MARK HUFF – Dark Mile (interview)

American singer Mark Huff became known to hard-rock/metal fans in 2010 when he took on the frontman’s role in a reformed Quiet Riot, following the passing of Kevin Dubrow. A difficult task, no doubt. His tenure with the band ended in 2012 with health issues, and Huff would return once healthier and sing in various projects. Last year he joined DARK MILE, a new band put together by Paul Alfery (guitar/keyboards) and former Dio guitarist Tracy G., and along with bass player Randy Oviedo put out their excellent self-titled debut album. I recently spoke with Mark about his past, his various other bands, Quiet Riot, and the Dark Mile CD, as well as what else is on the go. If you haven’t checked out this album yet, I highly recommend it!

Who were some of your favorite singers you grew up on?

Don Henley, Phil Collins, Paul Rodgers, Robert Plant, Steve Walsh.., and the list goes on. 

Did you buy a lot of albums growing up? Do you still keep an album collection?

I keep a few albums, tapes etc. I still have – Eagles Hotel California, Steve Miller’s Book of Dreams, Nazareth Hair of the Dog, Kansas Point of No Return, Kiss Alive signed by Paul and Gene, and a bunch of well-worn Led Zepplin, Steppenwolf, Deep Purple Machine Head… 

What other bands did you grew up on?

Beatles, Golden Earring, Bad Company, Eagles, Aerosmith, Kansas, Cheap Trick, Cars, Ted Nugent.   

So when you landed in California, what were some of the first bands you got involved in?

That was OU812. That was a good friend of mine named Angel Llanos. He’s still there in San Diego. He does a tribute to Carlos Santana, and he stays real busy doing that.

0U812, 5150/ Atomic Punks, Lead Foot Overdrive,             

What were some of your favorites from that Van Halen era of Sammy? Do you have any song preferences from that era?

5150, We played all the hits from the Van Hagar era and a few obscure deep cuts – “Right Now”, “Dreams”, “When It’s Love”, “Black n Blue”. With 0U812, we did ANYTHING SAMMY – Montrose, solo songs, Chicken Foot, The Wabo’s….             

That’s good. I love all those albums. 5150 was a favorite of mine.

I think that my covering of the vocals of the Sammy era, live and on video, are what got me recognized and a call from Frankie Banali.

Cool, and the Deep Purple stuff you did as well?

‘Deeper Purple’, we covered songs from, I think, all three singers. That was fun to me and that was always a challenge too.

During this time prior to Quiet Riot, had you done any recording stuff or any kind of original stuff?

Prior to Quiet Riot, I did a project with a band called ‘Leadfoot Overdrive’ in San Diego and Jeff Poremba, Steve Bernstein, Greg rupp and Mikey Panone. No releases but a great project. I still have recordings. 

So that stuff you did prior to Quiet Riot, some of that was original stuff?

Yes, all original songs.

And the Quiet Riot thing, you were there with Frankie and the guys had been there for a while!?

Yes. Frankie ,Chuck Wright, Alex Grossi (he’s still playing).

With Quiet Riot, I know you were there for a couple of years, did about 40 shows. I know it didn’t end well, but what were kind of the highlights while you were there?

All a learning experience through a time I wasn’t physically well. But biggest crowd was in Germany ‘Bang Your Head Festival’, maybe 30,000 + the travel and locations I will never forget.  I was fortunate to be included in many shows alongside people I had to pinch myself to question the reality. It was all an honor and a privilege. Doing a show in the mountains, snowing outside, stage is outside and at that elevation, they offered oxygen tanks if you needed to take a pull on stage. Shout out to all the kind people along the way!   

Was there any opportunity or talk of doing anything original while you were there?

The possibility was discussed, but I wasn’t there long enough to see it happen 

Post-Quiet Riot, you’ve done some other things as well, at least one or two albums?

‘Steel Imagination’ doing covers, and ‘Endangered Species’ – all original; I have recordings of that as well

I did some music with Craig Goldy. After I was well enough and anybody locally thought that I was ready to start getting involved in music again, he was one of the people that approached me too; that was probably from seeing me play in a ‘Deeper Purple’ show at Brick by Brick.

Greg and I worked on some stuff, and he was the first initial one to kind of … ‘baptize me’ with trying to record from home. We did everything from my house, and he mastered everything at home. And that was a learning experience, and he was the one that kind of helped me feel like I could still do this. We aspired it to do other things with it, but… it was more about the politics of who I sang with…and maybe politics for him personally too, I don’t know. I did that with Craig and those things were called ’13th Floor” (live, this was Endangered Species).

And then I hadn’t done anything for a while and I went to Florida, did a show with a band called Trixie Lee Taylor (with Taylor Murphy). I was blessed that people cared about me, wanted to be involved with me and for anything that was positive that way. I got to bounce around a little bit. And then after that I got approached, by someone on the phone, from up your way there in New York. And (he) approached me about doing some music. He already had songs written. And again, he kept me active in music and stuff and that didn’t work out. So, we’re at where we are right now.

You did an album in 2017!?

It was called ‘Steel Mountain Crossing’.

What was that about?

I was contacted by someone who wanted to make some music with me. We made some recordings, originals and a few covers. None of my songs. We are on opposite coasts so it was too hard to do long distance at the time. Creative differences but we gave it a go.   

You eventually met Paul Alfery and Tracy G, and they’ve started this Dark Mile project. What did you think about that when they approached you with it? I think they had a lot of the songs written before you joined, correct?

Paul Alfery contacted me via a musicians’ app called ‘Band Mix’. My profile only states that I am a professional singer looking to stay active. Paul said a project he is working on needs a vocalist to finish a song, possibly more. We get through the song as we come to know who is in this project…. Tracy G, Paul Alfery, Randy Oviedo. So out of respect to these gentlemen, I had to reluctantly let them know that I was that guy from QR. When anything on the internet about you is not very positive, the last thing you would want to do is brag about any of it. I wanted a job where I didnt have to act, look, or sound like any one or thing except me.   You can always be compared to someone else, the look, the sound. I appreciate this opportunity. My vocal spot here is…,I sing.,I have not written any of these songs. I give input. We collaborate. And these guys make it super simple for me.  We tweak the melody, words here and there. Come up with another verse, float it around to each member until it works. 

You did all the vocals from home?

Yes I did.

And were all the lyrics done for you? Or did you have to tweak a few here and there?

Every song comes to me differently. We tackle each song differently depending on what Paul has planned. The process gets better all the time; practice makes perfect.

Do you have a favorite, any favorite tracks on there? Or are you just all, you’re happy?

I like “The Boy” and I like, “He Said, She Said”, “Maybe On A Sunday”,…”Can’t Help You” …We are proud of the efforts, it’s all my favorite!! 

How far along are you guys with the second album?

Just a couple songs to finish, we just finished a ballad for #2.. We thought we should put one on there. 

Will it still maintain that kind of that 80s hard rock vibe?

That’s hard for me to say without hearing mastering, but it sounds great!!

Has there been any discussion about doing any live shows at some point?

We are prepared to do live shows in support of our music if warranted.  I’ve been doing my parts, I have them tattooed on my brain and I’m ready to do this live, no problem… We all are!

What else are you involved in right now?

I’m working on doing something local soon, some recording.  

What’s the live scene like where you are?

My friends Jeff Mills, Lynn Sorenson are active in the scene here. It’s about time for an open mic drop. People are getting back to entertainment!                                                  

Lynn Sorenson, he was on a couple, he was on the Stuart Smith album with Heaven and Earth.

Yes, he was. Lynn lives north of me. He stays busy doing what he loves. He’s played with Bad Company for a while, Paul Rogers and stuff. He’s a string player, he plays anything with strings, but he’s a great singer as well.

Cool. Lastly, do you listen to, you’re familiar with any Canadian bands?

Kim Mitchell, Loverboy, Honeymoon Suite, BTO, Rush, April Wine, Triumph, Mahogany Rush, The Guess Who, Steppenwolf…

I used to play the club circuit from all of Washington and Oregon, and all the way to the Canadian border. And we were playing Port Angeles. We had a guy in the audience for the whole night, and it was an off night, (early in the week), but he was very appreciative, and we got talking to him and it was Randy Bachman! He was going to catch his ferry back over to Victoria. We used to cover a lot of Loverboy, “Working For The Weekend” and “Turn Me Loose”, a few songs… April Wine was one of my favorites too, as far as the 3-guitar piece band, and the vocals and everything; we did a few April Wine songs too,

Anything else you’re listening to these days?

The works of Tracy G. The Winery Dogs, Myles Kennedy and everything that still inspires me! 

LINKS;

https://www.instagram.com/darkmileband/

http://www.prideandjoy.de

New Tracks: Harem Scarem, Russ Ballard, Envy Of None…

Well, a quick run down of some new tracks & videos worth checking out! If you got any new classic rock/hard recommendations, drop me a note or put them in the comments! As always, for more info, check out the descriptions in the videos for more info and links.

RUSS BALLARD – New York Groove

Originally of the classic band ARGENT, Russ Ballard left the band for a solo career, and is likely better known as a songwriter who’s songs have become hits for numerous acts like Rainbow, Kiss, Santana, America, and this song – which was a hit for Kiss’ Ace Frehley in 1978. The song was previously covered by British glam band ‘Hello’. And now Ballard has made a new version of the song.

HAREM.SCAREM – Reliving History

Canadian rockers HAREM SCAREM have a new single out. I picked up the band’s first 5 or 6 albums way back, and always enjoyed them. This is good, very likeable compared to the early stuff.

HOUSE OF LORDS – Cry Of The Wicked

Fronted by singer James Christian, HOL is pretty consistent with good songs and album covers! 🙂 This is from the band’s new album Full Tilt Overdrive.

ENVY OF NONE – Under The Stars

the 2nd single from the 2nd (forthcoming) album of EON, which features Alex Lifeson (Rush), and Andy Curran (Coney Hatch). Check it out. Very atmosphere track, nothing like anything you’ve heard before.

STREETLIGHT – Captured In The Night

New single from Swedish band that is influenced by 80s AOR/melodic Hard rock like Journey, Toto, Kansas… Their new (2nd?) album is titled Night Vision, due out next month.

HELLOWEEN – Future World (live)

From German power metal legends HELLOWEEN, who have a new Live At Budokan release out now.

BADFINGER – Head First (a review)

Admittedly I am a late BADFINGER fan. I did not grow up while the band was active, but only got in to them casually years ago with a ‘Best of Badfinger‘ CD. I was so oblivious that some 20+ years ago I contacted Bob Jackson and sent him questions pertaining to his time with the David Byron Band in the early 80, (I am a huge Uriah Heep fan), and the Badfinger connection didn’t dawn on me at the time! Years later, and after the Best of CD, I started picking up Badfinger albums; I liked them, but when I picked up Wish You Were Here, and put it on – I was hooked! The previous hits were good, but this whole album I loved. In 2019 I had tickets to see Uriah Heep in Ohio for 3 nights in a row, but instead, the day before I came down with a virus and was put in the hospital for nearly a week. So, I had my wife bring in my laptop so I could write, and for a few days I researched further and wrote a retrospective on Badfinger. After that I picked up more CDs, reissues….and the 2 CD version of Head First. The songs on that 2 CD release were not the intended properly mixed album, but I enjoyed the songs! So, back to the album….

Head First was to be the follow up to the I’ll fated Wish You Were Here. A strange time for the band. Remember, back in those days many bands were expected to come up with new albums every 8 months or so, and many classic albums were recorded remarkably in short periods of time (the first Black Sabbath album for example). So, while Badfinger’s manager was stealing the band’s money from Warners, the band were thrown into a mess, with their central figure – Pete Ham, leaving. Bob Jackson (a keyboard player) was auditioned and joined. Pete Ham returned, and briefly there was a 5-man line-up. At the end of a UK tour Joey Molland left, and Badfinger was back to being a 4 piece. During this time Warners pulled Wish You Were Here from the shelves and filed lawsuit against the band (and manager) for missing money. The band’s manager (who took the money), hurried Badfinger back to the studio to record a follow up, which the band did in less than 2 weeks. But the lawsuit brought the band to a halt. In all this Pete Ham saw no way out and hung himself. The band was effectively done. Sure, there were Badfinger albums released in 1977 and 81, with a couple of originals, but it wasn’t even close without Pete Ham. Tom Evans would also kill himself. In 2000 Head First was released as a 1 and 2 CD set, featuring the songs recorded during that brief 2-week period. Since then, reissues and Pete Ham archives tapes have been released, as well as more recently a collection of Tom Evans demos.

A few months ago came the surprise news that an official version of Head First was to be released (on vinyl and CD). And well, although I’ve had access to listen to this online (to review) I really prefer a physical copy of an album to get into, and this was one I’ve been very excited to receive since it’s announcement, as I’m sure many longtime Badfinger fans have been as well. So, first off is the packaging…Head First comes in a glorious gatefold cover featuring the shot of the lion roaring on the front and the apartment pic on the back, with the track listing. The inner gatefold includes bandmember photos along with track by track performance credits on one side, and more photos of bandmembers along with pics of various correspondence, contracts, and letters pertaining to Head First. Inside (aside from the LP), there’s a 12-page colored booklet with lyrics, more photos, and more credits pertaining to this release. So, the packaging alone is first class, and one can enjoy this album old school – while looking through the jacket, booklet and reading the lyrics.

The album itself contains the same songs, albeit not exactly in the same order, as the 2000 CD release. But here, you get a proper mix, amazing sound. Maybe it’s me, but Head First, like Wish You Were Here, sound like they were ahead of their time in many ways, and for me, well beyond the band’s previous albums, like it’s hard to believe this was all recorded over 50 years ago. But Head First is the final missing piece of the Badfinger puzzle. The songs here, recorded quickly are all impressive, varied, with all 4 members contributing to the writing and lead vocals. The lead off track “Lay Me Down” is upbeat, catchy, with great harmonies throughout, a fantastic production, written and sang by Pete Ham. This (to me) would’ve been an obvious hit single! (And lo and behold this one was issued as the first video / single from this release!). Tom Evans contributed 2 cuts to what became side 1 – the more pop driven “Hey Mr Manager” and the rocking “Rock ‘N’ Roll Contract”: both songs dealing with the band’s situation at the time – “Hey Mr Manager” taking aim at the band’s corrupt manager Stan Polley. (Then) new guy Bob Jackson contributed perhaps the heaviest and most progressive tune here with “Turn Around”, featuring his lead vocals, and a cool mix of guitar and Hammond organ (if anyone’s heard the Indian Summer album from ’71, it is a heavier album, featuring plenty of Hammond organ and Bob’s vocals, a noteworthy comparison, but “Turn Around” is one of my favorites here). The first side also includes Mike Gibbins acoustic ballad “Back Again”, another gem, highlighted by the band’s harmonies, synths, and a harmonica solo from Pete Ham.

Side 2 opens with a classic Pete Ham song, “Keep Believing”, kind of a mid-tempo, almost ballad tune, with piano and slide guitar. I’ve read Ham wrote the song as a message to departed band member Joey Molland. “Moonshine” is another on the lighter side, and one of 2 that features Evans and Jackson sharing lead vocals; the other being “Passed Fast”. Both are enjoyable and memorable tunes. the latter co-written by Evans, Gibbins, and Jackson with Evans & Jackson sharing lead vocals, while the former is co-written by Evans & Jackson, and it’s another standout on here. “Rockin’ Machine” is another Mike Gibbins number that is very different, kind of a country-ish styled singalong/pub feel to it. The album ends with a re-edited mix of Pete Ham’s short instrumental “Saville Row”, which has added synths from Bob Jackson.

Overall, just a thoroughly excellent release, in so many ways. A must for any Badfinger fan (obviously), but also highly recommended to fans of classic rock. Bob Jackson deserves a lot of credit (and thanks) for his efforts to get this album done and out properly, after so many years. Well worth it!

LINKS:

https://www.facebook.com/BadfingerOfficial

https://badfingeruk.com/product/1048770-head-first-cd

https://badfingeruk.bandcamp.com/album/head-first