American metal band SACRED LEATHER will see the release of their second full length studio album next month. These guys remind me more of the British metal acts, somewherez between Judas Priest and Saxon. The first couple of songs are full of power and speed speed, “Spitfire At Night”, and the next one “Phantom Highway”, but it’s not all as heavy and fast as this, Keep The Fire Burning is not all full speed ahead, as noticed with favorites “Wake Me Up”, the single “Fallen Angel”, the heavy ballad “Tear Out My Heart”, and closing piece “Mistress Of The Sun”. Really like the massive guitar sound and production of this. Love the album cover-art, courtesy of Nico Brausch. *Check out the band info below, as well as the 2 videos, and links below.
Forged in the fires of classic heavy metal and baptized in the spirit of rock ‘n’ roll rebellion, Sacred Leather stands as a defiant reminder that true metal never dies. Hailing from the American Midwest, the band delivers an unrelenting assault of twin-guitar fury, thunderous rhythms, and commanding vocals that channel the essence of leather, chains, and midnight highways.
Following their 2017 full-length debut Ultimate Force, which established them as torchbearers of traditional heavy metal’s resurgence, Sacred Leather return with their long-awaited sophomore album Keep the Fire Burning, due December 2025 through King Volume Records and Wise Blood Records. The album is both a declaration and a promise—rekindling the spirit that started it all while pushing their sound into sharper, more melodic, and more anthemic territory.
With Keep the Fire Burning, the band expands on their reputation for electrifying live performances and unflinching authenticity. Drawing from the steel-plated legacy of Judas Priest, Accept, and early W.A.S.P., Sacred Leather blend classic metal tradition with cinematic flair, evoking the neon glow of midnight highways and the danger of the unknown.
Sacred Leather is: Dee Wrathchild – Vocals Lynn St. Michaels – Lead Guitar Magnus Legrand – Bass Don Diamond – Drums Cvon Owens – Rhythmn Guitar
US heavy metal band WINGS OF STEEL have released their second album, Winds Of Time. The band, which is heavily influenced by 80s LA metal, as well as classic hard rock & metal acts like MSG, Queensryche, Rainbow, Dokken….The band is based around Swedish singer Leo Unnermark and guitarist Parker Halub, who formed the band and write the songs. There’s 3 videos out from Winds Of Time, which you can check out below, including the epic 10 minute+ title track. Order the album at the links below. Band bio and press info below. If you’re missing high energy 80s heavy metal, check these guys out. Bandanas included. Another cool album cover from Spencer Caligiuri.
Los Angeles-based heavy metal powerhouse WINGS OF STEEL returns with their second full-length album, Winds of Time — cementing their status as one of the genre’s most exciting new forces.
Hailed by fans and critics alike as one of 2025’s most anticipated metal releases, Winds of Time builds on the band’s fast-rising legacy with a sound that is both nostalgic and unmistakably fresh. From the first note to the last, the album channels the spirit of a golden era when titans like Judas Priest, Dio, and Queensrÿche ruled the stage — yet it does so with modern intensity and pristine production. Across eight electrifying tracks, Winds of Time delivers soaring vocals, blistering guitar work, and a rhythm section that strikes with the unyielding force of a hammer.
The band comments: “Winds of Time is not just an album; it’s an immersive journey into the heart of heavy metal. It’s boiling with passion, precision, and raw power — a record that will resonate deeply with both new listeners and lifelong metal fans. Every note, every drum hit, every lyric was crafted to capture the essence of what makes heavy metal so timeless”
Formed back in 2019, WINGS OF STEEL is a Los Angeles-based heavy metal/hard rock band rooted in the classic styles of the 70s and 80s. Their sound combines Unnermark’s bluesy, powerful vocals with Halub’s bombastic riffs and expressive soloing, creating a distinctive and massive sound reminiscent of the glory days of heavy metal combined with all the crisp clarity that modern recording techniques have to offer.
After their 2022 debut EP, “Wings of Steel,” they released their critically acclaimed first full-length album, “Gates of Twilight” (2023). In spring 2024, Wings of Steel embarked on their first European tour where they reaffirmed their position as one of the most prominent new bands in Heavy Metal. Wings of Steel continues to be praised for their energetic and captivating live performances, which can be experienced sonically on their live album “Live in France” (2024).
To date Wings of Steel has played numerous shows in the US and Europe, including festivals and venues like Heavy Week-End, Rock Hard Festival, The Whisky-A-Go-Go, Up the Hammers Festival, Keep it True Festival, and more.
Additional information/credits: Recording on the album: Vocals: Leo Unnermark Guitars & Bass: Parker Halub Drums: Damien Rainaud
Tour lineup (as featured on pictures): Vocals: Leo Unnermark Lead guitar: Parker Halub Rhythm guitar: Stefan Bailet Bass: Mathieu Trobec Drums: Marcel Binder
February 9 – Ft. Lauderdale, FL – War Memorial Auditorium February 10 – Tampa, FL – Yuengling Center February 13 – Houston, TX – 713 Music Hall February 14 – Dallas, TX – South Side Ballroom February 15 – San Antonio, TX – Boeing Center at Tech Port February 18 – Phoenix, AZ – Arizona Financial Theatre February 20 – Los Angeles, CA – The Kia Forum February 21 – Wheatland, CA – Hard Rock Live February 24 – Salt Lake City, UT – The Union Event Center February 26 – Loveland, CO – Blue FCU Arena February 27 – Omaha, NE – Steelhouse Omaha February 28 – St. Louis, MO – The Factory March 2 – Des Moines, IA – Vibrant Music Hall March 3 – Minneapolis, MN – The Armory March 4 – Chicago, IL – The Salt Shed March 7 – Cincinnati, OH – The Andrew J Brady Music Center March 8 – Detroit, MI – The Fillmore Detroit March 10 – Pittsburgh, PA – UPMC Events Center March 11 – Philadelphia, PA – The Met March 12 – Boston, MA – MGM Music Hall at Fenway March 14 – Virginia Beach, VA – The Dome March 15 – Washington, DC – The Theater at MGM National Harbor March 17 – Greensboro, NC – Greensboro Event Center March 18 – Atlanta, GA – Coca-Cola Roxy
Canada
April 6 – Halifax, NS – Scotiabank Centre April 9 – Laval, QC – Place Bell April 11 – Toronto, ON – Great Canadian Casino Resort Toronto April 14 – Winnipeg, MB – Burton Cummings Theatre April 17 – Edmonton, AB – Edmonton Convention Centre April 18 – Calgary, AB – Grey Eagle Event Centre April 20 – Vancouver, BC – PNE Forum
Canadian singer and songwriter RICK HUGHES has a new solo album out (October 24) called Redemption. Rick is also the singer for Canadian heavy metal band SWORD. Sword released 2 albums in the 80s on Canadian label Aquarius, and went on to tour supporting Alice Cooper and others (I must’ve seen them in Toronto on the Raise Your Fist and Yell tour in Toronto). Since then Rick went on to front SAINTS & SINNERS, and release a few solo albums. Now Rick is back with an excellent new solo album, with great songs, including a few covers, and some very special guests. Redemption can be ordered at: https://www.dekoentertainment.com/inthesquare/rick-hughes
Below, Rick and I talked about his new album, plus Sword, as well as his influences, and favorite artists. …..
With the first single, “The Real Me”, you had a lot of guests on it and that, so I’m wondering from where you’re based, how you got all those guys involved? What the connection is with Brad Gillis and Tommy Aldridge and that?
That’s a connection that comes from my Saints & Sinners days. With Saints & Sinners, I was working with the keyboardist from San Francisco, Jesse Bradman, a good friend of mine. When we started to get the project for my new album, that was like two years ago, we went about asking for songs. We asked Jesse if he had some songs to propose for my new album. And he says, “Yeah, I got a couple of songs that I wrote with Brad Gillis”. So, we said, Oh, we want to hear that song. Upon hearing the songs, I fell in love with the songs. I says, can I please have them? They say, Yeah, of course! That’s how we got Brad Gillis, because he accepted to let me record the song. And then we became friends. So, when it was time to record “The Real Me”, we said, well, we have Brad for his songs, because he plays on his songs, of course. And lucky for us. So, we said, “Can you do another one?” And we asked him to play on “The Real Me”. And that’s when the idea came about to reunite him with Rudy (Sarzo) and Tommy Aldridge.
That’s interesting, because when I saw that, obviously, like, I was a big Speak Of The Devil fan when that album came out with that Ozzy lineup.
So Was I !
I’m curious how you got to where you are now with this new album Redemption, because I’ve recently picked up a couple of the Sword albums. So obviously, it’s a very different sound. You got a lot more variety on the on your new album that. Can you talk a bit about how you are where you’re at now, as opposed to just doing the Sword stuff or kind of more of the metal stuff?
That’s a very good question. And the answer is quite logical, is that when I’m a metal singer, or I chose to record metal, I do it with Sword If it’s a solo project, like here in Quebec, I’ve been doing 50 to 100 shows a year for the last 20 years. And the shows that I do are for seven years old to 77 years old people, you know. I’m the kind of guy that when I wake up in the morning, if I listen to music, I listen to The Band, Elton John, metal stuff. Later on in the afternoon, if I have to go around and do other stuff, listen to blues, hard rock… When I ride my Harley, sometimes I listen to heavy metal. But I’m a fan of music. My biggest influence is Robert Plant. So, if you take Robert Plant’s career, I’m not trying to mimic or duplicate, but when your mentor does stuff, you kind of go that way without even noticing it. When you think about Robert Plant, since Zeppelin and today, it’s totally different. He’s never redone the same album. It’s always been different. So that’s what I try to do with my solo career, I do what people already know me for. I’m a singer and I love rock music. So, rock music’s got plenty of genre – it’s got heavy metal, it’s got hard rock, it’s got blues rock, it’s got heavy blues, it’s got pop rock, it’s got rock, it’s got country rock. So that’s the sound you hear on my album, just what I just described.
Now you do have a few covers on the album, in particular, “The Real Me”. I love the Who albums. I’m kind of curious why you picked that one of all the Who stuff.
Because of the playing. When my manager and I decided on this song, we said, “Okay, let’s redo The Real Me, and let’s find the perfect musicians to render the song. So, it was magical because that was way before Brad was even in the conversation. So once Brad got in on the song, then we went for Tommy Aldridge and Rudy Sarzo, with the result that we hear on the recording.
There’s a few other covers, you do the Michel Pagliaro song. I imagine he’s a big influence on you. We don’t see him much outside of Quebec, I assume, but the albums are pretty easily to find here. But I wonder if you can talk a bit about that track that you chose.
Again, a very good question and I’ll answer it by answering two questions because probably you’ve got another question around the corner. Michel Pagliaro, we affectionately call him ‘Pag’, is one of my main influences. As a kid, when I first saw him on TV, that’s when I fell in love with the guy, with the attitude, the music, the sound. Pag is like the rock and roll attitude, man; this guy is amazing. And when it was time to choose the songs, I said to the producer, John Webster, and my manager, I told them, “We need at least a couple of French songs on the album”. And they obviously asked me, “Why is it so important?” I said, “Because I’m a loyal guy. I’ve been playing here in Quebec for 10 years. I’ve been doing 50 to 100 shows a year, there’s some French material in the show. There’s obviously a lot of English material because I’m more at ease singing Americana kind of stuff, or even British stuff. But still, there’s a section in my show that that’s Francophone for my Francophone fans. So, I said to my producer, I said, “Listen, John, you’re the best producer in the world in my book. I’m about to do one of my most important albums. There’s got to be a couple of songs in French”. I’m a loyal guy. I don’t want to leave my French speaking fans out of this album that is so important. And the way I closed the deal I said to him, I said, “It doesn’t matter if it’s French or English at the end of the day, because just think about Rammstein, they’re German, they sing in German, everybody loves it. You wouldn’t change German to English because of the way it sounds. So same goes with my French song on the album. I’m sure that the English-speaking fan will find something interesting in the French song or they’ll catch a glimpse of the words. And yeah, I’m confident they’ll like it as much as they’ll like the English song.
It’s interesting because I think Michel Pagliaro did the same thing where he had some French and some English songs on various albums and that. Correct?
True. Yes. A lot of artists here in Quebec do that, they mix both, because as you can hear, I’m a French speaking guy. Rick Hughes is my real name. It’s not a stage name. My father was from Irish descent. So, it is my real name. But I’ve grown in a French environment. My girlfriend is French, my dogs, my kids, everybody around my neighbors. I speak French 24 7. So that’s it. But like I said earlier, I love the sound of singing a song in English.
The other cover, I wouldn’t say it’s cover. Actually, it’s your song, the Aldo Nova track “Someday”. I listened to that. I thought I know that because I got that here (held up Blood On The Bricks CD). Obviously, that song is good 30 plus years old. You’ve done a lot of work with Aldo as well, that song and some other stuff as well.
This is such an important song for me. And I’ll tell you why. I wrote the song while I was working with Aldo on Saints & Sinners album. Aldo was producing the Saints & Sinners album while Jon Bon Jovi was producing his album, Blood on the Bricks for Aldo. So, while he was producing Saints & Sinners, he had written some amazing songs for the album. And so one night I came to him and I showed him “Someday” and he says, “Wow!” I said, “Cool, you like it? So, it’s going to be on the album?” He says, “No… let me ask Jon because we’re looking for a ballad right now. We’re missing a ballad. And if you would allow me to use your ballad on my album, I’d be very grateful.” I says, “…if Jon likes it, then it’s yours! I got plenty of good songs on Saints and Sinners. And again, you wrote some excellent songs for me. So, it would be just a show of gratitude to leave you the song.” So, the next day he called me and says, “Jon loves it. We’re going to use it for my album”. A couple of months after that, they gave me a call, they were in studio and they were rearranging the song, changing some lyrics, adding some parts here and there. So that’s how Aldo and Jon are credited on the song. But I am the main songwriter of the song. So, I wanted to redo it. But I waited to make sure that it was okay with Aldo.
Well, it’s a great inclusion. It was a hit and it’s something obviously people will be familiar with.
And what I meant by this song is very important is that, like you said, that’s 30-something years ago that Aldo recorded that song. At that time, I was a young, struggling artist from Quebec. I had two kids that were just born. My wife, at that time and I wanted to buy a house, but we needed the down payment for a house. And we were, you know, scratching and putting some money aside and getting ready to buy a house. It would have taken us a long time. And by leaving that song to Aldo, the first royalty check that I got was the down payment for the first house I bought. So, it’s a gift that keeps on giving.
Well that works out then…The other person you have on here I see a lot lately, he’s on the new Alice Cooper album as well, is Robbie Krieger (on “Dans La Peau“) . How did you wind up with him on the album?
The album was recorded at Little Mountain Studio in Vancouver where Aerosmith, Bon Jovi, name it, they all recorded there. Now it’s called Iposonic Sound, but it’s the same. Nothing has changed. Frames on the wall, everything’s the same. So, everything was recorded there. It’s a live album. We got the rhythm section to record all the songs there. So, it’s a live album. But when it was time to record my duet with Amy Keys, a fabulous female singer. Man, I’m a big fan of hers. She was available but only in Los Angeles. So, they gave me a call.
They said, “Okay, Amy wants to do the duet with you, but it’s going to have to be in L.A. I said, “okay, so let’s do it in L.A”….”Okay, well there’s a studio in L.A. It’s Robbie Krieger’s studio, and it’s near where she lives. They got the equipment”, I said, “Wait, wait, wait! … you had me at Robbie Krieger”. I’m a big, big, big Doors fan. We went to Robbie Krieger’s studio to record Amy Keys. And while she was there recording the song, I came up with the idea. I told my manager, I said, “Why don’t we ask Robbie to play on that song?” It’s a kind of bluesy country-ish kind of song. And he goes, “that’s a long shot”. I said, yeah, but if we don’t try it, we’ll never know. So, we tried and he said yes. And that to me is like, it’s not even a dream come true because I never even dreamt that Robbie Krieger would play on one of my albums. I’m very, very grateful to him.
Well, yeah, it’s an interesting inclusion. He seems to do a few guest appearances; he’s on the new Alice Cooper album and he’s on an album by Blue Coop, which is the BOC guys and that. And the other guy you’ve mentioned on this album, I’m not familiar with him, is Johnny Hallyday.
Oh, Johnny Hallyday! I’m a fan of this guy. He’s like the French (from France), Elvis Presley. He died in 2017. And he was filling stadiums back in France, like 80,000 people.
He was a big, big, star, big, big influence on me as a kid, because my mom was a big fan of Elvis and of him. My mom was an artist, you know!? The Johnny Hallyday song is not known. It was kept quiet. It was released and they took it out. But before they took it out, I had a copy of it that I had put on a CD that time when we could burn CDs. So, I was listening to the song all the time and I kept it private, I didn’t want anybody to steal that idea because I thought it was such a good song. It’s like a hard rock, heavy blues kind of song. And the subject matter is so, so, SO, up to date.
How did you get a hold of it? It was an outtake from an album?
Well, you know, when I mentioned Amy Keys; Amy Keys was one of his backup singers for many years. So, he would do duets with her. The guy that wrote the song, the duet with Amy Keys, wrote the song for Amy Keys and Johnny Halliday, but Johnny died. He never could even listen to the song or let alone record it. So, it fell into my lap. That’s when I said, “Yeah, I’m a big Johnny fan. That was meant for Johnny, I want that song!” That’s how the connection was made.
You mentioned this album being a very important album. I get the impression in like reading some of the notes that it’s quite, some of the songs are quite personal for you. So, I wonder if you can talk a bit about the importance of everything as an album and some of the songs as being personal to you.
Just the title, you know, I was looking for a word that was the same word in French than in English, so not to deny my French root. And a couple of words came to mind, and then I came up with, Redemption, came into my head. Because I’ve been around the block a couple of times.
I’ve toured with Motorhead in the UK. I’ve been here, there, everywhere. I say that very humbly. I had my shares of let down and get up again and fight more – that’s the story of my life. And my philosophy about that is that we’re in a constant state of redemption if we strive to get better every day as a human being. So, if you look up redemption, not in a biblical sense, but in the literal sense, it’s about focusing on yourself, not on others or what happens around the world. It’s just focusing on you and how you can make your world better. And the best way to do that is to forgive yourself all the time for everything that you do. If you’ve done something wrong, or that was not quite right, just forgive yourself and just readjust. That to me is redemption. I thought the title was perfect because of my age, where I’m at in my life right now, the importance of that album, and all the subject matters on the album. They’re not that serious; they’re not pointing fingers at anybody. I wanted to create an album where if somebody digs it, well, while he listens to it, he forgets about the world, he forgets about anything, he just thinks about himself and how he feels upon listening to the album. That’s why there’s so much difference between one song to the other, so people can travel in their mind, and not always stay on the same train.
What else do you have planned for promoting this? Will you be doing any shows outside of Quebec? Anything planned as far as a band goes or anything?
That’s the main reason why I did the album, is to get more shows going. I really, I truly come alive on stage. That’s my second favorite place in the world. My first favorite place in the world is here at home with my wife and my people. My second favorite place is on stage.
As soon as I put one foot on the stage, “Whoa!”, something happens. And it’s been like that since the beginning; and it’s still like that. So, yeah, the reason for this album is to get us more shows, you know, abroad, not only in Quebec. I would love to go play in Niagara. I’ve been there before.
Growing up where you did, obviously, there’s a lot of Montreal, Quebec has kind of its own scene. There’s a lot of stuff that we don’t see much out of over here. But there’s a lot of great bands from Quebec, like Frank Marino, Pagliaro, Offenbach.
April Wine! They were based out of Quebec.
I’m a big April Wine fan.
What kind of stuff you grew up on and what some of your favorites as far as the Canadian scene went.
When we’re young, we get influenced by the music our parents listen to, as long as they listen to something cool. My parents were really cool. My father was a guitar player, singer, leader in a rock band, and my mom would sing in the band with him, a bit Johnny Cash- June Carter kind of stuff. They had this amazing vinyl collection when I was a kid. They had Zeppelin, Janis, French stuff, lots of Elvis. So, it was very rock and roll. So, my early influences were Led Zeppelin, Janis Joplin, Pink Floyd, some French stuff like Offenbach, Pagliaro. But yeah, it starts at home, or with your friends. In my case, it started at home. We’re a musical family. Everybody does music in my family. My sister sings on the album with me. My brother plays drums in Sword.
Did you keep a big record collection growing up?
Yes, I still have my vinyl collection, and I still have some old record players, like we used to have when we were kids, with the cabinets there. I got two, and I play my records on that. I got one in this room and I got one in my ‘man cave’.
The SWORD albums, which I recently picked up, the Unidisc reissues. You guys were on Aquarius, and I think Aquarius closed up at some point in the early 90s. Did you guys have any say in these reissues?
No, it’s Unidisc that handles that, but we had a good relationship with Unidisc. George, the owner of Unidisc, is a great guy. He’s taken good care of Sword’s albums. As you can see, the reissues are beautiful. The way he redid the sleeves and everything. It’s really good. Are you aware that we recorded a third album!?
Yeah, I was looking at that, and I see there was a limited amount of vinyl for that. I was just looking at trying to find a copy.
It’s just called Sword III.
Yeah, and then there was the live album as well?
Yeah, the live album was (done) before, but Sword III was released in 2023, a couple of years ago. We love that album too. It sounds great. By the way, I’m rehearsing with Sword tonight. I’ve been rehearsing for the past five weeks because we’ve got some shows coming. We’re friends since we were 15 years old. We’ve always been together.
You guys must have had some success. You had a lot of names on the albums. You had Gary Moffet, you had Jack Richardson producing the one album and that. So, what are some of the highlights of those first two albums, that period there?
Well, it was the best of times. My brother and I started to make music like we were 13. I was 13, he was 14. I played the guitar and he was banging on stuff. And then he got drums, I got an electric guitar. Then we met the two Mikes – Mike Plant and Mike Larock. We were living in the same town. So, we were 16, 17 years old. We did the bar circuits for years and years. And we built up a fan base. In 1986 we signed with Aquarius. We released Metallized, and the next thing you know, we’re opening for Metallica! And then we got a call from the UK to go open for Motorhead. We got back, we did the second album, and then we went on tour with Alice Cooper.
That was a dream come true because my brother and I, when we were in our teens, we were the guys that would go in line at the A&M record store and wait till the door opened to buy the new Alice Cooper album, Welcome to My Nightmare and all that stuff. We were big fans of Alice Cooper. So, we got to open for him like 10, 15 years after being big fans, and get to meet him! We were so in awe. And you mentioned Jack Richardson, who worked on some Alice Cooper albums; and that (again) was another dream come true.
The other guy who recorded one of your albums was Gary Moffet, an amazing guitar player.
Yes. And amazing songwriter.
Have you seen the new version of April Wine at all?
Yes, I saw that. And the singer is a good friend of mine – Marc Parent. I played with him a couple of times. We had a show together. He’s good, he’s got a good voice, and he’s a good Good guitar player!
What else do you have on the go?
That’s it. I’m very happy with the team I have on this album. I’m really looking forward for the world to hear it because I know that with Sword and with Saints & Sinners I’ve got some fans here and around the world. So, they’ll discover a new sound, which is who I am today, what I listen to, what turns me on, what gives me the shivers, what makes me think. It’s like a good movie – if you sit down and watch a good movie, for a couple of hours you get inspired because of the message, well, the same goes for music. That’s what it does to me. If I put on a good album, I won’t stop in the middle I’ll listen from beginning to end because I know it will take me somewhere else in my head and my thoughts. You travel without leaving home! Just sitting down. Like when we were kids, and we got Pink Floyd The Wall, how that changed our lives. I remember as a kid listening to The Wall and crying on some songs because I thought ‘wow, this is so beautiful!’ And it changed my life, a little bit. And then I heard another album that changed my life a little bit. Music does that to you.
A good songwriter will not only work on the music, but also on the lyrics to make sure that what he says reflects what he thinks, and what he thinks is right. And again, a good songwriter will do that. There’s songs that I’ve heard 20-50 times and they still do the same thing to me. They make me want to be a better person. Music does that to you. People take it for granted, but music is like food for thought; it’s food for your soul.
Is there any plans for another Sword album?
Yeah, probably. I’m doing some rehearsals with Sword because we got some shows coming up, but I’m really focused on my solo project. I just can’t wait for the album to get out, and to start to tour for that album. When I’m done with that, the timing is right, then it’s going to be Sword.
You mentioned a few of your influences. What are a few of your favorite albums of all time; albums that have stuck with you, that you can put on anytime?
Of all-time, I’d say Led Zeppelin I,II, III, and IV. Every Black Sabbath with Ozzy, with Dio, and Born Again with Ian Gillan… Those are my favorites – Dio, Ozzy, Robert Plant, some Judas Priest. Those are my favorite singers, biggest influences.
CREATURES is an ’80s influenced hard-rock / heavy metal band from Brazil, who are about to release their second album. Their sound, riffs, vocals….reminds me first of early-mid ’80s Judas Priest, among others of the era. *Check out the press info below, as well as the 2 videos from their forthcoming album Creatures II, which will be out November 14, on High Roller Records.
Creatures were originally formed in the summer of 2019 in the city of Curitiba. Like most places in Brazil, the scene there is dominated by extreme metal. However, there are some small “pockets of resistance” carrying the torch for more of a traditional heavy metal sound. And Creatures (along with a group called Trovão) is one of the most talented of the lot.
After having issued a few singles, Bart Gabriel offered the band a deal to release their debut album from 2021 through his former label, Iron Oxide Records.
The follow-up “Creatures II” is now due to be released on High Roller Records. “Creatures II” was recorded between September 2024 and March 2025 at Heavy Tron Studio, by Arthur Migotto (Hazy Hamlet). It was produced by Mateus Cantaleano and Migotto. Mateus Cantaleano wrote all the music and lyrics. The line-up on the recording was Marc Brito (vocals), Mateus Cantaleano (guitar), Ricke Nunes (bass), and Sidnei Dubiella (drums). There were also a few special guests, like Caio Vidal on keyboards and Arthur Migotto himself doing some additional vocals.
“Musically, I’d say the album is literally a mix of heavy metal and hard rock, with a darker, more evil vibe,” explains guitarist Mateus Cantaleano. “It carries what I believe is the essence of the band – dynamic songs that combine riffs with arpeggios, catchy choruses with darker minor melodies. Something like that, I think.”
Creatures were once described as a mixture ofDokken, Ratt and Judas Priest, a description Mateus Cantaleano can live with: “Absolutely, that’s true. Those bands – especially Dokken and Judas Priest – are very important in my life, and I carry their influence, even indirectly, in almost everything I do. Of course, I always aim for inspiration, not copying either of them exactly.” Comparing “Creatures I” and “Creatures II”, the guitar player continues: “I’d say “Creatures II” is a bit heavier, darker, and a more mature album than its predecessor. While the first album was recorded just by me and Roberto, this time we had a full band involved. Both albums share the same essence – very dynamic songs, heavy tracks, power ballads, lots of vocal harmonies, catchy choruses, wild guitar solos, and so on. To me, ‘Beware The Creatures’ is the track that best sums up what I’m aiming for musically with Creatures.”
RICK HUGHES DELIVERS A SPECTACULAR SOLO ALBUM WITH ‘REDEMPTION,’ REUNITES MEMBERS OF ONE OF OZZY’S BEST LINE-UPS FOR COVER OF THE WHO’S “THE REAL ME”
Canadian-born Rick Hughes is renowned for his powerful and rangey voice as the lead singer of the legendary metal band Sword, and of the hard-rock band Saints & Sinners. A seasoned performer with hundreds of headlining shows in Canada, America, Europe and Japan over the years, and his superb stage performances while opening for bands such as Metallica, Motorhead, Alice Cooper, Black Label Society, etc.
So when it was time for him to record ‘’Redemption’’, his first international solo album, he spared no expenses and efforts to make this album a great one, hiring producer John Webster (Aerosmith, Mötley Crüe, AC/DC, etc.) and renting HippoSonic Recording Studio (formerly known as Little Mountain Studios) in Vancouver to record this opus.
The first salvo is coming out September 5, 2025, and it is quite an event in itself: his first single and video is a supercharged version of The Who’s classic ‘’The Real Me’’ – reuniting after 43 years Ozzy Osbourne’s 1982 band consisting of Brad Gillis on guitar, Rudy Sarzo on bass, and Tommy Aldridge on drums. This is the band that did the last leg of the ‘’Diary of a Madman Tour’’ in 1982 after the tragic departure of the great Randy Rhoads, and that then recorded Ozzy’s classic live album ‘’Speak of the Devil’’.
*Pick up the Limited Edition Bundle (100 copies) that includes a collectible 7” vinyl of the “Real Me” signed by Rick Hughes, Brad Gillis, Tommy Aldridge, and Rudy Sarzo.
The resulting sound is epic, and so is the spectacular video that was shot and directed by Matthew Lucas (Kringle Time, Moonshot, We Meet Again, etc.) at the state-of-the-art L.A. Castle Studios, with post and editing by Montreal’s Jean-Marc Laurin (Jurassic World, Star Wars: The Force Awakens, Game of Thrones, Assassin’s Creed, etc.).
”The Real Me stands as a cornerstone of my album ‘Redemption’,” says Rick. “As a lifelong fan of The Who, I wanted to pay tribute to the golden age of 70s rock. To capture that spirit, I brought together a true supergroup with Tommy Aldridge, Rudy Sarzo and Brad Gillis, a unique moment where legends unite to breathe new life into a classic.”
“This very special song is part of the upcoming Rick Hughes Album ‘Redemption,’ a collection of great rock songs to be released on Friday, October 24 2025 on CD, Vinyl, and Digital format worldwide by Deko Entertainment, and featuring more great collaborations with some famous musicians.
Included are 2 more songs featuring the superb songwriting and inspired guitar playing of the great Brad Gillis, another featuring the extraordinary talent of The Door’s legendary guitarist Robby Krieger, and great contributions from rock royalty Lee Aaron, vocal powerhouse Amy Keys (Ringo Starr, Phil Collins, Toto, Sting, Stevie Wonder, etc.), rising guitar hot shot Jacob Deraps, as well as Rick’s gifted sister, Lulu Hughes.
With its great performances, ‘Redemption’ is a very special and unique rock album that brings together 7 songs in English, 1 bilingual and 2 songs in French.
‘REDEMPTION’ TRACKLIST:
Vinyl version:
Side A: 1 ) Dead End Road 2 ) Croire En l’Homme 3 ) The Real Me 4 ) Carry The Torch 5 ) Will of the Gun
Side B: 1 ) Shake My Soul 2 ) Someday 3 ) Dans La Peau 4 ) In a Perfect World 5 ) Ça Va Brasser
CD Version:
1 ) Dead End Road 2 ) Croire en l’Homme 3 ) The Real Me 4 ) Carry The Torch 5 ) Will of the Gun 6 ) Shake My Soul 7 ) Someday 8 ) Dans La Peau 9 ) In a Perfect World 10 ) Ça Va Brasser 11 ) Bonus Track: Dans La Peau (french version)
Canadian hard-rock band LOVER have been out playing together for well over a year now, and recently released a 2-song cassette, consisting of a pair of kick-a*s 80s influenced rockers – “Fatal Attraction” and “Bad Love”. Lover is working on more songs, as well as getting more shows booked.
In this exchange , drummer Hunter Raymond discusses the band’s brief history, their recordings, future plans, and more. Check out the tracks, as well as ordering info and links (below).
Can you give me a bit of pre-history to what lead to Lover coming together?
Hunter: I had recently moved back to Calgary from Toronto, and I knew Jacob and Chris from partying and playing shows in the past with my old band MIDNIGHT MALICE. Jacob and Aidan have another band together called FLASHBACK, which is more of a hard rock band. I went to see their show, secretly scouting, and after they played, I was convinced they were the guys I wanted to start a band with. As it turns out, Aidan had a whole stockpile of riffs that were too metal for flashback. Jacob convinced Aidan I was the man for the job by showing him old Midnight Malice footage. Chris, whom I hadn’t seen in years, happened to be at the flashback gig that night, and we talked about jamming and said we would get together soon. Cale from RIOT CITY was also there and mentioned to Aidan and Jacob that they should ask Chris to play in their new metal project. It was all meant to be, really; we all wanted to start a band with each other without even knowing it. From the first chords struck, we all knew this was going to be something special.
You guys have a 2 song ep out, on cassette — Is there more tracks recorded? and why did you choose to release just these specific 2?
At the moment, we only have demos recorded, nothing we would release to the public. We chose those 2 songs because they were the first ones we had solid. All of us were really excited about the sound and wanted to get the ball rolling, become a legit band. The best way to know if you are any good is to share it with the world. Let there be judgment!
Why a cassette release, as opposed to just digital or CD?
Collectors still enjoy tapes, so that’s what we went for. We are only doing a limited run, so grab them while you can!
It would be cool to press it on a 45 record in the future. People still want to hold onto the real thing; streaming is so impersonal. We wanted something for the people to own.
Can you give me a few favorite bands, musicians, and a short list of favorite albums growing up?
The hardest question to answer is, there is so much good music out there! Thin Lizzy for sure, Phil Lynott amazing songwriter, and Brian Downey is an absolute monster of a drummer. Deep Purple, Judas Priest, and Aerosmith, I love those bands. We all really like Sweet and their album Desolation Boulevard. I was really into Motley Crue, Motorhead, UK Subs, and G.B.H. when I was younger; I’ve always been a bit of a punker. My first Motorhead record was Iron Fist. I got it when I was about 13-14. I snuck away from a school trip in Halifax to find a record store. I had only heard of Motorhead up until then, and they didn’t disappoint! Iron Fist will always be in my top 10.
When might we see a full-length album from Lover? Is there any label or outside producer you are working with?
So far, no labels or producers, Aidan and I are the producers mainly. Aidan is also a good recording engineer so he is doing all of that. He recorded, mixed, and mastered the Fatal Attraction EP. My drum tracks are all done for the full length, and the boys are working on their guitars as we speak! We are planning on having it all done for the new year, so early 2026, we will have it ready for all you headbangers!
How many songs do you guys have prepared or working on? And what can people expect song wise?
The full length will be 9 songs, and they all sound different. We like to try and get different feelings for every song, to keep people interested. Some fast ones, some groovers, some melodic and technical songs. They all sound like us, though, and they all rock!
No ballads yet. We also have about 3-4 more songs we are working on for the 2nd album, and we aren’t slowing down anytime soon!
Can you explain a bit about where song ideas come from, and how songs are put together by you guys? (Lyrically and musically)
Musically, Aidan writes almost all of the riffs; he usually has a style of song he wants to write. Then we will go jam his riffs to get a solid structure and record a demo. I write 95% of the lyrics. I take the demo home to write the lyrics. The guys will sometimes give me a theme or song title to work from. The Lyrics are mostly about real-life experiences, some are fantastic stories I make up. I wrote one song about Jacob and his sweet 1963 Plymouth Valiant, which is called “On the Road’ What a sexy car! Girls are obviously a subject but we try to be creative and not write the same song twice. Basically, whatever vibe the riffs have dictates the lyrics.
What is the music scene like in Calgary, especially for bands trying to push original songs? Or is the scene kinda geared towards cover bands (as it is here in the Niagara region) ?
I’m sure there is a cover band scene here, but I don’t see it. That being said, there are plenty of original bands that do really well crowd-wise here; people love to come out and support local shows, which is awesome. There aren’t too many bands like us, though. The scene here is more aggressive, darker metal or punk. We don’t always fit the bill, but people love us all the same; we are their guilty pleasure.
What does your set list comprise of? Mostly (or all) originals? Any particular covers?
We play all originals; one of us always suggests a cover, but they never seem to materialize. I’m sure one day we will find one we all agree upon. The most recent idea is “Set Me Free” by Sweet. Will it actually happen? Only time will tell.
What have been a few of the bigger shows, festivals you’ve been part? Any opening slots for anyone major?
We have only been playing shows for about 1 year, and already had the pleasure of playing the Electric Highway Festival here in Calgary, and Armstrong Metal Fest in the BC interior this summer. Armstrong was headlined by HAVOK, BORN OF OSIRIS, and our good friends RIOT CITY. Electric Highway headliners were BISON, CASTLE, and LA CHINGA. Both of those festivals were an absolute blast and we can’t wait for more opportunities like those!
What do you guys have coming up? Any international interest or show offers further east?
We have our songs playing internationally, but no show offers as of yet. An East coast tour for spring/summer of 2026 is in the works, so hopefully we get out there to see you soon. I know a lot of amazing Bands out East who want to get shows going with us, so expect fully stacked bills and pure rock n roll mania when it happens!! LONG LIVE ROCK N ROLL
Aidan Desmarais – lead vocals, guitar Hunter Raymond – drums, vocals Jacob Chase – bass guitar Christopher LoNigro – guitar
MORE released 2 albums back in the New Wave Of British Heavy Metal period, and both with very different line-ups. It is the band’s debut Warhead that is the better of the 2 and of most interest. On the debut MORE consisted of bassist Brian Day, drummer Fran Darch, guitarists Laurie Mansworth and Kenny Cox, and singer Paul Mario Day, who was known to many as the first Iron Maiden singer. MORE were signed to Atlantic Records (UK, US, etc..) and with US Southern rockers Blackfoot also being on Atlantic (and very popular in the UK at the time) Al Nalli (producer/manager- Brownsville Station, Blackfoot) and Henry Weck (Brownsville Station) were brought in to produce the first album.
The band had debuted on the Friday Rock Show in 1980, playing 4 songs.
Warhead features 8 tracks, with side 1 one opening with a good riff rocker “Road Rocket”. This side also features a decent ‘metal’ version of the Arthur Brown classic “Fire”, which seems like an odd choice for a cover, but as a fan of AB, I find it pretty cool and interesting. It is side 2 which is the better side (IMO), opening with the title track, which features a big intro, which makes me wonder why this wasn’t the first song on the album!? It also includes another fine riff driven rocker in “We Are The Band”, and standout here is the closing cut “I Have No Answers”, which gallops along in places, and to me, is the closest thing to Iron Maiden here. Two singles were released from Warhead – “Fire” in the US, with the non-LP “Lord Of Twilight”, while the UK and other countries got “We Are The Band”, backed with the non-LP “Atomic Rock”.
I don’t know how well Warhead did at the time, but the band did shows in Europe (Monsters Of Rock) , and opened for Iron Maiden on their Killers tour. It seems more of a curious collectable as it features Day (with his connections to Iron Maiden and Sweet), as well as guitarist Laurie Mansworth, who went on to form Airrace, and later manage The Treatment. Both Paul Mario Day and Laurie Mansworth left the band before the 2nd album (tho’ Day had a songwriting credit on it). Paul Mario Day went on to record 2 albums with Wildfire (which included Andy Scott Sweet members Jeff Brown and Bruce Bisland) before joining The Sweet as well. Guitarist Kenny Cox went on to record with ’80s band Mammoth, which also included John McCoy (Gillan) and Nicky Moore (Samson). Cox passed away in 2022 (RIP).
Warhead is well worth checking out, at the least, appealing to fans of Samson, Tank, and a few others from the NWOBHM era. There is a ‘More’ still performing to this day, albeit with no original members.
Strap in! The pulse of rock ‘n’ roll just got a major jolt. Modern rock supergroup THE FELL, featuring legendary bassist Billy Sheehan, multi-platinum producer Mike (K.) Krompass, and Australian vocal powerhouse Toby Rand, return with their electrifying new single “Killswitch,” a crushing, high-voltage anthem that melds the golden age of rock with a modern-day edge via streaming as of July 18, 2025.
Watch for the video premier of “Killswitch” on July 30.
“Killswitch” will be available in Dolby Atmos mix via Apple/Amazon/Tidal on August 15.
“Killswitch” is about reclaiming control, cutting off the noise, shutting down manipulation, and powering through chaos with conviction, says the band. It’s a rally cry for anyone who’s ever felt pushed to the edge. The track pulses with massive guitars, blistering bass, and bone-crushing drums, wrapped in a wall of sound that nods to the best of late ’80s and ’90s rock while punching hard with a polished modern edge. This is not nostalgia, this is evolution.
THE FELL’s powerhouse lineup features legendary bassist Billy Sheehan (Mr. Big, David Lee Roth, Sons of Apollo), multi-platinum producer, songwriter, and guitar player Mike (K.) Krompass (Smash Mouth, Nelly Furtado, Everybody Loves an Outlaw, Dead Romantic), and vocal powerhouse Toby Rand (Rockstar: Supernova, Juke Kartel, Ashen Moon), whose dynamic voice soars over a backdrop of “Killswitch”’s grinding riffs and thunderous grooves. Sheehan delivers his signature low-end firepower with acrobatic flair, while Krompass’s massive guitar tones and razor-sharp production elevate the track to arena-sized proportions. Rounding out the lineup is elite session drummer Nick Chiarore (Dead Romantic), whose explosive drumming brings relentless precision and raw intensity. Chiarore’s chops can be heard on recordings with Slash and Steve Vai.
“Killswitch” will be available in Dolby Atmos mix via Apple/Amazon/Tidal on August 15.
Additional singles, “Face Out” is being released on September 12th. Followed by “Trippin’” on October 24th, plus a new version of their past hit “Footprints” (with Toby on vocals) on November 28th.
October 24th “The Killswitch EP” will be released in special packaging containing both CD and laser-etched LP, will feature 4 streaming singles plus a new version of “Dancin’ On A Glass Floor” that will remain exclusive to this release. A limited number of band signed deluxe editions will be available through their webstore. Watch for the announcement of record release shows in late October.
The album is released by Crown X Recordings/ BCMG Recordings.
L-R:Daniel Löble (drums), Michael Weikath (guitars), Markus Grosskopf (bass), Michael Kiske (vocals), Sascha Gerstner (guitars), Andi Deris (vocals),Kai Hansen (guitars, vocals) Photo credit: Mathias Bothor
With 15 gold awards, six platinum awards and over ten million records sold, HELLOWEEN are celebrating the band’s 40th anniversary with the successor to their self-titled #1 album from 2021. GIANTS & MONSTERS is the second album for the legendary line-up and the title immediately states where the album is heading.
Confident and bursting with vigor, the septet presents what probably is the most versatile album of their career. Already the opener “GIANTS ON THE RUN” flips the switch from the very first riff and impressively marks the terrain with the power voices of Andi Deris and Kai Hansen. No trace of restraint – the track takes a breath, takes off and unleashes a roar that leaves no doubt about the blazing pulse of the ten new songs. On this album, the experience and musical enthusiasm of a band that can do anything and everything blazes its way: Heavy, speed, rock, ballad – plain, intricate or progressive. With five strong songwriters and seven world-class musicians, creative limits are set aside once and for all on GIANTS & MONSTERS.
Musically rather straightforward and a veritable hit, “A LITTLE IS A LITTLE TOO MUCH” gives Andi Deris and Michael Kiske the space their monumental voices need for an intimate story. “Basically, it’s about the famous straw that breaks the camel’s back. During the writing process, however, I remembered an experience I had at the age of 15 and the lyrics ended up being pretty erotic – about little things that can quickly put an end to a big thing”, grins Deris. “THIS IS TOKYO” is another personal track. “I’ve always wanted to write this song. Japan plays a very special role in my life because I had my first big successes there with Pink Cream 69, and they have always treated me incredibly well. I wanted to create a tribute to Japan and finally had the right idea for the lyrics. Because ‘Tokyo’ sounds better in a chorus than ‘Japan’, the city stands for a whole country that is very important to me.”
“‘UNIVERSE (GRAVITY FOR HEARTS)” is a reminder that everything in the universe is connected, and what looks like an infinite number of stars could actually be moments, hearts and decisions,” describes songwriter Sascha Gerstner. With a playing time of over eight minutes, “UNIVERSE (GRAVITY FOR HEARTS)”, together with “MAJESTIC”, not only stands out as a longtrack – they both surprise with dizzying dynamic changes and huge melodic arcs that create entire worlds: Whatever you believe in is real. Alongside “WE CAN BE GODS”, “MAJESTIC” is also one of the tracks featuring all three singers of the HELLOWEEN super alliance. Both songs were penned by Kai Hansen and launch all trademarks that secured his place deep in metal hearts. “The space and aliens are my favorite themes and pretty fascinating. But you could also read the chorus as a description of the band: ‘We’re back and we’re the Masters of Power Metal’ – I’ll leave that up to the listeners,” laughs Hansen.
Masterclass is just as evident in gigantic ballads, and “GIANTS & MONSTERS” serves the first one in this constellation. “INTO THE SUN” is a duet in which Deris and Kiske sweepingly pour their hearts out, carried by masterfully orchestrated string cascades and yearning guitar solos. “Originally the song had different lyrics, but now it’s about reincarnation and that suits the track much better,” reveals Deris. “Michi and I share similar beliefs in that area, and I really wanted us to record the song together. He just sounds great when he sings it”. “SAVIOR OF THE WORLD”, a classic Weikath at his best, could have well been on one of the legendary ‘Keeper’ albums, and the extravagant “UNDER THE MOONLIGHT” also underlines his exceptional songwriting talent.
Consistently topping superlatives and presenting yet another milestone with “GIANTS & MONSTERS” requires the courage to keep reinventing a colossus like HELLOWEEN as well as continuing to challenge seven brimming careers even after four decades. And the instincts of the congenial producers Charlie Bauerfeind and Dennis Ward. For example, the fact that Dani Löble recorded all tracks on three different drum sets to individually decide which set delivers the perfect vibe for a song was only imaginable through unrestrained love of experimentation and highest standards. An effort and attention to detail that not everyone is willing to bring to the table. The mix was done at the legendary Wisseloord Studios in Hilversum, which have witnessed the works of the greatest names in music – from Iron Maiden to Judas Priest and Def Leppard to Rammstein.
Friction is another secret of the band that experiences a second spring with the reunion. “What keeps motivating us is the fact that we’re extremely different. That generates suspense and creative energy,” explains Weikath, “and if problems do occur, we connect through our passion and our sense of humor. We try not to take ourselves and everything around us too seriously,” adds Hansen, before Deris concludes: “In the end, we’re just seven guys who want to make music and enjoy the incomparable force that arises when we’re together. HELLOWEEN is way more powerful than the sum of its parts.”
The world-famous unique pumpkin power will once again flood all stages on the upcoming anniversary tour when the band and their fans celebrate 40 years of HELLOWEEN. The band will be touring the planet’s prime arenas with an ultimate setlist including classics, newer songs and some legit surprises. The first dates of the European tour, starting in mid-October, were sold out immediately and tickets for additional shows in Madrid and Bochum are already on sale. The recently released live CD and Blu-ray/DVD “LIVE AT BUDOKAN,” documenting the first sold-out gig at the legendary Budokan in Tokyo, is the perfect warm-up before HELLOWEEN take their fans and all the world’s “GIANTS & MONSTERS” on their next victory lap through metal paradise.
Track Listing: 01. Giants On The Run 02. Savior Of The World 03. A Little Is A Little Too Much 04. We Can Be Gods 05. Into The Sun 06. This Is Tokyo 07. Universe (Gravity For Hearts) 08. Hand Of God 09. Under The Moonlight 10. Majestic
“GIANTS & MONSTERS” will be released on August 29, 2025, as CD Jewel case, CD Digipak (incl. bonus track), Earbook (incl. bonus CD), 2-LP Gatefold (in various colors) and 2-LP Picture (incl. bonus track), MC and digital.
Black Sabbath was one of my early favorite bands, with a few of those early albums being the first I ever owned. I remember buying 4 of the first 5 albums for 50 cents each from a school mate’s older brother (along with Kiss Alive), when I was maybe 11. So I played these albums like crazy back then. The original Black Sabbath had such a unique sound between Tony Iommi’s riffs – which songs were almost always based around, Geezer Butler’s huge bass sound that usually doubled up the guitar, Ozzy’s distinctive vocals – the guy may not have been the greatest singer, but NOBODY sounded remotely like him, and then Bill Ward’s jazz influenced drum style, and (again) no other drummer sounded like Bill, especially on those early albums. And songs were not simply based on one riff, Sabbath had the ability to make things so much more interesting and epic, often with big changes in tempo or direction mid-song, sometimes multiple times in the same song, with totally different styles and new riffs. The band recorded 8 albums throughout the ’70s, with Paranoid being their biggest one, which featured “Paranoid”, as well as classics “War Pigs” and “Iron Man”. Over the years tho’ some of those songs have been played to death, so it was a no-brainer for me to not include them all here. Sabbath had some interesting, some scary, and some bad album covers back then. I gotta say it was Ozzy’s Speak Of The Devil 2LP live set that was a huge deal for me as well. Although it wasn’t Black Sabbath, he did do a pretty thorough set of Sabbath classics, and it would be the first time for me hearing tracks from a few Sabbath albums I didn’t have (like Never Say Die and Sabotage). Despite the band’s first few being hailed as their best, I have more of an attachment to a few of those later albums. By the time time I had those early Sabbath albums in my new collection, at a young age, this original line-up was well over, but I was happy to have seen the band (minus Bill Ward in 2015).
So, leaving my own picks for Black Sabbath’s best below, plus my album ranking below.
Sabbath Bloody Sabbath
2. You Won’t Change Me
From Technical Ecstasy, tho I’m sure ranks low among Sabbath ’70s fans, I like most of it. The added use of keyboards (courtesy of Gezz Woodruffe) on various tracks adds a lot of color and feel to songs here without necessarily losing any heaviness. Love the organ riff throughout this one, the piano in the mix, and Iommi’s guitar sound and solo.
3. Hole In The Sky
Sabotage has a few killer rockers, kinda more hard-rocking, faster, and less doomy. This one being my favorite here, with the band just jumping right into that big sounding riff & beat. Just my opinion, but I think Ozzy sounds at his best on this album and the next one (Technical Ecstasy).
4. Sweet Leaf
Following the coughing, a classic riff kicks off the band’s 3rd album Master Of Reality. Well written and produced, Huge sound on this album. This one never gets old.
5. N.I.B.
From the band’s debut. Sabbath had such a sound early on that no one else came close to. Such a distinctive bass intro, followed by the riff, just classic.
6. Snowblind
Volume 4 seemed to be the band’s doomiest record (IMO), slower paced and very dark musically and lyrically. This track, about cocaine, is my favorite here.
7. Back Street Kids
Another from Technical Ecstasy. A great opener. Love how this one chugs along, slightly brighter sounding, killer guitar solo, and then it all comes to quick close.
12. Symptom Of The Universe
Another from Sabotage, (again) with the band just getting right into it, like the beginning of thrash metal. Interesting change of direction 3 quarters of the way through tho’, like back to a bit of a hippy tune.
8. Junior’s Eyes
From the last album with Ozzy. Again, the band trying something different, tho (for me) it doesn’t all work here, but this one stands out.
10. War Pigs
The first song off the band’s massive 2nd album, Paranoid. This one being slow, dark, and crushingly heavy for the time with that sound based around Tony Iommi’s riff. Kinda like a follow up to the band’s self titled opener from the debut.
11. Dirty Women
Another great track from Technical Ecstasy. Just dig the big sound on this, Ozzy’s vocals, especially after the break and things pick up, followed by Iommi’s lengthy soloing as the song plays out, just epic.
12. Thrill Of It All
Another riff driven rocker from Sabotage. Dig how the track picks up, keyboards in the mix, and Ozzy sounding at his best on this album. “Oh yeah – Oh Yeah!”
13. Children Of The Grave
From Master Of Reality, just a cool riff and with Bill Ward’s drums, sound like this song marches along, which suits the lyrics, I guess.
14. The Wizard
That first Sabbath album had some outstanding and different things going, including this with Ozzy’s harmonica intro, followed by a classic heavy song.
15. Megalomania
Over 9 and a half minutes of epic Sabbath. Bill Ward kills it here, along with Ozzy’s performance being a highlight here,
16. Sabbra Cadabra
From Sabbath Bloody Sabbath. Quick and catchy riff opening this one. Love the change of pace mid way through with the addition of Rick Wakeman on keyboards. I had a tough time picking another from this album, aside from this, “Killing Yourself To Live” and “A National Acrobat” are favorites here.
17. Electric Funeral
Preferring the non-hits from Paranoid, this slower doomy number, with (as always) Iommi’s riff being the main focus, and with a cool mid-song change in direction before coming back to the riff. Ozzy’s delivers the song’s sinister lyrics so fitting.
18. Supernaut
Love the continual riff going here, along with Ozzy’s vocals and Bill Ward bashing it out all the way through.
19. After Forever
The 2nd track from Master Of Reality. Lots of classic songs here, such as “Into The Void” and “Lord Of This World”, but I always dug this one. Religious lyrics, posing questions.
20. Johnny Blade
Strange – synthesizers opening a Sabbath song, instead of a big riff. But another favorite from Never Say Die. Excellent, but very different, as the band seemed to be looking for new ideas near the end of the ’70s.
Next up: Never Say Die, Gypsy, Black Sabbath, Wheels Of Confusion, A National Acrobta.
BLACK SABBATH 70s ALBUM RANKING
There’s been times where any Sabbath album from this era has been my favorite, even briefly, but my first choice has always been at the top. This is MY own ranking, based on what I like and listen to most these days, and get that (like many of us), this could change drastically next year.
Master of Reality – to me, just the most solid Sabbath album track to track. On other Sabbath albums of the 70s, there always seems to be something I either can’t get in to or just doesn’t fit. Plus, that huge sound going here with Tony’s guitar from “Sweet Leaf” right through to “Into The Void”.
Technical Ecstasy
This album always ranks low amongst the Sabbath 70’s albums, but I really like it. I like the production, the keyboards used without taking away from the weight of the Sabbath sound, and Ozzy sounds great here. I love most of this, even don’t mind the Bill Ward ballad (though I have no idea why a band with such a distinctive lead singer would have someone else sing such an oddity on album). Lyrically, a bit less doomy, and almost more rebellious at times, with songs like “You Won’t Change Me”, “Back Street Kid”; plus “Gypsy” and “All Moving Parts (Stand Still)”.
Sabotage
Love Sabotage for the big 3 kick ass rockers here, being “Symptom Of The Universe”, “Thrill Of It All”, and “Hole In The Sky”, plus the epic “Megalomania”. A few things on side 2 tho I’ve just never gotten in to, but maybe one day.
Volume 4
This album has a lot going on, just thinking about it. A fairly dark album, musically and lyrically, but so much good stuff from “Wheels Of Confusion”, “Snowblind”, “Supernaut”, “St Vitus Dance”…. I can do without “Changes” though.
Black Sabbath
I remember getting this and hearing this when i was like 10 or 11, and it being so heavy, dark, almost scary (especially the song “Black Sabbath”). Kinda not right that I’ve got it so far down my list, but I’d heard it so much, and a few things I never got into. Years later I would get the first Lucifer’s Friend album, an interesting comparison, but no one sounded as evil as Black Sabbath did on this debut.
Paranoid
The band’s 2nd and commercial break through, due to “Paranoid” becoming a hit single. A bit more consistent than the debut, IMO, and though I love this album, I don’t know if I ever need to hear “Paranoid” or “Iron Man” again.
Sabbath Bloody Sabbath
Bringing this album home at such a young age, I think I kept it a bit hidden due to the cover, not wanting to answer any questions. But the lead off title track just blew me away, still my favorite 70s Sabbath track. I remember getting Speak Of The Devil (and subsequent Sabbath reunion live albums), and being disappointed that Ozzy didn’t sing the song in full…if at all on some). But, kind of a grey sound to this album beyond that, though there is a number of excellent tracks – “A National Acrobat”, Killing Yourself To Live”, “Sabbra Cadabra”, and I always liked “Fluff”, an odd instrumental ballad.
Never Say Die
I think I heard the song “Never Say Die” on Speak Of The Devil first, and then finally getting this album, and wondering why it sounds almost sloppy or something. But I did really dig this album for a brief period with songs like “Johnny Blade”, “Junior’s Eyes”, “Shock Wave” and even the jazzy “Air Dance”, but not a fan of a few things (sax on Sabbath album!?), and the overall sound of this record.
Outsider Rock 