These guys were a short lived band, labelled as a “supergroup” at the time. The album has been a highly sought after classic hard hard release. Though the band didn’t last long beyond it’s original release, Armageddon made an impact. Love the songs, sound, and cover. Check out the press release below, ordering info, and a few clips.
LONG LOST CULT CLASSIC BY ARMAGEDDON IS CELEBRATING ITS 50TH ANNIVERSARY AND IS BEING REISSUED THROUGH DEKO ENTERTAINMENT. REMASTERED AND REPACAKGED ON 180G “ATOMIC RED” VINYL WITH BUNDLES SIGNED BY ALL THREE SURVIVING MEMBERS
Armageddon was formed in 1974, and their self-titled debut, ‘Armageddon’, released in 1975, was recorded in England and released in the United States on A&M Records. The albums’ original liner notes use the term “supergroup”, as their personnel were drummer Bobby Caldwell (previously a member of Captain Beyond), singer Keith Relf (who had fronted the band the Yardbirds and was a co-founder of Renaissance), guitarist Martin Pugh (from Steamhammer), and bassist Louis Cennamo (also formerly of Renaissance and Steamhammer).
This classic has now been remastered and repackaged in a beautiful gatefold on 180G Atomic Red Vinyl with additional photos and credits to celebrate the 50th Anniversary. There is a Limited (100 copies) signed bundle that comes with a 10×10 print signed by all three-surviving members (Bobby Caldwell, Louis Cennamo, Martin Pugh). As Caldwell states, “Hello! It was a great pleasure to have written and worked on the Armageddon album with the late Keith Relf, Martin Pugh, and Louis Cenamo, some of the finest players in England! We had a lot of fun, and we are delighted to see the album being re-issued by Deko Entertainment. We hope you enjoy it. Many thanks! Best Wishes.
Pugh continues, “I am thrilled that Deko is recognizing the 50th anniversary of Armageddon with this timely release of the vinyl. Keith, Louis and myself flew out from London following a dream, when we arrived in Hollywood, met and jammed with Bobby, the dream came true.” Cennamo concludes, “Armageddon, our supergroup that nearly was and now just might always be!”
*Armageddon is a limited pressing of 500 copies and continues in the tradition of Deko Entertainments mission to bring lost classics back to life and sometimes for the first time ever on vinyl. Recent releases have included Trapeze, Angel, Dokken, Warrant, Slaughter, Stevie Salas, and others.
Tracklist: SIDE A 1. Buzzard 2. Silver Tightrope 3. Paths and Planes and Future Gains
SIDE B 4. Last Stand Before 5. Basking in the White of the Midnight Sun a) Warning Coming On b) Basking in the White of the Midnight Sun c) Brother Ego d) Basking in the White of the Midnight Sun (Reprise)
HEAVY PETTIN’ released 3 albums of hard rock back in the ’80s. In recent years the band from Scotland has been brought back to life via singer Stephen Hayman, and in October released their first full length album since 1989. Rock Generation features a fun set of hard rockers and anthems, and I like the sound (big guitars and even those 80s backing gang vocals at times). Fave cuts include “X-Rated”, “Brother Sister”, and “This Life”. The band has been busy playing live to support this album, more recently as support for Uriah Heep, (and) with April Wine in Europe.
*Check out the press info below, as well as the videos and links at the bottom,
The Scottish rock warriors Heavy Pettin release the title track and video from the brand-new studio album Rock Generation, which is set for release on on October 24th via Silver Lining Music. Pre-orders available now at this location.
Vocalist and founding member, Stephen “Hamie” Hayman comments: “Heavy Pettin are back!!!! Rock Generation is a celebration for all rock fans around the world… Made to ROCK ur Soul.”
Back in the ‘80s, Scottish rock ‘n’ roll warriors Heavy Pettin strode stages worldwide whilst their debut album, 1983’s Lettin Loose, threatened to break the rock world apart. They were seen as the natural ascendants to rock’s highest echelons, touring internationally alongside the likes of Ozzy Osbourne and Motley Crüe as wild Glaswegian whippersnappers. Then life happened and Heavy Pettin went on a triple decade hiatus.
Listening to Heavy Pettin’s first new studio album since 1989 – Rock Generation – feels more like a 30 week’ hiatus augmented by a supreme confidence. Led by founding frontman Stephen “Hamie” Hayman, featuring Dave “Davo” Aitken and Richie “St. James” Dews on guitars and backing vocals, plus David “Boycee” Boyce on bass and Mick “The Wizard” Ivory on drums, Rock Generation is a sonically-superb, classic song-strong rock ‘n’ roll return to that glorious slipstream between Def Leppard, Whitesnake and Thin Lizzy. The ten cuts bristle with full-frontal attitude and powerful melodies. Take the title track, with its hip swinging anthemic swagger, there’s “Oblivion” with guest vocals from Roni Lee which carries a true Celtic swing in its groove plus an addictive singalong chorus, while “X-Rated” fuses the attitude of Glasgow’s Sauchiehall Street with the punch and panache of the Sunset Strip.
Made in Glasgow at Morsecode Studios and produced with a timeless sheen by Ciarán O’Shea, make no mistake, Rock Generation is only interested in bringing you on a thrill-ride through the carefree sweat and leather landscape of cut-loose heavy rock ‘n’ roll. It’s a mission which will demand -and receive- your willing acquiescence.
This past year was a busy year for APRIL WINE, having toured the UK with Uriah Heep and Tyketto, then Canada with BTO and the Headpins, and then over to Europe to (again) join Uriah Heep and Heavy Pettin’. And 2026 looks like they’ll be on another bigger tour, supporting Triumph! Check out the press release, tour dates, and links below!
(From left to right. Roy Nichol, Richard Lanthier, Brian Greenway, Marc Parent Photo Credit: Taylor Jones)
Fans of classic Canadian rock n’ roll must be overjoyed with not only the announcement of Triumph’s first North American tour in decades, but that they will have another one of the Great White North’s top rock bands supporting these spring dates: April Wine. Running from April 22nd through June 6th, the tour will hit all the spots that both Triumph and April Wine amassed legions of fans over the years; Toronto, Edmonton, Calgary, St. Louis, San Antonio, New York, etc.
Comprised of members Brian Greenway (guitar), Richard Lanthier (bass), Roy Nichol (drums), and Marc Parent (lead vocals, guitar), this will not be the first time April Wine and Triumph have shared the stage before. Longtime fans may recall a show at the Municipal Auditorium in San Antonio, Texas on February 18, 1977, which served as Triumph’s major American debut and a significant breakthrough for the band. Also, in San Antonio during March 1978, as part of a run of five shows in Texas for promoter JAM Productions. One fan recalled the lineup for this show as April Wine, Crack the Sky, and headliner Triumph. Both bands have a strong history with the state, as San Antonio radio station KISS-FM was an early supporter of Canadian hard rock acts, helping both bands gain a significant U.S. following.
April Wine has been a staple in the rock music scene for over five decades. Known for their powerful ballads and rock anthems, the band has seen several lineup changes but has always stayed true to their roots. April Wine has weathered the storms of the music industry with remarkable resilience and the band continues to captivate audiences with their electrifying performances. Fans are eagerly awaiting the next show, ready to experience the magic that April Wine delivers.
The journey began in 1969, marking the start of a legendary career in rock music. With hits like “Just Between You and Me”, “Sign of the Gypsy Queen”, “Roller”, “I Like To Rock”, “Say Hello”, “Oowatanite”, “Enough Is Enough”, “Rock N Roll Is A Vicious Game” and many more, April Wine has left an indelible mark on the music industry.
Significant milestones include their induction into the Canadian Music Industry Hall of Fame in 2009, the Canadian Music Hall of Fame in 2010 and Canada’s Walk of Fame in 2023. These accolades are a reflection of their hard work, talent, and the significant role they have played in shaping the rock genre. April Wine’s ability to consistently deliver powerful performances and connect with audiences has earned them a place among the greats in rock history.
Today, the band continues to tour, keeping the spirit of rock alive for their dedicated fanbase. And in 2026, they will bring their melodic and anthemic brand of rock once more to North America!
TOUR DATES:
CANADA
April 22 – Sault Ste. Marie, ON | GFL Memorial Gardens April 24 – Toronto, ON | Scotiabank Arena April 25 – Hamilton, ON | TD Coliseum April 28 – Halifax, NS | Scotiabank Centre April 29 – Moncton, NB | Avenir Centre May 1 – Laval, QC | Place Bell (Montreal) May 2 – Ottawa, ON | Canadian Tire Centre May 5 – Winnipeg, MB | Canada Life Centre May 7 – Edmonton, AB | Rogers Place May 8 – Calgary, AB | Scotiabank Saddledome
UNITED STATES
May 13 – Rosemont, IL | Rosemont Theatre (Chicago) May 14 – Milwaukee, WI | Miller High Life Theatre May 16 – Kansas City, MO | Starlight Theatre May 17 – St. Louis, MO | Hollywood Casino Amphitheater May 20 – Irving, TX | The Pavilion at Toyota Music Factory (Dallas) May 21 – San Antonio, TX | Frost Bank Center May 22 – Houston, TX | Smart Financial Center at Sugar Land May 24 – Tampa, FL | MIDFLORIDA Credit Union Amphitheater May 26 – Atlanta, GA | Synovus Bank Amphitheater at Chastain Park May 28 – Camden, NJ | Freedom Mortgage Pavilion (Philadelphia) May 30 – Sterling Heights, MI | Michigan Lottery Amphitheatre at Freedom Hill (Detroit) June 3 – Darien Center, NY | Darien Lake Amphitheater June 5 – Wantagh, NY | Northwell at Jones Beach Theater (New York) June 6 – Boston, MA | Leader Bank Pavilion
It’ll be 2026 soon, and what bands will fans of Canadian rock fan be looking to go see? RUSH….THE GUESS WHO…..APRIL WINE….TRIUMPH! Announced a couple of days ago, TRIUMPH has reunited, added a few players, and added APRIL WINE as the opening act for a 50th Anniversary tour of North America. The band last reunited in 2008, for 2 shows, and before that last toured with Rik Emmett, Mike Levine, and Gil Moore in 1988. Triumph, with Phil X in place of Emmett, was resurrected in ’92 for one more album and tour. Phil X is also involved again for this tour.
For this tour Triumph is adding a few players to help out. To clear things up, the band posted a few days ago – “We want to clear up something that popped up during today’s tour announcement: this is NOT a tribute band tour. This is a Triumph tour. We’re putting in the work to bring our show and our songs back to you, the fans. And to help us deliver a truly world-class show, we’ll be joined on-stage by a few friends – Todd Kerns and Brent Fitz from Slash’s band, and Phil X on loan from the mighty Bon Jovi. Big things ahead. We can’t wait to share it with you. See you on the road!“– Gil, Rik & Mike
(Brent Fitz and Todd Kerns are also part of Canadian band Toque).
Well, this comes out in the new year, and I am excited to hear this! Saw the band when they played in Niagara Falls last year, and thought they sounded great. *Check out my interview with Harry Whitley from the beginning of his time with the band. Here is the press release, new video, artwork, track-listing, etc….
Today, legendary English rock supergroup ASIA are thrilled to announce their upcoming live album, ‘Asia – Live In England,’ dueout on March 13, 2026 via Frontiers Music Srl. To celebrate the announcement, the band unveils the live version of their hit song “Heat Of The Moment,” alongside an official live video, available to view below.
Geoff Downes comments: “’Heat Of The Moment’ has an interesting story behind it. It was actually the final track John and I wrote for the ASIA album, and it ended up being the opening track and lead-off single. We threw it together in one afternoon. I had the verse, John had the chorus, although this was a guitar picking country-style piece in 3/4 time. We straightened it all out and bingo, there it was!”
He continues, “A couple of days later we wrote the middle 8 section, rehearsed it in the studio and recorded it straight down with band. Ironically, it still remains our most famous track to this day. Without it, I doubt the album would have been as big as it was, so I am very grateful to have been a part of the creation of HOTM. It’s still a really fun track to play live, and I hope it will bring back memories, and give pleasure to the listeners and fans all over the world for many years to come.”
Harry Whitley adds: “Playing ‘Heat Of The Moment’ live is always such an incredible experience, it’s always electrifying and this recording was no different – it was such an exciting night and a thrill to revisit all of ASIA’s catalog over the three nights. We’re really looking forward to fans hearing this whole live album and the others to follow…”
“This song carries decades of history – every note, every moment – and we hope listeners feel the same passion we pour into it night after night,”Virgil Donati states.
John Mitchell also expresses his love for this track: “’Heat Of The Moment’ is a very dear song close to my heart. Having performed it a vast number of times over the years both previously with the John Wetton solo band and with John and Geoff in Icon, from the quiet introspective acoustic version at The Borderline to the full band amped up version in front of 12000 strong in St Petersburg, it is both an uplifting anthem and a quiet tonic for the soul which never fails to bring warmth to the many.”
ASIA are back and roaring in their new, exhilarating line-up! Recorded live on the first of three unforgettable nights at Trading Boundaries in Sussex in April 2025, this release captures the band performing their iconic 1982 debut album ‘ASIA’ in full, along with a selection of their greatest hits. Featuring Geoff Downes (keys), Virgil Donati (drums – ex-Planet X), John Mitchell (guitars – Arena, It Bites etc.) and the astonishing Harry Whitley (on bass and vocals), this fresh incarnation of ASIA brings both reverence for the classics and a thrilling new energy to the stage. The setlist includes fan favorites like “Heat Of The Moment,” “Only Time Will Tell,” “Sole Survivor,” “One Step Closer” and “Time Again,” alongside video-era and bonus tracks such as “Ride Easy,” “Video Killed The Radio Star,” “The Heat Goes On” and “Daylight” (video exclusive). Geoff Downes shares: “Revisiting the entire first ASIA album brought all the great memories flooding back from 43 years ago. In the studio with John, Steve, Carl and, of course, the great Mike Stone at the production helm. I think at the time we knew we’d made a good album but could not have predicted the enormous success that followed, that made the band a household name across the world, and particularly in America. That said, it was a result of much hard work and effort from everyone involved. So, when I had the opportunity to put together the live album with the current and fantastic line-up of ASIA and in collaboration with Frontiers Music, it was really a no-brainer.” “I was reminded of what a collection of great songs and performances made up the album – variety and musical dynamics to the fore. When we recorded it again earlier this year, I was drawn to some of the less featured tracks and realized how much they played an important part of overall album, in addition of course to the signature tracks such as ‘Heat Of The Moment,’ ‘Only Time Will Tell’ etc.”, he continued. “We did this for you, the fans, and hope you really enjoy hearing these songs in the live setting performed in their entirety once again and enjoy it as much as we did creating and performing it”.
TRACKLIST:
1. Heat Of The Moment
2. Only Time Will Tell
3. Sole Survivor
4. One Step Closer
5. Time Again
6. Wildest Dreams
7. Without You
8. Cutting It Fine
9. Here Comes The Feeling
10. Ride Easy (Bonus track)
11. Video Killed The Radio Star (Bonus track)
12. The Heat Goes On (Bonus track)
With ASIA’s legacy spanning over 40 years – from multi-million selling albums like ‘ASIA,’ ‘Alpha,’ and ‘Astra’ to defining the sound of the MTV era – this new line-up proves that the Year of the Dragon is bringing the legendary songs to life for a whole new generation of fans.
This is just the first of three live releases from Trading Boundaries, each capturing a full classic album from their initial trilogy in concert in audio and video. Experience the magic of ASIA, live, where past and present collide in a spectacular display of musicianship and passion.
NEKTAR formed in Hamburg in 1969 and is well known for iconic progressive rock albums such as A Tab in the Ocean, Remember The Future and Recycled. After four decades of successful albums and tours, the band reformed to celebrate the 40th anniversary of Nektar’s formation.
The tour was recorded and released under the name Fortyfied. This live album was only briefly available on Roye Albrighton’s own label but has been unavailable for over 15 years. This is the first mainstream release of the recordings.
This re-mastered 2CD set features a line-up of Roye Albrighton, Ron Howden, Peter Pichl and Klaus Henatsch. This remastered re-release is endorsed by the relevant line-up of Nektar including the estate of Roye Albrighton.
A band, and album that just don’t get enough attention! Mean Machine was LUCIFER’S FRIEND’s eighth album, and last for some 13 years. The album was a reunion with singer John Lawton, who’d left the band in 1976 to join Uriah Heep, while Lucifer’s Friend carried on for a pair of albums (and live shows) with Mike Starrs (ex Colosseum II). Lawton had left (fired) from Heep in ’79, and recorded a solo album in 1980, with members of Lucifer’s Friend backing him. But, the band was still promised (owed) Elektra one more album. Now, if you are familiar with Lucifer’s Friend’s catalog, you’ll know that the band changed with every album; not so much the personnel, but the direction. The debut was a heavy album, seen as a proto metal album in 1970, that sat comfortably alongside Deep Purple’s In Rock, Uriah Heep’s debut, and Black Sabbath’s first couple of albums. But nothing following that matched the heaviness of the band’s debut, instead veering off into fusion, and including more brass and orchestrated instruments.
Mean Machine brought the band back to being a guitar driven hard rock band. It fit in time with the New Wave Of British Heavy Metal, and was full of guitar riffs from Peter Hesslein opening a number of well written serious rockers, with John Lawton returning to a more powerful sound, than some of the softer rock he’d sang during Heep’s pop-aimed era. Mean Machine is a solid album of 80s hard rock, well produced, starting with “One Way Street To Heartbreak”, and not really letting up ’til the end. Riffs, melodies, harmonies, memorable choruses, and great songs like “Hey Driver”, “Fire and Rain”, “One Night Sensation”, and “Born To The City”. The more pop anthem “Action” was released as a single, but neither the single or the album did much, as Elektra did very little to promote it; a shame as this is really worth hearing.
The band disbanded again after this, but would reform in the mid 90s for Sumo Grip. But, if you come across Mean Machine, check it out, a great underheard gem of 80s hard rock.
Legendary British rockers MAGNUM’s debut album was 1978’s Kingdom Of Madness. The band recorded throughout the 80s, took a break in the mid 90s, and returned in 2002. Aside from classic tracks like “Kingdom Of Madness”, “On A Storyteller’s Night”, “How Far Jerusalem”, “Days Of No Trust”, and many others, much of the band’s catalogue would become eye catching detailed works of art, created by Rodney Matthews, who started on the band’s fourth album Chase The Dragon, from 1982. He would do many others following that, particularly since the band returned in the early 2000s. Magnum’s last studio release was 2024’s Here Comes The Rain. The band’s guitarist & songwriter Tony Clarkin passed away just at the time of the album’s release, and the band took a long break. Before the year was out Magnum reformed to put on a number of shows paying tribute to Tony. Rodney Matthews also announced his retirement from creating artwork for album covers as well. Earlier this year Magnum released Live At KKs Steel Mill, recorded on the last tour with Tony Clarkin. Below I have selected 10 of my favorite Magnum album covers, mostly done by Rodney Matthews, but not all. I’ve left few explanations. Feel free to drop your own favorite Magnum covers in the comments!
I did not choose these based on my favorite Magnum albums, just the covers….(though the first 3 might happen to be in my top 5 Magnum albums).
Escape From Shadow Garden (2014)
Not sure what’s going on in many of these covers, usually a lot, with lots of details,
On A Storytellers Night (1985)
The first Magnum song I recall hearing way back would be the title song to this one. A fitting cover theme for the title.
Into The Valley Of The Moonking (2009)
The album that really got me in to Magnum. Love the circle frame, like looking into a crystal ball.
Chase The Dragon (1982)
Again, the first Rodney Matthews Magnum cover, and easiest one to find in Canada, which most of the band’s catalogue not getting released here.
Here Comes The Rain (2024)
The band’s last studio album. Love the idea and the colors.
Sleepwalking (1992)
I really like this one. Very colorful, different, a few references to other Magnum albums. A US flag (and “Only In America” single), despite not getting a North American release.
Princess Alice And The Broken Arrow (2007)
The first album of Magnum’s early 2000s return to feature Rodney Matthews work. Somewhat reminiscent if Storyteller’s Night.
On The 13th Day (2012)
Just like this one for the colors, the lettering, and the flag holding the title.
The Valley Of Tears (2017)
One of a few created by then-bass player Al Barrow. Love the concept and the colors in the the sky. Al also worked on a number of Magnum cover layouts, photos…..
Wings Of Heaven Live (2008)
The bands live recording from their 2007 of Wings Of Heaven (anniversary) tour, so it retains a few aspects of the studio album cover, again using the circle .
Well, I started out (months ago!) compiling a Top 50 list of favorite Alice Cooper solo songs. Many Alice lists I see on Youtube (and elsewhere) tend to mix the original band and his solo recordings into one list, but for me, I see (and hear) a big difference, so I absolutely have to separate the 2. Much like I wouldn’t compile a favorite list of Black Sabbath albums and include Ozzy or Dio albums! Anyway, a good half of this list was easy to come up with, but the bottom half got a bit tougher to choose. Feel free to leave your picks in the comments.
Hey Stoopid (1991)
I like Trash when it came out, but over time it hasn’t aged well with me, being Alice’s ‘Bon Jovi’ album, and too many guests that I’m not a fan of. So, Hey Stoopid is the follow up, still in that 80s style, and with even more guest players and co-writers. BUT, gone is the Bon Jovi feel and just better songs, and a bit more bite. I also like the cover-art here. But aside from maybe 2 songs (I don’t need to hear “Feed My Frankenstein” ever again), I love all of this. Favorites being “Snakebite”, “Dangerous Tonight”, “Little By Little”, “Hurricane Years”, and “Burning Our Bed”.
The Eyes Of Alice Cooper (2003)
I’ve seen this one ranked near the bottom on many Alice Cooper album rankings on youtube, and really wonder why(?) I think this is a great album, full of Alice rockers and ballads, and humor! Not perfect (I can do without “Novocain”), but “What Do You Want From Me”, “Man Of The Year”, “Detroit City” (w/ Wayne Kramer), “Love Should Never Feel Like This”, as well as the ballads “The Song That Didn’t Rhyme” and softer “Be With You A While”, are good to outstanding by me. Alice uses his touring band here, without an excess of ‘guest’ players, so it sounds like a band album. The original CD release of this album came with 4 different eye (and circle) colors.
Welcome To My Nightmare (1975)
An easy favorite for most; it’s the album that started off Alice’s solo career (effectively marking an end to the original band). His Nightmare band featured guitarists Dick Wagner and Steve Hunter (as well as the rest of Lou Reed’s band), who would work with Alice for some years to come But the concept, theatrics, and songs here are just classic. This included the anthem “Department Of Youth”, the live favorite “Cold Ethyl”, the top 20 hit ballad ” Only Women Bleed”, a guest appearance from Vincent Price on “Black Widow”, the introduction of the (recurring) character “Steven”,… The album would be made into a TV special aired as Alice Cooper: The Nightmare. More recently a live show from this tour was released on Record Store Day, featuring Alice’s new band performing a set that included (almost) the entire album, as well as a few previous AC hits. Alice followed up this album with Alice Cooper Goes To Hell, which can be seen as a sequel…
Brutal Planet (2000)
Alice didn’t record a lot during the 90s, like many other older artists, but as he tended to do ever few albums, he switched gears, creating perhaps his most ‘metal’ album this one, released in the summer of 2000. Taking in sounds of industrial or new metal at the time, with a heavier sound, and darker lyrics,, reflecting what was currently happening in music and the world. Produced by Bob Marlette, who’s credits included Rob Zombie, Marylin Manson, Rob Halford, and many others. Loved the title track, as well as favorites “Blow Me A Kiss”, “Pick Up The Bones”, “Cold Machines”, and the ballad “Take It Like A Woman”. The follow up, Dragontown, was pretty much a sequel to Brutal Planet. I liked that one too, just not as strong IMO.
Raise Your Fist And Yell (1987)
The follow up to Alice’s comeback album Constrictor. Taking on the 80s metal sound, and inspired by current happenings (the PMRC hearings), and slasher films! The second to feature Kane Roberts as guitarist and co-writer throughout. I played this album non-stop! Not a bum track here. I can still pull this out and love it. Featured the hit “Freedom”, plus “Prince Of Darkness” (from the John Carpenter movie), and favorites like “Give The Radio Back”, “Time To Kill”, and the slasher trilogy on side 2 (“Chop, Chop, Chop”, “Gail”, “Roses On White Lace”). Saw this tour twice.
Dada (1983)
The last album in what’s been labelled Alice’s ‘blackout’ years, and his last for Warner Brothers. This, and the 1 before it sold poorly, with little promotion, and no touring. I bought this one, and the 2 before it, off the 99 cent rack at a local convenience store! But hey, these weren’t bad at all! Dada being my favorite of Alice’s early 80s 4 album run, where he changed the look and sound to fit with the times. Dada featured a fresh sound, good songs, and flow, with standouts like “Former Lee Warmer” (formerly Warner), the hilarious “I Love America”, and epic “Pass The Gun Around”, highlighted by one of Dick Wagner’s most memorable solos.
From The Inside (1978)
Following Alice’s stay at an asylum for alcoholism, he co-wrote a lot of this with Bernie Taupin (Elton John), and used members of Elton’s band, as well as the likes of Steve Lukather, David Foster… From The Inside featured the hit ballad (Alice’s 4th in a row), “How You Gonna See Me Now”, as well as memorable rockers like “Serious”, “Wish I Were Born In Beverly Hills”, and the title track, plus a few more ballads and lighter cuts. A pretty clean sounding album, featuring stories inspired by his stay in the asylum, and the effect on those around him (“For Veronica’s Sake” about his dog). A solid album. Check out the non-LP b-side “No Tricks” as well, a duet with soul singer Betty Wright.
Zipper Catches Skin (1982)
See above! I played the heck out of this one. Lots of fun rockers like “Adaptable (Anything For You)”, “Tag, You’re It”, “Zorro’s Ascent”, as well as “I Am The Future” (from Class Of ’84). “Make That Money (Scrooge’s Song)”, and the hilarious title of “I’m Alive (That Was The Day My Dead Pet Returned To Save My Life)”. Featured guitarists (and co-writers) John Nitzinger, Dick Wagner, Billy Steele, as well as Mike Pinera, and players Erik Scott (bass), and Duane Hitchings (keys), among others. Wagner later claimed there was a lot of crack cocaine use on this one, but I liked it.
Constrictor (1986)
Alice’s comeback album, after finally kicking his previous habit (cocaine), made sober, and full of energy. The first to feature new guitarist Kane Roberts, as well as a return to a hard rock guitar sound and the classic Alice image (eye make up and leather). Produced by Beau Hill and Michael Wagener, who were big at the time with many 80s metal acts. The drum sound kinda gives this a dated sound now, but at the time, I’d never thought I’d get to see Alice (being a newer fan, and Alice being out of the public eye), but I got to see this tour. Constrictor was the first Alice album in years to chart, and get any radio play. Cuts like “Teenage Frankenstein”, “Give It Up”, and “Life And Death Of The Party” were favorites. It also included “He’s Back (The Man Behind The Mask)”, from Friday The 13th: Part VI (Jason Lives).
The Last Temptation (1994)
This last spot was the toughest for me to decide on… The Last Temptation was an Alice Cooper concept album, a series of morality plays….Anyway, the full story was explained over a series of comics by Neil Gaiman and Michael Zulli. The Last Temptation opened with “Sideshow”, and followed on with excellent rockier cuts like “Nothing’s Free”, “Bad Place Alone”, the title track, the single “Lost In America”, and lighter songs such as “Stolen Prayer” (co-written with Chris Cornell) and favorite “It’s Me” (co-written with Tommy Shaw and Jack Blades). The album featured guitarist Stef Burns (Y & T), as well as Derek Sherinian (keys), among others, as we as guest Dan Wexler (Icon) who co-wrote a number of songs, and played guitar on one. There was no tour for this album, but eventually a few songs were worked in to the live show. The 90s were a tough time to be an Alice fan!
And then…..Paranormal, Lace and Whiskey, Goes To Hell, Dirty Diamonds, Flush The Fashion, Trash, Along Came A Spider, Special Forces, Welcome 2 My Nightmare, Detroit Stories, Road,
The third post-Uriah Heep solo release from Peter Goalby was discovered earlier this in a storage unit. 9 more songs that were thought lost decades ago. With the discovery of these songs, Paul Hodson (keyboards, programming) and Eddy Morton (guitar solos) – who worked on the previous songs released (Easy With The Heartaches and I Will Come Runnin’) were called upon to add overdubs. Former bandmate and longtime friend Mick Box added a brilliant solo to 1 track, and John Sinclair also worked on 1 track. In all, taking these late 80s recordings of demos to being a properly produced album.
I was hesitant to post a lengthy review, figuring I could easily be accused of bias, but oh well. I am excited to see this out (though not a fraction of how excited Peter must be). The finished product of this is probably beyond what fans could expect to still be made available… Don’t Think This Is Over is even more so impressive than the 2 CD released that came before, full of melodies, hooks, and Peter’s passionate vocals. This album is a great mix of different songs, with the easily likeable upbeat aor like the lead off cut “I’ll Be The One”, as well as “It’s Just My Heart Breaking”, “Heart What Heart”(with that keyboard intro being reminiscent of “I Will Come Runnin”), and the title song! Then there are those more unique songs here like “Another Paper Moon”, which begins as a piano ballad and builds into a power ballad, something unlike anything else in Peter’s catalogue; love the string sounds and synths throughout this. “The Sound Of A Nation” is more of an anthemic rock song highlighted by Mick Box’s guitar solo, which gives it a good lift. “Show Some Emotion” is my favorite here; a moving track, that starts softly and builds up, with one of Peter’s standout vocal performances here. The disc closes, fittingly with “I Don’t Wanna Fight”. This song was released as a single back in 1988, to mixed reviews, but the musical arrangement lacked a bit of weight, but this has been completely re-done here, with former Heep bandmate John Sinclair taking Peter’s vocals and putting them in to a completely new arrangement on keyboards, and along with Peter Kent’s guitar work, this one sounds like a brand new song, up to date and lively.
So many potential hits here. As I’ve said before, Peter’s specialty was writing choruses that are easily likeable and memorable, and songs that would be major hits for numerous acts in the 80s and 90s (probably still some now), as he’d intended to make his mark as a songwriter. I think he’s achieved that by now, with these 3 albums. Imagine a few of these either on a Heep album or on the radio back then!? This may not be the last thing we hear from him, but more than we expected still, and in time for Christmas!
*Artwork by Michael Inns, fitting nicely in the series of the previous PG releases.
*Check out the press release (edit) below, as well as links to Don’t Think This Is Over.
Uriah Heep’s Ex-Lead Singer Peter Goalby Announces the Completion and Release of his Long Lost Solo Album Don’t Think This Is Over – OUT NOW!
Peter Goalby was the lead singer of Uriah Heep, Trapeze and Fable but has now retired from the music industry after an illustrious career.
Peter had been living with the knowledge he’d recorded a solo album just after leaving Uriah Heep but it was only when a poorly labelled DAT was spotted, at a storage facility over 30 years later, that the lost album was found.
Peter Goalby explained the background to the release: “In 1987 I was offered a recording and publishing contract with RAK Records just after I’d left Uriah Heep. I thought these songs would be very commercial in the 1980s and Smokie recorded Fallin’ Apart. I later found out the master tapes had been lost and I silently carried the disappointment that music I’d put my heart and soul into was gone forever. Never say never!”
The lost album’s release follows the successful release of Easy With The Heartaches and then I Will Come Runnin’.Don’t Think This Is Over is OUT NOW from all good retailers:
Outsider Rock 