easy”, “Moon Rider”, “Sail On Sail Away”, and “Ridin’ High”. Johnson has a new version of the band currently playing shows, I believe.
LOVERBOY – Live In ’82
I was a fan, mainly of those first 3 LOVERBOY albums (and then someone brought In Mutt Lange (sigh). But Live In’82, (released last summer on CD & vinyl!) captures the band at their peak, playing songs from the first 2 albums (arguably their best). So you get high energy performances of their biggest hits like “Turn Me Loose”, “The Kid Is Hot Tonight”, and “Working For The Weekend”, as well as favorites from Get Lucky – “Jump”, “Lucky Ones” and “Take Me To The Top”.
FM- Retroactive: FM Archives Volume 1
Released in 1995, and I don’t ‘get’ the stupid title (as there was no further volumes), this was taken from the band’s 1994 short reunion tour to promote the CD release of their classic Black Noise album. I saw 2 of the 5 shows in small venues. The shows were awesome and captured well here. Don’t recall how many songs they played, but this includes 10 songs, notably their hit “Phasors On Stun”, and Black Noise favorite “Journey”, as well as best known songs like “This Lonely World” and “City Of Fear”, and their versions of “Shapes Of Things” and “Baba O’Riley”. A CD release only (included a retroactive CD-ROM track, don’t think I ever watched it), but would be nice if their was more from this little tour or the FM archives to hear some more.
CONEY HATCH – Live At The El Mocambo
The first of 2 live albums from CONEY HATCH, back-to-back. This one was recorded & video’d during CoVid, with a limited number of guests allowed in to see the show at Toronto’s legendary El Mocambo. A great mix, representing the band’s 4 studio albums, and long overdue. Not too long after came Postcard From Germany, which had been recorded in 2018. Hoping there’ll be more, as there’s a few good shows from the 80s (Cleveland 1982).
STREETHEART – Live After Dark
This 2 LP set was recorded following 6 albums from Winnipeg’s STREETHEART. Although I don’t think Streetheart’s albums were heavy, but more pop produced, Live After Dark showed the band rocked harder live. This features the band’s hits like “Action”, “What Kind Of Love Is This”, “Hollywood”, plus their excellent covers of “Tin Soldier”, and 12 & a half minute closing classic take of “Under My Thumb”! The band’s original line up would reunite and record 2014’s One Night One Take, but I’ve yet to hear that one. but Live After Dark is a pretty essential Canadian album.
THE GUESS WHO – Live At The Paramount
Another essential Canadian release, and better than simply picking up a ‘best of’ IMO. Live At the Paramount, from 1972, captured THE GUESS WHO in their prime; they had a ton of hits and some pretty cool album cuts, so this isn’t just a play through of the usual numbers. Only 7 tracks though on the original single LP (why!?), but there is favorites “Running Back To Saskatoon”, “Pain Train”, and the 16+ minute performance of “American Woman”! The CD version would thankfully add 6 more tracks and fix the running order.
Canadian Live Albums I’d Still Like to see…
A Foot In Coldwater – anything, be it from the early 70s or from one of the band’s reunion gigs over the years.
Santers – there is video of the band from Toronto, around 1982 or 83(?) Would be cool to master it for release.
Headpins – Saw the Headpins open for Loverboy in ’83, surely their must be a good live recording from that period(!?)
Harlequin – something from the band’s early 80s heyday, before they brought the guy from The Fixx in to produce!
Moxy – OK, something from the late 70s w/ Buzz Shearman.
Loverboy to launch previously unreleased live show in fully restored and remixed sound & vision through earMUSIC.
The story of Loverboy is akin to a Hollywood movie. Overcoming rejection to eventually become one of Canada’s most successful rock bands of all time and selling millions of albums in the process, is a feel-good story for the ages.
“Live In ‘82” has been lovingly restored by Paul Dean from his personal archive of 16mm film, the joyous energy of a band who helped define the golden era of 80’s music captured like lightning in a bottle. With their great music, colorful clothing, outrageous hairstyles (and headbands!), and terrific soundtracks for movies like ‘Ferris Bueller’s Day Off’, and ‘Top Gun’, Loverboy has stood the test of time.
“Live In ‘82” will become available on limited CD+Blu-ray, limited LP+DVD and digital streaming and download on June 7th. Today’s announcement coincides with the launch of the first live track: ‘Turn Me Loose’ is available as digital single and live video.
For more than 40 years, Loverboy has been “Working For The Weekend” (and on the weekend), delighting audiences around the world since forming in 1979, when vocalist Mike Reno was introduced to guitar hot shot Paul Dean – both veterans of several bands on the Canadian scene – at Calgary’s Refinery Night Club. Along with Reno and Dean, Loverboy still includes original members Doug Johnson on keyboards and Matt Frenette on drums, with Ken “Spider” Sinnaeve replacing the late Scott Smith on bass.
With their trademark red leather pants, bandannas, big rock sound and high-energy live shows, the band has sold more than 10 million albums, earning several multi-platinum awards. Their string of hits includes, in addition to the anthem ‘Working For The Weekend’, such arena rock staples as ‘The Kid Is Hot Tonight’, ‘Take Me To The Top’, ‘Turn Me Loose’, ‘Jump’ and many more. Loverboyare not only masters of their craft as songwriters, but also renowned for being a formidable touring act, spending years on the road sharing stages with everyone from Def Leppard to Journey.
In 2009, the group was inducted into the Canadian Music Hall of Fame, and more recently the Canadian Walk of Fame, in the fall of 2023.
And there is no stopping the band this year, as they embark on a Live Nation promoted North American tour supporting Sammy Hagar, starting in July.
While checking out Canadian LPs from 1978, I got to revisiting this favorite, released in the summer of that year, Streetheart’s debut, and best album! Streetheart was originally based in Regina, Saskatchewan, and fronted by Kenny Shileds, and joined by Daryl Gutheil (keys), Matt Frenette (drums), Ken Sinnaeve (bass), and Paul Dean (guitar). Meanwhile Back In Paris‘ LP title was taken from the opening line in the first cut “Action” – the band’s best known classic, and the one Streetheart tune most likely to still be played on Canadian radio. The album though was preceded by a limited edition 12 inch single titled The 12 Incher!!!, and featured 3 tracks from the upcoming album – “Just For You”, “Action”, and “Can You Feel It”. The 12 Incher!!! was released in limited numbers (3500), on red vinyl (I have a white-label promo copy). Meanwhile Back In Paris featured 9 songs, all of which rock, making for a solid album of cool Canadian hard-rock. Aside from the obvious classic “Action”, favorites include “Pressure”, “Street Walker”, “Look At Me” (the single) and “Just For You”. “Action” – I can’t help to draw comparisons to the 1980 Loverboy hit “Turn Me Loose”, both with the longer keyboard in the intro, as well as each singer hitting that big note in similar style – with the word “crazy” on “Action” and “fly my way” on the Loverboy tune, and both featuring stand-out bass lines. Sinnaeve’s bass playing throughout this is a big part of the sound, driving a number of songs, such as “Can You Feel It”.
This album has a much more energy to it, more guitar heavy hard-rock than later Streetheart albums, which went in a more AOR style and production (though the follow-up Under Heaven, Over Hell is a fine album). Streetheart (and Shields) initially drew comparisons to Steve Marriott and The Faces and Meanwhile Back In Paris was hailed as “the greatest debut by a Canadian R&R band”. It would sell over 100 000 copies in Canada, earning a Platinum award, but would not get a US release (tho’ it would be the reason for the band getting a US deal for future albums). It did get released in a number of European countries (Germany, etc..) as well as South Africa! Classic album cover shot by Myron Zabol who would be credited on a few other Streetheart albums, as well as albums by The Dudes and Shania Twain.
Paul Dean, who co-wrote most of the album would leave after this album to form Loverboy, and was joined by Matt Frenette (after another Streetheart LP). Ken “Spider” Sinnaeve would go on to work with numerous Canadian acts, and later joined Loverboy as well. Four songs from Meanwhile Back In Paris would feature on the 1981 compilation LP Action – The Best Of Streetheart, and Paul Dean would include a new version of “Action” on his 1988 solo album – Hard Core. The original Streetheart reunited in August of 1993, and a live recording from this was later released as One Night One Take. Streetheart carried on after the passing of Kenny Shields in 2017 (RIP), with founding members Sinnaeve and Gutheil, along with longtime guitarist Jeff Neil and drummer Chris Sutherland, and singer Paul McNair (Harlequin).
Streetheart With WEA Gary Muth has announced the signing of Regina -based group Streetheart to WEA Canada for a long-term recording agreement. In conjunction with the signing, it was announced that Don Valley Music Ltd. will be the sole publisher of all compositions written and recorded by the band, who will enter the studios shortly to record their first album, with George Semkiw producing. (CashBox, 10, 08, 77)
MEANWHILE BACK IN CALGARY: Streetheart must be one of the brightest lights to shine here in the north. The act is currently in the midst of a cross country tour to promote their debut album, “Meanwhile Back In Paris.” Their 12″ EP, with slick cover art and even slicker HM licks inside, managed to turn some heads and airplay on this act is a natural. Contained in “Just For You” is the sound of a beer bottle smashing, captured so well that heads invariably turn to spot the clumsy goof who dropped it. Worth hunting for. – (Record World, 07,01,78)
STREETHEART MEANWHILE BACK IN PARIS/Atlantic KCA 92002 A beat set in a drone stresses the bottomy nature of Streetheart. Their tunes are O.K., the best of them being ” Pressure.” Streetheart rocks steadily. A fine instrumental called “Captain Rhythm” graces side two. Merit. (Walrus Magazine, 03,12,79)
HOW DO YOU CALL YOUR LOVER BOY: Paul Dean has been carving an excellent reputation as a guitarist on the prairies with his contributions to both Scrubbalo Caine and Streetheart. Now comes news that he’s teamed up with former Hammersmith and Moxy vocalist Mike Reno for a new hard rock act, Lover Boy. Teaming up to handle management are Bruce Allen (of BTO and Prism fame), who runs a west coast booking agency, and Lou Blair, owner of the Calgary club, The Refinery, where Doucette recorded a live number for his latest album. Blair also handled management for former CBS act Fosterchild. (RecordWorld, 07, 28, 79)
Outsider Rock 