Tag Archives: John Wetton

URIAH HEEP – A Look At High and Mighty

Among the Heep faithful there are 3 albums that tend to stir up the most controversy and conversation, and often one of them is cited as the band’s ‘worst’ album by many fans or rock historians. I’ve already written previously my support for Conquest and for Equator, both albums that land at the bottom of any Heep album ranking, and the 3rd in that trilogy would be 1976’s High and Mighty – the last to feature original singer & founding member David Byron. Frankly, none of these 3 land in the bottom 3 for me, in particular High and Mighty, an album I rank in the top half of the band’s catalogue.

High and Mighty came at the end of a very busy period for the band. In ’75 – the band had changed bass players, adding John Wetton in place of Gary Thain, who had been fired, and the band got down to releasing Return To Fantasy in the summer of ’75. Ken Hensley also had his 2nd solo album Eager To Please released not too far off from that. A huge world tour followed the release of that Heep album, followed by David Byron’s solo album Take No Prisoners, and a Best of Uriah Heep issued in most markets (except for North America). So, to say High and Mighty might’ve been rushed soon after is more than likely. Despite Return To Fantasy being a huge success in the UK, the band’s last few albums were selling less in North America, and with this perhaps was the motivation to ‘fire’ Gerry Bron as the new album’s producer and produce it themselves. But, where as RTF had many more band co-writes and member contributions, High and Mighty would consist of entirely Ken Hensley penned tracks, with Wetton getting 2 co-writes. Ken has stated in the past the album felt more like a solo album, and both he and Wetton noted that not much of the band were around at the time, leaving the 2 of them to take on most of the production, aided by engineer Ashley Howe.

John Wetton’s presence is felt immediately on the opening track “One Way Or Another”, in which he takes the lead vocal. A fantastic beginning to this album with the opening guitar riff coming in with a fresh new strong sound, before Wetton’s bass, then drums and organ join in. This is a standout track, and a shame it never got a proper single release. There would be no global single from this album, with this song being issued in the UK (limited), and nothing in North America. David Byron was apparently off with chicken pox at the time of recording this track, so that was the reason given for Wetton’s lead vocal. John recalled in an interview that when David did come back he went in to sing the song, part way through stopped, saying that it was fine the way it was. “Weep In Silence”, a heavy guitar driven ballad, with Hensley’s distinct guitar sound throughout and a great vocal from Byron remains a fan favorite from this album, though it was never played live. “Misty Eyes” starts out gently with Byron singing the opening lines alone before the band comes in softly with acoustic guitar, organ and drums. A good lighter pop song that would’ve made a catchy single, IMO. The first side ends with “Midnight”, the longest track on the album, and most progressive,. An often overlooked epic in the band’s catalogue, and although Wetton didn’t get a co-write on this Or on “One Way Or Another”, his performances (bass, guitar, keyboards, vocals or backing vocals) make these 2 tracks his greatest contributions to his time with the band.

Side 2 opens with the anthem “Can’t Keep A Good Band Down”, a response and dig at the band’s critics. A good upbeat rocker that would’ve (again) made for a fine single. A shame the song would never feature in the band’s live show back then or ever. Next up was the pop-rock of “Woman Of The World”; a good tune, tho’ a bit on the lighter side. Might’ve made a decent single, but like a number of tracks here it lacks an extended solo or something unique as the song merely fades out quickly after the last chorus. “Woman Of The World” would include the band’s message to Bron in the harmonies – You can stick this contract up your flue “Footprints In The Snow” is a favorite of mine on this album, co-credited to Wetton. Love the mix of acoustic and electric guitars organ, and harmonies. An underrated classic from the Byron era, IMO. From here, despite how much I love this album, I can see how critics might disagree with my enthusiasm, as the next 3 tracks drop off a bit, especially the funky keyboardy “I Can’t Stop Singing”. I never ‘got’ this song, and listening to it now, I still don’t. . tho’ it’s not bad, and David sounds convincing on the verses, but the chorus… meh…. “Make A Little Love” is a guitar blues n boogie number, featuring slide guitar. Sounds like it could’ve been a good old school jam rocker, but it ends too early, like a few tracks here, sounding rushed . This one did make it in to the live set on the High & Mighty tour, but like the rest of the album was never played again (aside from Ken resurrecting a track live with John Wetton). The album ends on a high note, but a sad one with “Confession”, with David delivering an apologetic lyric on Ken’s piano ballad. It’s an excellent, moving ballad that sits behind the band’s previous ballads “Rain” and “The Easy Road”. A shame it ends so soon.

In 1995 I interviewed John Wetton and he recalled no leftover tracks being recorded, but sure enough 2 outtakes would eventually be released. “Sunshine”, a good upbeat number; love Lee Kerslake’s intro and playing here. The other cut is the guitar heavy “Name Of The Game”. This song appeared in another version on Ken Hensley’s From Time To Time album in ’94 (an album of solo outtakes and demos), as Ken had recorded the track in the late ’70s with members of Bad Company. A great heavy riff to open this song, fantastic delivery from David and slide guitar from Ken. To me, this sounds like it wasn’t totally completed or mixed well enough, hence it’s lack of inclusion on the album, but a crying shame this wasn’t totally finished and cleaned up and included – could’ve made for a very different outcome of an album that is often brushed off as “lightweight”.

High and Mighty received a huge press bash at the time in Switzerland, where James Bond was filmed. But after that the album dropped – with no worldwide single, and little push. As the band toured the US before it’s release – with no single on the radio or record in the shops, High and Mighty was kinda doomed. The tour saw Ken Hensley leave the band and return, and David Byron fired at the end of the European tour. John Wetton had already made up his mind due to the internal conflict, and and left as well. Many fans wrote the band off after David Byron was dismissed, and the band’s profile and album sales would continue to sink in North America.

But really, I kinda love this album. I realize it may be seen as lightweight or too much of a Ken Hensley solo project by many old Heep fans, but to me it had a new fresh approach and sound following Return To Fantasy and Wonderworld. The band experimented, did something new, and High and Mighty offered up a number of tracks that would’ve made fine singles. With John Wetton having a major hand in it, it sounded much more modern in tune with UK nd Asia, and a forward step from the band’s previous albums. Heck, I even think the album cover art is pretty cool!

KJ, 02/’22

ASIA 2 – The Marquee London Live ’86

A rare configuration of this band, which played 3 nights for a charity [see my recent interview with Robin George]. This recording comes from the 2nd night at The Marquee. It is an impressive set of Asia favorites, mixed in with a few of Robin’s solo hits, a track from the Wetton/Manzanera album, a Beatles’ cover, solos from Don Airey (is there a band this guy hasn’t played with?) and Carl Palmer, plus 2 studio tracks! The sound quality is OK [not superb], recorded on video cam and the desk (according to Robin). But this should appeal to Asia and Wetton fans, as a rare and historical set, and I’ve heard much worse! And judging from the crowd and John’s performance and intros between songs, it must’ve been a good evening. This show has been bootlegged previously, from different sources, [curious about the absence of a few songs here (!?)] *Studio track “Wasted Time” features John and Robin, while “Johnny” is a solo track from Robin – “Johnny was written for all the friends I’ve loved and lost, but inspired by a real close friend!” A nice add for John Wetton and Asia fans.

Order via – www.robingeorge.co.uk

KJ. 12/’21

Alan Simon’s Excalibur V : Move, Cry, Act, Clash!

Well, I don’t much about Alan Simon or this series of Celtic rock opera Excalibur releases. This being my first take on the project which previously released 4 studio and 2 live albums featuring different musicians on each one, though there are a few holdovers. I do know that Cherry Red recently released the first 4 Excalibur studio albums plus a couple of live shows in a 6 CD box – https://www.cherryred.co.uk/product/excalibur-the-20th-anniversary-box-set-6cd-2dvd-boxset/

As a fan of many of the artists involved this is an outstanding concept release that features singers such as Bernie Shaw, Roberto Tiranti and Michael Sadler singing in styles they may do with their respective bands. And with that said, that contributes to the appeal here as these singers deliver performances like they have never before. Amazing performances, as well as from the various musicians such as Steve Hackett, Martin Barre and John Helliwell, among others. The last track is a wonderful surprise, as it features the late great John Wetton singing a ballad, “The Vision”.

An amazing production from Alan Simon, who has written and assembled a stellar cast here. As a Heep fan it is really something to hear Bernie [who delivers quite a theatrical intro] and Roberto [Ken Hensley’s Live Fire] sing in such a different project.

*For more info check out these links, as well as the press release below….

https://www.cherryred.co.uk/product/alan-simon-excalibur-v-move-cry-act-clash/

https://www.facebook.com/Excalibur.The.Celtic.Rock.Opera/

Alan Simon’s Excalibur V – Move, Cry, Act, Clash! 

Featuring:

John Wetton (Asia / King Crimson)
Steve Hackett (Genesis)
John Helliwell, Jesse Siebenberg (Supertramp)
Bernie Shaw (Uriah Heep)
Martin Barre (Jethro Tull)
Jeremy Spencer (Fleetwood Mac)
Michael Sadler (Saga)
Roberto Tiranti (Labyrinth)
Jerry Goodman (Mahavishnu Orchestra)
Shira Golan & Miriam Toukan (The Peace Tent Project)

Move, Cry, Act, Clash! is the fifth part of French musician and producer Alan Simon’s legendary Celtic rock opera series Excalibur.

Featuring Alan Simon, John Wetton, Steve Hackett, Bernie Shaw, Jerry Goodman, Martin Barre, Jeremy Spencer, Michael Sadler, Roberto Tiranti, John Helliwell, Jesse Siebenberg, Shira Golan and Miriam Toukan.

Move, Cry, Act, Clash! concludes its 12 tracks with “The Vision” featuring the legendary John Wetton (King Crimson/Asia) in a beautiful tribute to the friendship and respect between these two musical giants.

Alan Simon is a Breton songwriter and director. Author of modern operas, his works are performed in various national theaters (Russia, Germany, France …). More than 300,000 spectators came to applaud Excalibur or Tristan & Yseult. Alan has obtained several gold and platinum records and his creations have received several awards. In the USA, Alan won the Grammy for best producer in 2008 and for best song, “Circle of Life,” performed by Jon Anderson of Yes. His album Big Bang (2018) is the soundtrack of the City of Space in Toulouse (an educational park about the conquest of space). After the film O Gengis in 2005 (with Omar Sharif and Jean Reno), he has just finished Monsieur Constant, his second film for the cinema, which is in production during 2021. Today Alan wants to go on tour around the world with his extraordinary musical round table where many legends of folk and rock meet.

“‘Excalibur’ brought me a lot of happiness because by creating this musical round table, I had the great chance to collaborate with incredible rock and folk legends, pillars of mythical groups: Yes, Supertramp, Fleetwood Mac, King Crimson, The Moody Blues, Alan Parson, Asia, Barclay James Harvest, Genesis, Fairport Convention, Runrig, Jethro Tull, Saga, Uriah Heep… Since its creation 20 years ago ‘Excalibur’ has represented 5 studio and 3 live albums including 120 original tracks. Offering a new album is not trivial. You have to give everything. So I made this opus V by investing myself 100% with an ‘old-fashioned’ production. No home studio but the joy of living in a large studio (Drums code studios in Italy) with great soloists and a fantastic symphony. Then I contacted magical interpreters that I like. What a joy to hear the guitars of the legendary pillars of Genesis and Jethro Tull: Steve Hackett and Martin Barre or the voices of Supertramp from Saga and Uriah Heep: Jesse Siebenberg, Michael Sadler and Bernie Shaw without forgetting this incredible talented singer Roberto Tiranti. We spent 6 months in a mixing studio with an average of 100 tracks per title. I hope that this more rock album than the previous ones will sign a real return on stage of this universal legend, ‘ever green’ say the English. Thank you to all those who supported ‘Excalibur.’ After 300 000 spectators in 4 tours, I hope that this musical round table finally finds its audience under the aegis of sharing. These 12 new songs underline the urgency to get moving for our planet. More than ever our destiny is in our hands. And everything is good to take. The concept of Excalibur and its musical knights must contribute to this new start. Artists can (and must) get involved more than ever.” – Alan Simon

Track Listing:

1 Move, Cry, Act, Clash
2 The Prisoner
3 The Last Bird
4 Messaline
5 I Said Shout
6 Heaven
7 The Lady of the Lake
8 When Your Feelings Grow
9 Wake Up (Before the Last War)
10 Hey
11 A Brand New Day
12 The Vision

To pre-order: https://www.cherryred.co.uk/product/alan-simon-excalibur-v-move-cry-act-clash/

ASIA – Heat Of The Moment (new single)

Asia’s debut album from 1982 featured a number of hits, but it was the lead off single that was most successful and became the band’s trademark song, as it would for John Wetton. The song became a Top single in at least a half a dozen countries, as well as #1 on Billboard’s mainstream rock charts. In a 2011 interview with http://www.rediscoverthe80s.com John Wetton explained the song – “The lyrics are an abject apology for my dreadful behavior towards a particular woman (the woman I would eventually marry, but divorce 10 years later), the chorus began its life as a 6/8 country song, but when Geoff and I started writing together, we moved the time signatures around, and “Heat of the Moment” emerged. No-one else particularly “got” the song, and it was the last song to be recorded for the album…”

Hearing this song always takes me back to when this first came out, and hearing it daily either playing pool at a neighbor’s house (with the radio on) or listening to it on my walkman while delivering papers. Years later I got to interview John Wetton, and he was happy to talk about Asia and that song. It would feature on every Asia collection, as well as every John Wetton live release.

Today sees a ‘live’ release of the classic track, from the band’s upcoming release Official Live Bootlegs Volume 1, to be released through BMG Records on 26th November 2021.

Pre-order it here:- https://asiaband.lnk.to/OLB1PR

The live single version of “Heat of The Moment” was recorded live at Kleinhan’s Music Hall, Buffalo, NY, USA on 3rd May 1982. This performance came just days into their debut US tour. They were already selling out 2,000 – 5,000 seat halls. Within weeks, on the strength of an unprecedented amount of radio play and heavy rotation of their videos on MTV, their box office draw exploded.

Geoff Downes, who co-wrote the track with the late John Wetton commented: “Just before we went into the studio to record the first ASIA album, we realized we were one track short. So John and I sat down one afternoon and came up with “Heat Of The Moment.” He had the chorus, I had the verse and we literally put the ideas together there and then. I’m glad we did, because it became the lead-off single from the album and really established the band in the mainstream pop/rock charts. It’s hard to say whether or not the album would have been as successful had we not had this track, but for sure it certainly created a lot of momentum for us at the time. I’m proud of it, as it shows the instant magic John and I could work together as songwriters, and it still remains relevant 40 years on.”

The Official Live Bootlegs Volume 1 celebrates the huge appeal of the concert tours that followed ASIA’s first two albums in 1982 and 1983. The success continued following ASIA’s 25th anniversary reunion in 2006 and three more highly acclaimed albums. The slipcase boxset features 5 x 2CD concerts from 1982 (Buffalo, NY, USA), 1983 (Worcester, MA, USA), 2007 (São Paulo, Brazil), 2008 (Tokyo, Japan) and 2010 (London, UK).

11/’21

ASIA – Archive Interviews with Geoff Downes and John Wetton

Geoff Downes: “The Drama Of Yes & The Heat Of The Moment” - Alchemical  Records

With the release of 2 ASIA box sets in 2021, I’d thought I’d tidy up and re-share these interviews I did years ago – one with John Wetton [2008] and one with Geoff Downes [2012]. Earlier this year BMG released The Reunion Albums slipbox [5CDs], and next month will release The Official Live Bootlegs : Volume 1. Next March marks the 40th Anniversary of the band’s debut album, let’s hope there’s something special being planned for release. RIP John.

ASIA Rises Again With Phoenix

This interview was done via email in 2008, following the release of Asia’s first comeback album Phoenix.  For whatever reason, it did not all appear as I’d written it, so here is the complete thing.   I’d originally sent questions for John Wetton and Geoff Downes, but only ever heard back from John.  

What was the catalyst and, I guess – major reason or criteria for the original line-up of Asia to reunite? And was it with the understanding that it would have to be a long term commitment [w/ new recordings] – as opposed to just a one-off tour?

It really started with ‘Rock of faith’,  a solo album from 2002,where Geoff and I wrote a song “I’ve come to take you home”, for the first time in many years.   From that came the Icon project,  and so on to Asia.  

Over the years the reunion rumor had come up several times.  How much had you guys kept in touch or had you sort of kept ‘tabs’ on each other over the years?  AND, How well did the initial reunion shows go? Did they meet or exceed expectations?   What have been some of the highlight concerts in the past 2 years?

Extremely well,  and by the time we were halfway thru out 17-date US tour,  we had an offer for Japan,  and the UK.

On Phoenix John & Geoff resume as the band’s main songwriters.  How easy was it to pick up your songwriting partnership after so many years?
 
As I explained in the first question,  the ice had been broken,  and we were used to working again with each other.  The spark was still there.

With John & Geoff doing most of the writing, how is an Asia song [well, on Phoenix and the next album] generally put together?   And what sort of input do Carl and Steve have? 

Carl is not really a writer, and Steve tends to write on his own, but Geoff and myself enjoy the process of writing as a partnership.

    
How was the atmosphere and feeling – being together as the original Asia band again in the studio and on stage?  

Much better than the first time around!   We enjoyed ourselves,  and banished some ghosts from the proceedings.

Phoenix is a great album, but it was more of a ‘grower’ from me because “Never Again” is such a powerful lead off rock track, but then the album really varies and includes more acoustic and softer songs.  Did you guys have any idea what you wanted the album to sound like – or be a heavier or lighter album?

We just wanted it to be a representation of us 25 years on from our first outing. there are nods to our past, but the music is exactly what you get when you put those 4 musicians back on stage or in a studio. My one regret is that we didn’t have Mike Stone around to complete the circle,  but that was not possible, as Mike is sadly no longer with us.
    
Never Again is a very uplifting and memorable song.   Can you tell me what inspired that one musically and lyrically?  

It’s virtually the Ten commandments.   About never wanting to be judgmental, murderous or have evil intent.  It’s musically quite hard-hitting.   With the guitar intro, and powerful chorus, it is reminiscent of ‘Heat of the Moment’, but it was not intentionally so, and I think that is ok.
‘Parallel Worlds / Vortex / Deya’ is quite a melodic – progressive centerpiece to the album. Was this originally written as one song or separate pieces?   Can you tell me how this song developed in to such an epic?

Yes,they all come from different periods. Deya was written in 1976,in Deya, Mallorca, Spain.   Parallel Worlds was written in the Seneca Hotel, Niagara Falls, and was originally titled, ‘Sitting on top of the World’.  Geoff wrote ‘Vortex’ quite recently.

How have the new songs been received live? Does there seem to be any fan favorites or faves that you guys enjoy performing?

Yes,’Never Again’,  and ‘An Extraordinary Life’ go down very well in the live set.

Geoff and John are currently working on a new Icon album.   How is that going?   And is there any separation between Icon and Asia songs when writing?   [I mean, any difference in what you’re writing or intending the songs for?]
   
We’re quite a long way into the record now,  on overdubs – vocals, keyboards, etc.   Should be finished by December sometime.


    
You’re also going on tour as Icon.   How are these shows?   Any different approaches to an Icon performance?

Yes, it’s very different from Asia.   We have a cello (Hugh McDowell),  and will have a female vocalist (Icon has duets).
   
When might we see another Asia studio album?  Do you guys have any definite or tentative plans?

No plans as yet, but why not?   We waited over 20 years for Phoenix, we don’t need to put out 2 records in 12 months.

As the original Asia was a fairly short-lived, straight to the top band in the early 80s. Do you guys feel you have something to prove to critics since reuniting?

Only to ourselves, and on a personal level, not musical.

Any solo albums in the future?

Yes, 2009 should see another solo record.

You were friends with David Byron for years; have you had a chance to check out the new Byron Band release from Damage Control Music [Robin George]??  Any contact with Ken Hensley or other Heep alumni since your own comeback?  

I still have contact with Kenny, and Mick from the band.   I was unaware of the Byron action.
    
You and Carl both had serious health issues in the past 2 years.  How has that affected your drive and desire to create new stuff?  And are you guys in to some new routines brought about by these health issues?

Only as far as exercise and diet, we still have the desire to play, and to create.

KJ,  July 2012

ASIA – new album XXX

XXX had received rave reviews, many hailing it as the best since that first album. Geoff Downes is the band’s keyboard player and major songwriter – having contributed to such classic Asia songs as “Heat of The Moment”, “Only Time Will Tell”, “Don’t Cry” and numerous others [along with John Wetton]. Prior to Asia, Geoff had been part of “The Buggles”, before joining Yes for the Drama LP in 1980, a band he rejoined in 2011.  In this interview Geoff discusses Asia’s ‘new’ reunion era, as well as the album XXX, as well as reflects on the band’s historic debut album.


What are the challenges and rewards this time around with the line-up of Asia? [What makes things easier and more rewarding, and what has changed that you need to work harder or differently at?].

Whenever we make a new album, it’s always a challenge. Not only to write the material, but also make sure we can do it justice in the live setting. The reward is knowing we have new music to play to people, not just relying on the early ‘classic’ material. Simply, nothing has really changed since we began the band. The main suspects are all still there – alive and well, thankfully!

First, just wanted to ask you – what have been some of the highlights since the band returned in 2006?

It’s been interesting to say the least. We all went into it not really with any great expectations or plans for the future. It seemed a nice path to take for all of us at the time and since then it’s been hugely enjoyable. That’s one of the main reasons that it’s still a going concern today.

Can you tell me a bit about some of tracks from ‘Phoenix” and “Omega”, such as “Never Again”, “An Extraordinary Life”, “I Believe” and “Finger On The Trigger”? [these being my favorites. Curious if you’d have any particular faves?]   “Finger On The Trigger” was first recorded with John Wetton, but re-worked for “Omega”.  Curious if there’s other tracks from “XXX” that may have been around for a while?

We wrote most of the material for these albums in dedicated writing periods before the start of the albums. Actually, with the exception of FOTT which had already recorded on the ICON CD Rubicon by John and myself. I think the record label saw it as being appropriate as an ASIA song. NA & AEL all written specifically with ASIA in mind. No actual full songs remain from these albums, but there are some interesting unused snippets of ideas.

You stuck with Mike Paxman as producer again, as opposed to producing yourselves. How was Mike to work with?

Mike did a great job with Omega, and provided us with a comfortable and relaxed environment in the studio. We felt he kept a very good balance between all the band members not only musically but also personally. We got to know him as a friend too, and so we had no hesitation in asking him back to help us make the XXX album.

The songs on XXX are mainly written by yourself and John Wetton. How did that work out, as [going back to the first album] – there was more band credits? [Might we hear more from Steve and Carl in the future?]

Certainly, historically a fair percentage of the band compositions have emanated from John and me. That’s not to say that that diminishes Steve’s contributions. Actually, Steve has 3 co-writes on this XXX, which is the same as he contributed on ASIA. But yeah, a full group composition might be interesting for the next album!

What is the ‘process’ of yourself and John writing together? Do either of you tend to come up with more of the words, or more of the melodies, etc… ? 

The music is usually jointly collated. It’s quite rare that any of our songs end up as being the whole of one our individual ideas. I think that’s the beauty of it and why it works so well, is, that weave together two of our ideas and come up with – well, something different. John does most of the lyrics, but I’ll throw in the odd title or line here and there. I think it’s important for John that HE believes in what he’s singing about.

Can you give me a few lines on your Asia bandmates? [Having worked them 30 years ago, and currently, and what’s changed in the way you all get along and work together]

The thing with this band is that we are all very different personalities. In the early days, this could at times cause conflict, or conversely work in a very positive fashion. Since we got back together we have focused collectively on the latter. There’s a very strong level of respect between the four of us, and the chemistry is still there. That’s what’s important.

The new album seems [IMO] a bit more upbeat/rockier. I love “tomorrow The World” [and that intro], “Face On The Bridge”, Bury Me In Willow”, “Judas” …  Can you give me a few lines about some of the songs – as to what inspired them or how they came about, lyrics, etc…?

We wanted to give the fans something a bit more upbeat this time. That’s not to say our previous albums have any less substance. It’s sometimes just how they turn out in terms of balance, but it’s not possible to second-guess this when you embark on a new album such as XXX. The songs are based on hope and inspiration. They are more spiritual without being religious. But bottom line is, it’s better to listen to music than talk about it to be honest.

I enjoyed “Phoenix” and “Omega”, but think this album is stronger all around. How happy are you guys with its outcome and how it stands up with previous Asia albums?

Honestly, we think it ranks up there with some of our best historical work. Having said that, some people will get more out of one album than another, so it’s all a matter of choice and personal taste really. I think we’re more proud of the fact that, we’re still here making fresh and inspiring new music 30 years on. That’s more than quite a lot of bands could say these days!

You’ve also done 2 videos for this album [Face On the Bridge and Faithful]. Might there be any further videos to promote any other tracks?

No, that’s it. Two’s enough!

You guys obviously have a lot of material to choose from for a live set. Curious how much of the new album will be featured, and what ‘staples’ are there from the previous 2 albums?

The set will be made up of all the ASIA albums that have featured the four original members. Of course there will be some of the signature songs from the first two 80’s albums, but we will also be incorporating material from the last three.

This year marks the 30th anniversary of the debut album. Reflecting back, what are your fondest memories of that period and what can fans expect [aside from the CD re-issue] to commemorate its release? Any chance there’ll be a live performance of that complete album?

There are many great memories to savour when that 1st album really took off, too many to mention. We had worked long and hard on that for a year prior to its release, so our efforts were thoroughly rewarded. It was an exciting time for us. So it might be appropriate to turn the clock back and play the whole of that album again, like we did on the first tour. But there again, a show is all about balance, and it’s important for us to feature the newer music as well.

Beyond Asia, what else are you working on these days? Any Yes projects, solo outings, … ?

Well yeah, aside from recording the new ASIA CD, I’ve been involved with a number of projects over the last year or two. Specifically, my return to YES which has been a real privilege, and great fun to be back involved with those guys again. But also, I’ve been working with singer/songwriter Chris Braide on an album, as well as a whole host of other projects, so it’s very busy times for me right now!

KJJ,  July 2012

LINKS:

https://asiaband.lnk.to/OLB1FA?fbclid=IwAR0odqihqVus8Ur7XyZqSpBITlkunXyI_OhjcwdXU73QrRUMcdlnYXHIhb0

https://asiaband.lnk.to/reunionalbumsFA?fbclid=IwAR1pv0tQ00d6wzPpD3HZis_BLN4l_ARsePUGf4fGLWlbncax6o_kW6kuI-k

https://johnwettonlegacy.co.uk/

https://www.facebook.com/groups/1377795682293955

https://geoffdownes.com/

https://www.facebook.com/Geoffrey.Downes.Official

https://www.facebook.com/asiatheband

KJ, 10/’21

ASIA – Official Live Bootlegs: Volume 1, Box Set To Be Released.

The Official Live BootlegsVolume 1 Out on 26th November
12th October 2021: Multi-platinum selling English supergroup ASIA are to release a 10CD boxset The Official Live Bootlegs Volume 1 through BMG Records on 26th November 2021. There will also be a digital album featuring a selection of 24 tracks taken from the full boxset, out on the same day.

Pre-order it here:-https://asiaband.lnk.to/OLB1PR

When ASIA came out on the scene in 1982, they were a huge global success with their debut single “Heat Of The Moment” and debut album – which was #1 on the US Billboard charts for 9 weeks! The band was instantly dubbed a ‘supergroup’ based on the success and achievements of it’s band members – ASIA: Geoff Downes (The Buggles, YES, keyboards), Steve Howe (YES, solo, guitars), Carl Palmer (Emerson, Lake & Palmer, drums) and John Wetton (King Crimson, UK, Uriah Heep, bass/vocals).

Asia Discography - Progrography

The original foursome recorded just 2 albums, the self-titled debut, which also included the hits (“Only Time Will Tell” and “Sole Survivor”), followed by 1983’s Alpha (which featured the big hit “Don’t Cry”). Soon after John Wetton left the band, then returned, followed by Steve Howe’s departure (Howe went on to the successful GTR project, before resuming a solo career). The band carried on, making one further album with Mandy Meyer, and a few singles beyond that, before splitting up. Geoff Downes later formed a new version of the band (w/ John Payne), and Wetton went on to record a number of solo albums). The original line-up reunited in 2006, releasing Fantasia : Live In Tokyo (2007), and would release 3 further studio albums – Phoenix (2008), Omega (2010), and XXX (2012), before Howe left again (to focus on YES), and the band recorded just 1 further album in 2014 (Gravitas, with Sam Coulson), before the passing of John Wetton in 2017.

ASIA didn’t release an official Live album in their original line-up until the reunion happened, although there were radio shows and audience recordings out there from the ’80s, as well as now hard to find series From The Asia Archives in the early 2000s (which I might think included some of these shows came from?). So, this Volume 1 of the bands “official Bootleg” recordings will be easier to obtain and a nice addition to their catalogue for fans. The 5 shows in this slipcase box set include > 1982 (Buffalo, NY, USA), 1983 (Worcester, MA, USA), 2007 (São Paulo, Brazil), 2008 (Tokyo, Japan) and 2010 (London, UK), with all shows taking up 2 CDs each. *BMG also recently released a 5CD slip box of the ‘reunion’ albums. As one who has very little live Asia, I am looking forward to this.

Live Music: Asia in Cleveland, Ohio, 8/13/10 – Popdose

“This historical collection represents some of our finest and most defining live moments,” says Geoff Downes, “from the very first ASIA tour in 1982 and the Alpha tour the following year through three of our many ‘Reunion’ shows. It was such a privilege to take ASIA’s music to these different continents and feel the warmth and support from fans all over the world. We hope this brings back great memories and inspires others to appreciate the music of ASIA”. 

This the first time these recordings have been made officially available by ASIA and they are presented together in a superb collector’s edition boxset with original artwork by Roger Dean, who created all of ASIA’s album artwork.

ASIA THE OFFICIAL LIVE BOOTLEGS – VOLUME 1PRE-ORDER HERE: https://asiaband.lnk.to/OLB1PR

Website: https://originalasia.com/

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KJ, Oct/’21