PARIS was a power trio that included former Fleetwood Mac singer/guitarist Bob Welch, former Jethro Tull bass player Glenn Cornick, and former Nazz drummer Thom Mooney. Formed in 1975, following Welch’s departure from Fleetwood Mac, Paris released their first of two albums in January of ’76. As a major part of Fleetwood Mac for 4 albums, including such classics as “Hypnotized”, “Bermuda Triangle”, and “Sentimental Lady” – a track he’d lady re-record and have a hit as a solo artist. Anyway, Paris debut album would be a heavier, blues based – rockier album, Zeppelin influenced rather than more in tune with the Fleetwood Mac stuff. Glenn Cornick was a fitting heavy bass player, having played on the first few Tull albums, as well as Wild Turkey. Rockers like “Black Book”, “Religion”, “Nazarene”, and “Rock Of Ages” – all really good tracks, that should’ve appealed to those in to Zeppelin, Mountain, and perhaps Deep Purple. I love the recording on this record, produced & engineered by Jimmy Robinson, who’s later credits also included early Sammy Hagar, Detective, and Yesterday & Today. Check out cuts like “Narrow Gate” – with a number of changes, and Cornick’s bass sound jumping out, as well as “Beautiful Youth”, which sounds like it would’ve fit nicely on a previously Fleetwood Mac album, which makes sense as Welch wrote everything here.
Paris didn’t crack the Top 100 at the time (#103 in the US), I haven’t found much else on it, and there was no single from it. The band would release a follow up later than year with Hunt Sales replacing Mooney. Welch would later go on to a successful solo career, releasing a number of albums, and having a few it singles. When Fleetwood Mac was inducted into the R & R Hall of Fame in 1998 Welch was omitted, which was shameful,, IMO. Welch passed away in 2012, Cornick passed in 2014, Mooney took part in a one-off Nazz reunion for Rundgren Radio in 2019. The Paris album has been reissued a few times on CD, so shouldn’t be hard to find, and is well worth checking out.
PARIS, Capitol ST- 11464. The world of heavy metal boogie gets a new power trio featuring guitarist- singer -writer Robert Welch, lately of Fleetwood Mac, with bassist -keyboardist Glen Cornick, an original member of Jethro Tull. The buzzsaw gui- tar leads and oh- so- cosmic lyrics remind one of the early Deep Purple at its most rambunctious. Best cuts: “Beautiful Youth,” “Narrow Gate,” “Nazarene.”
SAXON recently released a sequel to their 2021 covers’ album Inspirations. So, More Inspirations is 10 classic rock songs that have been been given the Saxon treatment. I do Not normally like or buy covers’ albums, but the 2 Saxon have made I am happy with. The band tends to choose plenty less-then obvious gems to include. They also keep the production simple, without adding things that are not part of the song or not part of the Saxon sound, hence there’ s no keyboards on the likes of “Gypsy” (Uriah Heep), or “Man On The Silver Mountain” (Rainbow), which is fine, both still sound great!.
Favorites here include the band’s takes on “Tales Of Brave Ulysses” (Cream), “Substitute” (The Who), “From The Inside” (Alice Cooper), and Nazareth’s “Razamanaz”, which suits Saxon & Biff’s voice perfectly! Love the band’s performances here, and Biff has one of the most recognizable voices in British rock. Well worth checking out!
CHARLIE was a British band, that initially started out as a fairly hard-rock guitar band, and it’s the band’s 1976 debut album Fantasy Girls that is easily the best in their catalogue (IMO). The band here comprised of Terry Thomas (lead vocals, guitar), John Anderson (bass, backing vox), Steve Gadd (drums, percussion), and Martin Smith (guitar, backing vox). Fantasy Girls came with different covers for each side of the Atlantic; I prefer the UK version, subsequent albums would feature models on the covers, which were an improvement.
As for the songs, this album is full of great guitar, with plenty of different styles and blends, heavy in places, harmonies, melodies… Not quite an overly heavy band, but holding back with smooth production, and a variety of cuts. Some massive solos, like these guys were torn between wanting to be an-out 2-guitar hard-rock/metal act and vocally an American smooth sounding AOR band. Regardless, every track is good here, but highlights have to be the title track, as well as “Prisoners”, the single “TV Dreams”, and the closing straight ahead rocker “Summer Romances”.
There’s not a lot out there (that I could find) in the press, and I suspect it wasn’t huge at the time. No North American single. Follow up albums seemed to get somewhat softer and smoother (tho’ I do like No Second Chance and Good Morning America!). Fantasy Girls has been reissued a few times – including one from Renaissance Records in 2006 with Another cover! Drummer Stephen Gadd would go on to be a drum tech for Iron Maiden years later, and Terry Thomas would become a major producer, notably with Bad Company in the ’80s (notably with Tommy Shaw, Bad Company, Foreigner, Giant, and Tesla).
CHARLIE- Fantasy Girls, Columbia PC 34081. Good, straight -ahead rock set from British quartet who approach rock in a simple, forward fashion. Good lead and good harmony and backup vocals, with lyric quality better than in most of the newer rock groups. Nothing extreme, as the band stays away from the heavy metal syndrome. More along the lines of some of the better fun rock of the ’60s. Best cuts: “Fantasy Girls,” “Don’t Let Me Down,” “First Class Traveller,” “Please Let Me Know,” “Summer Romances.” Dealers: Several potential singles here. – Billboard
CHARLIE: ‘Fantasy Girls’ (Polydor Super 2383 373) When I saw Charlie on the Old Grey Whistle Test, I thought they were tedious Their album, however, shows a much tighter control of the music then the live appearance. Their main problem scorns from a lack of originality. Their playing is competent but couldn’t be distinguished from the sound of a 101 other bands. Their lyrics aren’t exactly gripping either, le: “I have my dreams although I’m broke, acute skintitús is no joke.” That speaks for itself I think. – Rosalind Rusael, Record Mirror
Years back I got The Best Of Bad Boy CD, and over the years I’ve picked up the band’s LP when I see them locally – which is scarce, since they were on a small label and not all of them got released outside of the US. However, the band’s first album is from 1977 with the interesting title of The Band That Milwaukee Made Famous, showing a camera with a photo of the band in front of the city’s welcoming sign. Recently I pulled this out, and it’s a really good late 70s American hard rock album! What’s notable is the presence of Steve Hunter (special guest) on guitar. Bad Boy (which evolved from Crossover) consisted of Steve Grimm and Joe Luchessi – both guitars/keys/vocals, as well as John Marcelli (bass) and Lars Hansen (drums), with this album being produced by Bob Brown, who’s credits included names such as Ray Manzarek (The Doors) and Alice Cooper (Welcome To My Nightmare). Interesting also that for being a local band, they were taken to California to record this at Warner Brothers Studios.
The Band That Milwaukee Made Famous highlights included “Disco”, a catchy funky rock tune, this was a single, and it should’ve been the album’s big hit. As well the heavy instrumental “Overture”, which strangely is the 2nd track on the album, it features a cool quiet built up organ intro and then some heavy cool guitar melodies. “I Gotta Move” is another good rock track with a bit of funk; this one and “Disco” both kinda feeling like they could fit on a Teaze album (Canadian band from the same late ’70s era). There’s a number of excellent songs, and lots of variance here from the opener “Last Rock And Roller” (that guitar solo reminding me of ‘Skynyrd), the acoustic rock of “Mindless Babbling”, the single (and more AOR-ish “Thinking Of You”, and straight ahead rock of “Shake Me Up”. If you’re into the likes of Teaze, Harlequin, Y & T, and Charlie, check this album out. And for whatever reason, none of the tracks here are included on the band’s 1998 Best Of release.
BAD BOY -The Band That Milwaukee Made Famous, United Artists UALA781G. This quartet of regional musicians has amassed a sizable legion of fans in Milwaukee. The music ranges from mainstream pop to driving rock sound enhanced by the presence of guitarist Steve Hunter. Best cuts: “I Gotta Move, “Machines,” “Thinking Of You, “Mindless Babbling.” – Billboard
THE BAND THAT MADE MILWAUKEE FAMOUS – Bad Boy, United Artists – UA-LA781-G – Producer: Bob Brown – It won’t be long before the rest of the world knows what Milwaukee is already aware of. From the city that brought you all that great beer comes this band of polished rockers with high energy and talent plugged directly into their amps. A guest appearance by guitar standout Steve Hunter is an added bonus in a package that features well -written arrangements and superior vocal treatments. An album that is accessible enough for pop and sophisticated enough for AOR. – CashBox
The last Badfinger album released while the original band were all still alive. Wish You Were Here was the band’s 7th album, and their best, IMO. A Vast improvement to the band’s 1973 self-titled album, both in songs and production. With money from the band’s label (Warner Bros) unaccounted for (courtesy of their manager), the album was quickly pulled from the shelves and taken out of print. A shame as Wish You Were Here could’ve been huge! Sadly that missing money and the album being pulled, lead to the band’s eventual break-up and the tragic death of Pete Ham. But, it remains a classic from 1974, still sounding fresh and energetic, with favorite tracks like “Dennis”, “No One Knows”, “Just A Chance”, and “In The Meantime / Some Other Time”.
*A 2019 compilation titled So Fine (The Warner Bros Rarities) was issued on 2 LP red vinyl, which included alternate mixes of Wish You Were Here tracks on 1 LP, with (previously unreleased “Queen Of Darkness” subbed in for “King Of The Load”
WISH YOU WERE HERE – Badfinger – Producer: Chris Thomas – Warner Bros. BS 2827 One of the most demonstrative British groups to take the country by storm, Badfinger continues its string of unique and challenging LP’s with this dynamic collection of tunes guaranteed to bring a smile to your face and raise your spirits. Impeccable harmonies, crisp arrangements and excellent selection of material earmark this LP as a sure-fire winner. We like “Just a Chance,” “Meanwhile Back At The Ranch,” “Got To Get Out Of Here” and “Should I Smoke.” CashBox, 10/26/74
British Heavy Metal legends SAXON unleash the high-octane second single, “Razamanaz”, from More Inspirations – out this Friday, March 24th via Silver Lining Music.
Following the release of Inspirations in 2021, More Inspirations is the second ‘deep dish’ serving of the influences which have fed the mighty Saxon’s immensely successful 40+ year career. The second single is a striking take on Nazareth’s “Razamanaz”.
FrontmanBiff Byford comments “In the seventies we’d go and see Nazareth they were one of the premier touring hard rock bands. We were lucky to tour with them in 1980, they used to open the show with this song, it’s about the audience performed to an audience… brilliant stuff!”
Watch/Listen to the recently released “The Faith Healer”, the “making of” video directed by Jay Shredder, at this location
Whether unveiling a sensational take on The Sensational Alex Harvey Band’s “The Faith Healer” (in the process showing the direct lineage from teenage turntables to international glory), getting feral with The Animal’s “We’ve Gotta Get Out Of This Place”, letting loose a high-octane take on Alice Cooper’s “From The Inside”, or laying down a ferocious tribute to KISS’ “Detroit Rock City”, More Inspirations is a joyous trip into the sounds which galvanized the Barnsley boys and continue to get spun on home stereos and tour buses.
Produced by vocalist/co-founder Biff Byford, with Seb Byford helping record the music alongside mixing engineer Jacky Lehmann, More Inspirations also includes enthusiastic takes on Alice Cooper, Rainbow, ZZ Top and Cream, as well as a thunderous “Razamanaz” by Nazareth, a tasty take on The Who’s “Substitute”, and a thick groove take on Uriah Heep’s “Gypsy”.
Whether this is your first dance with such classic songs, or you’ve come to see where Saxon were born, More Inspirations delivers the goods and then some.
Paul Newton was the original bass player in Uriah Heep, a founding member. Paul was the link between the 2 pre-Heep bands The Gods and Spice. He played on the band’s first 3 albums, featuring such classics as “Gypsy”, “Lady In Black”, “July Morning” and “Look At Yourself”. Following Heep his life took a very different path, but in later years he found his way back to the Heep family and fans, having been involved in shows with Ken Hensley & John Lawton, The Heep Legends, and guesting with the band on occasion, as well as Heep tribute bands. He also released an album (with Chris Rainbow) in 2016, titled License To Rock.
Paul comments on the how and why he wrote Bone Structure – “It was a project I started during the pandemic lockdowns, just a self-indulgent exercise..to see if I could actually write a book that I could put on my shelves amongst my recordings but ‘Aspect Design & Publishing’ suggested that I should make it available…so here we are. I thoroughly enjoyed the writing process and ending up with ‘my own’ book’…job done. Anything else will be a little bonus..!!”
Regarding the book’s subject matter, Paul opted to write a fictional book, as opposed to a mere autobiographical recall on his time in bands – “It is a fictional story based on my life through the eyes of an alter-ego. I did not want to produce yet ANOTHER Heep anthology as there are so many out there and I only spent a fairly brief time with the band. As I said, it was purely self-indulgent exercise and will have probably have very limited appeal but that does not bother me really and I have no great expectations…” Despite his ‘no great expectations’, early orders for Bone Structure warranted a 2nd run of the book within a few days!
*for more info and ordering, check out the links below
British musician/singer/songwriter and producer Peter Green (best known as Daniel Boone) passed away January 27, in Paignton Devon, UK. Boone was best known for his 1972 international hit single “Beautiful Sunday”.
Born Peter Charles Green on July 31, 1942, the singer had a lengthy career dating back to the early ’60s with such bands as The Beachcombers and The Bruisers. He soon started using the name Lee Stirling, then Peter Lee Stirling, and recorded a number of singles under that name. Some of his songs were recorded by other artists during the ’60s as well.
In 1971 Green adopted the name Daniel Boone and recorded a number of albums, and having other such hits as “Annabelle” and “Sunshine Lover”. He’d also recorded for Avenue Records (cover versions), Bell Records (singles), and recorded rock albums with studio bands Rumplestilskin and Hungry Wolf.
Boone also had a working relationship with David Byron (Uriah Heep), and co-wrote and produced Byron’s 1978 solo album Baby Faced Killer. The pair also worked on a number of disco/dance releases under such names as Warlord, The Intergalactic Orchestra, and Technique – who scored a hit with “Michael Angelo”. During this time at Old Smithy Studios with Muff Murfin, Byron wrote under the alias Mark Oxford, while bass player Pino Palladino (uncredited) was also involved. Boone ended the ’70s with his 1979 solo album All My Own Work (a Canada only release).
In the ’80s, as Boone, he released a solo album in 1985 – I’m Only Looking, and played on Peter Green’s (ex Fleetwood Mac) 1983 album Kolors. He also co-wrote 2 tracks that appeared on the first Byron Band single, as well as co-wrote and appeared on releases by guitarist Robin George. In the ’90s he recorded with The Troggs. There are a few clips on youtube of him appearing on TV in Europe performing “Beautiful Sunday”.
YES have announced the release of a brand new album, and follow up to 2021’s The Quest. The band’s 23rd studio album – Mirror To The Sky comes out in May, including 9 tracks, and featuring Roger Dean artwork. It is also features the lead off single / video “Cut From The Stars”, and is the first to feature Jay Schellen (ex Hurricane, Asia feat John Payne, Unruly Child) as YES’ fulltime drummer, taking over for the late Alan White . *check out the video below, as well as more info on Mirror To The Sky from the press release.
YES, who are Steve Howe, Geoff Downes, Jon Davison, Billy Sherwood & Jay Schellen, are pleased to announce their new studio album Mirror To The Sky on InsideOutMusic/Sony Music on the 19th May 2023. “This is a very important album for the band,” says Steve Howe, Yes’ longest serving member, master guitarist, and producer of Mirror To The Sky. “We kept the continuity in the approach we established on The Quest, but we haven’t repeated ourselves. That was the main thing. As Yes did in the seventies from one album to another, we’re growing and moving forward. In later years, Yes often got going but then didn’t do the next thing. This album is demonstrative of us growing and building again.” For Yes, that “next thing” is a collection of high energy, intricate, lush and layered new studio songs for an album which adds to the band’s much heralded legacy, while charting a path to exciting future times ahead.
As they were wrapping up The Quest, Yes found themselves with song sketches, structures, and ideas that were demanding attention. Yes received unconditional support from InsideOut boss Thomas Waber, who encouraged them to keep going in the studio, months before The Quest would even go on sale. It was like throwing gasoline on their creative fire.
“When we delivered everything, and they were just getting the vinyl and everything into production for manufacturing, we were still very much in that creative zone,” explains Steve Howe. “That belief that Thomas had in us really meant a lot,” he says.
“We truly get along as people,” says Jon Davison. “I feel like everyone’s focused inward to the greater circle, concentric to the core of highest standards that define Yes. It’s a wonderful thing to witness and of which to play a part. I believe this reflects vibrantly in the music and the creative input that each one is willing to apply, not for the benefit of the individual, but for the greater whole that is Yes.”
“There was a lot of material floating around because the band hadn’t done anything in the studio for so long. Ideas were just copious,” says bassist Billy Sherwood. “The pace of it was fast. As soon as we were finished with The Quest, and the mix had come out, we took a couple of little breaks there to catch our breath. But there was still music flowing around in the loop. It was just constantly being looked at and worked on. As we were all home and in that mode, things started progressing quite swiftly. We just went one album into another without really announcing, ‘Hey, we’re working on a second record right now.’ We just continued to work on material. It came about pretty naturally, and then we refined it as the process went on. But the initial bursts — there was a lot of material around!”
Much to everyone’s delight, including that of long-time fan Thomas Waber, Yes have pushed into territory they practically invented — the prog rock epic — albeit in a thoroughly new and modern way. “I always felt that it would be great to have stuff that’s a little bit more epic,” he says, although he resisted the temptation to push for something that would be too formatted and could come off as contrived. He just gave the band space to do what they do and let things develop. “They were so excited by The Quest and the momentum they had that they went straight back into the studio. What they were writing, even early on, was obviously headed in that epic direction — what Yes music really is to me. It is almost a genre onto itself. It is ‘Yes Music.’ Mirror To The Sky certainly is Yes Music.”
Mirror To The Sky features not one, but four tracks clocking in at over eight minutes, with the sweeping and cinematic title track coming in just shy of fourteen minutes. What’s more, the tracks, like Yes’ best, take the listener on a wide dynamically ranging journey of soundscapes which also showcase Steve Howe’s dazzling guitars, keyboard wizard Geoff Downes’ impeccable sounds, exquisite melodies and fills, Jon Davison’s angelic, crystalline vocals, Billy Sherwood’s deftly dancing bass and Jay Schellen’s masterfully controlled explosions, on drums.
Jay Schellen, who has been touring with the band since 2016, was hand-picked to step into his mentor and friend Alan White’s role when White sadly passed away in 2022. “I had done the 2016 Topographic Drama tour on my own for Alan,” says Jay. “From late 2017 onwards, we had a partnership, and a beautiful partnership, I might add. I learned so much, and discovered so much about Alan’s style, and why it was the way it was. It fit his personality so perfectly. This album has Alan’s presence all over it. It is inside of us. So this is still, in my heart, Alan just being present and with us, and with me, in a big way.”
‘Mirror To The Sky’ will be available on several formats, all featuring artwork by long-time Yes artist & collaborator Roger Dean:
Ltd Deluxe Electric Blue 2LP+2CD+Blu-ray Artbook with poster
Ltd Deluxe 2CD+Blu-ray Artbook
Ltd 2CD Digipak
Standard CD Jewel case
Gatefold 2LP+LP-Booklet
Digital Album
The Blu-ray editions include the album as Dolby Atmos, 5.1 Surround Sound, Instrumental Versions & Hi-Res Stereo Mixes.
Set for a March release, Genesis ‘BBC Broadcasts’ is an extensive collection of broadcast material from one of the biggest selling recording artists of all time and one of Britain’s most internationally renowned bands. Curated by founder member Tony Banks and the group’s long-time engineer and producer Nick Davis, it is available as a 53-track 5-CD set and 24-track triple LP. These collections represent the cream of the group’s work recorded by the BBC between 1970 and 1998, and it includes contributions from all three of the group’s vocalists, Peter Gabriel, Phil Collins and Ray Wilson. With notes by author Michael Hann, and packaged with a 40–page booklet, ‘BBC Broadcasts’ contains favorites such as ‘Home By The Sea’, ‘Mama’, ‘Duchess’, ‘Carpet Crawlers’, ‘No Son Of Mine’ ‘Turn It On Again’ and many more. With only a handful of these tracks previously officially available, Genesis ‘BBC Broadcasts’ acts as both a collector’s cornucopia and an alternative “greatest hits”. Stretching from the very beginnings of the band’s career via appearances on ‘Night Ride’ and John Peel, the set encompasses both of the group’s Knebworth performances (78 and 92) as well as their much–loved 1980 show at London’s Lyceum, and triumphant sell–out run of shows at Wembley in 1987. Rounded out by material from the NEC in 1998 and Paris Theatre and Nightride sessions from the early 70s, as well as the much sought–after encore version of ‘Watcher Of The Skies’ at Wembley Empire Pool in 1975, Genesis ‘BBC Broadcasts’ is a veritable treasure trove.
TRACKLISTS:
CD1 Early BBC
01 Shepherd (Live on Night Ride, BBC Radio Two, 1970) 02 Pacidy (Live on Night Ride, BBC Radio Two, 1970) 03 Let Us Now Make Love (Live on Night Ride, BBC Radio Two, 1970) 04 The Fountain of Salmacis (Live at Paris Studios, London, 1972) 05 The Musical Box (Live at Paris Studios, London, 1972) 06 Stagnation (Live on Sounds of the 70s, BBC Radio One, 1971) 07 Harlequin (Live on BBC Radio One John Peel Session, 1972) 08 Get ‘Em Out By Friday (Live on BBC Radio One John Peel Session, 1972) 09 Harold the Barrel (Live on BBC Radio One John Peel Session, 1972) 10 Twilight Alehouse (Live on BBC Radio One John Peel Session, 1972) 11 Watcher of the Skies (Live on BBC Radio One In Concert, 1975)
Disc 2 (Knebworth 78 / Lyceum 80) 01 Squonk (Knebworth 78) 02 Burning Rope (Knebworth 78) 03 Dance on a Volcano (Knebworth 78) 04 Drum Duet (Knebworth 78) 05 Los Endos (Knebworth 78) 06 Deep in the Motherlode (Lyceum 80) 07 Dancing with the Moonlit Knight (Lyceum 80) 08 The Carpet Crawlers (Lyceum 80) 09 One for the Vine (Lyceum 80) 10 Behind the Lines (Lyceum 80) 11 Duchess (Lyceum 80) 12 Guide Vocal (Lyceum 80) 13 Turn It On Again (Lyceum 80) 14 Duke’s Travels (Lyceum 80) 15 Duke’s End (Lyceum 80)
Disc 3 01 Say It’s Alright Joe (Lyceum 80) 02 The Lady Lies (Lyceum 80) 03 Ripples (Lyceum 80) 04 In the Cage (Lyceum 80) 05 The Raven (Lyceum 80) 06 Afterglow (Lyceum 80) 07 Follow You Follow Me (Lyceum 80) 08 I Know What I Like (In Your Wardrobe) (Lyceum 80) 09 The Knife (Lyceum 80) 10 Mama (Wembley 87) 11 Domino (Wembley 87)
Disc 4 (Wembley 87) 01 That’s All (Wembley 87) 02 The Brazilian (Wembley 87) 03 Throwing It All Away (Wembley 87) 04 Home By the Sea (Wembley 87) 05 Second Home By the Sea (Wembley 87) 06 Invisible Touch (Wembley 87) 07 Drum Duet (Wembley 87) 08 Los Endos (Wembley 87) 09 Not About Us (Live at Birmingham N.E.C., 1998) 10 The Dividing Line (Live at Birmingham N.E.C., 1998)
Disc 5 (Knebworth 1992)
01 No Son of Mine (Knebworth 92) 02 Driving the Last Spike (Knebworth 92) 03 Old Medley (Knebworth 92) 04 Fading Lights (Knebworth 92) 05 Hold On My Heart (Knebworth 92) 06 I Can’t Dance (Knebworth 92)
VINYL LPS
Tracklist LP Set
Side 1
01 The Musical Box (Live at Paris Studios, London, 1972) 02 Stagnation (Live on Sounds of the 70s, BBC Radio One, 1971) 03 Harlequin (Live on BBC Radio One John Peel Session, 1972) 04 Harold the Barrel (Live on BBC Radio One John Peel Session, 1972)
Side 2
01 Get ‘Em Out By Friday (Live on BBC Radio One John Peel Session, 1972) 02 Watcher of the Skies (Live on BBC Radio One In Concert, 1975) 03 Dancing with the Moonlit Knight (Live at the Lyceum Theatre, London, 1980) 04 The Carpet Crawlers (Live at the Lyceum Theatre, London, 1980)
01 Say It’s Alright Joe (Live at the Lyceum Theatre, London, 1980) 02 The Lady Lies (Live at the Lyceum Theatre, London, 1980) 03 I Know What I Like (In Your Wardrobe) [Live at the Lyceum Theatre, London, 1980]
Side 5
01 Mama (Live at Wembley Stadium, London, 1987) 02 That’s All (Live at Wembley Stadium, London, 1987) 03 Home By the Sea (Live at Wembley Stadium, London, 1987) 04 Second Home By the Sea (Live at Wembley Stadium, London, 1987)
Side 6
01 Throwing It All Away (Live at Wembley Stadium, London, 1987) 02 No Son of Mine (Live at Knebworth Festival, 1992) 03 Driving the Last Spike (Live at Knebworth Festival, 1992)
Outsider Rock 