Tag Archives: Cameron Hawkins

PAUL MARANGONI – ‘FM’ 50th anniversary concert Interview

Canadian drummer Paul Marangoni played with a number of acts in the 80s and 90s, notable Canuck acts like Coney Hatch, The Works, Kim Mitchell, and FM. The latter is currently preparing for a 50th anniversary show in November, with Marangoni behind the drums. Hopefully this 50th anniversary show will lead to more. Paul relocated to California decades ago, and played on a number of albums with guitarist Alex Masi, such as the 2001 Masi album, Eternal Struggle, and 2 albums of fusion instrumentals / covers under the name ‘The Trio Of Stridence’ (more on these in another post), and worked with former Alias frontman Freddy Curci (Zion).

This was a pretty casual disussion with Paul, and a lot of fun; we talked about the upcoming FM reunion show, a few other things he’s done since being in California, and what he’s listening to these days. Enjoy the read, and please check out all the links at the end.

I was going through those CDs you gave me (The Trio Of Stridence, Jazz Martyrs), and you did a lot of writing on them and a lot of producing them, so it’s kind of a…

Well, I think I wrote two songs on all those CDs. I arranged everything though, definitely.

Yeah, they’re very different. The Trio Of Stridence. I like that; I love the cover of “Red”. The other stuff is kind of straight up jazz. I put it on at one point, there is a Chuck Mangione song, and I was like, Wow, what is this?

Yeah, it’s too bad Chuck died. I was hoping he would hear my version, because my version is in seven as opposed to four.

Going back to when you were in the band FM (late 80s-early 90s), how long did that whole period last?

Not long, like two or three years. I can’t even remember. I really should have kept a diary. That was like 35 years ago or something. It’s scary to even say that number.

And you guys did recordings?

We were working on new music, but it was never recorded.

So, at what point did you relocate to LA?

January of 2000.

So you were still around then, in Toronto and that for much of the 90s then?

Yeah, definitely.

What else were you doing then? I have this on cassette (hold up The Works cassette).

Wow. Not much. I was just playing in a bunch of cover bands and I was doing the Genesis Tribute. Actually, at one point, we had a Yes Tribute, which Cameron Hawkins was playing bass and singing in. But we only did a few shows. And Phil Naro was singing in that band. I had a recording of a live gig we did at the Tralf in Buffalo. It was really good, but for some reason, that ended too. I don’t know what happened there. That was a good band. I love playing that stuff.

I saw Phil about 20 years ago, 15 years ago. He was playing in a club in Toronto, like an upstairs somewhere. It was him, Don Mancuso. I think his son. And so they’re doing a lot of Yes stuff.

I can’t believe he’s gone. Everyone’s dying, man. Holy cow.

Last time I saw him, he was doing an acoustic guitar duo, at a small place somewhere in Toronto. They were just doing acoustic tunes, the two of them. Would have been around 2007, 2006, (something like that).

There’s been other versions of FM. I saw them in ‘94 when they did the reunion tour, and there’s a few other things since then, live albums and the studio album from 2015… You weren’t involved in any of those. So how did this new line-up kind of come together?

Well, I kept in touch with Cam over the years because I was going up to Toronto like three or four times a year while my parents were still alive. And we’d get together now and then. And a couple of years ago, I was up there. And before I went up, I contacted him. I said, Hey, let’s get together for lunch. And he told me he was thinking of doing some shows to coincide with the release of this new documentary about Nash the Slash. And he said, It’s been 50 years. And I said, Well, if you need a drummer. I’m totally down. So that was when it started. So, the two of us were sending files back and forth on the tunes to work on. So he would have my drumming to along with. And then he set about to find someone to play mandolin and violin. It took a while.

I assume Ben Mink is not around anymore (locally)

Ben Mink is out in British Columbia. So, if for some reason this turns into doing a lot of shows, and if we ever end up on the West Coast, I’m sure we’ll get Ben Mink to sit on a bunch of tunes because I love Ben Mink’s playing.

Is the show going to focus mainly on the Black Noise stuff? Or is it going to be…

Yeah, it’s just going to be Black Noise and maybe a couple of other tunes. Some of the hits or other tunes.

When I saw them in 94, they put out that from it, but I always wonder, they called the FM Archives Volume One, there was no volume two.

(lol) Yeah, I don’t know what happened there. I got that too somewhere. They were kind of screwed over by labels all the time.

Other than Black Noise, what might you play or what do you like out of that catalog?

I really like Surveillance a lot. That was my favorite record. And then off of City of Fear, there’s one tune off there we’re probably going to play, “Surface to Air”. We’ll probably play that. We’ll probably do “Shapes of Things”; that got a lot of airplay. And that’s it. We’ll be extending solo sections and stuff like that, so it’ll be a lot of fun.

I don’t see much of Cameron Hawkins online, so I don’t… I never know what he’s up to.

Right. He said he’s going to probably put up an Instagram account one of these days. That was the plan, to do that and start promoting, but without any promotion, the show sold out in like three days.

Wow. So…

And there’s talk about, hopefully a show at the El Mocambo in January. And then if these shows go well, we’ll see where it goes next. We’ll probably stick to Canada for the time being, especially now that this arrangement in the US and Canada has kind of gotten pretty messy.

I wonder if the band ever actually played outside of Canada in that whole period of the late 70s, early 80s.

I’m not sure. I know they did a lot of shows with Rush.

And there’s some people that have posted some of those shows online pretty wild. It’s funny how fast they played a lot of those tunes.

I think it was Con-test that must have been the album that was current when I saw them. And then they did Tonight, which is funny because I watched an interview with Nash where he did not like that album. He mentions that they brought in a “hair guitar guy”.

Simon! (lol) Apparently Simon is now doing pyrotechnics for Katy Perry or something.

Really?

Yeah. That’s what Barry Connors was telling me.

He’s not playing?

I’m not sure. He was a good guitarist.

I know he did those albums with Andy Curran, post- Coney Hatch.

Yeah. He was the one that got me the FM gig. Because I was hanging out with him and Andy, and Simon said, We need a drummer for these shows coming up. And I said, Dude, I know all that shit. I grew up listening to FM. So, I jammed with them and got the gig.

What else are you doing? Are you playing a lot live?

No, I moved to Indio three years ago, and I can’t find players around here to do anything. I was working on doing more Trio Of Stridence stuff or some jazz stuff; working on my own and then sending files to people either in Europe or in LA. I love doing stuff with Alex (Masi), and before I left LA, me and Alex, we were thinking of doing a Jeff Beck Tribute thing after Jeff Beck died. We rehearsed a bit. I put together a little promo video. I sent it to a bunch of booking agents. No one was interested. It was too bad. It would have been cool.

I saw him over at Artpark (Lewiston, NY). the last time through here.

Yeah, I love Jeff Beck. And, like I said, I was working on writing some stuff, working on my own thing, and then the FM thing happened. So, I’ve just been focused on that since then. Rehearsing all the old FM stuff and working on making sure it’s going to sound good.

Do you know these other guys that are playing with you guys?

No, I’ve never met them, Kevin (Breit) and Hugh (Marsh). Actually, I did a recording with someone in the ‘80s that Hugh Marsh played violin on, but we weren’t in the room at the same time.

I imagine Cameron found them somehow(?)

We were trying to reach him through social media. Couldn’t do it. And then I was having lunch with Andy, and he said, Well, let me talk to Alex Lifeson, he’s a good friend of Hugh. So, he got Hugh’s email from Alex Lifeson. And that’s how we got in touch with Hugh.

Wow. So that was like more recent?

Yeah, that was like last December.

That’s interesting, all the connections with all the Toronto bands. I like picking up some of the late 70s Canadian stuff. I picked up the first Hunt album.

Wow. I remember seeing them at the Gasworks….

And you posted something recently about a band called Teaze.

Yeah, I saw them last week.

I remember them being big at some point, and I remember the logo. The logo looked cool, and the name was cool, but I didn’t know much about the band. And when you posted that stuff, I was reading something, and I said, Holy shit, these guys are Canadian! I didn’t know that.

(Talk ensues about Teaze, their comeback, and Canadian rock festivals)

It seems like most of these Canadian bands, especially from the last few decades, they tend to play a bunch of festivals. Three or four times a year, there’ll be a festival in Alberta or Newfoundland or Quebec, and then they all get together.

I hear about these things from Barry. Do you remember the band Alias with Freddy Curci?

Yeah, I’ve got that somewhere.

I recorded with Freddy a few years ago, and I was actually… I got together with him about a year ago, and I told him,  I think it’s time you should go out on the road again, get the band going. He considered it. I haven’t talked to him in a while, but I think that would be good, too.

I find the connections with the Canadian band interesting. There’s so many… It’s kind of like the British bands where you have some of those connections between Whitesnake and Deep Purple and Rainbow, all those bands.

That’s right.

But, I mean you look at Helix and Honeymoon Suite and a few others. It’s almost like they (occasionally) share members.

Actually, I remember I auditioned for Helix when I was 17. I drove out to….they were playing a gig somewhere in London, I think. I played some tunes with them. And it went well, but they said, You’re just too young. We can’t take the chance. Yeah, I was a fan of Helix.

And their drummer and the guitarist were twins. Brian Doerner was the drummer, and he recommended me for a gig. I didn’t even know he knew me. And then me and a guitarist named Lawrence Falcomer flew down to LA to try putting a band together with Brad Gillis and Mark Free. So, for a week, we rehearsed and wrote some music. And the guy that was paying for it all was the producer from Night Ranger. And at the end of the week, he told us what the deal would be where he was going to take 50 or 60% of all proceeds from the songwriting. And we just couldn’t come to terms with it. Nothing ever happened of it.

(Talk about Brad Gillis being on Rick Hughes album).

What are you listening to these days? Is it mostly jazz type stuff?

Let me see what’s on my phone here (lol)

You know what I got recently, Genesis The Lamb Lies Down box set. And it has a live concert that they did in L.A., and the live concert is amazing! I don’t know if they touched up a bunch of stuff, but it sounds better than the studio record. It’s amazing.

I haven’t got that.

It’s actually all on YouTube, too. Simon Phillips’ latest record, I got that. That’s more of a fusion thing. Pat Metheny’s latest; I’m on the fence with that. A guitarist named Nir Felder. I really like his stuff. It’s kind of a fusion-y kind of thing. I probably listen to mostly jazz lately. I got the Jethro Tull Bursting Out re-release. That’s pretty good. Yeah, mostly jazz stuff.

You mentioned Genesis. Have you picked up any of the Steve Hackett live albums where he recreates each of the albums?

No, I haven’t. I saw Steve Hackett in Toronto. It was probably 1978 or 79 at the O’Keefe Center. That was amazing. love Steve Hackett. Speaking of Steve Hackett, You’ve heard of this Cruise to the Edge thing!? (No)  It’s a cruise out of Miami, and it’s a bunch of progressive rock bands for like a week, and Steve Hackett is the headliner. I think Kevin Labrie is playing with the keyboard player from Dream Theater. Check it out, CruiseToTheEdge.com. Anyway, I figure it’s all progressive rock, and they leave port in April, so I sent an email to them, see if maybe I can get FM on the gig. But I never heard back from anyone as far as who to contact about booking, so maybe we’ll try to get the next year. They do it every year, apparently.

That’d be quite the slot to get on.

(Talk ensues a bit about Genesis, Phil Collins, Paul – “He was my favorite.”)

Any other Canadian bands you were really into?

Kim Mitchell, Saga, FM. I was a huge Rush fan from the beginning. I can’t really think and differentiate which ones were Canadian. I mean, going downtown and seeing stuff at the Gasworks. Dave Bendeth, he was kind of doing like a Jeff Beck thing, that was cool.

Well, did you keep your vinyl over the years or did you get rid of it?

I sold a bunch of it. Since I moved to California, it’s been like 26 years now. I’ve moved 11 times. So, you just keep throwing stuff away every time.

At one point, when we sold my parents’ house in Toronto, I had all my albums there, so we had to get rid of stuff. So, I took them all downtown to some vinyl place and sold them all and whatever they didn’t want to buy, I gave to friends of mine who were collecting vinyl. So, I don’t have any more vinyl.

(Further chat about records, Unidisc, Wireless – “I remember seeing them open for Rush, they were really good too.”)

*photos of Paul borrowed from his website: https://www.paulmarangoni.com

LINKS:

https://www.theredwoodtheatre.com/event-details/fm

https://www.paiste.com/en/musicians/paul-marangoni

https://www.youtube.com/@PaulMarangoni

https://www.proggnosis.com/Artist/7677

https://www.jazzmartyrs.com

FM – Facebook Group

Legendary Canadian Prog band FM reformed for 50th anniversary show

The list of reunions and reformations of great Canadian bands adds another to 2026, with a new line up of progressive band ‘FM’ scheduled to play a 50th Anniversary show in Toronto, in November.

FM, formed in the mid 70s, with Cameron Hawkins (keyboards, lead vocals, bass) and Nash The Slash (electric violins, madolin, vocals…), and first appeared on TVOntario, performing as a duo. They added (drummer) Martin Deller to record their debut album Black Noise, which became a Canadian classic, featuring the band’s best known (and still played on classic rock radio here), “Phasors On Stun“. Slash left, recording numerous solo albums, and was replaced by Ben Mink. This line up recorded Head Room (aka Direct To Disc), Surveillance, and City Of Fear. The latter 2 albums included such favorites as “Horizons”, the band’s cover of “Shapes Of Things“, “City Of Fear“, and “Surface To Air”.

After a hiatus, the band reformed with Nash The Slash, for 1985’s more modern radio friendly (AOR) album Con-Test, followed by 1987’s Tonight (with drummer Greg Chrchley and added guitariast Simon Brierley)). With these 2 albums, FM had a few hit singles in Canada, and could be seen on MuchMusic with songs like “Just Like You” and “Dream Girl“. FM also opened 4 shows for Rush in Ontario, on Rush’s Power Windows tour in 1986.

The band went through a few more line up changes, with Nash The Slash leaving following the Tonight tour. By the end of the 80s, FM was Cameron Hawkins, Simon Brierley, Martin Shaw (mandolin & violin), and Paul Marangoni (drums). This line up played some shows and recorded material that was never released.

In 1994 Hawkins, Deller, and Nash The Slash reunited for the CD release of Black Noise. They played 5 shows in Ontario, (I attended 2 of these.) From this tour, Retroactive: FM Archives, Volume 1. was recorded. An excellent live album, but there wouldn’t be a follow up. FM next appeared in 2006, at NEARfest, in Bethlehem, Pennsylvania (with another live CD & DVD from this show). Another new line up was put together for the 2015 album Transformation. And that is the last release/activity from FM until the announcement of a 50th Anniversary show.

For info on the show, on November 27 at the Redwood Theatre, in Toronto, as well as tickets & line-up, check out: https://www.theredwoodtheatre.com/event-details/fm

LINKS:

https://citizenfreak.com/titles/279291-fm-black-noise

https://www.facebook.com/groups/8316453801

FM

Story Behind The Album Cover: FM’s Black Noise

FM was a progressive / space-rock trio from Toronto, who’s classic debut album – Black Noise, featured their best known song “Phasors On Stun”. The album was reissued on CD in Canada in 1994, with the band taking a short reunion tour for it. ( I have a signed poster of it from this tour as well.) For this installment telling the story behind the album covers former Passport Records Art Director Murray Brenman, and artist Paul Till tell the story behind creating FM’s Black Noise album cover, which turned in to including a bit more – as both also worked on the Canadian band’s next couple of album covers. Paul Till would later work on the band’s last few releases as well.

It’s interesting to note that Black Noise originally came out through the Canadian Broadcasting Corporation in 1978, with a totally different cover. That edition was limited to 500 copies, sold via mail-order with cover art being a photo of a manhole cover, designed by Bob Krol and James Cook, Krol worked on a number of covers for the CBC in the ’70s. The band’s 2nd LP was technically Direct To Disc [aka Head Room], but signing to bigger labels meant Black Noise would be reissued with the cover featured above, followed by Surveillance and City Of Fear. Nash The Slash left FM before Direct To Disc (replaced by Ben Mink), and Paul Till would also work on Nash’s solo LP covers.

Artists’ Backgrounds

Paul Till – “I knew Cam Hawkins a little from high school. I did some photos for a band of his (Clear) a few years after that. When he started working with Nash as a duo he called me about doing some photos. I did the effects on the first FM poster although I didn’t make the original photo. I made some photos for the FM appearance on TVO’s Night Music. Some of them made for FM and some of photo work I was doing on my own. I did a lot of darkroom photo techniques making in Science fiction/surrealist imagery..”

Murray Brenman – “I worked at JEM Records, who owned Passport, run-in their art department full-time from May 1977 until sometime in 1989. I was the Art Director at Passport from 1978.”

Creating Black Noise cover art…

Paul Till – “I did make the logo. It’s letraset that I then fooled with in the darkroom and probably with color xerox as well.
The FM cover is from an Eaton’s window display that I manipulated in the darkroom. I used to do quite a few manipulated photos of store windows. I probably just showed them photos and they picked one. It wasn’t really made with FM in mind though I probably had heard their music when I made it. (At this distance of time the sequence of unrelated events is very hazy.)”

Murray Brenman – “As far as Black Noise – We heard most of the music ahead of time. I’ll have to check to see if I have a sample copy at home, from what I remember, they supplied us with the pieces and then I put things together and assembled the final artwork. The front cover of Black Noise was put together from pieces they supplied. I actually created the back cover art.”

Other FM covers…

Paul Till – “The Direct To Disc cover was also a manipulated store window photo…  The Surveillance cover was a shot I happened to take during the photo session for the image that ended up on the back cover. (That was made my another photographer.) the image I made in as overexposed and off color, so they stripped in the colors as you see them. I was never one of those guys who’d say “You’re not using that shot! It’s no good.” Probably should have been.”

Murray Brenman – “On Surveillance, I created the title treatment on the front cover and if I remember correctly I took their photo and stripped it into the TV screen.”

Murray Brenman – “I do remember the third LP (City Of Fear), it was done with the photographer Eric Staller, we developed it together. It was shot around Wall St. in NYC, very late at night. We used life-size standups for the group. He developed this technique using a long exposure at a very low setting and ran around the scene with sparklers. We had used a similar technique for the Synergy ‘Games’ album cover…. I also modified the logo for that LP.”

Paul Till – “The City of Fear cover I did go out and make a lot of different images. None were picked for the cover, but one was used in the gatefold. I didn’t have anything to do with the actual cover photo. I thought it was pretty good, though I think that photographer did other photos using that technique that were better. Album covers are sort of a group effort. Ideas and intentions sometimes make for weaker imagery. 
A couple of years ago I made another FM cover where Cam remembered an image from back in the day, that I was able to find and do a little tweaking on.”

RIP Nash The Slash

www.paultill.com / www.rockandrollportfolio.com

Black Noise – The band FM fanbase | Facebook

KJJ, 06 / ’21