All posts by KJ

RUSSELL-GUNS release debut album ‘Medusa’

Jack Russell & Tracii Guns have a new album out now titled Medusa, and it rocks! Russell was the voice of GREAT WHITE, one of my favorite bands to come out of that LA hard rock ’80s scene, and Tracii Guns is from the legendary LA GUNS. Jack Russell released an album in 2017 titled He Saw It Comin’ (as Jack Russell’s Great White), and Guns (who is always busy) released an excellent collaboration with Michael Sweet (STRYPER) in 2021 Evil And Devine (as SUNBOMB). Both albums are highly recommended, with He Saw It Comin’ sounding more like classic 80s GREAT WHITE than anything the band had done in years (particularly without him). So it is no wonder that album is another solid set, heavy, melodic, with Jack Russell still sounding as great as he did 35+ years ago, and Tracii Guns being one of those amazing players that suits anything. Lots of great heavy riffs here on rockers like “In And Out Of Love” (the Hammond organ is a nice touch), “Give Me The Night”, “Coming Down”, and the single “Tell Me Why”. There’s also a good ballad in “Living A Lie”. Further cool heavy rock in the album’s title track and “Where I Belong”. Every song here is at least good (OK, I’m not crazy about the lead off single “Next In Line”, but…), enough changes to keep it all interesting, along with added piano and organ throughout this record (courtesy of Alessandro Del Vecchio. Awesome collaboration.

Order – https://orcd.co/russellguns

RUSSELL – GUNS marks the beginning of a fresh artistic partnership between two legendary figures of Los Angeles hard rock: Jack Russell and Tracii Guns, accompanied by Johnny Martin, Shane Fitzgibbon and Alessandro Del Vecchio.

The pair released their new studio album, ‘Medusa,’ on January 12th, 2024 via Frontiers Music Srl. 

Commenting on the partnership, Tracii Guns said, “Jack is one of the greatest rock voices of our generation. It’s a total honor to play guitar on this record.”

For Jack Russell, this project represents a long-awaited return to recording and new music, coming seven years after the release of ‘He Saw It Comin” with Jack Russell’s Great White. Instead of dwelling on the past and attempting to recreate the storied origins of the multi-platinum hard rock entity, Jack is excited to be moving forward and collaborating with none other than Tracii Guns, an artist experiencing a creative resurgence of his own.

On ‘Medusa,’ Jack and Tracii have discovered a common thread in a collection of songs that draw from the bluesy power and heavy energy of their most celebrated material and roots, yet infused with a fresh, energetic drive and modern metallic production.

About the album, Jack had this to say, “It was so great making a record with Tracii! Initially, I had my reservations about making this record, but in the end it kicks ass. I’ll play with Tracii anytime!”

‘Medusa’ is an album that showcases inspired artistic integrity and commitment to rock’n’roll from two extraordinary rock stars of the 80s and 90s.

Track List:
1) Next In Line
2) Tell Me Why
3) Coming Down
4) Where I Belong
5) For You
6) Give Me the Night
7) Living A Lie
8) In And Out of Love
9) Medusa
10) Back Into Your Arms again
11) I Want You

Line Up:

Jack Russell – vocals
Tracii Guns – guitars
Johnny Martin – Bass
Shane Fitzgibbon – drums
Alessandro Del Vecchio – keyboards, backing vocals

In 1984, Jack Russell burst onto the scene as the frontman for Great White, a prominent presence in the Los Angeles music scene. The band’s self-titled debut, along with platinum-selling albums like 1987’s ‘Once Bitten…’ and 1989’s ‘…Twice Shy,” sold over 8 million copies worldwide. Their rock legacy continued into the 21st century, and in 2011, Russell went on to form Jack Russell’s Great White.

Tracii Guns is a legend in his own right. He founded LA Guns in 1983, which later merged with another group called Hollywood Rose, laying the foundation for one of the true giants of rock: Guns N’ Roses. After departing the band and reuniting with former Girl lead vocalist Phil Lewis to reform LA Guns, he signed with Vertigo Records and released 14 studio albums with the band. He also ventured into various side projects, including Contraband (with Michael Schenker and others), Sunbomb (with Michael Sweet of Stryper), and more recently, Blackbird Angels with Todd Kerns (of Slash & The Conspirators).

Ultimately, this new music from RUSSELL – GUNS is a gift to the millions of fans who have steadfastly supported both Tracii Guns and Jack Russell throughout the years. It’s everything they’ve been waiting for and more.

LINKS:

www.JackRussellsGreatWhite.com

https://tracii.me/

https://www.facebook.com/JackRussellsGreatWhite

https://www.facebook.com/traciiguns

https://www.instagram.com/russellgunsofficial/?hl=en

HONEYMOON SUITE – Clifton Hill Revisited

HONEYMOON SUITE’s 2008 album Clifton Hill has been remixed to a vastly improved sound and and reissued, along with a limited number of colored vinyl in gatefold sleeve (w/CD), and bonus tracks! Titled Clifton Hill Revisited (Clifton Hill being a prime tourist location in Niagara Falls), with a slight change up of colors in the cover titles (and brighter), 2 added acoustic tracks, and signed copies through the band’s official merch page (see below!) .

LINKS:

https://honeymoonsuiteband.com/

https://www.facebook.com/HMSLive

LUCIFER’S FRIEND Where The Groupies Killed The Blues (1972)

German band LUCIFER’S FRIEND released their 2nd album in 1972 (’75 in the US & Canada). The band’s self-titled debut is often hailed as a proto-metal classic,  lumped in alongside albums from Deep Purple, Black Sabbath and Uriah Heep in that year, 1970. But, despite being not quite as ‘heavy’ or early metal, the band’s follow up album, with the odd title of Where The Groupies Killed The Blues is pretty impressive as well. Lucifer’s Friend would expand their sound, adding more piano, acoustic guitars, ballads, while using more instruments, such as keyboardist Peter Hecht on electric piano, moog, Hammond organ, mellotron, as well as being credited with string arrangements. Engineered by the legendary Conny Plank, and produced by the band and Herbert Hildebrandt (The Rattles, Randy Pie). Songs written by the band, along with some lyrics from another English musician – John O’Brian Docker (who also wrote for Randy Pie). An interesting cover by Klaus Witt (Witt Studio, Hamburg), with a strange photo of band members in some hippy party-type feast (or something! Anyone?); with the original German press coming in a gatefold cover, lyrics inside, and other prints being a single sleeve with a printed inner sleeve. Tracklist order also changed from Germany to North America editions.

The album itself featured the single “Hobo”, released in Germany & Spain, but more so it included such classics as the heavy “Prince Of Darkness” (highlighted by Peter Hesslein’s guitar soloing & Peter Hecht’s piano), as well as more proggy epics like “Mother”, the title song, and “Rose On The Vine”. Best known track here though has to be the ballad “Burning Ships” (nicely covered a few years back by Jason Kane & The Jive!). Hard to believe this wasn’t the single, just a great song and performance. Singer John Lawton stood out again throughout this album. 

A shame this album never got a better deal or is seen by casual rock fans as a great album alongside the debut, but those of us who know the band dig this one. As the band went on making regular albums throughout the 70s they covered many other styles from jazz rock, fusion, prog, and pop. But Where The Groupies Killed The Blues remains a favorite for me.

John Lawton – lead vocals RIP, Peter Hesslein – lead guitar, acoustic guitar, percussion, vocals, Peter Hecht – piano, Hammond organ, electric piano, moog, mellotron, Dieter Horns – fender bass, bass-fiddle RIP, Joachim Rietenbach – drums, percussion RIP

LINKS:

http://www.lucifersfriend.com

https://www.facebook.com/profile.php/?id=100063500899957

https://www.facebook.com/profile.php/?id=100063473165257

https://www.45worlds.com/cdalbum/cd/rr4143wp

Maria Hänninen & Tony ‘TT’ Helander release “Cowbell King” (a tribute to MOUNTAIN’S Corky Laing

Emsalö Music’s (Finnish record company) Topi Salmi release the song “Cowbell King” as a digital single (mastered) on legendary Canadian drummer Corky Laing’s 76th birthday. Digital streaming links are out today – Spotify, YouTube, Apple etc..

Maria Hänninen, a singing multi-instrumentalist/songwriter, has admired the band Mountain @mountain2178 since she was young. Dreams came true when she and Mountain drummer Corky Laing got on stage in 2019 to perform a couple of Mountain’s hits live. Since then they have been doing collaborations, Maria also appears on Corky Laing’s latest solo album Finnish Sessions (2022) and she was also a soloist/guitarist/violinist on the Scandinavian tour in the spring of 2023 in the Corky Laing& The Bobos line-up. Maria’s hard rock band Mount Mary recently released their second album Diamonds Of A Fool, and it was a great honor to have Corky Laing guesting on percussions for a few songs. Corky himself is working on his new material for his next solo album as well.

“Cowbell King (Tribute to Corky Laing)” composition, arrangement: Maria Hänninen & Tony “TT” Helander words: Maria Hänninen -Vocals, guitars, bass, recording, mixing: Maria Hänninen -Drums, percussion : Tony “TT” Helander -Mastering: Petri Majuri

LINKS:

https://linktr.ee/mountmary?fbclid=IwAR28kArCazK5LARDkbvUbq4JqpC5dIO3j1Nk7IH6Lz2U_Xt-9vZlO3aW4Sg

https://www.facebook.com/mountmaryband

https://www.facebook.com/corkylaing

http://www.corkylaingworks.com

HONEYMOON SUITE release single from upcoming album

 Canadian melodic rock band HONEYMOON SUITE have a new single from their upcoming studio album ‘Alive’ out February 12, 2024, internationally distributed by Frontiers Music Srl. The track is titled “Find What You’re Looking For” and is accompanied by a new music video. (see below)

Alive‘ features core band members, including Johnnie Dee (Lead Vocals), Derry Grehan (Guitars/Keyboards/Background Vocals), Dave Betts (Drums), Gary Lalonde (Bass), and Peter Nunn (Keyboards). The album is produced by notable Canadian producer Mike Krompass, whose songwriting and production credits include artists like Meghan Trainor, Steven Tyler, Theory of a Dead Man and Smash Mouth. His expertise combined with the bands celebrated melodic rock, powerful vocals and memorable guitar riffs, is sure to make this a timeless record of unforgettable rock anthems.

Pre-order Alive HERE.

HONEYMOON SUITE was originally formed in 1981 by lead vocalist and guitarist Johnnie Dee from Niagara Falls, Ontario. Following the departure of the original lead guitarist, Derry Grehan, also from the Niagara Falls area, joined the band. Johnnie and Derry decided to re-build the band at that point and recruited Dave Betts on drums, Ray Coburn on keys, and Gary Lalonde on bass. They hit the road hard playing 6 six nights a week and writing songs with the hope of scoring a record deal.

In 1983, the band entered a demo of “New Girl Now” to a homegrown contest put on by Toronto rock station Q107. They won that year and this led to a multi album deal with WEA Canada after being signed by Bob Roper.

The band recorded their debut self titled album which was released in July, 1984. The album was an instant success, and with the help of massive airplay, several videos on MTV and MuchMusic, it went on to sell over 300,000 units in Canada alone.

Since their debut release, HONEYMOON SUITE has released a total of seven studio albums with over 1 million units sold worldwide driven by the success of a string of hit singles such as “New Girl Now”, “Burning In Love”, “Wave Babies”, “Stay In the Light”, “Feel It Again” and “What Does It Take”, to name a few.

The band has won numerous awards including a Canadian Juno for group of year in 1986, triple platinum sales in Canada with the first 3 albums, and platinum sales for the greatest hits cd ‘The Singles’, released in 1989. They also received an award in June, 2015 for 100,000 + performances on Canadian radio for “Burning In Love”, “New Girl Now”, “Wave Babies” and “What Does It Take”

HONEYMOON SUITE has also enjoyed many of their songs being placed in film and TV shows such as Miami Vice and Bones, and movie’s such as Lethal Weapon and One Crazy Summer.

During the 1990’s, the band went through several lineup changes, but in the early 2000’s, the original lineup of Johnnie, Derry, Gary and Dave was re-formed, along with the addition of keyboard player Peter Nunn, and is still intact to this day.

Fast forward to 2020. Derry & Johnnie, armed with a surplus of new original songs, reached out to fellow Canadian producer/songwriter MIke Krompass based in Nashville, TN. Mike, a long-time fan, was all in to co-write and produce a new HONEYMOON SUITE album for his new record label. They got to work and before long, they were joined by Dave, Gary and Peter cutting bed tracks for studio album number eight.

The first single, “Tell Me What You Want” was released in October of 2019 along with a groundbreaking new video and response was immediate from fans and radio alike.

A second single called “Find What You’re Looking For” was released in June, 2020.

The song was an immediate hit on AOR Rock Radio in Canada, charting in the Billboard Top 30, the first time in 19 years for HONEYMOON SUITE!

The band are excited for their upcoming February release and with no sign of slowing down, HONEYMOON SUITE plan to continue to create new music and tour year round thanks to a legion of loyal fans.

Alive‘ Track List:

1. Alive

2. Find What You’re Looking For

3. Done Doin’ Me

4. Not Afraid To Fall

5. Tell Me What You Want

6. Give It All

7. Love Comes

8. Broken

9. Livin’ Out Loud

10. Doesn’t Feel That Way

HONEYMOON SUITE:

Johnnie Dee – lead vocals

Derry Grehan – guitars / keyboards / backing vocals

Dave Betts – drums

Gary Lalonde – bass

Peter Nunn – keyboards

LINKS:

https://honeymoonsuiteband.com/

https://www.facebook.com/HMSLive

http://www.frontiers.it

LUCIFER – Lucifer V

LUCIFER is a new(er) act from Sweden featuring heavy Sabbath-y guitar riffs and sounds, as well as influences like Blue Oyster Cult and Ghost, among other. Memorable tunes, melodies and awesome female vocals from Johanna Platow Andersson; this is definitely something new, exciting, and different. A fine mix of hard rock, metal, doomy titles, melodic rock… Favorite cuts include the lead off song “Fallen Angel” – which sounds very early Sabbath inspired, “Riding Reaper”, “Strange Sister”, and the slow kinda bluesy closing track “Nothing Left To Lose But My Life”…. *Check out the clips I’ve included below as well as band press info and links below.

Since it’s inception in 2014 In Berlin, the highly prolific band led by charismatic singer Johanna Platow Andersson has released four electrifying albums on Rise Above (LUCIFER I) and Century Media Records (LUCIFER II-IV), as well as and numerous stand-alone singles infused with 1970s hard rock, proto heavy metal, doom and occult rock, with a nod to their main influences such as Black Sabbath, Pentagram & Blue Öyster Cult.
 
Lucifer, now located in Stockholm, have been nominated twice for a Swedish Grammy in the category ‘Best Hardrock/Metal Album’ as well as the Swedish Radio Award P3 and several GAFFA nominations. Amongst others, they have graced the cover of the leading US metal magazine, Decibel, before their first album was released.
 
The group has concluded recording their fifth studio album, LUCIFER V, the first one to be released by their new label, Nuclear Blast Records to be released on January 26th 2024.
 
Although Lucifer is known to notoriously deliver critically acclaimed albums, supreme songwriting and quality recordings, LUCIFER V is rumored to be their best album yet. Combining elements of all their previous albums into one monumental mass of electrifying heavy rock and roll. Eerie landscapes shaped by soaring guitar riffs, the thunderous pounding of bass and drums from some sort of groovy inferno, haunted melodies to weep into your drink to, the screeching tires of a 1971 Cadillac hearse, the humorous morbidity and tragic wit of Johanna’s lyrics.
 
If death had a best friend, it would be Lucifer and they would hang out together at the local cemetery, shooting the shit.
 
Catch Lucifer live this November in North America on The Satanic Panic Tour co-headlining with Coven, as well as this coming February together with Angel Witch & Coven, when Lucifer brings The Satanic Panic Tour to Europe.
 
Lucifer:
Johanna Platow Andersson (vocals)
Nicke Andersson Platow (drums)
Linus Björklund (guitar)
Martin Nordin (guitar)
Harald Göthblad (bass)
 
Tracklisting:
1. Fallen Angel
2. At The Mortuary
3. Riding Reaper
4. Slow Dance In A Crypt
5. A Coffin Has No Silver Lining
6. Maculate Heart
7. The Dead Don’t Speak
8. Strange Sister
9. Nothing Left To Lose But My Life

LINKS:

https://linktr.ee/LuciferTheBand

https://www.facebook.com/luciferofficial

https://www.facebook.com/groups/lucifersfallenangels

SAXON – Hell, Fire and Damnation (a review)

Over the past couple of decades SAXON has proved themselves as one those high ranking bands to emerge from the New Wave Of British Heavy Metal. Though never as big as Maiden was or is, Saxon have consistently put out solid albums, almost yearly, giving their fans exactly what they want and expect – classic British kick-ass metal, with no deviations. Having said all that I think Saxon’s Hell, Fire and Damnation is the band’s best in years! Not that anything prior to wasn’t good, but the songs here just roll off so well one after another, with lots of memorable rockers, the Saxon historical tales, and anthems. Love the production from Biff Byrford and Andy Sneap, and perhaps the addition of Diamond Head’s Brian Tatler (having taken over for the retired Paul Quinn) has sparked something special. From the title track to “Madame Guillotine”, the speedy “Fire and Steel” that kicks off with Nigel Glockear’s drum roll, and early favorites like “Kubla Khan and the Merchants of Venice” and album closer “Super Charger”. Looking forward to putting this on in the car and cranking it up, and hopefully catching the band on their upcoming tour. Love the cover-art by Peter Sallai!

SAXON has also released a brand new single/video for the track “There’s Something In Roswell”. The track is about the enigmatic events surrounding the 1947 crash of an assumed Army weather balloon in Roswell New Mexico, referred to as ‘The Roswell incident’.

“It’s such a great story. It’s been around for years and years, and it’s just what the song says: there must be something in Roswell because there’s too much hoorah about it still”, lead singer and founder-member Biff Byford explains. “I like the tune as well, I think it harks back to ‘80s Saxon musically, a really good bridge between the classic ‘Dallas 1 PM’ era and ‘Saxon 2023.’”

Pre-order Hell, Fire and Damnation > https://lnk.to/SaxonHellFireAndDamnation

Catch SAXON with URIAH HEEP in the US –

LINKS:

https://www.saxon747.com/

https://www.facebook.com/SaxonOfficial

https://www.youtube.com/@PlanetSaxon

MAGNUM – Here Comes The Rain (a review)

MAGNUM’s 23rd studio album came out days after the passing of founding member – guitarist and songwriter Tony Clarkin. The band have consistently released very good albums since they reformed in 2001, and Here Comes The Rain will be an instant fan favorite, not just because of it’s timing, but simply because it is so easily enjoyable. I like every Magnum album, but this one jumped out at me more so than the band’s previous few albums. Perhaps I didn’t give those enough attention early on, or more so that this one is just loaded with classic Magnum melodies, performances, and bright production. Every track offers something different, and are likeable. Keyboards via Rick Benton seem to have a bigger presence on this record, adding more colors via piano, synths, and organ, notably on favorites like “I Wanna Live”, the orchestrated feel of “After The Silence” and the ballad “Some Kind Of Treachery”, “The Day He Lied”, and the title track. Here Comes The Rain also boasts the rockers ”Blue Tango” , “The Seventh Darkness” (love the sax and guitar interplay, a cool add), and lead off track “Run Into The Shadows”. Heck, this is the best Magnum album since Escape From Shadow Garden, IMO! So much to dig into. Presumably the band’s last album of new songs, and one of their finest! Stunning cover-art from Rodney Matthews, photos Rob Barrow (see below). *Released in various formats and configurations https://store.spv.de/collections/magnum

https://www.napalmrecordsamerica.com/magnum-here-comes-the-rain-cd.html

http://www.magnumonline.co.uk/

https://www.facebook.com/magnumbandpage

https://www.facebook.com/groups/MagnumOfficial

New Year, new plans, where to start…

Well, unlike previous years I started this year at least with the intent and vague plan of what I need to change, what needs to go, and what I want my home, my record room, and future to (roughly) look like. With the slow realization over the last few years that stuff I have accumulated I may never get to enjoy or display the way I once planned on. I don’t have a overly huge record collection compared to many I’ve seen online, but there’s certainly more that I will ever get to listen to, at least multiple times in whatever years I might have left. More so, it is the memorabilia items such as shirts I’ll never wear again, books I may not read more than once, and posters I don’t have room to hang. Heck, I’ve also got loads of music on VHS tapes (I used to be into taping those old Muchmusic programs). That’s not to say I won’t be buying anything further, on the contrary there’s plenty of new releases I would like to get – if and when there’s $. Concerts are becoming fewer and further apart, and frankly – less appealing, not just with the rise in ticket prices, but also of bands I really want to see. Many of my favorite bands are into their 70s, so how much longer or more chances might I get to see the few I still want to (that I haven’t), and there’s a number of bands I like, but at this stage I have no desire to see live (due to lack of original members, backing tracks, nothing new to offer). 

As for this site, the above has brought me to wanting to get back t o writing (when time allows) about music and bands I like, and not merely be copying and pasting new release news, or an article on bands I may never listen to again. Heck, I may wanna write about a few non-direct musical topics. There are plenty of great newer and younger bands out there (see Ripple Music for example), but trying to keep up and hoping to own a lot of this newer music is a stretch for me at this point. I am also behind with a numbers of articles – things I plan to review, retro reviews and revisits, even a couple of interviews I need to get posted. Really, I’d like to focus on things I want to write about and not feel obligated (for whatever reason); after all this is a hobby I started years ago because I loved certain aspects of it, and when there’s time it is fun, but there is enough changed over time – with the music, business, and my personal time and things I might rather do.

Having said all that, currently listening to the new Saxon album, as well as going through my Magnum albums. A sad loss with Tony Clarkin of Magnum recently passing, but he left so many great albums to enjoy, and I need to start filling in the gaps in my Magnum collection; problem is very few Magnum albums got released over here, so off to Discogs it is. Hopefully will get to see Uriah Heep & Saxon this year, but shows listed so far are not so close and between work & other commitments, it may be tough getting to one that isn’t closer to home. Anyway, off to chip away at my mess of a collection, and later off to see Toronto’s Coney Hatch.

RIP TONY CLARKIN of Magnum

It came as a shock to fans when Tony Clarkin’s family announced his passing. Incredibly sad news. Tony had announced over the holidays that a medical issue forced the cancellation of the band’s upcoming tour, and that the band’s new album is set to be released this Friday! Sad that the album will be released without it’s main creative force their to see it. Tony Clarkin was the band’s co-founder (along with singer Bob Catley), he was guitarist, and wrote pretty much all of the band’s material put to tape since the 70s. Clarkin’s distinctive guitar sound, songs, and storytelling lyrics were what made Magnum a unique, and classic British band. Despite never finding success in North America, the band had a huge following throughout the rest of the world, and consistently released excellent albums, particularly since their reformation in the early 2000s. 

Although I had heard of Magnum in the 80s, they didn’t play over here (beyond 1983 or so, I believe!?), and aside from “On A Storyteller’s Night”, I would’ve not heard anything of theirs’ on rock radio back in the day. It was 2009’s Into the Valley Of The Moonking that I received and I was immediately hooked and wanted to hear more! I’ve enjoyed every album since, and gone back to fill in he decades of great music I missed with albums like Kingdom Of Madness, Chase The Dragon, On A Storyteller’s Night, Wings Of Heaven, and post-2000’s Brand New Morning, Princess Alice And The Broken Arrow, and the Escape From Shadow Garden, as well as the awesome Wings Of Heaven Live . Magnum may not have had the success of many bands that broke big over here, but they are British rock royalty to me. A classic band that Tony Clarkin lead in recording some 23(+) studio albums. Currently listening to the band’s new album Here Comes The Rain, another classic Magnum album of Tony Clarkin songs.

https://www.youtube.com/watch?v=MDQC78U-no8

LINKS:

http://magnumonline.co.uk/

https://bravewords.com/news/magnum-founder-tony-clarkin-has-passed-away-following-short-illness

https://www.facebook.com/groups/MagnumOfficial

https://www.facebook.com/magnumbandpage

https://www.facebook.com/groups/Magnum.fan.group

https://www.instagram.com/magnum_uk/?hl=en