Tag Archives: Classic Rock

YES announce new album, single

photo by Gottlieb Bros.

YES have announced the release of a brand new album, and follow up to 2021’s The Quest. The band’s 23rd studio album – Mirror To The Sky comes out in May, including 9 tracks, and featuring Roger Dean artwork. It is also features the lead off single / video “Cut From The Stars”, and is the first to feature Jay Schellen (ex Hurricane, Asia feat John Payne, Unruly Child) as YES’ fulltime drummer, taking over for the late Alan White . *check out the video below, as well as more info on Mirror To The Sky from the press release.

YES, who are Steve Howe, Geoff Downes, Jon Davison, Billy Sherwood & Jay Schellen, are pleased to announce their new studio album Mirror To The Sky on InsideOutMusic/Sony Music on the 19th May 2023. “This is a very important album for the band,” says Steve Howe, Yes’ longest serving member, master guitarist, and producer of Mirror To The Sky. “We kept the continuity in the approach we established on The Quest, but we haven’t repeated ourselves. That was the main thing. As Yes did in the seventies from one album to another, we’re growing and moving forward. In later years, Yes often got going but then didn’t do the next thing. This album is demonstrative of us growing and building again.” For Yes, that “next thing” is a collection of high energy, intricate, lush and layered new studio songs for an album which adds to the band’s much heralded legacy, while charting a path to exciting future times ahead. 

As they were wrapping up The Quest, Yes found themselves with song sketches, structures, and ideas that were demanding attention. Yes received unconditional support from InsideOut boss Thomas Waber, who encouraged them to keep going in the studio, months before The Quest would even go on sale. It was like throwing gasoline on their creative fire. 

“When we delivered everything, and they were just getting the vinyl and everything into production for manufacturing, we were still very much in that creative zone,” explains Steve Howe. “That belief that Thomas had in us really meant a lot,” he says. 

“We truly get along as people,” says Jon Davison. “I feel like everyone’s focused inward to the greater circle, concentric to the core of highest standards that define Yes. It’s a wonderful thing to witness and of which to play a part. I believe this reflects vibrantly in the music and the creative input that each one is willing to apply, not for the benefit of the individual, but for the greater whole that is Yes.” 

“There was a lot of material floating around because the band hadn’t done anything in the studio for so long. Ideas were just copious,” says bassist Billy Sherwood. “The pace of it was fast. As soon as we were finished with The Quest, and the mix had come out, we took a couple of little breaks there to catch our breath. But there was still music flowing around in the loop. It was just constantly being looked at and worked on. As we were all home and in that mode, things started progressing quite swiftly. We just went one album into another without really announcing, ‘Hey, we’re working on a second record right now.’ We just continued to work on material. It came about pretty naturally, and then we refined it as the process went on. But the initial bursts — there was a lot of material around!” 

Much to everyone’s delight, including that of long-time fan Thomas Waber, Yes have pushed into territory they practically invented — the prog rock epic — albeit in a thoroughly new and modern way. “I always felt that it would be great to have stuff that’s a little bit more epic,” he says, although he resisted the temptation to push for something that would be too formatted and could come off as contrived. He just gave the band space to do what they do and let things develop. “They were so excited by The Quest and the momentum they had that they went straight back into the studio. What they were writing, even early on, was obviously headed in that epic direction — what Yes music really is to me. It is almost a genre onto itself. It is ‘Yes Music.’ Mirror To The Sky certainly is Yes Music.” 

Mirror To The Sky features not one, but four tracks clocking in at over eight minutes, with the sweeping and cinematic title track coming in just shy of fourteen minutes. What’s more, the tracks, like Yes’ best, take the listener on a wide dynamically ranging journey of soundscapes which also showcase Steve Howe’s dazzling guitars, keyboard wizard Geoff Downes’ impeccable sounds, exquisite melodies and fills, Jon Davison’s angelic, crystalline vocals, Billy Sherwood’s deftly dancing bass and Jay Schellen’s masterfully controlled explosions, on drums. 

Jay Schellen, who has been touring with the band since 2016, was hand-picked to step into his mentor and friend Alan White’s role when White sadly passed away in 2022. “I had done the 2016 Topographic Drama tour on my own for Alan,” says Jay. “From late 2017 onwards, we had a partnership, and a beautiful partnership, I might add. I learned so much, and discovered so much about Alan’s style, and why it was the way it was. It fit his personality so perfectly. This album has Alan’s presence all over it. It is inside of us. So this is still, in my heart, Alan just being present and with us, and with me, in a big way.” 

‘Mirror To The Sky’ will be available on several formats, all featuring artwork by long-time Yes artist & collaborator Roger Dean:  

Ltd Deluxe Electric Blue 2LP+2CD+Blu-ray Artbook with poster 

Ltd Deluxe 2CD+Blu-ray Artbook 

Ltd 2CD Digipak 

Standard CD Jewel case 

Gatefold 2LP+LP-Booklet 

Digital Album 

The Blu-ray editions include the album as Dolby Atmos, 5.1 Surround Sound, Instrumental Versions & Hi-Res Stereo Mixes. 

Pre-order now here: https://Yes-Band.lnk.to/MirrorToTheSky  

Tracklisting: 

CD1: 

Cut From The Stars  

All Connected

Luminosity

Living Out Their Dream  

Mirror to the Sky

Circles of Time

CD2: 

Unknown Place

One Second Is Enough

Magic Potion

YES ONLINE: 

www.yesworld.com   

www.facebook.com/yestheband   

www.twitter.com/yesofficial   

www.youtube.com/user/yesofficial   

www.instagram.com/yesofficial   

www.soundcloud.com/yesofficial  

The COMMONERS release new single, + UK tour dates w/ Troy Redfern

photo: JC Polien

Canadian blues-roots rockers The Commoners have released a 4th single, w/ lyric video from their album Find A Better Way. The single “More Than Mistakes” and the new album can be streamed Here. or watch the video below.

On the punchy and rollicking “More Than Mistakes,” the rock train rolls on full steam ahead.  Bright tambourine accents a rhythm section to rival Motown, illuminating a track that instantly pushes listeners to the edge of their seats, raising them to their feet.  Alive and free, “More Than Mistakes” affirms the album’s theme of self-empowerment with gusto.

“More Than Mistakes is a song written in self-defiance,” says the Commoners’ lead singer, Chris Medhurst. “It’s about taking on one’s own weakness with a sense of forgiveness for past transgressions, while enthusiastically searching for the limit.”

Possessing a sound tapped from the oaken belly of a whiskey barrel, The Commoners are a four-piece Roots/Rock outfit from Toronto, Canada.

In April The Commoners tour the UK, along with the amazing blues-rocker Troy Redfern!

Links:

http://www.thecommoners.ca

http://www.troyredfern.com

RUSH : Signals 40th anniversary – box set, picture disc…

Rush’s Signals was originally released in September of 1982. Preceded by the single “New World Man”, it marked a change in the band’s sound, with more use of modern keyboards and less heavy guitar. I am sure this was an issue for many Rush fans at the time, but it was a success as the band kept evolving and staying current. The met with mixed reviews, among the most comical being Rolling Stones’ horrible review, calling the band’s latest “duller than ever“, among other things! I wasn’t so into “New World Man”, but the rest of the album (most of) I preferred – particularly “Subdivisions” and “The Analog Kid”, plus favorites like “Countdown” and “Digital Man”.

Not only did the singles get lots of air-play (particularly in Toronto – which is where our closest rock stations were), but the video for “Subdivisions” was a classic, fitting the lyrics of being the outsider trying to fit in – “be cool or be cast out“. The video was filmed in various areas of Toronto (Scarborough), so it’s interesting to see for that aspect as well.

Signals remains one of my Top 3 Rush albums, with the other 2 being Permanent Waves and Moving Pictures – that period where the band sized things down from the lengthy epics to more strong shorter songs, easily accessible for many who might have shied away before. Rush was at their peak with Signals – selling out 3 nights at Maple Leaf Gardens. The album charted at #1 in Canada (their 2nd in a row), #3 in the UK (their 3rd #3), #19 in Sweden, and #10 in the US, while “New World Man” would become the band’s biggest single in the US, and “Subdivisions” would become a mainstay in the band’s live show thereafter (As far as I know…was it ever out of the live set?) Again, another interesting and iconic cover design by Canadian Hugh Syme.

And all of this brings me to the 40th anniversary release of Signals – particularly the box set, coming out in April. ( The re-issue will be available in three versions – Super Deluxe Edition, one-LP Picture Disc Edition, and Dolby Atmos Digital Edition). Upon seeing what’s coming (and what’s been on previous Rush box’s), I am pretty torn about this one, somewhat disappointed. There is the LP, 4 singles, CD (2015 remaster), a blue-ray disc, a hard cover book, poster, new artwork, prints, etc… You can check out the full details here > https://www.rush.com/signals-40th-anniversary-release/

What this Signals box doesn’t have, however – is anything new to listen to, ie – a live recording from the era, And that is a big drawback for me. Retailing at $229 US (!) – and No live show or rare live tracks … !? Hard to believe, but I guess possible, that maybe something of top quality just doesn’t exist!? (Maybe a bigger Rush collector can clarify?) I love the artwork (and keen to see all the new art from Hugh Syme), as well as the 40 page book, and all, but ….for me – I like to get something (new to me) to listen to. Maybe I’ll just eventually end up getting the new picture-disc version of Signals.

Links:

https://www.rushbackstage.com/

https://www.rushisaband.com/

https://www.facebook.com/rushtheband

https://www.facebook.com/rushisaband2112

http://www.2112.net/powerwindows/transcripts/19821206bostonglobe.htm

The DAMN TRUTH – Canadian band UK Tour as openers for Glenn Hughes

The Damn Truth is a Montreal based hard rock band who have been given the nod to open for Glenn Hughes on his Burn 50th Anniversary UK Tour. Not familiar with The Damn Truth, I thought I’d check them out! A classic hard rock band, with psych and blues influences, and a female vocalist – Lee Baum, who is heavily influenced by Janice Joplin, as well reminded me of Janita (Jenny) Haan of ’70s British band Babe Ruth.

The band has 3 albums out, their most recent being 2021’s Now Or Nowhere. Great heavy guitars, hooks, melodies, and vocals! check ’em out.

Links:

http://www.thedamntruth.com

https://www.facebook.com/thedamntruth

https://www.youtube.com/@thedamntruthtube

GLENN HUGHES to perform classic Deep Purple live – Celebrating 50th Anniversary of Burn with UK Tour

Former DEEP PURPLE bass player, and these days of The DEAD DAISIES, will be undertaking a UK tour in October to celebrate Deep Purple’s 1974 album Burn.

Burn was the first of 3 studio albums Hughes was on while with Deep Purple, as well as new frontman David Coverdale. It would be their most successful of the 3, as it landed in the top 10 in most countries, including #1 in Germany & Austria, #3 in the UK, and #7 in Canada. The title track that kicked off the album is arguably the best album opener in the Deep Purple catalogue. The song was used in the movie Almost Famous, and has been covered numerous times, notably by Riot, Jorn Lande, and WASP. Burn also featured the single “Might Just Take Your Life”, as well as favorites “Sail Away” and epic “Mistreated”.

Glenn Hughes’ band will feature Soren Andersen (guitar), Ash Sheehan (drums) and Bob Fridzema (keyboards). The set will also include songs from the 2 albums that came after Burn with Hughes’ – Stormbringer and Come Taste The Band.

For more info, check out below from the press release, as well as tour dates!

GLENN HUGHES PERFORMS CLASSIC DEEP PURPLE LIVE
CELEBRATING THE 50TH ANNIVERSARY OF “BURN”

Planet Rock’s 48-hour ticket pre-sale starts 10am on Tuesday 21 February 2023 VIA WWW.PLANETROCK.COM

Tickets on general sale at 10am Thursday 23 February 2023 from – WWW.THEGIGCARTEL.COM

Glenn Hughes, the former bassist, and singer of Deep Purple, known to millions as the ‘Voice of Rock’, Rock and Roll Hall of Fame inductee, is pleased to announce, ‘Glenn Hughes Performs Classic Deep Purple Live – Celebrating the 50th Anniversary of the album BURN’ October 2023 UK tour.

*Special guest on all UK shows is Canadian rock and roll band, The Damn Truth.

‘It was 50 years ago, in the summer of 1973, that the BURN album by Deep Purple was written at Clearwell Castle in the Forest of Dean Gloucestershire,” reminisces Glenn. “It was recorded in October in Montreux, Switzerland.”

Continues Hughes, “We all became one in this centuries old castle in the UK countryside, it felt like Deep were a new band, with David (Coverdale) and I as new members, we couldn’t wait to start working on new songs. The atmosphere was electric, in such amazing surroundings.” 

“All the songs on BURN were written in the crypt/dungeon, underneath the great hall. We worked on a new song every day, and we were in the flow. Musically we would play, and work out ideas, and David and I would come up with vocal melodies that would later have lyrics. I remember it like it was yesterday.”

“As you could imagine, Ritchie Blackmore was in full prankster mode, Jon had warned me, and he rigged my room one night with a speaker that was hidden, and had ghostly voices delivered to my bedside.”

“The title track was the last song to be written. We came back from the pub, and went down into the crypt, and magic happened.”

Concludes Hughes, “It’s time to celebrate BURN, and I’m really looking forward to seeing you.”

DEEP PURPLE – THE STORY BEHIND “BURN”

“BURN” is the eighth studio album by the English rock band Deep Purple, written and recorded in 1973, and released in February 1974. The album was the first to feature then-unknown David Coverdale on vocals and Glenn Hughes, from Trapeze, on bass and vocals.

The album was recorded in Montreux, Switzerland, in November 1973, with the Rolling Stones Mobile Studio. With the addition of David Coverdale and Glenn Hughes, Deep Purple’s hard rock sound incorporated elements of soul and funk, which would become much more prominent on the follow-up album, “Stormbringer.”

In 2004 “BURN” was remastered and released with bonus tracks. Coronarias Redig was recorded during the “BURN” recording sessions, used only as a B-side for the Might Just Take Your Life single in 1974. It appears as a bonus track (in remixed form) on the anniversary edition re-release. The 2004 remix version of “BURN” was later used in “Guitar Hero: Warriors of Rock.”

In 2005 an unauthorised documentary about the album was produced as part of “The Ultimate Critical Review” series. It featured brand new interview with the original Deep Purple Mk III bassist and vocalist Glenn Hughes.

Lead single “Might Just Take Your Life,” released 4 March, was Deep Purple’s first UK single in two years.

The phenomenal title track started things off at full throttle and challenged the seminal “Highway Star” for the honour of best opener to any Deep Purple album, while showcasing the always impressive drumming of Ian Paice. The fantastic slow-boiling blues of “Mistreated’s” greatness qualifies it for the highest echelons of hard rock achievement, and therefore ranks as an essential item in the discography of any self-respecting music fan.

LINKS:

http://www.glennhughes.com

https://www.facebook.com/glennhughesonline

https://www.loudersound.com/features/every-song-on-deep-purples-burn-ranked-from-worst-to-best

*Photos of Glenn Hughes by Eric Duvet

URIAH HEEP’s Russell Gilbrook: Chaos & Colour Interview

Russell Gilbrook joined URIAH HEEP in 2007, and made an immediate impact with his drumming performance on Wake The Sleeper. Coming up to fifteen years since the release of that first album, Heep’s brand new album is titled Chaos & Colour, and Russell Gilbrook has not only given the band a strong boost of once again, but has also contributed 4 songs to the new album! Along with longtime friend and guitarist Simon J. Pinto, Russell also co-wrote the band’s newest single “Hurricane”. In this interview Russell answers my questions pertaining to the amazing new Uriah Heep album, his writing contributions, and more. Enjoy the read, and check out the new Heep album, as well as the links below.

You’ve contributed 4 excellent tracks to the new Uriah Heep album, co-written with Simon Pinto. First, can you tell me a bit about Simon and how you came to work & write with him? 

I’ve known Simon for around 30 years and played in quite a lot of bands with him. He really understands my approach to drumming and rock music in general. He’s a great player and  I knew the chemistry would work between us when it came to a writing process.

How did you and Simon write together — who came up with musical ideas, lyrics, etc…? 

We got together and I gave him all my ideas of feels, grooves, chord progressions etc.. and he did his own research and familiarized himself with the Heep back catalogue and we slowly built up the songs from those initial ideas. 

We wanted to write songs that had a storytelling element and wanted the music to help tell these stories.

Was there an abundance of songs to choose from for Chaos & Colour, more so than previous albums? How was it all cut down (producer’s choice?) And was there anything put to tape that wasn’t included? 

Because of the lockdown situation, everyone was able to put down a lot of ideas. We had a lot of time on our hands. All those ideas were brought to the table during our two weeks of pre-production and we picked what we felt were the strongest ideas for the next album. Our producer, Jay Ruston, also had a say on which ideas he would like on the album.

The 11 songs were agreed and recorded in Chapel Studios over the three-week period.

Are there any plans to work on / record your songs that didn’t make the album in the future or with another project (solo or with Simon)? 

Yes! All ideas that didn’t go on this record are saved and may be used for either a future Heep record or another project somewhere down the line.

Hurricane sounds like it will be a great live track. I know it might be a ways off, but have you guys discussed what songs from Chaos & Colour you’re probably going to include in the live show? 

Well, we have no idea at this time what will make the live set but I’d definitely love to see it in there. What tends to happen is when we rehearse for touring the Chaos & Colour album, we’ll try out various songs from the album to see which ones we think will fit well with existing Heep songs.

You’ll Never Be Alone is an epic piece! Can you talk share a bit of what influenced this song lyrically and musically?

The story is about a child’s dream where fairies are luring and kidnapping children but this one particular child realizes that there is a problem and alerts the parents who then come to find the lost children and take them from the fairies’ grasp and when it seems like all the children are safe and well, the initial verse structure repeats, suggesting that it is a recurring dream and the fairies are up to their usual tricks. If you close your eyes and focus on the music, it really accentuates the story in a dramatic and magical way. It was really important for us to match the lyrics with the music, making it such an epic track!

Can you give me a bit of insight into Hail The Sunrise (a great catchy chorus), and Fly Like An Eagle (just an awesome hypnotic, progressive sort of song)?

Hail The Sunrise is going back to ancient times of how people erected these sacred formations and the blood, sweat and tears and long journeys that went into the process of moving the stone from one place to another, all for what they believed in. The dedication and devotion that ensured the formations at places such as Stonehenge, Gurung Padang and Gobekli Tepe stood through the ages is astounding and difficult to even comprehend! We wanted the chorus to be quite anthemic to represent the elation these people must have felt when these structures were completed and in use.

Fly Like an Eagle… On the surface it’s about meditation but it also touches on the indigenous cultural tradition of ‘Vision Quest’ – A spiritual journey to receive knowledge from the spirit world. The song was written to be uplifting journey for the listener, so hopefully, everyone gets those feelings from it.

Of the other tracks on the album from with Davey or Mick & Phil – what are a few of your favorites? 

Save Me Tonight by Davey and Jeff Scott Soto is a killer, high energy track! We had no doubt Dave would bring something like this to the table after ‘Grazed By Heaven’. I also really enjoy Silver Sunlight by Phil and Mick. The dynamic changes within that song and the big melodic chorus are exactly what Heep fans love, but all in all, I think every track on the album has it’s strengths and the album has something to offer everyone.

There’s that cool little exchange between you w/ Mick and Davey, back and forth on “Freedom To Be Free”. A pretty intense instrumental section. Can you recall a bit about that song and section came together? 

The song was written by Mick and Phil and we agreed that it would be great to have Davey do a bass solo in there. We played a musical phrase and Davey basically answered it. What that tends to do within a song is give it a bit of a cool musical expression to add a bit of interest. It’s the proggy part of Heep coming out, I suppose!

How did you approach this album playing-wise — anything different?

As a band, no, nothing different really. The song ideas determine ways to play and in the pre-production weeks, we try out a range of different approaches for the playing and find which works best. For me personally, the way I tackle the songs is pretty organic – When I hear the first demos I can already hear what the song needs and as I come from a session background and have played a load of different music styles I tend to have quite a few ideas on the spot and as a result, the drum parts come together pretty easily.

Prior to the release of this album you played on the White Spirit album. Can you tell me a bit about this project? How you got involved and all? Any plans to perform with the band live or on anything in the future?

Actually, Dave Ling (Classic Rock journalist) recommended me to Cliff Evans (Guitar) and Mick Tucker (Guitar) as they were looking for a drummer for the project. They sent over the rough demos and said that I was free to do my own thing on it. Unfortunately, due to the Heep schedule, adding in other touring responsibilities is quite difficult, however, I never say never if there is a gap in the Heep dates, I’ll be out there playing! I’m very happy with the outcome of the album and the songs are really good! It’s a great album, with awesome artists collaborating on it. I’d recommend people go check it out if they haven’t yet.

You’ve been in Heep now for 15 years. Have you ever sat and gone through the band’s Entire catalogue? And do you have a few favorite albums,  and/or a few favorite tracks that might be considered ‘deep cuts’ or hidden gems in the Heep repertoire? 

I wouldn’t quite say I’ve sat and gone through every album! Haha, but when we have rehearsal time to put together a new set, we tend to go back in the archives and find tracks which the band hasn’t played for a while, such as ‘Love Machine’, ‘Shadows of Grief’, ‘Wiseman’ and ‘Against the Odds’. As for albums that I love, ‘Wake The Sleeper’ is special to me because it’s the first album I played on, just a few weeks after joining the band and ‘Look At Yourself’ is such a Great early album for Heep that has the fantastic ‘July Morning’ and title track. Special mention goes to ‘Chaos & Colour’, of course as It’s my first contributions to the writing.

What sorts of music do you listen to at home (in car or at the gym)? Anything new you’ve been into lately?  btw – Do you still buy albums – physical copies or mainly download or stream?

I like a varied amount of music – My car playlist is a bit of a joke actually! Haha

My car favourites go from the likes of Saxon and Judas Priest to Billy Joel and Oscar Peterson.

I’m really enjoying the new Ozzy album ‘Patient Number 9’ at the moment – I’m listening to it a lot in the car.

To be honest, I mainly stream because I only really get to listen to music in the car or in the tour bus. Unfortunately, streaming is the easiest way to access music in these cases.

Can you give me Russell Gilbrook’s Top 10 (favorite) Albums from your youth? 

I struggle to name my top ten favourite albums from my youth! I have too many, but I can list 10 albums that I really like in general?

  1. Billy Cobham – Spectrum
  2. Buddy Rich – The Driver
  3. Deep Purple – Live in Japan
  4. Chuck Mangione – Children of Sanchez
  5. Iommi – Iommi
  6. Heaven And Hell – The Devil You Know
  7. Billy Joel – 52nd Street
  8. Whitesnake – Whitesnake (1987)
  9. Rainbow – Rising
  10. Scorpions – Love At First Sting

LINKS:

http://www.uriah-heep.com

https://www.facebook.com/uriahheepofficial

https://www.youtube.com/@UriahHeepOfficialVideo/featured

https://www.facebook.com/russellgilbrookdrummer

http://sl-music.net/en/

Simon J. Pinto – Musician

https://white-spirit.co.uk/

KJ, 01/’23

URIAH HEEP – release new single days ahead of 25th studio album

URIAH HEEP has a new single out from Chaos & Colour, which is to be released on the 27. The rocker “Hurricane” was written by (drummer) Russell Gilbrook, along with friend & guitarist Simon J. Pinto, who has played with Les Binks (Les Binks’ Priesthood), and also worked with Adam Wakeman, Brian May, and Sam Smith among others. “Hurricane” is an outstanding heavy rocker and sounds like it should make an excellent fit in to the band’s live show.

The anthemic and epic “Hurricane” carries an underlying historical and mythological theme. Co-writer and drummer Russell Gilbrook explains: “Simon (Pinto) and I wrote the song about how our ancestors looked at storms and how these can be interpreted as being messages from the Gods… Their power is awesome and a great inspiration for a rocking track!”

Founding member Mick Box comments: “Music and lyrics are of paramount importance to me… I used to hate those ‘80s MTV million dollar videos as they created such a visual image that all calls to imagination were lost because you didn’t have to think. I think the power of music and lyrics are that they do certain things to certain people.”

Chaos & Colour is an album which bristles with explosive classic rock guitars, supreme harmonies, and Heep’s famously generous keyboard foundation. “One Nation, One Sun” is a journey of soaring balladic contemplation, “Fly Like An Eagle” takes the listener on a journey of meditation, whilst “Closer To Your Dreams” is a battle cry for all rockers to get out there and do it, with Shaw imploring that “So many have tried but slipped away/Now it’s time for you to have your say.” During the entire album, Bernie Shaw’s timeless vocals sit expertly beside the band’s phenomenal artistry (Mick Box – guitar, Phil Lanzon – keyboard, Russell Gilbrook – drums, Dave Rimmer – bass), rounding out exceptional performances throughout.

Links:

http://www.uriah-heep.com

https://www.facebook.com/uriahheepofficial

https://lnk.to/ChaosandColour

http://www.simonpinto.com

BAD LUCK FRIDAY release new single

British blues rockers Bad Luck Friday have a new single out – “Rebel With A Cause”. The single on Wilde Fire Records, from the band’s debut album can be streamed HERE and check out the video below. *For more check out the press info and links below!

“Rebel With A Cause is Bad Luck Friday’s unambiguous statement about Britain’s current political climate,” says the band’s guitarist Steve Brook. “Channelling Rage Against the Machine, the track’s opening riff serves as a rallying call to the disaffected, the downtrodden and jaded alike: get off your rear and get to the front!  It’s big, bold and demands to be heard.”

Don’t be fooled by the harmonica. Bad Luck Friday is not your typical blues rock band. Will Wilde has a reputation in the blues world as a pioneer of the rock harp, but with Bad Luck Friday, he’s taken the music well beyond its traditional blues roots.

The band’s eponymous debut album is available on CD and limited edition coloured vinyl from www.badluckfriday.com.

Bad Luck Friday support Jared James Nicholsat The Black Heart in London on Wednesday 22 February. Tickets are available from https://myticket.co.uk/artists/jared-james-nichols

*check out the band’s previous video for “Banshee”…

Links:

linktr.ee/badluckfriday

https://www.facebook.com/badluckfriday

The ALAN PARSONS PROJECT – The Turn Of A Friendly Card 4-disc box set

The classic 1980 album from The Alan Parson Project – Turn Of A Friendly Card is being reissued in a 4 disc (3 CD + DVD) box. The album was highlighted by 2 major hits – “Games People Play” – featuring the amazing vocals of Lenny Zakatek, and the ballad “Time”. It also included such favorites as “I Don’t Wanna Go Home”, “The Gold Bug” (a single) and “Turn Of A Friendly Card” (Parts One & Two). The original album is an awesome listen on it’s own, but the numerous demos, early takes, and rough mixes make this even more interesting. I am quite happy hearing a number of versions of “Games People Play”! To be released February 24, with a limited number of collector’s postcards available.

*For more info check out the press info & tracklisting below, as well as ordering link.

• A DELUXE LIMITED EDITION BOXED SET OF THE CLASSIC ALBUM BY THE ALAN PARSONS PROJECT.

• THREE CDs AND ONE BLU-RAY DISC (REGION FREE), REMASTERED AND REMIXED FROM THE ORIGINAL MASTER TAPES BY ALAN PARSONS.

• FEATURING AN ADDITIONAL 42 BONUS TRACKS DRAWN FROM ERIC WOOLFSON’S SONGWRITING DIARIES, STUDIO SESSION OUT-TAKES AND A STUNNING NEW 5.1 SURROUND SOUND FROM THE ORIGINAL MULTI-TRACK MASTER TAPES BY ALAN PARSONS AND FOUR PROMOTIONAL VIDEOS.

• INCLUDES A LAVISHLY ILLUSTRATED BOOK WITH NEW ESSAY AND A REPLICA POSTER.

First released in November 1980, ‘The Turn Of A Friendly Card’ was the fifth album by The Alan Parsons Project, the brainchild of composer, musician and manger Eric Woolfson and celebrated producer and engineer Alan Parsons.

Inspired by the period in which both Eric Woolfson and Alan Parsons had resided in Monte Carlo, this legendary album was recorded in Paris. The album sessions featured the contribution of musicians such as Ian Bairnson (guitars), David Paton (bass), Stuart Elliott (drums) with Eric Woolfson playing keyboards and providing lead vocals, along with Elmer Gantry, Chris Rainbow and Lenny Zakatek.‘ The Turn Of A Friendly Card’ would become one of the biggest selling albums for The Alan Parsons Project, attaining gold status in many European countries and the USA. The album featured such classic compositions as ‘Games People Play, ‘Time’, ‘The Gold Bug’ and ‘The Turn Of A Friendly’ suite which dominated the album’s second side.

This new deluxe edition comprises 3CDs and a Blu-Ray disc (Region Free) with an additional 42 tracks drawn from Eric Woolfson’s song-writing diaries, studio session out-takes and a stunning new 5.1 surround sound mix by Alan Parsons and a high resolution remastered original stereo mix, along with the promotional videos of ‘Games People Play’, ‘The Gold Bug’ and ‘The Turn Of A Friendly Card’ plus a promotional television advertisement. This stunning set also features a lavish illustrated book with a new essay with photos, memorabilia and features recollections from Alan Parsons and Sally Woolfson. It also includes a reproduction poster.

DISC ONE
THE TURN OF A FRIENDLY CARD’ REMASTERED
1 MAY BE A PRICE TO PAY
2 GAMES PEOPLE PLAY
3 TIME
4 I DON’T WANNA GO HOME
5 THE GOLD BUG
6 THE TURN OF A FRIENDLY CARD (PART ONE)
7 SNAKE EYES
8 THE ACE OF SWORDS
9 NOTHING LEFT TO LOSE
10 THE TURN OF A FRIENDLY CARD (PART TWO)
BONUS TRACKS
11 MAY BE A PRICE TO PAY (INTRO DEMO)
12 NOTHING LEFT TO LOSE (BASIC BACKING TRACK)
13 NOTHING LEFT TO LOSE (CHRIS RAINBOW OVERDUB VOCAL COMPILATION)
14 TIME (EARLY STUDIO ATTEMPT)
15 GAMES PEOPLE PLAY (ROUGH MIX)
16 THE GOLD BUG (DEMO)

DISC TWO
ERIC WOOLFSON’S SONGWRITING DIARIES
1 MAY BE A PRICE TO PAY
2 GAMES PEOPLE PLAY
3 TIME
4 I DON’T WANNA GO HOME
5 THE TURN OF A FRIENDLY CARD
6 SNAKE EYES
7 NOTHING LEFT TO LOSE
8 TOFC / SNAKE EYES / I DON’T WANNA GO HOME
9 LA LA LA LAH
10 NEXT YEAR
11 SOMEONE ELSE
12 TAKING IT ALL AWAY
13 TO THOSE OF YOU OUT THERE

DISC THREE
RECORDING SESSIONS BONUS TRACKS
1 MAY BE A PRICE TO PAY (EARLY VERSION – ERIC GUIDE VOCAL AND UNUSED GUITAR SOLO)
2 GAMES PEOPLE PLAY (EARLY VERSION – ERIC GUIDE VOCAL)
3 TIME (ORCHESTRA AND CHRIS RAINBOW BACKING VOCALS)
4 THE GOLD BUG (EARLY REFERENCE VERSION)
5 THE GOLD BUG (CHRIS RAINBOW BACKING VOCALS)
6 THE GOLD BUG (CLAVINET WITH NO DELAY)
7 THE TURN OF A FRIENDLY CARD – Part One (EARLY BACKING TRACK)
8 SNAKE EYES (EARLY VERSION – ERIC GUIDE VOCAL)
9 THE ACE OF SWORDS (EARLY VERSION WITH SYNTH ORCHESTRATION)
10 THE TURN OF A FRIENDLY CARD – Part Two (ERIC GUIDE VOCAL AND EXTENDED GUITAR SOLO)
SINGLE EDITS
11 GAMES PEOPLE PLAY (SINGLE EDIT)
12 THE TURN OF A FRIENDLY CARD (SINGLE EDIT)
13 SNAKE EYES (SINGLE EDIT)

DISC FOUR – BLU RAY
5.1 SURROUND SOUND MIX (2019) AND HIGH- RESOLUTION ORIGINAL STEREO MIX BY ALAN PARSONS
1 MAY BE A PRICE TO PAY
2 GAMES PEOPLE PLAY
3 TIME
4 I DON’T WANNA GO HOME
5 THE GOLD BUG
6 THE TURN OF A FRIENDLY CARD (PART ONE)
7 SNAKE EYES
8 THE ACE OF SWORDS
9 NOTHING LEFT TO LOSE
10 THE TURN OF A FRIENDLY CARD (PART TWO)
VISUAL CONTENT
1 THE TURN OF A FRIENDLY CARD (ALBUM AD)
2 GAMES PEOPLE PLAY (PROMOTIONAL VIDEO)
3 THE GOLD BUG (PROMOTIONAL VIDEO)
4 THE TURN OF A FRIENDLY CARD (PROMOTIONAL VIDEO)

Links:

https://www.cherryred.co.uk/product/the-alan-parsons-project-the-turn-of-a-friendly-card-3cd-blu-ray-limited-edition-box-set/

https://alanparsons.com/

https://www.facebook.com/TheAlanParsonsProject

JARED JAMES NICHOLS – new album out now

American blues rocker Jared James Nichols has a brand new album out. It is self-titled, and it kicks ass! JJN sounds heavy and live! The guy plays guitar like he’s on stage, and has a distinctive enough and fitting vocal for such wild rockin’ tunes as “Saint Or Fool”, “Easy Come, Easy Go”, and the Sabbath heavy “Hallelujah”. Other excellent tracks in “Long Way To Go”, which reminds of John Corabi’s Dead Daisy stuff (on the vocal), as well check out the slower paced closing cut “Out Of Time”. Well worth checking out – today!

JJN: “I made a record to serve as the menu for the live show, ….There’s an element of excitement and danger. It’s my version of rock ‘n’ roll with a little more humanity. The album is a day in the life with the ups and downs, but it musically rings true to who I am as an artist. I’m not trying to be anybody but myself and play the music I love for today. I’m giving you loud ass guitars and no fucks given rock ‘n’ roll, and I’m loving it.”

*Check out more info from the press release below, as well as tour dates for the new album! To order the album: www.jaredjamesnichols.com/

OFFICIAL ALBUM RELEASE SHOWS SET FOR NASHVILLE, LOS ANGELES, FRESNO, CHICAGO & MILWAUKEE

EUROPEAN TOUR DATES CONFIRMED FOR FEBRUARY 9-22

With nothing more than a Gibson Les Paul slung over his shoulder, a warm amp turned all the way up, and a hot microphone on and ready, Jared James Nichols churns out the kind of rock that rips, roars, and rolls without filter or apology. Nichols, who stands at a staggering 6 foot 5 inches tall, delivers a one-two punch of gritty vocals straight from the gut and incendiary fret fireworks. Jared first emerged onto the scene in 2015 with his debut Old Glory & The Wild Revival and followed that up with Black Magic in 2018, which yielded the fan favorite “Honey Forgive Me.”

More recently, he issued the Shadow Dancer EP (2021) and collaborated earlier this year with both Maggie Rose and Joe Bonamassa for revised versions of his song “Threw Me To The Wolves.” Gibson also formally welcomed Nichols as an official ambassador, plotting the release of several signature Jared James Nichols guitars. Since his debut, Nichols has racked up millions of streams and critical acclaim and, in between show-stopping solo shows, has performed alongside icons such as Slash, Billy Gibbons, Zakk Wylde, and even the late Leslie West, to name a few.

Guitar World has attested, “If you’ve never witnessed Jared James Nichols onstage, let us say right now: you’re missing out, big time.” By keeping it simple, Jared remains primed to leave his imprint on rock ‘n’ roll forever.

JARED JAMES NICHOLS TOUR DATES
U.S. Dates
Tuesday, January 17 – Nashville, TN @ The Basement East
Thursday, January 19 – Los Angeles, CA @ The Peppermint Club
Sunday, January 22 – Fresno, CA @ Strummer’s
Thursday, January 26 – Chicago, IL @ Beat Kitchen
Saturday, January 28 – Milwaukee, WI @ The Miramar Theatre

European Dates
Get tickets for all dates at: http://bit.ly/3IFcMB9
Feb 9- Rotterdam, NL- Annabel w/ DeWolff
Feb 11- Utrech,NL- TivoliVredenburg w/ DeWolff
Feb 12- Savigny Le-Temple, FR- L’Empreinte
Feb 15- Barcelona, SP – Sala WOLF w/ Montana Stomp
Feb 16- Madrid, SP – Salanazca Madrid w/ Montana Stomp
Feb 22- London,UK – The Black Heart w/ Bad Luck Friday

*For more info on Jared James Nichols, visit:
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