Tag Archives: Progressive rock

PAUL MARANGONI – ‘FM’ 50th anniversary concert Interview

Canadian drummer Paul Marangoni played with a number of acts in the 80s and 90s, notable Canuck acts like Coney Hatch, The Works, Kim Mitchell, and FM. The latter is currently preparing for a 50th anniversary show in November, with Marangoni behind the drums. Hopefully this 50th anniversary show will lead to more. Paul relocated to California decades ago, and played on a number of albums with guitarist Alex Masi, such as the 2001 Masi album, Eternal Struggle, and 2 albums of fusion instrumentals / covers under the name ‘The Trio Of Stridence’ (more on these in another post), and worked with former Alias frontman Freddy Curci (Zion).

This was a pretty casual disussion with Paul, and a lot of fun; we talked about the upcoming FM reunion show, a few other things he’s done since being in California, and what he’s listening to these days. Enjoy the read, and please check out all the links at the end.

I was going through those CDs you gave me (The Trio Of Stridence, Jazz Martyrs), and you did a lot of writing on them and a lot of producing them, so it’s kind of a…

Well, I think I wrote two songs on all those CDs. I arranged everything though, definitely.

Yeah, they’re very different. The Trio Of Stridence. I like that; I love the cover of “Red”. The other stuff is kind of straight up jazz. I put it on at one point, there is a Chuck Mangione song, and I was like, Wow, what is this?

Yeah, it’s too bad Chuck died. I was hoping he would hear my version, because my version is in seven as opposed to four.

Going back to when you were in the band FM (late 80s-early 90s), how long did that whole period last?

Not long, like two or three years. I can’t even remember. I really should have kept a diary. That was like 35 years ago or something. It’s scary to even say that number.

And you guys did recordings?

We were working on new music, but it was never recorded.

So, at what point did you relocate to LA?

January of 2000.

So you were still around then, in Toronto and that for much of the 90s then?

Yeah, definitely.

What else were you doing then? I have this on cassette (hold up The Works cassette).

Wow. Not much. I was just playing in a bunch of cover bands and I was doing the Genesis Tribute. Actually, at one point, we had a Yes Tribute, which Cameron Hawkins was playing bass and singing in. But we only did a few shows. And Phil Naro was singing in that band. I had a recording of a live gig we did at the Tralf in Buffalo. It was really good, but for some reason, that ended too. I don’t know what happened there. That was a good band. I love playing that stuff.

I saw Phil about 20 years ago, 15 years ago. He was playing in a club in Toronto, like an upstairs somewhere. It was him, Don Mancuso. I think his son. And so they’re doing a lot of Yes stuff.

I can’t believe he’s gone. Everyone’s dying, man. Holy cow.

Last time I saw him, he was doing an acoustic guitar duo, at a small place somewhere in Toronto. They were just doing acoustic tunes, the two of them. Would have been around 2007, 2006, (something like that).

There’s been other versions of FM. I saw them in ‘94 when they did the reunion tour, and there’s a few other things since then, live albums and the studio album from 2015… You weren’t involved in any of those. So how did this new line-up kind of come together?

Well, I kept in touch with Cam over the years because I was going up to Toronto like three or four times a year while my parents were still alive. And we’d get together now and then. And a couple of years ago, I was up there. And before I went up, I contacted him. I said, Hey, let’s get together for lunch. And he told me he was thinking of doing some shows to coincide with the release of this new documentary about Nash the Slash. And he said, It’s been 50 years. And I said, Well, if you need a drummer. I’m totally down. So that was when it started. So, the two of us were sending files back and forth on the tunes to work on. So he would have my drumming to along with. And then he set about to find someone to play mandolin and violin. It took a while.

I assume Ben Mink is not around anymore (locally)

Ben Mink is out in British Columbia. So, if for some reason this turns into doing a lot of shows, and if we ever end up on the West Coast, I’m sure we’ll get Ben Mink to sit on a bunch of tunes because I love Ben Mink’s playing.

Is the show going to focus mainly on the Black Noise stuff? Or is it going to be…

Yeah, it’s just going to be Black Noise and maybe a couple of other tunes. Some of the hits or other tunes.

When I saw them in 94, they put out that from it, but I always wonder, they called the FM Archives Volume One, there was no volume two.

(lol) Yeah, I don’t know what happened there. I got that too somewhere. They were kind of screwed over by labels all the time.

Other than Black Noise, what might you play or what do you like out of that catalog?

I really like Surveillance a lot. That was my favorite record. And then off of City of Fear, there’s one tune off there we’re probably going to play, “Surface to Air”. We’ll probably play that. We’ll probably do “Shapes of Things”; that got a lot of airplay. And that’s it. We’ll be extending solo sections and stuff like that, so it’ll be a lot of fun.

I don’t see much of Cameron Hawkins online, so I don’t… I never know what he’s up to.

Right. He said he’s going to probably put up an Instagram account one of these days. That was the plan, to do that and start promoting, but without any promotion, the show sold out in like three days.

Wow. So…

And there’s talk about, hopefully a show at the El Mocambo in January. And then if these shows go well, we’ll see where it goes next. We’ll probably stick to Canada for the time being, especially now that this arrangement in the US and Canada has kind of gotten pretty messy.

I wonder if the band ever actually played outside of Canada in that whole period of the late 70s, early 80s.

I’m not sure. I know they did a lot of shows with Rush.

And there’s some people that have posted some of those shows online pretty wild. It’s funny how fast they played a lot of those tunes.

I think it was Con-test that must have been the album that was current when I saw them. And then they did Tonight, which is funny because I watched an interview with Nash where he did not like that album. He mentions that they brought in a “hair guitar guy”.

Simon! (lol) Apparently Simon is now doing pyrotechnics for Katy Perry or something.

Really?

Yeah. That’s what Barry Connors was telling me.

He’s not playing?

I’m not sure. He was a good guitarist.

I know he did those albums with Andy Curran, post- Coney Hatch.

Yeah. He was the one that got me the FM gig. Because I was hanging out with him and Andy, and Simon said, We need a drummer for these shows coming up. And I said, Dude, I know all that shit. I grew up listening to FM. So, I jammed with them and got the gig.

What else are you doing? Are you playing a lot live?

No, I moved to Indio three years ago, and I can’t find players around here to do anything. I was working on doing more Trio Of Stridence stuff or some jazz stuff; working on my own and then sending files to people either in Europe or in LA. I love doing stuff with Alex (Masi), and before I left LA, me and Alex, we were thinking of doing a Jeff Beck Tribute thing after Jeff Beck died. We rehearsed a bit. I put together a little promo video. I sent it to a bunch of booking agents. No one was interested. It was too bad. It would have been cool.

I saw him over at Artpark (Lewiston, NY). the last time through here.

Yeah, I love Jeff Beck. And, like I said, I was working on writing some stuff, working on my own thing, and then the FM thing happened. So, I’ve just been focused on that since then. Rehearsing all the old FM stuff and working on making sure it’s going to sound good.

Do you know these other guys that are playing with you guys?

No, I’ve never met them, Kevin (Breit) and Hugh (Marsh). Actually, I did a recording with someone in the ‘80s that Hugh Marsh played violin on, but we weren’t in the room at the same time.

I imagine Cameron found them somehow(?)

We were trying to reach him through social media. Couldn’t do it. And then I was having lunch with Andy, and he said, Well, let me talk to Alex Lifeson, he’s a good friend of Hugh. So, he got Hugh’s email from Alex Lifeson. And that’s how we got in touch with Hugh.

Wow. So that was like more recent?

Yeah, that was like last December.

That’s interesting, all the connections with all the Toronto bands. I like picking up some of the late 70s Canadian stuff. I picked up the first Hunt album.

Wow. I remember seeing them at the Gasworks….

And you posted something recently about a band called Teaze.

Yeah, I saw them last week.

I remember them being big at some point, and I remember the logo. The logo looked cool, and the name was cool, but I didn’t know much about the band. And when you posted that stuff, I was reading something, and I said, Holy shit, these guys are Canadian! I didn’t know that.

(Talk ensues about Teaze, their comeback, and Canadian rock festivals)

It seems like most of these Canadian bands, especially from the last few decades, they tend to play a bunch of festivals. Three or four times a year, there’ll be a festival in Alberta or Newfoundland or Quebec, and then they all get together.

I hear about these things from Barry. Do you remember the band Alias with Freddy Curci?

Yeah, I’ve got that somewhere.

I recorded with Freddy a few years ago, and I was actually… I got together with him about a year ago, and I told him,  I think it’s time you should go out on the road again, get the band going. He considered it. I haven’t talked to him in a while, but I think that would be good, too.

I find the connections with the Canadian band interesting. There’s so many… It’s kind of like the British bands where you have some of those connections between Whitesnake and Deep Purple and Rainbow, all those bands.

That’s right.

But, I mean you look at Helix and Honeymoon Suite and a few others. It’s almost like they (occasionally) share members.

Actually, I remember I auditioned for Helix when I was 17. I drove out to….they were playing a gig somewhere in London, I think. I played some tunes with them. And it went well, but they said, You’re just too young. We can’t take the chance. Yeah, I was a fan of Helix.

And their drummer and the guitarist were twins. Brian Doerner was the drummer, and he recommended me for a gig. I didn’t even know he knew me. And then me and a guitarist named Lawrence Falcomer flew down to LA to try putting a band together with Brad Gillis and Mark Free. So, for a week, we rehearsed and wrote some music. And the guy that was paying for it all was the producer from Night Ranger. And at the end of the week, he told us what the deal would be where he was going to take 50 or 60% of all proceeds from the songwriting. And we just couldn’t come to terms with it. Nothing ever happened of it.

(Talk about Brad Gillis being on Rick Hughes album).

What are you listening to these days? Is it mostly jazz type stuff?

Let me see what’s on my phone here (lol)

You know what I got recently, Genesis The Lamb Lies Down box set. And it has a live concert that they did in L.A., and the live concert is amazing! I don’t know if they touched up a bunch of stuff, but it sounds better than the studio record. It’s amazing.

I haven’t got that.

It’s actually all on YouTube, too. Simon Phillips’ latest record, I got that. That’s more of a fusion thing. Pat Metheny’s latest; I’m on the fence with that. A guitarist named Nir Felder. I really like his stuff. It’s kind of a fusion-y kind of thing. I probably listen to mostly jazz lately. I got the Jethro Tull Bursting Out re-release. That’s pretty good. Yeah, mostly jazz stuff.

You mentioned Genesis. Have you picked up any of the Steve Hackett live albums where he recreates each of the albums?

No, I haven’t. I saw Steve Hackett in Toronto. It was probably 1978 or 79 at the O’Keefe Center. That was amazing. love Steve Hackett. Speaking of Steve Hackett, You’ve heard of this Cruise to the Edge thing!? (No)  It’s a cruise out of Miami, and it’s a bunch of progressive rock bands for like a week, and Steve Hackett is the headliner. I think Kevin Labrie is playing with the keyboard player from Dream Theater. Check it out, CruiseToTheEdge.com. Anyway, I figure it’s all progressive rock, and they leave port in April, so I sent an email to them, see if maybe I can get FM on the gig. But I never heard back from anyone as far as who to contact about booking, so maybe we’ll try to get the next year. They do it every year, apparently.

That’d be quite the slot to get on.

(Talk ensues a bit about Genesis, Phil Collins, Paul – “He was my favorite.”)

Any other Canadian bands you were really into?

Kim Mitchell, Saga, FM. I was a huge Rush fan from the beginning. I can’t really think and differentiate which ones were Canadian. I mean, going downtown and seeing stuff at the Gasworks. Dave Bendeth, he was kind of doing like a Jeff Beck thing, that was cool.

Well, did you keep your vinyl over the years or did you get rid of it?

I sold a bunch of it. Since I moved to California, it’s been like 26 years now. I’ve moved 11 times. So, you just keep throwing stuff away every time.

At one point, when we sold my parents’ house in Toronto, I had all my albums there, so we had to get rid of stuff. So, I took them all downtown to some vinyl place and sold them all and whatever they didn’t want to buy, I gave to friends of mine who were collecting vinyl. So, I don’t have any more vinyl.

(Further chat about records, Unidisc, Wireless – “I remember seeing them open for Rush, they were really good too.”)

*photos of Paul borrowed from his website: https://www.paulmarangoni.com

LINKS:

https://www.theredwoodtheatre.com/event-details/fm

https://www.paiste.com/en/musicians/paul-marangoni

https://www.youtube.com/@PaulMarangoni

https://www.proggnosis.com/Artist/7677

https://www.jazzmartyrs.com

FM – Facebook Group

GENTLE GIANT – ‘In A Glass House’, remixed and remastered

Gentle Giant’s In a Glass House Returns in Newly Remixed and Remastered Edition to Be Released on July 31st

One of progressive rock’s most daring and influential albums, In a Glass House by Gentle Giant returns in a powerful new form, newly remixed and remastered by Grammy Award-winning producer Eber Pinheiro alongside the band’s own Derek Shulman.

Originally released in 1973, In a Glass House stands as a bold artistic statement that pushed the boundaries of composition, musicianship, and studio experimentation. With its intricate arrangements, shifting time signatures, and thought-provoking themes, the album remains a cornerstone of progressive rock and one of Gentle Giant’s most celebrated works. The album features some of the band’s most enduring compositions, including “The Runaway,” “Experience,” and the epic closing title track “In a Glass House.”



For the first time ever, In a Glass House has been newly mixed and made available in both 5.1 surround sound and Dolby Atmos, opening up the album’s dense arrangements and intricate performances in an entirely new way. 

“When we made In a Glass House, we were pushing ourselves musically and creatively in every direction,” said Derek Shulman. “Hearing the recordings again and being able to remix them with today’s technology has revealed details and textures that were always there but never fully heard. We wanted to present In a Glass House the way we always hoped it could sound, clearer, more dynamic, and true to the original vision. The detail in the performances really comes through in this new mix.”

“The Dolby Atmos and surround mixes really allow the listener to step inside the music,” Shulman added. “It’s incredibly rewarding to hear the album take on a new life while still staying completely true to what we created in 1973.”

For longtime fans and new listeners alike, this new edition of In a Glass House presents the album with greater power, depth, and transparency than ever before, reaffirming its place as one of the defining recordings of the progressive rock era.

The release will be available in multiple formats, including a standard 180g vinyl LP, limited edition clear vinyl, CD, and a deluxe CD/Blu-ray edition featuring stereo, 5.1 surround sound, and Dolby Atmos mixes.

Gentle Giant ‘In a Glass House’

Track Listing:
1. The Runaway (7:24)
2.An Inmates Lullaby (4:28)
3. Way of Life (7:52)
4. Experience (7:48)
5. A Reunion (2:11)
6. In a Glass House (7:39)
7. Index (1:20)

Pre-Order: https://linktr.ee/gentlegiantband

NEKTAR – ‘Mission To Mars’ issued in limited edition aqua blue, hand numbered & signed vinyl

LEGENDARY PROG ROCK BAND NEKTAR SELLS OUT OF THE FIRST PRESSING OF MISSION TO MARS AND ISSUES LIMITED EDITION AQUA BLUE HAND NUMBERED AND SIGNED TO KICK OFF THEIR 2026 MISSION TO MARS TOUR

Formed in Germany in 1969, Nektar favored extended compositions and concept albums over the constraints of pop. They were among the progenitors of the progressive rock movement of the 1970s as well as the jam-band scene that arose in the late 1990s. Their sound traveled well to the States, where they enjoyed Top 40 success with A Tab in the Ocean (1972) and Remember the Future (1973). Nearly 20 albums later, the band’s artistic and personal charisma has earned them masses of devoted fans along with their album “The Other Side” (2020) which was Number 1 on Amazon Progressive Music. For over half a century, Nektar has been the guiding star for countless fans, leading them on mesmerizing expeditions through the vast expanses of the cosmos and the depths of the ocean. With their unique fusion of progressive rock and stunning visuals, these trailblazing prog-rock legends have ignited the imaginations of generations.

Nektar’s latest release, Mission To Mars, is the first in a trilogy and the first to feature new drummer, Jay Dittamo, alongside longtime members Ryche Chlanda (guitars, vocals), Kendall Scott (keyboards, synths), Maryann Castello (vocals) and original founding member Derek “Mo” Moore (bass guitar, vocals). Nektar melded those aforementioned traits with the soothing mellowness and adventurous jamming of Camel, the Grateful Dead and Caravan. Nektar’s knack for thought-provoking concepts and entrancing music has rarely wavered and is just as evident on Mission To Mars.

The first pressing of Mission To Mars is officially Sold Out worldwide so Deko Entertainment is thrilled to announce a second pressing Limited to 300 copies on Aqua Blue only for Indie Record Stores and 100 hand numbered and signed by the band available only direct to consumer. As founding member Moore says, “We have had the Mission to Mars LP pressed in a very different color.  There will be 100 units numbered and signed available.  Please order these special copies NOW before they run out.  Please note the first pressing is Sold Out.”

The band also kicks off the first of their 2026 dates in January at the following venues.
Friday January 23rd – My Father’s Place – Roslyn, NY
Saturday January 24th – The Dunellen Theater – Dunellen, NJ

Tickets here: https://nektarsmusic.com/events/

*There are a limited number of the autographed vinyl available while supplies last: https://www.dekoentertainment.com/nektar

Track list:
Mission To Mars
Long Lost Sunday
One Day Hi One Day Lo
I’ll Let You In

Links:
www.dekoentertainment.com
https://www.facebook.com/nektarofficial https://nektarsmusic.com/

JANE – RIP KLAUS HESS

Guitarist / songwriter Klaus Hess was a founding member of German heavy progressive band ‘JANE’ . The band was a major draw in Germany throughout the 70s, beginning in 1970, and releasing their first album in ’72, Together. Hess left the band after their 1982 album, Germania, recorded a few solo albums, then formed ‘MOTHER JANE’ (after the courts settled the case of the name’s use between dissenting bandmembers).

For the most part, JANE remained a mystery and later a highly collectable band in certain parts of the world, as only their albums ‘III’ (1974) and Age Of Madness (1978) were released in Canada and the US. The last release of Jane material with Hess was 2012’s Turn The Page from MOTHER JANE (this was a compilation of ‘lost tracks’ recorded in 1982, featuring Jane members, as well as former Scorpions drummer Jurgen Rosenthal). The band’s favorite albums would include the 1972 debut (Together) and 1976’s classic Fire, Water, Earth & Air (highly recommended!), 1976’s Live, and 1977’s heavier Between Heaven & Hell is also highly recommended. Throughout the band’s career Hess would play more than just guitar on many albums (vocals, keyboards, bass…), produce, mix….Check out the link below for more on the history Klaus Hess and Jane.

from press:

JANE FOUNDING MEMBER KLAUS HESS DIES AT 78

Guitarist Klaus Hess was a founding member of Jane in 1970. Since there was some occupational turbulence in the German rock band already in the seventies, Hess also played bass and took over lead vocal parts. In 1982, the musician was terminated in a bad way, so he briefly tried a solo career and released an LP. In 1992, Klaus Hess was involved in a Jane reunion, but failed after only a short time. This resulted in three different Jane variants going on tour, which, according to the verdict, could only use the name “Jane” in conjunction with another term after a legal dispute. Klaus Hess named his version Mother Jane. Five studio and live albums were released between 2000 and 2012. 31st already Klaus Hess passed away in October at the age of 78, from a chronic lung disease.

https://www.jane-music.com/jane-eng/Seiten/History.htm

https://www.facebook.com/profile.php?id=100071811695937

ROB MORATTI – to release new solo album

Canadian singer Ron Moratti will have a new solo album, Sovereign, out December 12, on Frontiers. There’s a new single out now. The album features Joel Hoekstra (!) on lead guitar, among the players. *Check out the video below, as well as the bio, track-list, and links at the bottom.

Talking about the new track, Rob stated: “It is the perfect opener. Most of us have struggled with relationships and this song is packed with the most powerful positive energy, you can feel it! We are all here for each other to lean on and help you win again. We hurt and we heal. We learn from our mistakes. Just don’t give up on love”.

Rob Moratti is a solo artist, formerly lead vocalist of Moratti, Final Frontier and of course Saga. Rob Moratti, a genuine and true original, has an astonishing range and has carved a unique style for himself, blending the finest elements of melodic and progressive rock. 

“Sovereign” is Rob Moratti’s sixth solo album on the heels of the critically acclaimed release “Epical”, his debut on the Frontiers label. Filled with his trademark harmonies and memorable choruses, the songs on ” Sovereign” develop from where “Epical” has left off and are easily some of the most exciting that he has ever put his stamp on. An absolute must for fans of classic AOR music in line with The Storm, Journey, Survivor, Strangeways and Signal.

The album once features a stellar cast of contributing writers and performers, including Joel Hoekstra (Whitesnake, ex-Night Ranger) on lead guitar, Tony Franklin (ex-The Firm, Blue Murder) on bass, Felix Borg on drums (and co-writing), Fredrik Bergh on keys (and co-writing) and Pete Alpenborg (who also contributes rhythm guitar and keyboards). A real all-star line up for this excellent album!

Moratti started his professional singing career in the early 90’s as lead vocalist and songwriter of the band Moratti. They were immediately well received, garnering airplay in Japan and Europe. In 2002, Rob’s future went forward with Final Frontier, a band with whom he has released four incredible melodic-minded metal albums. 

Over the years, despite all the changes in the music scene, Rob’s perseverance and passion have stayed strong. His talent captured the attention of the multi-platinum selling legendary progressive rock band SAGA and in 2008, Rob Moratti would become the new vocalist for the band for a while, appearing on 2009’s “The Human Condition”. 

Over the course of his solo career, Rob has also worked with many incredible musicians like Joel Hoekstra (Whitesnake, TSO, ex-Night Ranger), Reb Beach (Whitesnake. Winger), Tony Franklin (ex- Blue Murder, The Firm), Brian Doerner (Saga), Ian Crichton (Saga), and Steve Augeri (ex-Journey).

Pre-Order “Sovereign” HERE

Tracklist:

1.    Don’t Give Up On Love    
2.    Can’t Let You Go    
3.    Every Word    
4.    Waiting    
5.    Locked Down    
6.    Two Hearts    
7.    In The Air Tonight    
8.    I’ll Never Break Your Heart    
9.    The Calling    
10.    Angel    
11.    This Is Forever

Line Up:
Rob Moratti – vocals
Joel Hoekstra – lead guitar
Tony Franklin – bass
Felix Borg – drums 
Fredrik Bergh – keyboards
Pete Alpenborg – rhythm guitar and keyboards

LINKS:

Facebook
Instagram
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Website

Norway’s GAZPACHO to release ‘Magic 8-Ball’

Norwegian art-rock/prog band GAZPACHO have been releasing albums since the early 2000’s, with the new album scheduled for October 31. The music is kinda lighter, experimental, atmospheric…but check out the new single “We Are Strangers”, which is a standout track here, and pretty representative of the band’s sound here. *Check out the press info below, as well as videos and links below.

Widely regarded as one of the most innovative acts in modern progressive music, Gazpacho have carved out a cult following with their unique blend of art rock and cinematic storytelling. From their critically acclaimed 2007 masterpiece Night to the hauntingly beautiful Demon (2014), the band has consistently pushed the boundaries of progressive music.
 
 They’ve toured with legends like Marillion, played to devoted audiences across Europe, and earned a reputation for crafting concept albums that challenge and move listeners in equal measure.
 
After a five-year break, Magic 8-Ball marks Gazpacho’s return with eight new tracks built around the idea of fate. How it moves without warning, and how the choices we make can slowly strip away who we thought we were. 
 
The title, Magic 8- Ball, ties into the idea of randomness and inevitability. Shaking something for answers you already suspect and repeating the cycle over and over. The idea of infinity is central. These stories repeat throughout the album. Different forms, same patterns always finding a way back.
 
 Musically, the album stays true to Gazpacho’s core. Atmospheric, layered, and emotional. But more focused. No unnecessary weight. Just eight stories told with clarity and tension. The album was mixed by Thomas Juth (a-ha/Elton John/Paul McCartney/Cat Stevens) and mastered by Hans Olsson at Svenska Grammofonstudion Mastering.

Of interest to fans of Marillion, The Pineapple Thief, Steven Wilson, Riverside…

Gazpacho:
 Jan-Henrik Ohme – vocals
 Thomas Andersen – keyboards, programming
 Jon-Arne Vibo – guitars
 Mikael Krømer – violin, additional guitars
 Kristian “Fido” Torp – bass
 Robert R Johansen – drums

LINKS:

https://www.facebook.com/Gazpacho.Official.BandPage

https://gazpachoband.bandcamp.com/album/magic-8-ball

https://www.instagram.com/gazpachoband

NEKTAR – ‘A Tab in the Ocean’, 5 disc expanded box

Classic prog rock band NEKTAR has a 5-disc box set coming out on November 28, on Esoteric. A Tab In The Ocean is highlighted by it’s 17+ minute title track. *Check out the info below, as well as track-listing, and link to pre-order.

Originally featuring just four pieces, the album’s first side would be dominated by the extensive title track which was a progressive rock tour de force. The remaining tracks, ‘Desolation Valley / Waves’, ‘Crying in the Dark’ and ‘King of Twilight’ would also become Nektar classics. The album was recorded and mixed at Dierks Studios, Stommeln, Germany in October 1972, produced by Peter Hauke & Nektar and engineered by Dieter Dierks. Among the admirers of this album was Steve Harris of Iron Maiden and his band would cover ‘King of Twilight’ on the B-side of their ‘Aces High’ single in 1984. This new box set edition features 4 CDs and a region free Blu-Ray disc and has been newly remastered from the original master tapes. It includes a new stereo & 5.1 Surround Sound mix of the album and also features a marvelous, previously unreleased complete concert recorded in Erbach, Germany in April 1973 and a newly remastered version of the 1976 US album version.

DISC ONE

2025 mix

1. A Tab in the Ocean

2.  Desolation Valley / Waves

3.  Crying in the Dark

4.  King of Twilight

Bonus track:

5.  We Are the Ocean

DISC TWO

The 1972 album mix

1. A Tab in the Ocean

2.  Desolation Valley / Waves

3.  Crying in the Dark

4.  King of Twilight

The 1976 US album mix

5. A Tab in the Ocean

6.  Desolation Valley / Waves

7.  Crying in the Dark

8.  King of Twilight

DISC THREE

Live in Erbach, Germany 22nd April 1973

1.  Look Around

2.  Cast Your Fate

3. A Day in the Life of a Preacher

4.  Desolation Valley / Waves

5.  Crying in the Dark / King of Twilight

DISC FOUR

Live in Erbach, Germany 22nd April 1973

1.  Good Day

2.  Let it Grow

3.  Wings

4.  Oddysee / Ron’s On / Never Never Never

5.  1-2-3-4

6.  Do You Believe in Magic?

7.  What You Gonna Do

DISC FIVE

Blu-Ray

5.1 Surround Sound & Stereo mixes & original stereo mix

1.  A Tab in the Ocean

2.  Desolation Valley / Waves

3.  Crying in the Dark

4.  King of Twilight

https://www.cherryred.co.uk/nektar-a-tab-in-the-ocean-deluxe-five-disc-limited-edition

KANSAS – Vinyl Confessions (1982)

KANSAS’ second studio album of the ’80s was the first to feature a change to a more 80s AOR/Hard rock direction. Gone was singer/keyboard player Steve Walsh, and in was new singer John Elefante. Now, let me add in – I was never a Kansas fan, but I liked the single “Play The Game Tonight” when this came out in the summer of 1982, as well as 1983’s hit “Fight Fire With Fire”, and that is really where my big ‘like’ for this band starts and ends. Oddly, back in the day of super-cheap vinyl LPs, when hardly anyone wanted them in the mid-90s I regularly filled gaps in catalogues and added to my collection picking up albums for 1 or 2 dollars at the flea markets. So, one Sunday I came across the entire Kansas catalogue (up until 1983) for $2 a piece! I never got in to them much, I found the debut tough to get through, but occasionally would pull out Vinyl Confessions and Drastic Measures due to the hits. Over the past year I’ve pulled this one out a lot more, and dig most of this album. I’ve also been motivated to revisit the band’s catalogue more due to Tim Durling’s book Let It Be Your Guide: The Kansas Album Review (who’s Youtube channel is ironically titled Tim’s Vinyl Confessions!). The first 4 tracks here are all very good, from the well known “Play The Game Tonight” (a top 20 hit in the US, and my favorite Kansas song), the 2nd single “Right Away” (a minor hit), “Fair Exchange” and the piano based ballad “Chasing Shadows”. Not so enthused with “Diamonds and Pearls”, but things pick up again with “Face It” (tho’ I can do without the sax solo). The latter half also features “Windows”, a faster paced progressive track, curious why they did a video for this one if it wasn’t released as a single(?), “Borderline”, “Play On” (this is a great track, that might’ve made a decent single, though it was a B-side), and closing out is the minor epic “Crossfire”, another pretty progressive track, lots of changes, and a memorable chorus – all good songs. Some pretty Christian based lyrics throughout this album, with both Livgren and Elefante being religious (this causing a rift amongst some bandmembers, which lead to Walsh leaving prior to and Livgren leaving after the next album), but really, I haven’t taken much notice, and enjoy most of this album; probably their most accessible for those not so familiar with Kansas. Also noted is Roger Taylor (Queen) singing backing vocals on a few tracks (uncredited).

KANSAS -Vinyl Confessions, Kirshner FZ 38002 (CBS). Produced by Kansas and Ken Scott. Producer Scott’s high -tech studio finish is as well- suited to the progressive pop /rock sextet as it was to such kindred souls as Supertramp, yielding expansive keyboard crescendos, sweeping drum codas and layered choral harmonies, among other headphone highlights. Brass and reed choruses from the Heart Attack horns, borrowed from LA’s Jack Mack, inject a whiff of soul into the proceedings, but the main suit is still the rococo, portentous brew that’s made their reputation.

KANSAS (Kirshner ZS5 03084) Right Away (4:06) (Full Grown Man Music/Mastodon Music — BMI) (J. Elefante, D. Elefante) (Producers: Kansas, K. Scott) After the great chart recovery with “PlayThe Game Tonight,” Kansas continues in the by-now-familiar cascading keyboards and thundering guitar vein with this encore from “Vinyl Confessions.” It may seem a bit more suited to AOR, but Kansas is hot again, and pop will keep that In mind. (CashBox, 08-07-82)

KANSAS- Drastic Measures, CBS Associated Records QZ 38733. Produced by Kansas, Neil Kernon. Kansas made it back to the top 20 last year with the album “Vinyl Confessions,” and here returns with another set of high- energy pop – rock. The sound is a bit punchier and more uptempo, almost in the Loverboy vein. It’s been awhile since Kansas was a top 10 consistent platinum act, but it still has a sizeable audience. The label designation is CBS Associated Records rather than Kirshner.

CURVED AIR – rarities box set coming in September

UK Prog Legends Curved Air “: The Rarities Series Box Set”

Spirit of Unicorn Music are pleased to announce the release of “The Rarities Series Box Set” from Curved Air, which will be released on 20th September, 2024. This 6 CD box set brings together all the CD’s previously released in the Rarities series but which have been out of print for some considerable time.  The package also includes a booklet featuring brand new sleeve notes, written by PROG magazine’s editor, Jerry Ewing.  Ewing has interviewed the band’s enigmatic and beguiling lead singer, Sonja Kristina, viewed by many as the first lady of prog;  providing a new, fresh perspective on these recordings.Curved Air formed in 1970 and brought together the influences of rock, folk and classical music into their work, developing a fascinating and ground-breaking progression fusion sound.   They went on to become a seminal band within the British progressive rock movement who have endured the test of time and still perform live to this day.The box set includes:Tapestry of Propositions: An hour-long version of “Propositions”, recorded live at 14 different locations during 2013/14.Curved Space: previously released as Francis Monkman’s “Jam” but now featuring 2 unreleased bonus tracks.Infinity: featuring all new 2016 studio recordings.The Second British Rock Meeting 1972: Features the only known recording of this line-up improvising. The last track is an extended jam on their hit, Vivaldi, and lasts over 30 minutes.Live Under The Bridge: Featuring a performance of the legendary “Air Conditioning”, in its entirety.Set to be an exciting Summer for Curved Air, July will see an acoustic line-up of the band fly to the USA and Canada  for a string of 21 live shows, as part of the Heat Of The Moment Tour alongside other progressive music greats, Asia, Focus and Martin Turner – ex Wishbone Ash.

*Check out tracklisting, more details, tour dates…. – https://glassonyonpr.com/news/

FOCUS new single from FOCUS 12

Progressive-rock legends FOCUS have a new single from FOCUS 12 – to be released next week, just as the band starts their North American tour as part of the. ASIA Heat Of The Moment bill (along with Martin Turner, ex WHISHBONE ASH, and CURVED AIR).

*Check out the new track “Focus 13” below, as well as the press release and album pre-order link.

  • Spirit of Unicorn Music are pleased to announce the release of Focus 13, the new single from Focus, taken from their forthcoming album Focus 12, which releases on July 5th. Focus 13 was written by progressive music legend and long-standing band leader, Thijs Van Leer.  About the single, bassist Udo Pannekeet comments “Focus 13 is a composition full of strong, emotive and beautiful melodies which only Thijs could write.” The track features the highly skilled drumming touch that only a true elder statesman of progressive music can deliver.  Pierre van der Linden excels, providing a flow and rhythm which creates tension yet also allows the melody to breath. Pannekeet continues “The drum part is totally unique!”  He concludes “As part of our line of numbered Focus tracks, 13 really sticks out.” The enigmatic Van Leer agrees, “I began this composition with nothing. Zero.  Yet it has ended up as a true hero!” The album Focus 12 was recorded at the world-renowned Wisseloord Studios, in the band’s native  country of the Netherlands and is produced by both Pannekeet and guitarist Menno Gootjes.  Set to be an exciting Summer for Focus, July will not only see the release of Focus 12 but the band will also fly to the USA and Canada for a string of 21 live shows, as part of the Heat Of The Moment Tour alongside other progressive music greats, Asia, Curved Air and Martin Turner – ex Wishbone Ash. Fjord 13 is available to download now from all good streaming services. The album Focus 12 releases on July 5th and once again features the stunning artwork of Roger Dean.  It will be available on CD Digipak, vinyl (housed in a gatefold sleeve) and via digital download.  You can pre-order the album here: 
  • https://burningshed.com/store/focus

Heat Of The Moment 2024 – USA Tour Dates:

Wednesday, 3rd July          : Ridgefield Playhouse, Ridgefield

Thursday, 4th July               : Fallsview Casino, Niagara Falls

Saturday, 6th July                : Chevalier Theatre, Medford

Sunday, 7th July                  : The Paramount, Huntingdon

Tuesday, 9th July                 : Bergen Performing Arts Center, Englewood

Wednesday, 10th July         : Count Basie Center, Red Bank

Friday, 12th July                  : Tropicana Showroom, Atlantic City

Saturday, 13th July              : Wind Creek Event Center, Bethlehem

Sunday, 14th July                : American Music Theatre, Lancaster

Tuesday, 16th July              : Spartanburg Memorial Auditorium, Spartanburg

Wednesday, 17th July         : Ryman Auditorium, Nashville

Thursday, 18th July             : Columbia County Performing Arts Center, Evans

Saturday, 20th July              : Hard Rock Live, Orlando

Sunday, 21st July                : The Parker Theatre, Fort Lauderdale

Monday, 22nd July              : Seminole Hard Rock, Tampa

Wednesday, 24th July         : North Charleston PAC, North Charleston

Thursday, 25th July             : Macon City Auditorium, Macon

Friday, 26th July                   : Saeger Theatre, Mobile

Sunday, 28th July                : VBC Mark Smith Concert Hall, Huntsville

Tuesday, 30th July              : The Armada Theatre, St Charles

Wednesday, 31st July         : The Pabst Theater, Milwaukee

http://www.focustgeband.co.uk

https://www.facebook.com/focustheband50/