Tag Archives: uriah heep

JOHN LAWTON – R.I.P. To One Of England’s Finest Singers & Gentlemen.

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On July 5th, the sad news that English rock / blues singer John Cooper Lawton had passed away on Jun 29 was posted on the Lucifer’s Friend Official Facebook page. Lawton was known to rock fans for the albums he recorded with the German band in the early ’70s, and then for the 3 studio albums he recorded and toured with Uriah Heep in the latter half of the decade. There was very little details on John’s passing, but really it shouldn’t matter at this point – the world has lost an amazing talent, and more so to the fans who had any contact with him – a genuine great guy, and a true professional.

It is with deep regret that we share the devastating and tragic news of the sudden and totally unexpected passing of John Lawton on 29. June 2021.Contrary to reports, there was no illness involved, which makes his passing incomprehensible. He went peacefully with his wife at his side. John will be greatly missed. A private funeral service to celebrate John’s life will be held following his wishes, with only family and close friends attending. We would appreciate that the family’s privacy is respected during this difficult time.

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Jeff Scott Soto – “I’m so very sad to learn my friend John Lawton known most for his tenure with Uriah Heep, a KILLER singer and wonderful human being, has passed.”

John was born in Halifax, England July 11, 1946. He began singing at the age of 15, citing such early influences as Buddy Guy, Muddy Waters, and Chuck Berry. In the later ’60s he made trips to Germany while playing in such bands as West One and Stonewall, and it’s there that he would meet up with the members of a new band to be called Lucifer’s Friend. He also took part in a studio project – Asterix, and recorded the first Lucifer’s Friend album soon after. The band was a studio band who’d release very different and experimental albums each year. Between that John joined The Les Humphries Singers as his main gig – recording and touring. He was also introduced to the Deep Purple family through his appearance at Roger Glover’s Butterfly Ball performance in 1975. It was a highlight of John’s career – “Actually standing on the same stage as David Coverdale, Glenn Hughes, Jon Lord, all these people was great! And meeting Vincent Price of the horror films was great. Those are good memories, and something I won’t forget!”

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Axel Rudi Pell – “R.I.P. John Lawton! One of the nicest people in all music business and a great singer! We had the pleasure of getting him on stage for my 25 year anniversary show in July 2014 and rocking 2 songs together. You left us way too soon dear John! My deepest condolences to his wife Iris and his family.”

In 1976 he was called upon to replace David Byron in Uriah Heep, and went on to record 4 albums with the band, and one live album. Although Heep’s direction changed during this era, John proved an excellent singer in an era where the band’s popularity in North America declined. He remembered his first US tour fondly – “This was my first time in America, and I was touring with Uriah Heep, and we were the opening band to Kiss… Kiss were a good band – they were the biggest thing around at that time, and we still got to play to a lot of people.” In other countries though the band had some major success during this period, particularly with the hit “Free Me”, from 1977’s Innocent Victim. While the band’s direction in songs & production changed, many would agree that it was John’s powerful vocals during the late ’70s that held many songs together and provided much of the highlights. John also wrote and co-wrote on a few Heep classics during this era – “Free ‘N Easy”, “I’m Alive”, and “Woman Of The Night”.

Mike Starrs – “Another great singer has left the stage. John Lawton, You were the inspiration For many great singers and John you will be SO SADLY missed. Have a great trip my old friend. Und sehn wir uns.”

Following recording for an as yet released 4th album, and European tour, John left Heep, and went on to record a solo album, followed by a return to Lucifer’s Friend with an album in 1981. Throughout the ’80s & ’90s he kept busy on numerous recordings, and even made a brief return to Heep in ’95, filling in for Bernie Shaw for a South African tour and a few dates in Europe. During the ’90s and in to the 2000s John Lawton really warmed to the Heep fans through his band Gunhill, and appearances at Heep’s year end Magician’s Birthday Party shows in London. There was also a reunion show and tour with Ken Hensley, solo albums, another Lucifer’s Friend album …. Throughout John showed he was just a good, down to earth, and friendly guy to any fans that met him or had contact with. He attended fan conventions, remembered those he came in contact with, and despite being such a great singer with an amazing career, he seemed like more than an old friend to many.

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Mick Box – “The passing of John Lawton on the 29th of June came as a complete shock and has left me numb. John was a big part of the Heep family, and on stage when he was covering for Bernie, who was having hospital treatment at the time, he said over the microphone “you can check out, but you never leave Heep.” That was our John and he was one of the good guys. On a personal note we had some fantastic times in Heep, and some fantastic times too outside of Heep. On filming the movie ‘Love dot net’ and playing shows with him in Bulgaria we never stopped laughing, and I will always remember those joyous times. I enjoyed the songs we wrote together, and he had an amazing voice that was both powerful, soulful and with a bluesy edge. Rock music has lost one of the great rock voices of all time and his legacy will live on forever. Our condolences go to his wife Iris, their immediate family, and his German band ‘Lucifer’s Friend.’ John, may you rest in peace my friend.”

In later years he had reunited with Lucifer’s Friend, and recorded a few studio albums, released a live album, and played a number of concerts (something the band didn’t do much prior to 1976). The band’s last album was 2019’s excellent Black Moon. At the time of my last interview with him, he had mentioned that there’d be another album, and last heard from him was that he was awaiting a studio to open (after Covid) so he could record the vocals for it. John was also very keen on seeing the 4th album he recorded with Uriah Heep get a formal release. Often referred to as ‘Five Miles’ he thought it was important this should see the light of day. I am sad that John, who was keen on it’s release (as were Lee and Trevor) won’t be here to see it, as I understand it is very good.

Jack Williams – “John was one of those rock stars who was extremely grounded & from what I saw never forgot where he came from, thus this great rock singer who had cut his bones in another huge rock band “Lucifer’s Friend” always treated me like I was always part of the “Heep” family, I will never forget the years I spent in the UK writing with Ken Hensley & watching John Lawton sing the hell out of my songs!!!RIP John Lawton.”

I was most fortunate to interview John on a good few occasions. He was always positive, and never spoke negatively about anyone. Speaking in 1997 John said – “I’ve done everything I set out to do when I was 15….I think I’ve been lucky, I’ve done everything I wanted to do musically. So, I just let life come at me these days, and it can throw at me whatever it wants, and if it’s to do with music, then I’ll do it.” And to think how much more he did after that! RIP John. Thanks for so much great music.

*Photos courtesy of Richard Wagner

KJJ, 07 / ’21

Uriah Heep – 12 Favorite Tracks From The Bernie Shaw Years.

Uriah Heep Announce Living the Dream 2018 UK Tour - Your Online Magazine  for Hard Rock and Heavy Metal

Canadian singer Bernie Shaw recently turned 65. Bernie relocated to the UK in the late ’70s and went on to record with such bands as Grand Prix, Praying Mantis, and Stratus, before joining Uriah Heep at the end of 1986. He’s sang on the band’s 9 studio albums since 1989, as well as numerous live albums. Keyboard player [and major writer in Heep’s albums for the past 32 years] is Phil Lanzon, who joined Heep not too long prior to Bernie, so the pair have given the band great stability as well as a number of excellent albums over the past 3 decades. This is just my own list, but feel free to drop any of your own favorites in the comments!

Between Two Worlds

From 1998’s Sonic Origami. Spooky intro build-up to the band kicking in. Just a great intro and epic rocker. Lyrical subject about being able to cross over and share the stage again with former members no longer in this world. I love this album, tho’ I wish there was a few more in this style on it.

Against The Odds

When I first heard 1995’s Sea Of Light, I couldn’t believe how much better it was than it’s predecessor and just loved the songs and production. This [again] being a killer opener, one of the best & heaviest guitar rockers the band ever did.

What Kind Of God

From 2008’s Wake The Sleeper. A crushingly heavy album; I really preferred side 2, which is what this track opens. Inspired by the book [and story within] of Bury My Heart At Wounded Knee. Very to different to anything on WTS, love the drum march throughout, the Hammond organ, the bass and the bass solo near the end, not to mention Bernie’s vocals….

Logical Progression

At the time Sea Of Light was still new my favorites on it changed many times, but this one jumped out right away, and was always a favorite. Very smooth, love the Hammond organ throughout this and the chorus…

Take Away My Soul

From 2018’s Living The Dream. This album didn’t let up for the first 5 tracks, and this song I liked more so for Mick’s guitar solos. Cool that the song begins with the chorus, a neat twist. If anything, in my opinion this should’ve been the first track on the album [though “Grazed By Heaven” was an excellent choice as first video-single]. Reminds me “Between Two Worlds” and “Against The Odds” in it’s energy.

One Minute

This one, from 2014’s Outsider stood out on this album, and got a good bit of attention for the band [w/ Alice Cooper featuring it on his radio show]. The piano / vocal intro is such nice piece on it’s own [wish there was more of this here], it’s a beautiful intro before the band kicks in to a pop-rock track that is very catchy, with such a memorable chorus.

Blood Red Roses

The first studio album with [then new] singer Bernie Shaw from 1989 was Raging Silence. It’s like the band tried to recapture the impact of Abominog with this album, and all the covers. But it’s the band’s own songs that I prefer here, particularly this one, which was written by departed vocalist / songwriter Peter Goalby! A great pop-rocker for the time, and still sounds great. I occasionally wonder if only PG had stuck around for this one…. hmm…

Trail Of Diamonds

I really like 2011’s Into The Wild, lots of excellent songs [tho’ I wasn’t crazy about the single]. This one being one of those epic blends of everything Heep – light and heavy, a few changes, great vocals from Bernie…

Love In Silence

Perhaps the track most loved by the Heep faithful from Sea Of Light [?]. An epic ballad! Phil Lanzon did an amazing job on this song with the piano, the Hammond break, the strings, and the various changes throughout the track. A great feel good Heep classic.

I Hear Voices

Sonic Origami had a lot of lighter stuff, but I really enjoyed that album. This one being a great pop-rocker, with a memorable chorus and vocal effects. I really liked this one as the following track to “Between Two Worlds”, such a great pair kicking off the album, back to back.

I’m Ready

Great straight ahead upbeat rocker and [I believe] show opener at the time. This should’ve been the album opener [IMO] .

Knocking At My Door

Cool guitar / organ intro, to a favorite rock track from Living The Dream. Bernie does a great job delivering the words dealing with paranoia. And excellent mid song break and solo from Mick.

URIAH HEEP Studio Discography w/ Bernie & Phil:

Raging Silence – 1989

Different World – 1991

Sea of Light – 1995

Sonic Origami – 1998

Wake The Sleeper – 2008

Celebration – 2009

Into The Wild – 2011

Outsider – 2014

Living The Dream – 2018

06/’21

A Pair Of Classic Albums: Blizzard Of Ozz & Diary Of A Madman

You know, those albums that go together as a set, if you have one – you got to have the other[?] They are linked in some way, be it – cover art, band line-up / personnel, success, sound, lyrical themes and song titles, etc…

So, I’ll start with one of the easiest pairs of albums for me, and that is the first 2 Ozzy Osbourne albums [aka the Blizzard Of Ozz band]. 1980’s Blizzard Of Ozz and 1981’s Diary Of A Madman – the same band, written & recorded less than a year apart, for the same label. These 2 go together as a set, more than anything else in Ozzy’s career, and for me it was all downhill after these 2 albums. Both were major successes, and gave Ozzy’s post-Black Sabbath career a huge lift-off. (I’ve also added in some detail & recall).

“I went to a gig in London, and there was a band called ‘Girl’ playing, and they were a Jet Records band; Widowmaker had also been on Jet Records (as you probably know). I was looking for work myself, and I thought ‘well, it’s always good to put yourself around and see who’s about!’ I met Arthur Sharpe – who had been working for Jet Records, and it was Arthur who introduced me to Ozzy. Ozzy told me he was about to form a band and would I like to go up to his house in Stafford, and have a play, and he’d get a couple of local musicians in, and I said ‘Yes’. So I went up there, and he knew I’d just come from Rainbow; he said he liked my playing and would I be interested [?]. And I said ‘yes, I’d be interested in getting a band together with Him, but I wasn’t so sure about the local drummer and guitar player that he’d got in. And he said ‘OK, leave it to me, hang on a minute.’ And he walked out of the room and in to the studio that was in his house and said ‘OK guys – it’s not working out – Now pack up your stuff and go!’ [laughs]. And that was how he told them, which I thought was quite funny. Then he got on the phone to Arthur Sharpe and said ‘Bob and I get on like a house on fire, and the fire-brigade’s just left!’ And we went from there. He said he knew a guitar player that he’d met in LA called Randy Rhoads, so Jet Records flew Randy over and we started auditioning drummers…. He [Lee] was the last drummer we auditioned, and we must’ve auditioned 30-40 drummers at that time. We almost decided on 1 or 2, but they didn’t work out, and we had one more to audition and that was Lee Kerslake…. We auditioned down at The Who’s rehearsal place at Shepperton in London, and he perfect within the first number! I think the first song we did was ‘I Don’t Know’, and as soon as Lee started playing he just went for it ‘big time’, broke sticks, bits of sticks were flying everywhere, and Randy and I looked at each other and thought ‘this is the guy!’. He was like a bull in a China shop – he was perfect!” – Bob Daisley, 1999

To start you had a new band [for any doubters, look up earliest band photos] that featured the line up of Ozzy Osbourne [fired from Black Sabbath, but who had a distinctive voice and was a major character], along with Bob Daisley – ex of Rainbow, Widowmaker, and whom would pen most of the lyrics on the 2 BOZ albums], Lee Kerslake – the last to join, had been a huge part of Uriah Heep’s classic line-up having played on their biggest albums, And a young American guitarist named Randy Rhoads – Rhoads was a guitar teacher, and previously played with LA glam rock act Quiet Riot; he could play classical guitar, as well as contributed huge riffs and solos. He had a sound of his own, and as far as ’80s guitarists go, he was #1 for me – NO one sounded like him, or was as creative.

“He [Randy] was admittedly influenced by Ritchie Blackmore, Jimi Hendrix, and certainly Eddie Van Halen, you can hear a bit of the Van Halen thing in his playing. But he had his own interpretation, and he had a great musical background, having come from a musical family – his mom ran a music store and Randy had been a teacher for quite a few years himself. It really fell together right, the chemistry was right, we got on well as personalities.” – BD

Although the band would co-produce both albums, Max Norman engineered Blizzard, while serving as co-producer on Diary [while Lee & Bob were cut out of the credits on this album]. You had Don Airey playing keyboards on the first album, while Johnny Cook played on the 2nd [uncredited]. And even though the album covers aren’t very similar, they do feature what would become Ozzy’s classic logo, as well as a photo of Ozzy in some scary setting [with upside down crosses], taken by legendary rock photographer Fin Costello.

(5) Ozzy Osbourne – Mr. Crowley Live EP (with Lyrics) – YouTube

“That was the idea – to make it a sort of comic book image. It took on legs with ‘Diary Of A Madman’ and with ‘Bark At The Moon’… It worked in establishing Ozzy after the Sabbath imagery. It’s the same stuffed cat on the first two. The cover for Japan’s Tin Drum cover was shot on the Diary set on the first day of construction.” – Fin Costello

I can put on either of these albums any days, both feature 8 classic songs [OK, Diary features a short guitar piece by Rhoads titled “Dee” for his mom, and “No Bones Movies” may have been a later add on that isn’t quite as outstanding]. But, both featured killer intro songs [“I Don’t Know” vs “Over The Mountain”], followed by a classic rocker that would be the major hit single off the album [“Crazy Train” vs “Flyin’ High Again” and become one of Ozzy’s trademark tunes, followed by a ballad [or lighter track\ featuring Randy Rhoads on acoustic guitar [“Goodbye To Romance” vs “You Can’t Kill Rock n Roll”]. Each featured another killer rock song with lyrics based on dark subjects to kick off side 2 [“Mr Crowley” vs “Little Dolls”.] “Little Dolls” would feature 1 of 2 big intros from the drummer.

It was just on the spur of the moment. And as we were writing it, and I went ‘I’ve got an idea for this’, and I did, as simple as that!”  – Lee Kerslake, 2014

(5) Little Dolls – YouTube

Also included would also be a fast paced rocker [one that is under appreciated IMO – “Steal Away” vs “S.A.T.O.”] , as well as an epic track featuring classical guitar and strings [or synths resembling strings] [“Revelation (Mother Earth)” vs “Diary Of A Madman”] – both have the band coming off like an metal orchestra! And not to be forgotten were 2 other fan favorite / classics [“Suicide Solution” vs “Believer”].

(5) Revelation (Mother Earth) – YouTube

Unfortunately, the band would be split with Daisley & Kerslake being fired before the release of Diary Of A Madman [hence, no credits and a photo of the ‘new’ Ozzy solo band on it]. A shame there are no official live releases from the one UK tour this band did, though there was a 12″ Live EP released between albums featuring live versions of “Mr Crowley”, “Suicide Solution”, and the non-album track “You Said It All”. The BOZ albums stand above and apart from anything else Ozzy did in the years [and decades] to come, and I eventually lost interest.

(5) Ozzy Osbourne – S.A.T.O. – YouTube

Over the Mountain, Flyin’ High …- They’re great tracks, they’re so different. And I was the first to ever put triplets in to an introduction of a song, also a single on Over The Mountain.”  – Lee K.

Randy Rhoads was tragically killed in a plane crash on March 19, 1982. A live ‘tribute’ album w/ Randy was eventually released, featuring much of these 2 albums, but with Ozzy’s US touring band.

“He was a very dedicated musician; he practiced a lot, he was really in to music. He was a very young up and coming guy. I think he got an award as one the ‘best new talents’. He certainly was and still is an influential guitarist for that sort of music, and he certainly had a lot to do with the success of Ozzy’s career as well!” – Bob D.

Bob and Lee went on to join a reformed Uriah Heep after their departure from BOZ, and .bring some of that ‘heaviness’ and energy to the albums Abominog & Head First. Bob would return to work with Ozzy, while Lee stayed with Heep for the remainder of his career. The pair reunited for 2004’s Living Loud project [along with Don Airey, Steve Morse, and singer Jimmy Barnes] where they did an album which included a number of remakes from Blizzard Of Ozz & Diary Of A Madman. In 2007 Lee was forced to retire, due to health issues, and sadly passed away September 19, last year. He made record a solo album in his last few years [recently released] titled Eleventeen.

Following the loss of Randy Rhoads, Ozzy carried on – first with a live album of Black Sabbath tracks [guitarist Brad Gillis doing an excellent job], followed by 1983’s Bark At The Moon. By this time Bob Daisley had left Heep and returned to write [uncredited for a few more Ozzy albums]. Max Norman was also back for Bark At The Moon, and the live albums, as was Don Airey. I liked that album [Bark] at the time, to me it tried to keep to the pattern of the 2 BOZ albums, and Jake E Lee [who would also get hosed, as well as not credited for his writing] did a great job. But the album was less heavy and less consistent, as well as including the ridiculous sappy ballad “So Tired”. Bob would go on to work on Ozzy albums The Ultimate Sin and No More Tears, as well as record with Black Sabbath, Gary Moore, and The Hoochie Coochie Men. He also wrote his book “For Fact’s Sake”, published in 2013, which detailed his career, with plenty of insight and stories into his time writing and recording Blizzard Of Ozz & Diary Of A Madman, and generally setting the record straight about his years working with Ozzy – a must read, really. Don Airey would eventually join Deep Purple, and Ozzy would carry on recording solo albums [with one released last year]. and with much of his live repertoire reliant on classics from the albums the original band created. I haven’t bought an Ozzy album in years, [mainly, but] not just for it being that last few I heard sounded forgettable, but the treatment of former band members [Sharon once referring to Lee & Bob as ‘session players’], the re-writing of Ozzy’s early history by Sharon, and Ozzy’s overall rise to fame as a TV star / celebrity, with his ‘metal’ persona and music taking a laughable back seat were about it for me. I was happy to see him with Black Sabbath 4 or 5 years ago, but I’m done with adding to my Ozzy collection in this lifetime – unless I come across something already out there of the original BOZ band I haven’t heard or have.

RIP Lee and Randy.

Additional links:

(5) Ozzy discusses the Blizzard of Ozz band BBC Aug 1980 – YouTube

(5) Over the Mountain featuring Randy Rhoads, Bob Daisley and Lee Kerslake only – YouTube

The Official Bob Daisley Website

Randy Rhoads: “I started tuning up and Ozzy said, ‘You’ve got the gig.’ I didn’t even get to play!” | Guitar World

CRR Interview – Bob Daisley: Diaries of a Madman! (classicrockrevisited.com)

Lee Kerslake: the last interview | Louder (loudersound.com)

KJJ, 03/21

John Lawton Of Lucifer’s Friend : Black Moon Interview

Lucifer’s Friend’s brand new album “Black Moon” is out! [see my review], and fans of this well aged German band [fronted by an English singer] will be happy to hear it! Fan  and album artist Damian Bydlinski [of Lizard] also gives us a few words on how he got involved and his favorite LF songs!

Singer John Lawton was with the band in the beginning and has sang on all but 2 of the band’s 11 albums. Here John answer questions regarding the band’s brand new album and updates on members and future Lucifer’s Friend plans.

http://www.lucifersfriend.com 

LF black moon 1

LF has been back together for 4+ years and Black Moon is the bands 4th release. Did you forsee the band being so busy and are you happy with the reception overall that the bands return has received?

John: Yes I think so. After such a long time away fans of the band were naturally curious to see what we had to offer. That we could play Sweden Rock festival made it easier to reach quite a few new fans. Overall the reaction has been good plus the fact that it gave us the push to write new material.

The first thing that stands out on the new album is the artwork. I like how it ties in with the bands debut from 1970. Can you tell me a bit about how that piece came together and if bandmembers had much input (idea wise)?

John: Actually the artwork was put together as a backstage pass by Damien Bydlinski the singer with our support band Lizard on our Polish tour. He is not only a good musician but also a graphic designer. We loved the idea and after a few tweaks we had it…..

How do songs for LF come together nowadays – pieced together through emails or is there a time where you’re all in the studio together?

John: The days when bands spend time in the studio rehearsing before they record I think are gone. Firstly, the logistics of spending the amount of time it takes to go through say 10-15 songs arrangements, keys etc. is really time consuming. These days with so much computer stuff available to musicians, it’s easier to sit at home and fine tune everybody’s parts…..
It the same with LF, Peter Hesslein or Dieter Horns will forward to me the basic track which I can the add the vocals too. I record my vocals in peace 😎😎here in the UK and then via the wonders of the web, they are sent back for the guys to work their final parts. The only time we spend together apart from gigs is in the rehearsal room before the live stuff. But even when we are not recording or gigging we are on the phone to each other at least a couple of times a week…..

You write the lyrics – what sort of inspires you for ideas and topics these days?

John: A lot of the lyrics are based upon stories I hear in the news or read about. For instance on TOO LATE TO HATE some of the lyrics relate to the thousands of refugees trying to get to Europe for a better life. Even 2 years later this story is still making headlines….

Can you give me a bit of insight into particular songs on the new album – how they started, ideas – really like the title track, Call The Captain, Little Man, Passengers,

John: CALL THE CAPTAIN is based on recent stories again in the news about mental heath issues and how younger people are being manipulated by social media, wanting to be like the celebrity’s they see in magazines. The title is just about trying to reach parts of the brain (the captain and pilot) for the right direction….🙂🙂

LITTLE MAN relates to my 2 grandsons and watching the grow up. PASSENGERS is written to open people’s eyes to the shit we are doing to the world….

BLACK MOON – Really just about those days when everything seems doomed to failure but you struggle through….

Any others that you’re particularly happy with?

John: I’m happy with all of them, they all have meanings hopefully not only to me but also to the listener…..

There’s a number of guests on this album, really dig the horn solo on Black Moon – classic LF touch. Can you comment on how some these (or this one) come up?

John: On BLACK MOON Peter and I were talking about a particular solo part and we tossed around a few ideas until Stephan (drummer) suggested a trumpet player who was with the James Last Orchestra (Chuck Findley). He lives in LA but very kindly went in the studio and put down (I think) a blistering solo…
On FREEDOM Peter new Stephan (violin player) from studio days and again asked him to put something together….and he did and I think it’s one of the highlights of this album….

What can you tell me about Simon Hesslein and his involvement with the band?

John: Simon runs a very successful music business in New York and has hits under different names, he has always wanted to produce a Lucifer’s Friend album so we said hey go for it. Unfortunately, it was at the wrong time as he was also very busy so that’s why the delay in the release. Simon is very accomplished at what he does and we are very proud of the final mix….

How is everyone’s health?

John: Not so good actually. Peter really needs an operation on his shoulder as he is in pain daily. The only drawback is that the operation is very complicated and the recovery time is long…at least a year and the surgeons have told him there is no guarantee of a complete recovery…it’s very sad that it happened to Peter but we hold out for him to get back to playing ASAP ….
Dieter Horns has recovered well from his problems, which is a great relief and I’m getting there slowly….oh the joys of getting older 🤪🤪🤪🕺🕺

Will we see many LF shows this year and will there be plenty from Black Moon in the set?

John: For the foreseeable future we won’t be performing live, some people have said “we could get another guitarist to stand in for Peter or another bass player for Dieter” – but we couldn’t go out as LF without those 2. I am hopeful that one day we could be on stage again together….
We still have one more new album to release….I still need to do the vocals etc. but that looks like 2020 release…..

You’ve used Jogi [Wichmann] on keyboards over several LF projects, but he’s only a guest on BM. Was it just easier for Peter to do keyboards or something else?

John: Jogi was very busy doing studio work around that time and he was playing keyboards in the musical CATS…..
Peter had put down most of the keyboard parts that he wanted Jogi to play but his were really good, so we stuck with it….

One thing – there is no vinyl edition of Black Moon (or previous few releases). Any chance this can be fixed ? 🙂

John: At the moment I don’t think so, unless we sell quite a bunch of CD’s the company is a bit reluctant to go vinyl…..There was talk of TOO LATE TO HATE on vinyl but nothing concrete yet….

Next year Mark’s the 50th anniversary of the first Lucifers Friend album. (A couple of things) – do you have any long outstanding g memory or stories fro. Making that album?
Will there be any anniversary reissue or show to celebrate it?

JohnWow – is it that long [?]….it has stood the test of time, I think 🥳🥳
It was a strange time for me, coming off the back of doing vocals on Asterix and then going straight to something really heavy was a bit of a kick but a good one…..
Looking back, it was a great time and when I think that there was no rehearsal time, I was it in at the deep end with heavy lyrics 👹👹👹
The guys were looking for an English singer and I happened to be there at that time….
I don’t think there will be a re-issue as the there have been so many bootleg copies etc. down the years but it’s not such a bad idea….

From the Album’s Cover Artist – Damian Bydlinski : 

“I am a big fan of Lucifer’s Friend. The proposal to make a cover was a great honor for me. 

I love all their albums. But for the best, I think – two albums: “Banquet” and “… Where the Groupies Killed the Blues”.
With favorite songs – it’s harder because there’s a lot of them and a derivation from different albums. But the most important ones are:
Hobo, Burning Ships, Ride the Sky, Groovin Stone, Spanish Galleon, Dirty Old Town, Fugitive ….
However – there is a song – at which time since I heard it for the first time – I always have shivers and I am overcome with emotion –
“Thus Spoke Oberon” – amazing melody, arrangement and brilliant singing of John.

The history of the cover is quite simple. Two years ago – LF and my band Lizard – we played three concerts in Poland. For this occasion, I designed a poster and tickets – the project appealed to John and asked if they could use it for the new LF album. After introducing some changes in the color scheme – this cover was created.”

For more on Damian’s art [he does most of the art for Lizard albums] and to check out his band, visit –  http://lizard-band.com/index.html

 

For more reading:

https://glassonyonpr.com/2019/04/27/lucifers-friend-releases-new-studio-album/

http://www.grande-rock.com/interviews/lucifers-friend 

http://www.roadtometal.com.br/2017/11/john-lawton.html 

https://www.artrock.pl/artykuly/1211/lucifers_friend_lizard_wroclaw_firlej_14_paxdziernika_2017_roku.html

KJJ, 05/’19

LUCIFER’S FRIEND : Black Moon

Since German based rockers Lucifers Friend reunited 4 years ago they’ve been very busy. what started out as a ‘best of’ compilation with a few new songs grew into a few live shows, a live album, more live shows, a new studio, and now their latest – “Black Moon” – the band’s 4th release in as many years. Founding members – Peter Hesslein [guitar, keyboards], Dieter Horns [bass], and John Lawton [vocals], along with [drummer] Stephan Eggert, and a handful of guests on this album.
First off – love the album artwork, paintings by Damian Bydinski. LF had a few classic album covers in the 70s, and I love this one, even including the original characters from the debut album [nearing 50 years]. My only beef is there’s no vinyl LP available for this album. Oh well…

LF black moon
Too Late To Hate was released in 2016. It was a decent album, but I think Black Moon is a step up. The title track is great opener; LF fans will easily dig this rocker; added trumpet solo and congas are a nice touch [this band usually mixed it up with brass, and different instruments on early albums]. The 2nd track here is “Passengers”, a more progressive rocker, love the lengthy intro; this one bounces along with Lawton’s vocals coming in and the song building back up. In their earliest days LF drew comparisons to the likes of Deep Purple & Uriah Heep, and certainly the first few songs will impress fans looking for those sounds. Black Moon keeps up a pretty good pace with “Rolling The Stone”, “Palace Of Fools” and “Call The Captain” – another favorite here, a bit of a pop-rocker, but a good tune and memorable chorus. There’s some decent more poppy tunes in “Behind The Smile” and “Glory Days”, these remind me a bit of the band’s “Sumo Grip” stuff. Featured ballad is “Little Man”, a bit of blues and soul – perfectly suited for Lawton’s voice, and a brief / cool guitar break from Hesslein.

Interesting thing about this band is they could never be categorized. Starting out as a very heavy band, then veering in to jazz, fusion, pop, prog,.. so aside from good songs and great vocals, don’t have any pre-conceived ideas of what to expect. [And here one could easily stick a good few tracks amongst their early LF favorites]. Yeah – I’d like this band to make a really heavy album [and turn up the guitar], but Lucifer’s Friend is not that band this time out, and those that like the band’s past albums will be quite happy with Black Moon.

https://www.cherryred.co.uk/product/lucifers-friend-black-moon-cd/

http://www.lucifersfriend.com

https://www.facebook.com/LucifersFriendOfficial/

KJJ, 05/’19

URIAH HEEP – Mick Box on Recording the band’s Upcoming album and Huge North American Tour!

February of 2018 marks the return of Uriah Heep to Canada, and the start of the band’s biggest North American tour in decades! The list includes 36 shows – starting in Ottawa, Ontario, and eventually on to the US from the east coast to west and back up to Vancouver [Bernie Shaw’s home province British Columbia], and ending in Calgary, Alberta on May 1.
For the latest dates, check out > http://www.uriah-heep.com .

You can also go to the site and let other fans know which shows you’ll be attending [I’ll be at London and Toronto, Ontario]

The band has just completed recording a new album – “Living The Dream”, which won’t be out for several months, and something Heep fans are eagerly awaiting and pre-ordering – https://www.pledgemusic.com/uriahheep

Check out Mick’s blog at http://www.mick-box.net

 

The recording for the new album went fairly quick!? How prepared were you guys [with new songs written] before recording?
We were very prepared as we had a 2 week pre-production before hand, so most of the ideas were in place, and it was just a matter of a nip and tuck here and there once Jay Ruston our Producer was involved in the studio. We finished the recording process in under 3 weeks which was just amazing.

I can’t imagine there’s too much you can tell at this point [too early?] – but are there any details you can give regarding Living The Dream?
It is a typical Heep album with all of our usual trademarks. The harmonies, organ sound, and the wah wah guitar etc. 

Is everything written by yourself and Phil Lanzon?
Everything basically, but one song Bernie had a hand in the lyrics and one that Davey wrote with Jeff Scott Soto.

How was working with Jay Ruston? He’s done a lot of cool albums! Who recommended him?
Jay was fantastic to work with and he brought out the best in each of us in a very understated way. When we started hearing back the first track that we recorded we knew we had the right man. He became part of the Heep family vey quickly.
We were fans of his from his work with THE WINERY DOGS, STONE SOUR, BLACK STAR RIDERS, PAUL GILBERT AND EUROPE to name but a few..

uh - jay r

Living The Dream won’t be out until the fall [that’s a long wait for us ;-)] . Will any of the new songs work their way in to the live show before then?
It is still in the process of being mixed. We do not usually put songs in our set until the release of the album. If we did then they would be all over the media sites and there would be no impact on the release.

You are coming to North America in a few weeks, and in particular [for me] Canada! This will be the first time Heep plays in Ontario since 1993. How did getting the band here finally come about?
We now have management Ace Trump & Adam Parsons along with an agent Keith Naisbitt of APA Agency USA who believe in the band, and they made it happen. Previously we had been in a bit of no-mans land and we were not being driven to capacity in that market, which is a real shame.

Bernie must be excited?
That’s a big understatement!

Will the set list be changed much from recent shows? will it still feature a number of Outsider tracks and any old surprises?
We will perform a musical journey throughout our career starting with the first album and finishing with the last one ‘Outsider.’ 

It must get tough when an album – such as Into The Wild and Outsider have had their tour in the live show and you have to decide what stays and goes in the setlist!?
It usually sorts itself out in the end . There is only so much we can play each night, so once we get to rehearsals and the energy and ideas flow, it usually comes together reasonably quickly.

In recent years you guys have struck up a friendship with Alice Cooper [who’s on tour here at the same time].
Yes, we have become good friends with Alice. In fact Bernie and I did a tour in Germany with Alice called the ‘Rock Meets Classic,’ tour. This was with a 40 piece orchestra from Prague in the Czech Republic. Bernie and I used to get up each night and play ’Schools Out,’ with Alice on his encore. Alice also told us that he used our song ‘Lady in Black,’ as his warm up song, so there was mutual admiration there. He is a great guy.

Can you tell me a bit about the connection to Alice and his support with One Minute?
Alice Kindly played ‘One Minute,’ from our ‘Outsider,’ CD on his radio show.

Phil released an outstanding album recently. Will any tidbits of it feature in the shows? and will he be bringing some copies to sell over here?
That is Phil’s project so no tidbits and he is planning to sell them at shows.

The band had a strong following in such cities as Toronto, Ottawa, Montreal… do you have any great memories or a few stories to share from any places in Canada?
I remember way back when playing in Toronto with Rory Gallagher and being totally blown away by him. He was the first guitarist I saw play pinched harmonics, and he did a whole solo on them. He was something special and a super great player and singer. He is sadly missed. 

Lastly, the band has their own label and has been re-issuing a few things from the past few decades [Raging Through The Silence, Totally Driven…] – will there be something new in 2018 from the vaults?
I am sure there will be as things are constantly surfacing at a rate of knots.

‘Appy days!
Mick Box

Uriah Heep – In Canada, 2018!

It’s been since the fall of 1993 when I last saw Uriah Heep in Ontario, tho they played some shows in western Canada the following year, and 2 shows in British Columbia in 2001. At the time the band had yet to sign a new record deal, 1995’s brilliant Sea Of Light album was still a dream away, their last album – Different World suffered on a small label, and did not get a release over here [til mid 90s in the US, on Griffin Records] and the latest UH related release was The Lansdowne Tapes, and Ken Hensley’s From Time To Time. The first round of remastered CDs had not been conceived yet. Back then the band was part of the Total Recall Tour, with Nazareth, Blue Oyster Cult, and Wishbone Ash. They played a 45 minute set of material pre 1976, as well as 1 ‘new’ song – Words In The Distance.

The band’s 6 shows in February of 2018 are long overdue. On their last tour of the US, I attended a show in Akron, Ohio [about 5 hrs drive], as did a number of other fans from Toronto and the Niagara areas. Someone asked singer Bernie Shaw [after the show] why the band hadn’t come north of the border, and he replied ‘they couldn’t get arrested in Canada!’. huh!… Bernie’s Canadian btw. Regardless the band is finally coming here.
*Updated North American Tour dates for 2018:
heep 2018
http://www.uriah-heep.com/newa/livedates.php

They’re also recording a new album titled “Living The Dream” early in the new year, to be released next September.
https://www.pledgemusic.com/projects/uriah-heep-living-the-dream
It’s been over 3 years since the band’s last album – Outsider, and during the time the band has toured extensively, including a number of songs from that album in their live show. http://www.frontiers.it/news/10978
Mick Box & Bernie Shaw have also been part of the Rock Meets Classic Tour in Europe [a few singers and players from various bands, performing with a full orchestra]. And most recently Phil Lanzon has released his first solo album – “If You Think I’m Crazy”. https://outsiderrock.wordpress.com/2017/11/08/phil-lanzon-if-you-think-im-crazy-interview/
Shaw also appears on Alan Simon’s Excalibur IV project – https://www.youtube.com/watch?v=D4rRmUpT3xs

So far 6 Canadian shows have been announced [hopefully more to come]
February :
06 & 08 – Ottawa, Ontario – Brass Monkey 
09 – Quebec City, Palais Montcalm
10 – Montreal, PQ – Corona Theatre
11 – London, Ontario – London Music Hall
12 – Toronto, Ontario – Phoenix Concert Theater [sold out]
and although not in Canada –
March 02 – Westland, Michigan – The Token Lounge [about an hour from Windsor, Ontario]

Heep’s Canadian Connections

*Singer Bernie Shaw is from British Columbia, and moved to the UK in the late 70s to pursue his musical career. He debuted on the first Grand Prix LP [along with Phil Lanzon], and went on to record with Praying Mantis [Stratus] . He joined Heep at the end of 1986, and has been there ever since. He also recorded a few tracks with Canadian guitarist Dale Collins, while on vacay in Canada in 1997, which was released as the “Picking Locks” EP [CD]
https://www.youtube.com/watch?v=fK-SCyFkzXU

*Prior to Shaw though, the band had another Canadian in the ranks. Keyboard player Gregg Dechert had been in a London, Ontario based band named Pulsar, along with a Welsh singer named John Sloman. When that band broke up and Sloman had to return to the UK, he joined Uriah Heep. Following an album and UK / European tour, Dechert was flown over to audition for and replace Ken Hensley. Dechert’s time in the band was long enough to record an album’s worth of material – which never got released, as well as play on the single “Think It Over”, and do a UK tour. His time in Heep would lead to being part of David Gilmour’s 1984 solo band, as well as a few other projects, and a brief stint in Bad Company.

He would also be apart of the Heepsteria tribute project years later, with the late Rob Seagrove, covering “July Morning”.

*When Ken Hensley left Heep, he formed Shotgun [who did 1 UK tour], and the guitarist was Canadian Derek O’Neil, from Ottawa – who had previously been in the band Fury [whom supported Heep on their 1977 UK tour]. He also was part of Blazer Blazer, who had a single in the UK – “Cecil Be Devine”. Iron Maiden would cover a song he co-wrote as part of the Marshall-Fury Band – “Juanita”. He later relocated to California, and sadly passed away in 2007.
https://www.pressreader.com/canada/ottawa-citizen/20070521/281930243551706

*For the last several years Mick Box has been using and endorsing guitars by Toronto based company Carparelli Guitars. http://www.carparelliguitars.com/index.php/endorsees?start=8

Looking forward to the 2018!

KJJ, 11/17