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GREENLEAF to release ‘The Head & The Habit’

Sweden’s heavy rockers GREENLEAF will release their 9th studio album in a few weeks (June 21). Well influenced by ’70s hard rockers, Greenleaf’s latest is well worth checking out, full of big dark riffs, doomy rockers, and solid heavy production. Favorites include “Breathe, Breathe Out”, “Oh Dandelion”, the 8 + minute “The Tricking Tree”, and the new single “Different Horses”. Check out the band bio/press info below, as well as the 3 videos from The Head & The Habit, and links!

With their ninth full-length “The Head & The Habit”, Swedish heavy rockers GREENLEAF have reached the pinnacle of a long evolution. The musical handwriting and well-honed mastery of guitarist Tommi Holappa, who has been a pioneer and pillar of the European stoner rock scene for more than 25 years, shines clearly through. This is perfectly complemented by the soulfulness, intuitive sense of melody, and depth of character that the vocals of classically-trained singer Arvid Hällagård bring to the sound of GREENLEAF.Apart from world-class vocal lines and massive riffs with electric fuzz-power,

GREENLEAF have put extra thought into the themes of “The Head & The Habit”, which lift its lyrics far above much of the often-cliché-ridden genre. As the album title implies, the new songs resemble symbolic short stories that revolve around emotional struggles and even mental illness. Written by the vocalist, the lyrics reflect real life experience as Hällagård works with people who suffer from problems with drug abuse and psychological health. Heavy rock afficionados

GREENLEAF were initially formed as an informal project by friends that were already playing in other bands including such notable names as DOZER, LOWRIDER, and DEMON CLEANER. The Swedes simply wanted an outlet for their mutual love of ’70s-era hard rock and proto-metal while being free from the expectations and pressures of their main bands.

Despite intentions to keep GREENLEAF purely for pleasure, the undiluted joy of creating catchy songs led to everyone demanding for that material to be recorded. This eventually resulted in the release of a self-titled debut EP in 2000, which was quickly followed by first full-length “Revolution Rock” only a year later. With guitarist and founder Tommi Holappa firmly at the helm, the sound of GREENLEAF remained remarkably consistent throughout the years and releases that followed, even through a variety of personnel changes. Inspired by growing popularity and the success of “Secret Alphabets” (2003) and “Agents of Ahriman” (2007), they began to shift gears in 2010, moving from “the side project that refused to die” toward something closer to a band with the release of fourth album, 2012’s “Nest of Vipers”. Having turned from an on and off fling to a full-time love affair, the years of rotating line-ups ended and GREENLEAF’s newfound focus and stability was crowned by their fifth album “Trails & Passes” (2014), which featured new permanent vocalist Arvid Hällagård. This milestone also marked the beginning of a new phase of the band. Their next two full-lengths, 2016’s “Rise Above the Meadow” and 2018’s “Hear the Rivers”, won the band prime performing slots on European festival stages, while “Echoes from a Mass” (2021) reached the global streaming and European album charts – reflecting the quartet’s ever-growing popularity.

Weaving together psychedelia, hard rock, and metallic blues in a warm, serpentine mélange that leaves behind none of the punishing immediacy of their earlier recordings, today’s GREENLEAF merge road-tested tightness, swirling guitar-driven soundscapes, and captivating blues-laden vocals into one of the most reliably mesmerizing acts pushing the sonic horizons of desert rock to new frontiers.

With “The Head & The Habit”, GREENLEAF combine an awareness of past triumphs with mature craftsmanship, showcasing their confidence in how to rock stronger, harder, and more to the point than ever before. The Swedes melt thunderous riff-magic, enrapturing and soul-heavy vocals, frenetic rhythms and driving attacks into an ear-catching, sparkling alloy of hard rocking anthems!

Tracklist: 1.Breathe, Breathe Out 2. Avalanche 3. Different Horses 4. A Wolfe in My Mind 5. That Obsidian Grin 6. The Sirens Sound 7. Oh Dandelion 8. The Tricking Tree 9. An Alabastrine Smile

Line-up: Arvid Hällagård – vocals, Tommi Holappa – guitars, Sebastian Olsson – drums, Hans Fröhlich – bass. Recording with Karl Daniel Lidén at Studio Gröndahl, Stockholm (SE)Additional vocals recorded by Arvid Hällagård at Studio Baking Cabin. Mix by Karl Daniel Lidén in Tri-lamb Studios, Stockholm (SE), Mastering by Karl Daniel Lidén in Tri-lamb Studios, Stockholm (SE) *Artwork by Arvid Hällagård, Layout by Arvid Hällagård & Lili Krischke

Shop: http://lnk.spkr.media/greenleaf-head-habit *The Head & The Habit is available as a 48-page CD artbook, a digi-sleeve CD, and as a transparent red vinyl LP, an opaque cream white vinyl LP, and a marbled black, white & transparent green vinyl LP.

LINKS:

http://lnk.spkr.media/greenleaf-head-habit

https://www.youtube.com/watch?v=WLfd1BYRwSo

SOUND & SHAPE: Pillars of Creation out now

The fourth album from Nashville rock trio Sound & Shape features a dozen hard and progressive rock tunes that all make for a good listen from the soft opening symphonic title piece to closing acoustic “Peace In Destruction” (largely instrumental). Between those 2 short pieces there’s some excellent riffs, rockers, acoustic guitars…. Best tracks include “Is A Wilted Rose Still Red” (great riff, and changes throughout this one), the fairly hard rockin’ “Don’t Make Me Make Believe” (another cool lead intro), and the summertime ballad “Sun Haired Sky Mother”. Lots of light and shade throughout the songs.

Love the cover-art btw! For fans of Porcupine Tree, King’s X, A Perfect Circle, Steven Wilson, The Pineapple Thief…. Check out the clips, the press info, and the links below!

 Sound & Shape isn’t just any band, though, and with their latest LP – ‘Pillars of Creation’ – they’ve set a whole new benchmark not only for themselves, but for the genre as a whole. Recorded in just eight days at their Nashville home studio alongside Grammy-winning producer/engineer “Greazy” Wil Anspach (Metallica, Muse, Red Hot Chili Peppers, Killer Mike), the grippingly affective and symphonic opening title track symbolizes how the sequence finds frontman/songwriter Ryan Caudle, drummer Ben Proctor, and bassist Pat Lowry taking listeners on an even more impactful, cohesive, and ambitious ride. 

 From the adventurous arrangements and daring complexities of “Look For Me in the Sky” and “Is a Wilted Rose Still Red?” to the sing-along folk splendor of “Peace in Destruction”; the majestic lusciousness of “Sun Haired Sky Mother”; and the fierce changeups of “Dance Neath the Fairest Moon,” Pillars of Creation ups the ante by fusing the group’s already winning chemistry with a double dose of the baroque/prog rock sophistications of The Dear Hunter, Dirt Poor Robins, and The Reign of Kindo. 

 Beyond being Sound & Shape’s magnum opus, Pillars of Creation is an awe-inspiringly meaningful and multifaceted journey that’s destined to be hailed as one of 2024’s greatest albums.

Band Links:  Facebook / Instagram / Youtube

AXEL RUDI PELL – releases new single from ‘Risen Symbol’

Axel Rudi Pell has a new single from his soon to be released Risen Symbol album. Check out the press info and the video below!

On his 22nd (!) studio album ‘Risen Symbol’, Bochum-based guitarist and songwriter AXEL RUDI PELL continues to fly the melodic hard rock flag without watering down his style with pseudo-modern stylistic variations or expendable studio gimmicks. At the same time, he is constantly looking for new influences, exciting inspirations, and catchy hooks.

One of the best things about ARP’s anthems is that they are perfectly tailored to the charismatic voice of frontman Johnny Gioeli. The American vocalist is one of the most eminent rock singers worldwide and, together with PELL, former Rainbow drummer Bobby Rondinelli, and the two longstanding ARP members Ferdy Doernberg (keyboards) and Volker Krawczak (bass), has been an integral part of a perfectly oiled machine for more than ten years, wowing fans and media alike. 

BADFINGER: Tom Evans archive release

Badfinger Legend Tom Evans Rare Home Recordings “I Am Myself” Available On Y&T Music June 5, 2024!

“I Am Myself” is a collection of never-before-heard home demo recordings by Liverpool’s Tom Evans, bassist and co-lead singer of the iconic power pop group Badfinger. It will be released as a limited-edition CD by Y&T Music and available on all streaming platforms on June 5, 2024 to celebrate what would have been Tommy’s 77th birthday.

Like his Badfinger bandmate Pete Ham, Tom Evans was a prolific songwriter; he gave the quartet many of their greatest ‘deep cuts,’ including “Money,” “It’s Over,” “Believe Me” and “Blind Owl.” Evans and Ham co-wrote “Without You,” which went to No. 1 for both Harry Nilsson and Mariah Carey, and is considered by many to be one of the greatest pop ballads of all time.

He sang lead on “Come And Get It,” Badfinger’s smash hit debut, written and produced by Paul McCartney; his soaring tenor voice made “Maybe Tomorrow,” recorded for the Beatles’ Apple Records when they were still calling themselves The Iveys, an international sensation.

Among the 21 tracks on “I Am Myself,” two went on to be recorded by The Iveys/Badfinger: “Fisherman,” and “No Escaping Your Love”.

Performed mainly on acoustic or electric guitar, with frequent vocal and instrumental overdubs, the album’s freewheeling musicality, lyrical playfulness and clever song-construction showcase Tommy’s songwriting talents at an early period in his musical career.

“I Am Myself” came to be after a long review of material. While reviewing Iveys demo recordings, Tom Brennan discovered that there was more than enough material of Tom Evans’ solo recordings to put together a robust album. Before Brennan could even present the idea, mastering engineer Kevin McElligott proposed the idea of a Tom Evans solo album. McElligott felt strongly that the time was long overdue for Tommy’s demos to have a formal release: “Such a supremely talented singer/songwriter who struck an emotional chord within so many. I felt a real strong responsibility to Marianne, Stephen and the Badfinger community to bring these songs out sounding as best they can. This is just the beginning of hopefully many more releases. It’s an honor for me to sit down and work on these tracks. I do hope everyone enjoys this release.” Everything just came together like it was meant to be. Badfinger historian Dan Matovina made the initial digital transfers. The recordings were then compiled & edited by Tom Brennan, and restored & mastered by Kevin McElligott.

Stephen and Marianne spent time listening to these songs during the process of putting this project together, as well as contributing photos to this album. Tim Boyle gave permission to use some of his pictures for this project and was excited to hear about a new Tommy album, as he is an Evans family friend and worked closely with the band as a booking agent and an assistant for many years.

Released with the full support and cooperation of the Evans Estate, “I Am Myself” is a limited edition of 1,000 CDs. An art print of a rare early photo of Tom is included.

Earlier in 2024, Y&T Music issued “Gwent Gardens,” a collection of unreleased demo recordings by the late Pete Ham.

I AM MYSELF” TRACK LISTING:
1. Hello
2. I Am Myself
3. Our First Night Together
4. Water Lily
5. Goldfish
6. How Does It Feel (original demo)
7. Honey Lovin’ Ways
8. Uncle C
9. I Should Have Loved You (original demo)
10. Fisherman (original demo)
11. Dancing Girl
12. I Don’t Want The Bother
13. Handsome Malcolm
14. In My World Of Yesterday
15. No Escaping Your Love (original demo)
16. Good Times Together
17. The Leaves
18. Stay By Me, Baby
19. A Simple Song
20. Wine, Women And Song
21. I Am Myself (reprise)

To purchase:  https://www.amazon.com/I-Am-Myself-Tom-Evans/dp/B0D49ZFQ7X/

For more information:
https://www.badfingerlibrary.com/
https://www.youtube.com/@TomEvansSolo
www.ytmusiconline.com

AVI ROSENFIELD w/ JOHN E. MENDEL release ‘Instead of Worrying’

Israeli guitarist/songwriter Avi Rosenfield’s latest album (released last month), features American singer John E Mendell. From South Jersey, Mendell’s own music is described as having “no genre limits, playing from classic rock, to blues, to country, reggae and more!” And much of that describes this album Instead Of Worrying. It is nice departure from Rosenfield’s more usual style that’s heavily influenced by the likes of Deep Purple, Rainbow, Uriah Heep, and other classic ’70s hard rock acts. this is more laid back in places featuring acoustic guitars, organ, congas, Wurli keyboards….all making a good listening set of 10 tracks of roots-rock, blues, country, …. Best pics include opener “I Could Be Wrong”, “Tell Me”, and “Lately”…. plenty of ballads here. Guests include British keyboard/Hammond player Nick Foley, Wurli player Gabro Jazz, bass players Daniel Swain and Chris Branch, and Tyler Chen on congas, among a number of musicians here.

*Below Avi Rosenfield talks about the direction of this new album, and working with John E. Mendel. John also gives a bit of his story and about making this album with Avi. Check out the links at the end.

Check out Instead Of Worrying here: https://avirosenfeld.bandcamp.com/album/instead-of-worrying?from=fanpub_fnb

Avi Rosenfield – “The album with John is very special because of the John’s singing, I love his powerful dramatic voice and it surely fits the character for the songs, which are more acoustic driven classic rock, more of a personal album. Inspiration I guess is from all the singer-songwriters of the 70’s, and among them Ken Hensley of course, with his special storytelling style. I tried to follow this path and suggested John these songs.”

John E Mendel – “Making this particular record was VERY fun. Avi had reached out to me after coming across my YouTube channel. We emailed back and forth a bit and he would send me demos of his songs and together we chose which ones I was going to sing for the album. I would record my parts over his demo recordings and he would send me notes or give me a thumbs up. At this time I was in between homes and I was using a friends spare bedroom as my makeshift studio for all of my projects. It took a while to complete since I was only able to get to the studio a few times a week and I had vocal surgery in the beginning of 2023 so I had a month or 2 of vocal rest. As far as my other works (I’ll send links too), I have my YouTube which I post here and there covers and some originals. I have my cover band JEM & The Vibe. We do bars, weddings, private events etc. And I have my original works out under John E. Mendell. A lot of which lean more toward country. I am working on a new album that’s about half way done. I’m an executive producer for a musical group called “Melladys” which has two albums out and we’re currently working on a third. I also record, mix and produce for various bands and artists.”

LINKS:

www.facebook.com/AviRosenfeldBand

avirosenfeld.wix.com/avirosenfeldband

www.youtube.com/user/AviRosnfeld

https://m.facebook.com/jemandthevibe

http://www.melladys.com

Muted Conversations by John E. Mendell https://music.apple.com/us/album/muted-conversations/1572774544

UFO reissue Ain’t Misbehavin’ ep w/ bonus tracks

UK Rock Legends UFO Reissue Rare 1988 EP With Vintage Live Bonus Tracks & Other Treasures!

The legendary British rock band’s rare 1988 EP, Ain’t Misbehavin’, is making a triumphant return in a Deluxe Bonus Track Edition reissue, promising a treasure trove of sonic delights for enthusiasts and collectors alike. Recorded in the wake of the band’s electrifying 1987 tour in support of their ’85 album Misdemeanor, this EP marked the final collaboration between UFO frontman Phil Mogg and the virtuosic Japanese-born guitarist Atomik Tommy M.Much like its predecessor, Ain’t Misbehavin’ goes full throttle from beginning to end with Mogg matching his vocal prowess to the pyrotechnic playing of guitarist Tommy alongside superstar bassist Paul Gray (The Damned) and former Magnum drummer Jim Simpson. The brilliant lead off track, “Between A Rock And A Hard Place,” ranks up there with some of the band’s best rockers. Check out this special digital single release of the track below!

  • This deluxe reissue not only reintroduces the original EP in all its glory but also treats fans to a selection of bonus tracks, including vintage live performances and other rarities that showcase UFO’s dynamic live energy and musical evolution. The artwork has been revamped with an even sexier front cover image, and the whole thing is being released on all formats this June 14 so order your copy today!
  • Order the CD/Vinyl:  https://cleorecs.com/search?q=ufo+ain%27t+misbehavin
  • Stream/download the digital:  https://orcd.co/ufo_aintmisbehavin
  • TRACK LIST:
    1. Between A Rock & A Hard Place
    2. Another Saturday Night
    3. At War With The World
    4. Hunger In The Night
    5. Easy Money
    6. Rock Boyz, Rock
    7. Lonely Cities (Of The Heart)
    BONUS TRACKS
    8. Only You Can Rock Me (Live In Milwaukee 1986)
    9. The Chase (Live In Milwaukee 1986)
    10. Night Run (Live In Milwaukee 1986)
    11. Doctor Doctor (Live In Milwaukee 1986)
    12. Between A Rock & A Hard Place (Instrumental Version)

SAXON – albums of the day

So, gearing up for SAXON & URIAH HEEP in Cleveland.. Not totally looking forward to the 4 hr drive, but 2 of my favorite bands on one bill!

While going through SAXON CDs for the car the last few days, I had these 2 on – 2 classic Saxon albums – something old and something new. Wheels Of Steel is the band’s 2nd album, from 1980 and boasted the hits “747 (Strangers In The Night)” and the title track, as well as the single “Suzie Hold On”, and heavy opener “Motorcycle Man”. The LP went top 10 in the UK and began a run of classic NWOBHM era Saxon albums from 1980-83 (or so). Love the album artwork, the band’s logo that is still used. A must-have Saxon album to start. Check out the 2009 remaster with 8 extra tracks!

And from 2009, Into The Labyrinth . What a killer opening track – “Battalions Of Steel” is, with those church bells and built up intro before the band comes roaring in. One of Saxon greatest and heaviest. This album is full of cool rockers like “Demon Sweeney Todd”, the anthem “Live To Rock”, and “Valley Of Kings”. Highly recommended!

https://www.loudersound.com/features/the-story-behind-saxon-wheels-of-steel

FOCUS – Prog legends announce ‘Focus 12’

Spirit of Unicorn Music are pleased to announce the forthcoming release of FOCUS 12, the brand new studio album from Focus.

Founded by Thijs van Leer, Focus have been at the forefront of the progressive music movement since 1969, yet they still continue to deliver engaging, innovative and skillfully crafted music.  Focus 12 exemplifies this and proves why they are still a firm fan favourite, the world over.

For Thijs van Leer (75) and Pierre van der Linden (78), age is nothing more than a number.  Both continue to contribute to Focus with a passion.  Thijs, who has written the majority of the new album, rises at 4.30am every day in order to work on his compositions.  Whilst the album boasts some of Pierre’s greatest and most energetic drum sequences to date.

Allowing the younger guard to take the audio reins for the first time, Focus 12 is produced by band members Udo Pannekeet and Menno Gootjes, who also contribute two compositions on the album.

Thijs commented “How beautiful life can be when a band plays so easily and so together.”

Focus 12 was recorded at the world-renowned Wisseloord Studios, in the band’s native country, of the Netherlands.  A first for Focus, the album features a completely improvised piece which was captured as it spontaneously took place in the studio, during the recording process.  Thus proving that more than 50 years on, the band are still excited by undertaking something new and different.

Van Leer continues “Thanks Pierre, Udo and Menno for so much musical passion!”

The band continue their long association with legendary artist Roger Dean whose stunning artwork graces the front cover and packaging.  The vinyl version features a stunning gatefold sleeve.

Focus continue to be one of the hardest working rock bands on the planet, regularly touring the globe playing live.  This July, they undertake a string of live dates across the USA and Canada, as part of Asia’s Heat Of The Moment Tour.

Thijs van Leer concludes “After all these years, Focus is in the here and now; the triumph of survival!

Focus 12 will be available on CD, Vinyl and on all good streaming services and can be pre-ordered here:   https://burningshed.com/store/focus

Track Listing

  • 1. Fjord Focus
  • 2. Focus 13
  • 3. Béla
  • 4. Meta Indefinita
  • 5. All Aboard
  • 6. Born To Be You
  • 7. Nura
  • 8. Bowie
  • 9. Positano
  • 10. Gaia

Focus:

Thijs van Leer : Flute, Organ, Piano, Synths

Menno Gootjes : Guitars, Piano, Synths

Pierre van der Linden : Drums

Udo Pannekeet : Bass, Synths, Programming

Produced by Menno Gootjes and Udo Pannekeet

Recorded by Danny Sykes, Udo Pannekeet and Geert Scheijgrond at Wisseloord Studios and Wedgeview Studios, Netherlands

Mixed by Udo Pannekeet

Mastered by Sander van der Heide

LYONEN – release new classic metal single

“For fans of classic metal, I think ‘Wild Nights’ is a taste of what’s to come on the album. It’s a full-throttle journey that blends the spirit of old-school anthems with a modern edge. We’ve got face-melting riffs, soaring vocals, and catchy choruses that’ll stick in your head long after the last note fades.  Honestly, I can’t wait to release it to the world and see how fans react. I think it’ll be a headbanging good time for anyone who craves a fresh take on classic metal.”

New classic sounding metal from Venezuela. A cool, fast paced rocker with influences of Maiden and early Rainbow. Check out the press info, the video and the links below!

Venezuela’s Lyonen is a full-throttle journey that blends the spirit of old-school anthems with a modern edge. With their latest single “Wild Nights” They reinvigorate the classic metal sound with a modern twist. The single delivers face-melting riffs, soaring vocals, and catchy choruses that will stick in your head long after the last note fades. With an album in the future planned, the band shares what listeners can expect:

“This album is a sonic middle finger to the mundane, an anthem for the misfits and the dreamers, a soundtrack to the unforgettable nights that become the stories we tell for years to come. This is more than just music – it’s a feeling. It’s the feeling of belonging, of letting loose, and of screaming your heart out with your closest companions under a sky full of stars. This is Wild Nights.”

This single marks a significant evolution in Lyonen’s sound, with the band pushing the boundaries of traditional metal to create something fresh and exhilarating. Guitar tuning has been dropped to a low C for a heavier bottom end, while the drumming style has been completely revamped to lay a more aggressive foundation. Combined with a new edge to the vocals, the result is a sound that’s both familiar and thrilling, injecting the classic metal spirit with a modern dose of adrenaline.

*For fans of Helloween, Primal Fear, (early) Rainbow, Iron Maiden

About The Single Artwork:
As a total metalhead who lives for concerts, I catch every show I can. “Wild Nights” captures that electric feeling perfectly. The artwork explodes with energy, just like a killer live performance.  A giant fiery skull, a true metal symbol, rages in the background. It’s the peak of the concert – pure sonic power that unites the crowd, like a powerful melodic chorus where everyone sings along.  In the front, a lone figure dives into the moshpit, silhouetted against the flames. It’s all about freedom, and exhilaration – a visual anthem celebrating the intense, unifying power of heavy metal. This is the kind of experience that keeps me chasing the next concert – pure metal magic!

Single Credits:
– Engineering, Production, Mix and Master: Tato Rivas.
– Music and arrangement by Tato Rivas.
– All songs written by Tato Rivas.
Session musicians.
– Guitars and Keyboards by Tato Rivas
– Bass: Luca Nicolasi
– Drums: Cezary Borawski
– Vocals; Tasos Lazaris

Discography:
2018 – Single – Nehme die Sünde
2019 – Single – Angels of Freedom
2020 – Single – No Borders
2020 – Album – This is Lyonen
2024 – Single – Wild Nights

Links: Lyonenofficial.wixsite.com | Facebook.com/lyonenofficial | Instagram.com/lyonenfficial | Youtube

Spotify | Apple Music

LEE AARON – Tattoo Me (out now)

LEE AARON’s new album Tattoo Me is out. It consists of 11 covers of varying classic tunes. I’ve said it before – I am not usually a fan of such albums, unless there’s something unique or very different about them, or they have a purpose or a theme. Tattoo Me has a great selection of songs spanning a number of decades; it also features Lee’s distinctive voice, and songs aren’t presented as note for note covers — so that gives it all a different and fresh approach/feel….There’s a few songs here I’ve never heard before, such as opener “Tattoo” (originally by California band The 77s), cool song, suits Lee and her band perfectly (and since I don’t know the original, well… it’s all new to me). Other favorites here are “Go Your Own Way” (Fleetwood Mac) with Sean Kelly doing an awesome job of re-visiting Lindsay Buckingham’s legendary guitar work, “Even It Up” (Heart) – which is a bit slowed down and rockier, Elton John’s “Someone Saved My Life Tonight”, and Alice Cooper’s “Is It My Body” – a bit of a twist, and Lee gives it attitude (as required with AC songs). Lots of different stuff here that Lee Aaron and band pull off like it all belongs together. A fun Canadian rock album just in time for summer! *Check out the press info and links below…

Eighteen albums into her career, AARON has written, recorded, and produced music achieving gold and multi-platinum sales. Recognized as one of Canada’s top rock vocalists, she’s also made forays into jazz, blues, and even opera, receiving numerous awards and accolades and, most recently, a 2023 induction into Canada’s Walk of Fame.

“Songs are like tattoos” – the famous first line of Joni Mitchell’s Blue – is a sentiment that has always resonated deeply for Canadian rocker LEE AARON.

“The one thing I’d never done was a full covers album,” says AARON. “It seemed like a really cool and super-fun project to tackle at this point…”

Taking a nostalgic journey, Tattoo Me pays homage to musical trailblazers who helped shape her own artistic path. As a reflection of her eclectic taste, yet in keeping with a profound respect for the greats, these 11 dynamic tracks are a unique tapestry of influences that transcend era and genre.

“It started out as a heartfelt nod to artists we’d been influenced by in our youth, but the truth is, we didn’t stop being influenced or being fans at 18, so the list kept evolving. It covers a few decades and a few unconventional choices, but it was incredibly rewarding to make!” she states.

Each track is a labor of love, infused with AARON and her band’s signature rock ’n’ roll swagger, yet in keeping with a sense of reverence for the originals.

The album was produced by AARON in her Vancouver studio and mixed by multi-media genius Frank Gryner (Rob Zombie, L7, Def Leppard, Larkin Poe, Ian Hunter, and more).

“One of the positive things that came out of the pandemic was that we all upgraded our home studios and got very good at engineering and recording ourselves. No one was under the pressure of a studio clock, so the performances are as genuine as they’re gonna get.”

From the sizzling blues-rock of 1960’s Nina Simone’s “The Pusher,” to the rebellious energy of 1972 Alice Cooper’s “Is it My Body,” AARON growls, purrs, whispers, and wails, sounding like she’s having an absolute blast infusing these songs with her own fiery spirit. Her voice is as versatile and powerful as ever.

Standout tracks include a rendition of Led Zeppelin’s “What is and What Should Never Be,” Heart’s “Even it Up,” and Hole’s “Malibu.” Stellar performances by AARON’s long-term band – Sean Kelly (guitar), Dave Reimer (bass), and John Cody (drums) – effortlessly channel these ’70s and ’80s rock giants and seem to capture the original magic of each of the tunes.

Another gem is AARON’s take on Elton John’s “Someone Saved My Life Tonight.” Kelly’s gorgeous acoustic guitars create the soundscape, then strings and lush harmonies support her stirring vocal performance. The tribute is passionate and heartfelt. She reflects, “I spent hours and hours laying on my basement floor with headphones listening to ‘Someone Saved My Life Tonight’ on repeat. I desperately wanted someone to save me from my boring life when I was a teenager…music ended up being that for me.”

The album also takes some unexpected turns, with delightful interpretations of songs from a diverse range of artists, including mid ’90s BritPop band Elastica, California’s 77’s, and the Undertones. Each track echoes the vibe of the era while seamlessly fitting into the lineage of AARON’s own storied career.

Tattoo Me is a sonic time capsule, bridging the decades. Once again, cementing her status as a rock ’n’ roll chameleon, AARON blends the old and the new, proving not only that the transcendent power of music never stops, but that she herself isn’t ready to anytime soon.

LINE UP:
Lee Aaron – lead vocals
Sean Kelly – guitars
Dave Reimer – bass
John Cody – drum

TRACKLIST: 1. Tattoo 2. Are You Gonna Be My Girl 3. Even It Up 4. What Is And What Should Never Be 5. Is it My Body 6. Go Your Own Way 7. The Pusher 8. Malibu 9. Someone Saved My Life Tonight 10. Connection 11. Teenage Kicks

LINKS:
www.leeaaron.com
www.instagram.com/leeaaron.music
www.facebook.com/LeeAaronMusic
www.youtube.com/user/LeeAaronTV
www.metalville.de
www.facebook.com/metalville