Metalville Records continue their reissues of SWEET albums with Live At The Marquee, which was recorded in February of 1986. This release does not include the 4 studio tracks from the original 1989 release, but includes 2 live songs not on the original either. *Check it out.
Live At The Marquee was recorded at London’s Marquee Club in February 1986, shortly before the legendary venue closed its doors for good. The SWEET lineup at the time consisted of original members Andy Scott (lead guitar) and Mick Tucker (drums) as well as Paul Mario Day (ex-Iron Maiden) as lead singer, bassist Mal McNulty (Slade), and Phil Lanzon (Uriah Heep) on keyboards. At this concert, the band presented a heavier sound without losing the energy and appeal of the classic hits and anthems.
Live At The Marquee is a rare gem in SWEET’s catalog and is now being re-released on CD and vinyl.
Well, another Heep list… My list of their best album opening cuts, ranked 1-11. These picks aren’t all necessarily from my favorite Heep albums, but those opening songs that are best representative of the album they’re from, and made the most impact to grab your attention. Feel free to disagree and put your own picks in the comments!
1 – Gypsy
The first song on Uriah Heep‘s first album, with that riff and Hammond organ. “Gypsy” is one of Heep’s most memorable tunes and set the tone for some of what was to come in the early days. Still a live favorite. This started it all!
2 – Sunrise
From The Magician’s Birthday. I love the gentle build up before the band and vocals come in, like a huge alarm. Imagine listening to the intro to this for the first time and not knowing what to expect!? It’s a ballad with a heavy dose of Heepy sound making this so intense.
3 – Too Scared To Run
After so many changes the band returned in ’82 with a new line-up, and an album – Abominog. This song kicked off the album and ’80s comeback. Penned by new singer Peter Goalby it’s one of the biggest and most memorable riffs in the Heep catalogue. This song really screams that the band is back. A fan favorite, and one from this era that still gets performed live. Such a ‘metal’ sounding riff, I can’t believe more modern metal bands haven’t covered this one!
4 – One Way Or Another
Opening 1976’s High And Mighty, which would be the last with David Byron, but surprisingly it’s sang by John Wetton (who also left after this album). It’s got a great opening riff and organ, sounding fresh and energetic. Just a great song. A shame it wasn’t given a global single release and promoted.
5 – Against The Odds
After a string of so-so albums and a bit of a break, Heep returned in 1995 with Sea of Light , which is lead by this killer tune. Another huge riff from Mick Box, and dynamite solos… one of the best tracks from the Bernie Shaw era. Fair to say I usually pick the lead-off track as my favorite on a number of Heep albums.
6 – Speed Of Sound
From 2014’s Outsider (hmm, cool name for a website!). Starting with Hammond organ, and as the organ comes up in volume the guitar and drums kick in before Phil Lanzon’s organ riff takes over. An uplifting tune a shame it didn’t get more attention. Followed nicely by the single “One Minute”.
7 – The Wizard
This acoustic based favorite was a very different start to the band’s classic Demons and Wizards album, a unique way to start an album back then (see also Golden Earring’s “Silver Ships”). The song is pure fantasy Heep from the start, and kicks off their biggest period.
8 – No Return
The lone album with John Sloman, and I love the start of this song and album right away. One of 2 songs penned (but not credited to) the new singer. I like the quiet built up intro, and although it’s not crushingly heavy, this is a very good song, my favorite from Conquest. Would have made a better first single as well, IMO.
9 – Bird Of Prey
From Salisbury (everywhere but North America where the album opened with “High Priestess”). Another trademark Heep classic with that powerful opening and high harmonies. This one kept up the weight and energy of “Gyspy”.
10 – Between Two Worlds
And my favorite track from Heep’s post-’90s era. Love the spooky keyboard intro , and the band coming in to a rockin’ and catchy classic Heep tune. Much like “Against The Odds”, it’s heavy on the guitar and hammond organ, with fantastic solos from Mick Box (love the lengthy outro after the last lyrics), and one of Bernie Shaw’s best vocals on a song with some cool story to it. I really liked Sonic Origami, but nothing else on the album comes close to this killer track.
11 – The Hanging Tree
And here I am at #11… A great start to the band’s first of 3 with John Lawton singing. A memorable little keyboard intro before the drums and rest of the band kick in. Not sure how Heep fans heard this at the time, but as a later Heep fan, I think Lawton did an excellent job at selling the new-look Heep right off the bat with his voice on Firefly. Ken Hensley would re-write and re-record this for his last album as “Right Here, Right Now”. It is worth noting that in Canada and the USA this song kicked off side 2, and the album started with “Been Away Too Long”. The Fallen Angel album also featured different opening cuts from various territories.
Uriah Heep have released a new video from Chaos And Colour. The track is “Golden Light”, a favorite, penned by Mick Box & Phil Lanzon.
“Golden Light” is a smorgasbord of soaring melodies, robust rhythm, luscious guitar lines, and brims with spiritual optimism. “We’ve always had positive energy in everything we do,” beams Mick Box, Uriah Heep’s venerable and effervescent founding member. “It’s always good over evil no matter where we look at it. That’s what we’re like as people, which is why it’s always been a big part of Heep to have that positivity.” “‘Golden Light’ is a typical melodic Heep rock song” continues Box, “it explains that in this troubled world, there is a guardian angel shining down a light, to guide us through these difficult times. ‘Appy days!”
Produced by Jay Ruston, and engineered by Pieter Rietkerk, Chaos & Colour is a superb album of quality hard rock from the pioneers of the genre who continue to create top class material. Old fans will be reinvigorated whilst new fans will surely find Chaos & Colour an exceptional discovery. In this, their 53rd pioneering year as a band, Chaos & Colour sees Uriah Heep throwing down more life, light and energy than peers 40 years their juniors.
Chaos & Colour is available to order now on Black and Coloured Vinyl configurations, as a standard CD Digipak, and digital formats. Orders can be place here: https://lnk.to/ChaosandColour
Well, being Phil Lanzon’s birthday I thought to pull this one out, from Uriah Heep’s keyboard player and a major songwriter. It is an album I never tire of! Phil’s first solo album, from 2017, From the eye-catching cover art courtesy of Michael Cheval through all 10 tracks – this album really has it all with catchy swinging pop rock like “Lover’s Highway”, to heavy keyboard prog in “Step Overture”, to acoustic tale-telling ballads like “I Saw Two Englands” and heavy Heep-like prog-rock of “The Bells”. Really an entertaining and amazing package, especially the 2LP vinyl (which I have on this am).
Phil sings some lead vocals, as does John Mitchell (Lonely Robot), Andy Makin (Psycho Motel) and Andy Caine. Aided by Simon Hanhart (co-producer), Laurence Cottle (Black Sabbath), Richard Cottle (co-producer, orchestrations). as well as violin players, cello players choirs, pedal steel guitar (Sarah Joy), etc… *If you’ve not heard this, I highly recommend it! Phil followed If You Think I’m Crazy! up with 2019′ excellent 48 Seconds.
URIAH HEEP”s Chaos & Colour has been out for some time now, and has been received enthusiastically and with great reviews from fans. Phil Lanzon, has been a major part of the Heep songwriting team since he joined the band as keyboard player. On Chaos & Colour Phil, along with founder/guitarist Mick Box, have delivered 6 awesome new Heep tracks. In this exchange Phil answers my questions pertaining to the band’s latest album, as well as what else he is up to. *Check out the links below!
With the pandemic and time away from each other and stage, was there more songwriting going on prior to recording Chaos & Colour? Was there an abundance of songs & ideas to choose from this time around?
Yes there was plenty of that. Mick and I wrote songs remotely during the pandemic. It was unusual but worked really well. There are songs and ideas left over, maybe for the next album, who knows.
You worked again with Jay Ruston. Was that an easy decision?
Yes it was easy. Our working relationship worked really well with Living the Dream so we wanted that to continue with Chaos.
Russell & Simon Pinto contributed 4 songs to Chaos & Colour. Was there some tough decisions in cutting down the number of songs?
Well there is always tough decisions when choosing the final songs. Especially as others band members are contributing; which we all feel has made for a great combination of material.
Chaos & Colour is a great follow up to Living The Dream, but I think a bit of a step up with more varied tracks trhoughout. Was there any deliberate move to try and include more progressive moments or ballads?
I personally always feel that there should be a prog section within a Heep album, specifically to keep variety in the material and also take the listener on a journey. It is a Heep feature that makes an appearance on many Heep albums from the early days to today.
Can you give me a bit of insight into some of the tracks- lyrically or recall on how it all came together…
I’ll keep it short. We always keep a strict eye on our lyrics that they don’t stray into the ‘norm,’ which is a pitfall of many artists, so we use the basic premise of positivity and the knowledge that there is good everywhere. You just gotta find it!
You seem to have a few new keyboard sounds on this album, such as on “Fly Like An Eagle”. I get a bit of Dream Theatre feel in there. Can you touch on any new sounds, approaches or equipment?
Not a great deal of new sounds, I was just messing around with a mini-moog style sound and decided it worked for the track.
“Age of Changes” is a fantastic track (my early favorite). Can you touch on this song?
I wrote this lyric based on my first childhood sweetheart. A story I’m sure will resonate with so many. We go through so many changes in our lives but the first real awakening to that fact hits most of us in the school yard.
You guys recently completed the 50th anniversary tour. How did You enjoy the shows? Any highlights or favorite moments in the set for you?
We all enjoyed the tour, it was a huge success as far as we are concerned and made a whole lot of Heepies very happy. The acoustic show was well received and was a joy to perform.
Phil, in your time awaiting the next Heep tour – might you be working on another solo project, book, or any guest appearances anywhere?
I am at the moment trying to sell my Musical, I mean, musical theatre. It is a full length musical about Ellis Island New York in 1917. The script is with an American producer as I write.
What are you listening to these days? Any current (new) favorites?
Nothing new at the moment. I am immersed in my artwork right now. Check out my Instagram.
URIAH HEEP has a new single out from Chaos & Colour, which is to be released on the 27. The rocker “Hurricane” was written by (drummer) Russell Gilbrook, along with friend & guitarist Simon J. Pinto, who has played with Les Binks (Les Binks’ Priesthood), and also worked with Adam Wakeman, Brian May, and Sam Smith among others. “Hurricane” is an outstanding heavy rocker and sounds like it should make an excellent fit in to the band’s live show.
The anthemic and epic “Hurricane” carries an underlying historical and mythological theme. Co-writer and drummer Russell Gilbrook explains: “Simon (Pinto) and I wrote the song about how our ancestors looked at storms and how these can be interpreted as being messages from the Gods… Their power is awesome and a great inspiration for a rocking track!”
Founding member Mick Box comments: “Music and lyrics are of paramount importance to me… I used to hate those ‘80s MTV million dollar videos as they created such a visual image that all calls to imagination were lost because you didn’t have to think. I think the power of music and lyrics are that they do certain things to certain people.”
Chaos & Colour is an album which bristles with explosive classic rock guitars, supreme harmonies, and Heep’s famously generous keyboard foundation. “One Nation, One Sun” is a journey of soaring balladic contemplation, “Fly Like An Eagle” takes the listener on a journey of meditation, whilst “Closer To Your Dreams” is a battle cry for all rockers to get out there and do it, with Shaw imploring that “So many have tried but slipped away/Now it’s time for you to have your say.” During the entire album, Bernie Shaw’s timeless vocals sit expertly beside the band’s phenomenal artistry (Mick Box – guitar, Phil Lanzon – keyboard, Russell Gilbrook – drums, Dave Rimmer – bass), rounding out exceptional performances throughout.
A new Uriah Heep album is something I look forward to, and after the last few years this is most welcome! Now, there is no song titled “Chaos & Colour”, and I am sure I’ll be saying those 2 words in the wrong order at some point. There is an explanation of the title tho from guitarist/founding member Mick Box – “The album title reflects that we were in chaotic times with being locked down, tours being cancelled, businesses folding, and all the chaos that was thrown into the world,… and as far as I could see it, the only colour people had was through music. It helped so many people get through those difficult years, using that strength and power which music has, to make those bad times not quite so bad.” And the cover art, it’s colorful, created (again) by Paul Tippett (whos’ credits also include Black Star Riders, It Bites, and Europe).
So, at this point in the band’s career (having turned 50 in 2020, and recently touring their 50th anniversary), some may expect a break. But, instead Heep have recorded and will release their 25th studio album at the end of the month. And Chaos & Colour will be worth the wait to Heep fans, especially those who were happy with 2018’s Living The Dream. That record was very good, the first 4 tracks on that alone had me hooked on first listen. Chaos & Colour is 9 tracks (vinyl), and 11 – if you get the CD! The new album keeps up with some standout Heep-heavy rockers, and adds more variety with progressive tracks, ballads, and a couple of excellent lengthier numbers., all produced (again) by Canadian Jay Ruston.
Overall, Chaos & Colour is more consistently strong song-wise, kicking off with the first single “Save Me Tonight”. It’s another collaboration between bass player Davey Rimmer and Jeff Scott Soto. At 3 and a half minutes, it’s a full-on energetic rocking opener with all that’s expected in a Heep rocker — heavy guitar and Hammond organ, harmonies, a memorable chorus.. The first 5 tracks are rockers, “Silver Sunlight” & “Hail The Sunrise” are both good, but (for me) it is “Age Of Changes” (one of many from Mick Box & Phil Lanzon) and “Hurricane” (one of four from Russell Gilbrook & Simon Pinto) that stand out, and are early favorites. “Age Of Reason” is a classic Heep styled melodic rocker that lyrically reflects on a first love/past relationship, I’ve played this one (and the next) more than anything else here, and I’m already putting this one alongside the best Shaw-era tunes (see “Between Two Worlds”, “Take Away My Soul”, ” One Minute”). I was surprised to see this was one of the ‘CD only’ tracks! “Hurricane” is more of a thundering rocker, that sounds like it will make a great live song. Side one (LP) ends with the soaring ballad “One Nation, One Sun”, a feel-good number that slowly builds throughout. It is one of 3 tracks that clock in over 7 and a half minutes, all of which longtime Heep fans will dig.
Side 2 (of the LP) is the more progressive half, it opens with the glorious “Golden Light”; this one is highlighted by Mick’s guitar performance throughout this one. “You’ll Never Be Alone” is a story based epic about a child’s magical dream that involves magical places, lurking danger, and rescues. And musically it plays out very fitting with a heavy intro, soft piano, build up, going through a few changes; racing to the edge and then simply dropping back in to piano, starting over as a new dream. Progressive rockers “Golden Light” (love Mick’s guitar melody throughout this one), and the more hypnotic “Fly Like An Eagle” (Phil Lanzon’s keyboards weave throughout this one and it’s an outstanding vocal from Bernie) are both excellent, with both tracks offering something new and are fairly heavy. Now, the LP closes with the eight-minute + heavy prog-rocker “Freedom To Be Free”, it’s full on Hammond & guitar, but also has a few surprises fans will dig, as the song progresses (and I will leave it at that!) The last track is (CD only) “Closer To Your Dreams”, a shorter rock track that is reminiscent of “Easy Livin'” and “Everything In LIfe”, a fitting end to a great ride. I think Heep fans will enjoy Chaos & Colour more so, as it journeys a bit further than the band’s previous 4 albums in sound and song. Now, when’s the tour start!?
Tracklist:
Save Me Tonight Silver Sunlight Hail the Sunrise Age of Changes (CD only) Hurricane One Nation, One Sun Golden Light You’ll Never Be Alone Fly Like an Eagle Freedom to Be Free Closer to Your Dreams (CD only) Save Me Tonight (Demo; Deluxe CD only)
Outsider Rock 