Celebrating 50 years since he joined DEEP PURPLE, David Coverdale (& Whitesnake) have reissued their 2015 album ‘The Purple Album‘ (remastered), as a special Gold edition (That was followed by the 2017 ‘The Purple Tour‘ album…hmm, wow). Not sure that I need this album again, but this track – “You Fool No One” sounds particularly good, with a cool collage of Whitesnake clips together making up the video. The song is updated, and much heavier than the original Deep Purple classic from Burn. Rhino’s 2CD + blu-ray version of this includes a pile of extra takes, and interesting bits like Coverdale’s Deep Purple Audition tape, which is likely most worthwhile to pick up.
Check out the video below. Incidentally, Glenn Hughes has been playing one on his current tour celebrating Deep Purple classics as well. See track-listing and links below.
CD 1: 2023 REMIX 1. Burn 2. Lay Down, Stay Down 3. Love Child 4. Holy Man 5. The Gypsy 6. Lady Double Dealer 7. Might Just Take Your Life 8. Mistreated 9. Stormbringer 10. Sail Away (Interpolating “Elegy For Jon”) 11. You Keep On Moving (featuring The Hook City Strings) 12. Lady Luck 13. Coming Home 14. You Fool No One (Interpolating “Itchy Fingers” Dedicated In Loving Memory Of Jeff Beck) 15. Soldier Of Fortune
CD 2: 78:38 THE PURPLE TOUR “FIVE LIVE” 34:48 1. Burn 2. The Gypsy 3. Mistreated 4. You Fool No One 5. Soldier of Fortune
ALTERNATIVE MIXES 6. Holy Man (Unzipped) 7. Stormbringer (Punch In The Nuts Mix… Joel Hoekstra alt solo) 8. Love Child (Joel Hoekstra alt solo) 9. Soldier Of Fortune (featuring Joel Hoekstra & The Hook City Strings) 10. Soldier Of Fortune (featuring The Hook City Strings) 11. Soldier Of Fortune (instrumental featuring The Hook City Strings)
Demos and Audition Tapes (Previously Unreleased)
The DC Purple Audition Tape 1972 featuring The Fabulosa Brothers 12. Everybody’s Talkin’ 13. Get Ready 14. Lonely Town Lonely Street 15. Dancing In The Street 16. 1974 DC Demos/Ideas For “Stormbringer” album
DISC 3 BLU-RAY PURPLE MUSIC VIDEOS 1. Lady Double Dealer 2. Stormbringer 3. Sail Away 4. Soldier of Fortune 5. The Gypsy 6. Soldier Of Fortune (featuring Joel Hoekstra & The Hook City Strings) 7. Soldier Of Fortune (featuring The Hook City Strings)
PURPLESNAKE VIDEOS 8. Lay Down, Stay Down 9. Holy Man 10. You Keep On Moving 11. You Fool No One
LIVE CLIPS 12. Burn (Live “Atlantis” Video) 13. Burn/Stormbringer (Live In The Still Of The Night) 14. Soldier Of Fortune (Starkers In Tokyo)
THE PURPLE TOUR “FIVE LIVE” 15. Burn 16. The Gypsy 17. Mistreated 18. You Fool No One 19. Soldier of Fortune 20. The Purple Album: Behind The Scenes 21. The Purple Album: Song-By-Song
Fresh from the overwhelming success of their latest album ‘IV-Sacrament’, Lancaster’s heavy bards and spiritual hard rock titans Wytch Hazel have gone all in on delivering a fully-fledged, tubular-bell-ringing Christmas single.
Transposing the hymnal classical influences of Handel’s Messiah and the spirit of carols the like of ‘The First Noël’ via the earthy heraldry of Steeleye Span and Wishbone Ash, the band deliver something for which perhaps only they would have the skill, sensitivity and spiritual charge. Replete with Wytch Hazel’s trademark twin-guitar harmonies and finely honed arrangements, ‘King Of Israel’ is both a stirring devotional tribute and a heartfelt message of unity, peace and goodwill to all on Earth.
The 7” red marble vinyl edition is backed by Colin Hendra’s minor key arrangement of “Auld Lang Syne” which was misspelled on the first pressing as “Old Lang Syne” by the Bad Omen elves.
CELEBRATE 40 YEARS WITH LIVE SHOW IN TORONTO ON SATURDAY, NOVEMBER 11TH
Coney Hatch, one of Canada’s iconic rock bands will release a live album titled Postcard From Germany via Anthem Records on Friday, November 10th. In celebration of this release, Coney Hatch will perform their final live performance of 2023 at the famed El Mocambo in Toronto on Saturday, November 11th.
“We’ve been halfway around the world this summer with shows at Sweden Rock and Hamburg, Germany,” says singer/bassist Andy Curran. “So returning to the El Mocambo is a special homecoming for us. We love playing in Toronto, it’s where we began this ride, and it’s a perfect time to celebrate 40 years together.”
Recorded on December 12, 2018 at HEAT Festival in Ludwigsburg, Postcard from Germany is a live recording of Coney Hatch’s 1st-ever live show in Germany. Comprised of a double CD, in addition to Postcard from Germany, 2 new songs will be included, as well as a remastered version of Coney Hatch’s classic self-titled debut – which will include 3 ‘bonus’ tracks from that period (“Dreamland”, “Where I Draw The Line”, and “Sin After Sin” (demo).
“It was our very first time in Germany and the show was electric,” recalls Curran. “It was full on combat rock!!! We flew many hours to get there and quickly settled in with German beers and Schnitzel. The final results were more raw and in your face compared to previous live recordings. We also included more songs from our ‘Friction’ record in that set list”.
Postcard from Germany features almost all of the expected Coney classics “Devil’s Deck”, “Monkey Bars” and “Stand Up” as well as two newly-recorded studio tunes ‘It’s About A Girl” and “Heaven’s on the Other Side”.
“This album has a different set list from the ‘Live at the El Mocambo’ record, plus two new studio tracks we recorded over Covid. I produced those two new songs and it marks the first time guitarist Sean Kelly has been involved with recording of new Hatch songs. Sean stepped in to the lead guitar role in 2014 and we’re proud to have him.”
In addition to Curran and Kelly, the group also includes original members lead vocalist/guitarist Carl Dixon and drummer Dave Ketchum.
Regarding the two new tracks, the band was willing to give background info about each. Curran: “‘Heaven’s On the Other Side’ was written around the time we recorded ‘Coney Hatch Four,’ and we finally got around to finishing it during the lockdown. The message is simple…keep the faith and trudge on through the bad times because the good times are always just around the corner. I also felt I was long overdue to write another song about the devil!!”
Dixon: “I had an idea driving ‘It’s About a Girl’; women are wonderful, women got the power, women gave every one of us our life. We men will do anything to get their attention. It’s Always About A Girl.”
Along with the ripping live set recording, and 2 new unreleased tracks, ‘Postcard From Germany’ album will be bundled with a remastered edition of the band’s iconic debut record CONEY HATCH, produced by Canada’s favorite vocalist/guitarist Kim Mitchell.
This special edition 2 disc CD will only be available for purchase at the band’s live show and at your favorite local record stores.
DOKKEN‘s new album Heaven Comes Down is now out. The band has released 3 singles from it, and has upcoming shows in the US in November (dates can be found at www.dokken.net). I recently exchanged questions and answers with guitarist & songwriter Jon Levin about Heaven Comes Down and a bit about his past. As well I’ve added on a brief exchange I had with co-producer/engineer Bill Palmer. Enjoy the read, check out the clips & the new album, as well as the links below!
Heaven Comes Down is the first Dokken album in 10 years. Can you kinda talk about some of the things that went on over the last several years that set the band back (health issues..)?
Yes, unfortunately we had some physical issues to overcome, but everything seemed to work out! For me, no matter what happens I always look at it as there are other people that have far worse, so I just keep on plugging along and try and keep a smile on my face and move forward.
How did Heaven Comes Down come together, as far putting songs together, recording time, and signing with Silver Lining?
In the past Don and I would always get together and write collaboratively. But due to the Covid pandemic, on this particular album, we were not able to do that so we both wrote independently in our own studios and would email each other ideas. After the Covid vaccine was available, Don flew out to me and I would play music that I had here and we would work. It was a completely different process than we had in the past as in the past we would always get together, because Don used to live near me. As far as Silver Lining, I knew Rod Kukla, who is a VP at the label since I owned a label of my own back in the late ’90’s. We ran into each other when Dokken played the Wacken Open Air Festival in 2018 and that’s how it came about.
How does a Dokken song come to the recording stage – do you guys collaborate or write separately and bring ideas in? Are lyrics usually or always Don’s or do you both contribute fully written songs?
Well, it was during Covid and we were all quarantined. I spent a lot of time in my home studio, writing and recording and Don did the same on his end. I think the vibe of the world created from the Covid pandemic created musical inspiration for me. We would work via the internet. At some point after the vaccines were available, Don came out to my house and we worked in my studio. We have a truly special writing chemistry together. He is my musical soulmate. As far as lyrics, Don writes them on his own. Sometimes I play him a track and he comes up with them on the spot!
Heaven Comes Down is a solid hard rock album, and although there’s no blazing metal anthems (ala ’80s), the songs really suit Don’s vocals. Can you tell me if what sort of ideas or directions you guys discussed taking on this album?
We both wanted a heavier record but you just write and it is what it is. You can’t really force anything. Somehow on this one, I think we just managed to get lightning in a bottle. Since I am a long time Dokken fan, I think that I naturally write in a style that fits into the direction that seems to work. I understand that the music needs to fit into what fans are used to hearing from us and if I come up with something that I don’t think fits, I usually won’t even play it for Don. That said, I had the tracks for “Over the Mountain” and “Saving Grace” – neither of which I were going to play for Don; I said, “hey, I have 2 tracks that I don’t think will work”, and Don said play them for me anyway, so I did. As soon as he heard ‘Over The Mountain’, he sang the first line of the song and said it reminds him of old Gary Moore, “I like it.” So he finished it right then! Same for “Saving Grace”. They were both supposed to be throwaways.
Can you give me any stories, antidotes, … on some of the tracks(?) I love ‘Gypsy’ (and Don’s story behind it), but also ‘Fugitive’, ‘I’ll Never Give Up’, ‘Saving Grace’… Any tracks you’re particularly excited about?
For ‘Fugitive’, the intro riff came to me while on an airplane and it stuck in my head. When I got off the plane, I immediately sang it into my voice recorder. I demoed up the track and Don came out to my house and I played if for him. Here’s what amazes me about Don. There was a mic set up in front of him while he was listening to it and he started singing the lyrics and melodies to Fugitive on his first listening. Right off the top of his head he sang “I’m a Fugitive from life.” Fortunately, I was recording while he was singing. I knew I loved it right away and said , dude that’s freakin great!!!! Don is much more than a singer. He is a true instrumentalists and musician. It’s remarkable to watch him come up with lyrics and melodies on the fly like that. I’ve never seen anyone else do that. It’s truly something to see and it’s really exciting when we’re in a room together and that happens. We have a truly special writing chemistry together. About 4- 5 tracks came together that same way, one of which was “Gypsy”.
One track that really stands out is the last one – ‘Santa Fe’. Love the song and ending the album with such a unique song. Can you tell me a bit about putting that one together, and how it suits the record?
I had nothing to do with ‘Santa Fe’. Don did that one alone on his end and our engineer Bill Palmer played guitar on it. Don sent it to me and asked if I wanted to redo the guitar parts. I thought it was great and told him there is no reason for me to replay this.
Having such a lengthy and cool catalogue of songs to choose from, is it a challenge to put together a Dokken live set, particularly when you have something new out?
It is a challenge, because if we add a new song in, that means we have to take a classic song out. Either way someone is upset. We will be playing songs from ‘Heaven Comes Down’ for sure though.
Over that time away from recording any new Dokken (prior to Heaven Comes Down), were you involved in anything else (recording-wise…)?
I am constantly recording. I amassed about 2 other records worth of material during COVID. It is just not the right material to present for Dokken. I just write what I like. Sometimes I record ideas I like but for example, they are more instrumental, or stylistically, just not the right direction for Dokken.
Going back to your time before Dokken, can you tell me what sort of bands (any recordings) you were involved in, and can you talk about what lead you to go in law, And then get back in to playing in bands (w/ Dokken) in the early 2000s?
Before Dokken I played with Doro in the late ’80s. After that, I was in another band that got signed to Atlantic records which also was ’80s rock type material. After that didn’t work out, I moved to Los Angeles and had yet another band. Then grunge rock hit the scene and as soon as that happened there was really no more guitar soloing. I didn’t know what to do so I went to law school. It was just by chance that one day in 1998 Jeff Pilson called me and asked if I would play some solos. When I got that message, I was at my father’s house for dinner and he convinced me to go down and play. I really didn’t want to because I hadn’t played much Guitar for years at that point. I had a record label and a law practice. I had no idea it was for Dokken or frankly, I never would have gone. When I went to the studio to my surprise the whole band was there. I was still in a suit and tie from having been at work that day! I remember Don opened up the studio door, handed me a Guitar and told me to play. I ended up playing a solo on the demo for what later became “Maddest Hatter”, and on a song called the “Irish Song”, which was released as a bonus track in Japan. A few weeks after that Jeff called me and asked if I could play a show at the Dallas Starplex with the band on July 4, 1998, which I ended up doing.
Can you give me a few of your favorite players and bands from growing up, as well as a ‘top 10’ favorite albums from your younger years?
Eddie Van Halen, Jimi Hendrix, Eric Clapton, Randy Rhoads, George Lynch, Michael Schenker and Nuno Bettencourt. Favorite albums, in no particular order:
Van Halen
Van Halen II
Van Halen “Fair Warning”
Van Halen, “Diver Down”
Ozzy Osbourne, Blizzard of Ozz
Ozzy Osbourne, Diary of a Madman
Lynyrd Skynyrd, “One More For The Road”
Dokken, “Tooth N Nail”
Dokken, “Under Lock And Key”
Dokken, “Back For The Attack”
What are you listening to these days?
I just go on Youtube and find live clips of bands I like Jimi Hendrix, Michael Schenker, Eric Gales, Joe Bonamassa, etc…
From BILL PALMER : Bill Palmer co-produced Heaven Comes Down, as well he played the acoustic guitars on the final cut “Santa Fe” (something I hadn’t realized when I sent questions to Jon). I wrote Bill and he was kind enough to give some insight to the song, and it’s direction. Bill works as a producer & engineer out of Austin, TX, as well as his studio in the border town of Terlingua. “There’s an old church that I make a lot of records in. People come out here to get the desert border vibes. It’s magical! Very remote.” Bill is on Instagram (see below), and I’ve tagged on a local article about him. I asked Bill how the track “Santa Fe” came about, and kept as just an acoustic song to close the album – “Don had the idea that he wanted to do an acoustic “western” type song that painted a picture of his life and his move to the desert, a sort of spiritual journey. It doesn’t really have a chorus until maybe the very end. It just unfolds, much like his life….Don told me what chords he wanted, and I played the part. When it was all said and done, they liked what I played, and we left it”.…I like it. If anything, I hope he might do more of this type of songs in the future. “We’ve discussed it. The way his voice sounds nowadays really suits that type of sound.” I think that would be an awesome direction for him, especially with story-type things like ‘Santa Fe’, and ‘Gypsy’ or ‘Fugitive’ – “When we were starting to make the record, Don and I discussed songwriting and how he had so much to say. Hence the story songs on this one.”
TRAPEZE, the classic 70s British rock band from Wolverhampton have a new single out from the forthcoming Lost Tapes Vol. 1, CD, to be released November 24. The song “Breakdown”, featuring Glenn Hughes, Mel Galley and Dave Holland was recorded in the 90s. Check out the video clip below. *For more info check out :https://ramzine.co.uk/news/trapezes-breakdown-available-now/
The latest album from Avi Rosenfeld is out and is very much in the mold of classic Rainbow, featuring a pair of singers – Josa Tamas (from Hungarian bands Divided and Archaic), as well as Deibys Artigas from Spain. There are a number of players from around the globe on this, but it’s Canadian keyboard player David Stone (ex Rainbow, Max Webster) who is the guest star here, and leaves his mark playing Hammond organ & synths on the 10 minute epic “I Believe In The Sunrise”, with Rosenfeld delivering a fairly Blackmore-Rainbow era guitar feel throughout this one. Best cuts include “Down To The Waterline”, “Rock Down The Stage” (featuring Michael T Ross on keys, ex of Angel, currently of Aldo Nova’s band), and the last 2 here – the largely instrumental “Hey Uchnem”, and the excellent classic Rainbow/Purple type rocker “Out Of The Shadows”, dig the vocal, the backing vox, the Hammond organ from Michael Berry throughout this, and the guitar solo courtesy of Wellington Alves.
Enjoyed this album, and I’m sure anyone into classic rock that features Hammond organ will dig this. Cool album cover too – was someone drawing David Stone on this(?) *Check out the press info below, as well as links, and video!
“In the style of Dio, Rainbow, Iron Maiden, Jethro Tull, Judas Priest, Uriah Heep, Deep Purple …. “Burn The Castle” is tribute to the best Hard Rock and Metal bands of the 70’s and 80’s, Featuring the powerful voices of Josa Tamas and Deibys Artigas. “
“Rainbow’s David Stone is playing Keyboards on one of the songs, another time this dream come true. He wrote “Gates of Babylon” with Ritchie Blackmore, a great honor to have this guy on board. This albums features the mighty vocals of Josa Tamas and Deibys Artigas, super vocalists with mighty voices that cut through the mix straight into the heart. Together with super musicians from all over the world we recorded this cool album. A tribute to the times when music was real. We gotta keep the torch or Rock alive , Long Live Rock’n’Roll!”
“Now And Then” is the last Beatles song – written and sung by John Lennon, developed and worked on by Paul McCartney, George Harrison and Ringo Starr, and now finally finished by Paul and Ringo over four decades later. On 2nd November, “Now And Then” will be released worldwide at 2pm GMT / 10am EDT / 7am PDT.
Pre-order/pre-save “Now And Then” in a variety of digital, vinyl, and cassette editions, including Beatles Store exclusives.
A 12-minute documentary film will debut on November 1 on The Beatles’ YouTube channel at 7:30pm GMT / 3:30pm EDT / 12:30pm PDT and tells the story behind the last Beatles song, with exclusive footage and commentary from Paul, Ringo, George, Sean Ono Lennon and Peter Jackson. Watch the trailer today.
To be released on November 24 through Cherry Red is the long-lost collaboration by Glenn Hughes and Robin George. Originally recorded in 1989, this 13 track CD comes from the original tapes, and also features other former members of Trapeze.
A chance meeting between Glenn Hughes and Robin George eventually resulted in an invitation for Glenn to sing backing vocals for Robin and Sean Harris’ Notorious album, which lead to a full collaboration between Robin and Glenn. The album started life as a solo Robin George record and developed into ‘Overcome’, complete with four songs co-written by the pair; ‘Number One’, ‘Sweet Revenge’, ‘Don’t Come Crying’, and the title track.
Such was the faith and strength in the new recordings, that a major label deal was struck but fell through, leaving these recordings to languish in the vaults. Glenn is on fine form on the album, and among the 13 tracks of melodic, and occasionally funky, hard rock, one special treat is the track ‘Haunted’, essentially recorded by a reformed Trapeze, featuring Dave Holland, Mel Galley and Terry Rowley.
Glenn Hughes has quite rightly been hailed “The Voice Of Rock”, and for good reason. With a career that kicked off with Mel Galley and Dave Holland in Trapeze in 1970, followed by Deep Purple between 1973 and 1976, Glenn would also form Hughes / Thrall, join Black Sabbath, enjoy a successful solo career, collaborate with artists as varied as Gary Moore, Joe Lynn Turner and the KLF, founding Black Country Communion and California Breed, and fronting The Dead Daisies.
Over the years, Robin George has collaborated with many musical legends, from Led Zeppelin’s Robert Plant, Thin Lizzy’s Philip Lynott, Uriah Heep’s David Byron, UFO’s Pete Way, John Wetton & Asia, Daniel Boone, Raymond Froggatt and the Quireboys’ Spike. As a native of Wolverhampton, it’s no surprise that a musician of Robin George’s caliber would cross paths with local heroes Trapeze.
TRACK LISTING:
1 Flying 2 Overcome 3 I Want 4 Haunted (featuring Trapeze’s Dave Holland, Mel Galley & Terry Rowley) 5 Number One 6 Sweet Revenge 7 The American Way 8 Machine 9 Steal My Heart 10 Things Have Gotta Change 11 Don’t Come Crying 12 Loving You 13 War Dance
Mott The Hoople “All The Young Dudes” 50th Anniversary Edition Box Set With Newly Remastered Audio Out December 8th on Madfish Music
Legendary Rock act Mott the Hoople celebrate the 50th anniversary of their landmark album “All The Young Dudes” with a limited edition deluxe box set, featuring newly remastered audio, due to be released on Madfish on December 8th. The remastered album will also be made available as a limited edition double orange vinyl LP.
Originally released in the UK on the 8th of September 1972, the title track (penned by David Bowie) became their highest-charting hit single, the record also included the definitive cover of Lou Reed’s “Sweet Jane” alongside the inventive and suggestive “Momma’s Little Jewel”, the Stones-styled “Jerkin Crocus” and Mick Ralphs’ heartfelt “Ready For Love”.
Mott the Hoople’s 5th studio album remains a special and vital record. Cited as an inspiration from artists that span the world of Rock ranging from Queen, The Clash and Kiss to Primal Scream, Mötley Crüe and Def Leppard’s whose frontman Joe Elliott still to this day remains a devoted fan.
“Mott the Hoople was the greatest rock’n’roll band ever” – Joe Elliott (Def Leppard)
“Raw, fun, angry, glorious and jagged… Mott was everything” – Brian May (Queen)
“If it hadn’t been for Mott, there would be no us” Mick Jones (The Clash)
The band oozes attitude and unpredictability and have recorded a peerless legacy of songs that combine homage, honesty and killer hooks. Mott the Hoople occupy a unique place in the annals of international Rock music.
Ian Hunter, the band’s lead singer has been cited as one of the most inventive writers of the early Seventies, linked to the Ziggy Stardust story, Mott’s rendition of “All The Young Dues” remains the definitive version of Bowie’s masterpiece. It’s a record that proved to be inspirational and still excites and resonates decades later.
‘All The Young Dudes’ will be released on December 8th 2023 on Madfish as a high quality, limited edition 5-disc deluxe box set that includes rare tracks and previously unreleased song versions.
See below for the full contents of “All The Young Dudes” boxset: • 2LP in Gatefold Sleeve – LP1 Remastered Album / LP2 Rare Mixes and Sessions Tracks • 2CDs: CD 1 Remastered Album / CD2 Rare Mixes and Sessions Tracks • 12” Single with rare ‘Unlocked Cars’ version of “All The Young Dudes” + “One Of The Boys” (rare UK B-Side) • 72-Page Hardback Book with liner notes by Mott the Hoople and Ian Hunter biographer Campbell Devine • 2 Posters, 3 Art Prints, ‘Sea Divers’ Fan Club Card and an Individually Numbered Certificate
Mott The Hoople – All The Young Dudes (50th Anniversary Box)
LP1 (All The Young Dudes – 2023 Remaster) Side A 01 Sweet Jane 02 Momma’s Little Jewel 03 All The Young Dudes 04 Sucker 05 Jerkin’ Crocus Side B 01 One Of The Boys 02 Soft Ground 03 Ready For Love / After Lights 04 Sea Diver
LP2 (Bonus Tracks)
Side C 01 One of the Boys (1980 remix of 1971 Island Recording) 02 Black Scorpio (1980 remix of 1972 Island Recording) 03 Movin’ On (1980 remix of 1972 Island Recording) 04 Ride On The Sun (1980 remix of 1972 Island Recording) 05 All The Young Dudes (1998 Bowie / Hunter Vocal Audio-morph) Side D 01 One Of The Boys (Edited Version) 02 Sweet Jane (US Single A-side) 03 Shakin’ All Over (Trident Session outtake) 04 Please Don’t Touch (Trident Session outtake) 05 So Sad (To Watch Good Love Go Bad) (Trident session outtake) 06 One Of The Boys (US Single A-side)
CD1 (All The Young Dudes – 2023 Remaster) 01 Sweet Jane 02 Momma’s Little Jewel 03 All The Young Dudes 04 Sucker 05 Jerkin’ Crocus 06 One Of The Boys 07 Soft Ground 08 Ready For Love / After Lights 09 Sea Diver
CD2 (Bonus Tracks) 01 One of the Boys (1980 remix of 1971 Island Recording) 02 Black Scorpio (1980 remix of 1972 Island Recording) 03 Movin’ On (1980 remix of 1972 Island Recording) 04 Ride On The Sun (1980 remix of 1972 Island Recording) 05 All The Young Dudes (1998 Bowie / Hunter Vocal Audiomorph) 06 One Of The Boys (Edited Version) 07 Sweet Jane (US Single A-side) 08 Shakin’ All Over (Trident Session Outtake) 09 Please Don’t Touch (Trident Session Outtake) 10 So Sad (To Watch Good Love Go Bad) (Trident Session Outtake) 11 One Of The Boys (US Single A-side)
Vinyl Single – 7″ Side A 01 All The Young Dudes (‘Unlocked Cars’ Version) Side B 01 One Of The Boys (UK Single B-side)
The 2nd of 2 albums by British progressive band FAMILY to include John Wetton on bass is getting an expanded CD release. Bandstand featured the hit “Burlesque”, as well as favorite “Coronation”, which included Wetton as a co-writer. The band lead by singer Roger Chapman and guitarist John ‘Charlie’ Whitney released 1 further album in 1973 (minus Wetton) before going on to form STREETWALKERS. John Wetton left after this album to join KING CRIMSON. This expanded version includes 5 excellent live BBC tracks from October of ’72, notably the acoustic “My Friend The Sun”, great stuff! Looking forward to hearing the 3-disc version of the previous FAMILY album Fearless. *Check out the press release, as well as ordering info and links below!.
Family “Bandstand” New Remastered and Expanded Edition Available November 24, 2023
• NEW REMASTERED AND EXPANDED RELEASE OF THE CLASSIC 1972 ALBUM BY FAMILY.
• REMASTERED FROM THE ORIGINAL MASTER TAPES WITH 10 BONUS TRACKS, FULLY RESTORED ARTWORK AND NEW ESSAY.
Released in September 1972, Family’s “Bandstand” was the second to feature a line-up vocalist Roger Chapman, guitarist John “Charlie” Whitney, drummer Rob Townsend, bassist and vocalist John Wetton and multi-instrumentalist John “Poli” Palmer on vibes, keyboards and flute and followed the success of the album “Fearless” released the previous October.
The album featured such classic tracks as “Burlesque” (a UK Top 20 hit single), “My Friend The Sun”, “Glove” and “Coronation”. The recording sessions also featured guest vocalist Linda Lewis on the powerful “Broken Nose”.
This new expanded edition has been newly remastered from the original master tapes and also includes ten bonus tracks drawn from the single “The Rockin’ Rs”, unreleased studio out-takes from May 1971 and a BBC Radio session from October 1972. This new expanded remastered release also features an illustrated booklet with a new essay.
TRACK LISTING:
1 Burlesque 2 Bolero Babe 3 Coronation 4 Dark Eyes 5 Broken Nose 6 My Friend the Sun 7 Glove 8 Ready to Go 9 Top of the Hill Bonus tracks 10 The Rockin’ Rs (B-Side of single) 11 Coronation (first version – Olympic studios May 1972) 12 My Friend the Sun (first version – Olympic studios May 1972) 13 Glove (first version – Olympic studios May 1972) 14 The Rockin’ R’s (first version – Olympic studios May 1972) 15 Ready to Go (BBC Session October 1972) 16 Dark Eyes (BBC Session October 1972) 17 Burlesque (BBC Session October 1972) 18 My Friend the Sun (BBC Session October 1972) 19 Coronation (BBC Session October 1972)
Outsider Rock 