Britain’s latter-day Ramones – BAD NERVES have a new single ahead of their first trip to North America. The track, “U.S.A.”, clocks in under 2 minutes, and is full of energy. Check out the video below, as well as links & tour dates.
Liam Lynch’s ‘United States of Whatever’ and Sham 69’s ‘Borstal Breakout’ fuel inspiration for Bad Nerves’ highly anticipated new single, ‘USA’ – stream ‘USA’ here. Shortly after recording ‘USA’ (which was mastered at the famous Abbey Road Studios), the band were invited to America to support Royal Blood which presented a perfect opportunity to introduce the song to an American audience. The single release also comes ahead of them joining The Darkness across their sold-out UK tour in December- buy tickets to the UK, US and EU tours here.
While the quintet initially wanted to see if they could write a track using only the words “United States of America” on repeat, speaking of the track lyricist and band frontman Bobby Bird says, “It’s strangely satisfying yelling ‘United States of America’ over and over. You can feel it stick to the back of your throat. The unparalleled superpower of the West. Yosemite and the green mountains of BlackRock! The American dream and the mighty Super Bowl! But perhaps it’s just the phonetics. After all, Papua New Guinea didn’t have quite the same ring, although it did look beautiful through my computer screen”
“How can you not like this band? They’re so fucking cool”, Justin Hawkins (The Darkness)
Bad Nerves North American Tour Dates (w/Royal Blood): Sep 18 – Detroit, MI – The Fillmore Sep 19 – Cleveland, OH – Agora Theatre Sep 22 – St. Louis, MO – The Pageant Sep 23 – Chicago, IL – Riviera Theatre Sep 25 – Toronto, ON – Queen Elizabeth Theatre Sep 26 – Montreal, QC – MTELUS Sep 27 – Boston, MA – Roadrunner Sep 29 – New Haven, CT – College Street Music Hall Sep 30 – Philadelphia, PA – The Fillmore Oct 2 – Brooklyn, NY – Brooklyn Steel Oct 3 – New York, NY – Webster Hall
LUCID SINS will release their third album next month. The song is very reminiscent of that more haunting, laid-back Blue Oyster Cult sound of the 70s. Dig more into this band and the BOC influence comes up more, as does that organ style psych rock of The Doors. Great songs, playing, vocals and harmonies. Check out the new single. Awesome album art by David V. D’Andrea as well! Read the press info below, as well as check out the band’s links at the bottom!
Scotland’s 70s occult rock goldsmiths LUCID SINS return with their third full-length “Dancing In the Dark” this October 27th on Totem Cat Records with a first single premiering exclusively on It’s Psychedelic Baby Magazine. The band also just announced a string of UK fall dates including shows with Nebula and Hey Colossus.
From the moment Glasgow’s own 70s rock masters LUCID SINS catch your ear, you know you are in for a long-haul adventure: driven by their own wizardry and prodigious mastery of all instruments, the duo of Ruaraidh Sanachan and Andreas Johnsson bewitches you from the get-go. While their 2021 sophomore album “Cursed” presented an intoxicating and unwaveringly prog-oriented brew of proto-rock that sat firmly between Blue Öyster Cult and The Doors, their third album flips a brand new page of their sonic grimoire.
A collaborative effort of interconnected souls, “Dancing In The Dark” summons the talents of various guest musicians to form a fluid and melody-driven story where occult rock meets folk and proto-doom in a hypnotic swirl of riffs and keys carried by Jonsson’s compelling poetry. Firmly rooted in the 60s and 70s sound, LUCID SINS manages to uplift spirits while dragging you once again in the occult, meeting the boundary-free creativity of their contemporaries Witchcraft, Uncle Acid & the Deadbeats to the more seamless lightheartedness of Fairport Convention.
The story goes as follows… You stumble through the forest. Alone and far from home. All paths have returned you to this place. Lost in a world of green. Hidden in the dark. As the light fades you glimpse flickering flame and catch the scent of smoke. In a tiny clearing, shadows cast by a dying fire take human-esque forms. Leaning in for warmth, they share ten tales of hope and betrayal, magic and madness, love and death. Whispered words mingle with distant memories, and as the fire grows higher, your sense of self is scorched and burned. One by one now, the figures begin to dance and spin as occult psychedelic sounds drift through the trees. Caught in the maelstrom, suspended high in a swirling mesh of leaves and perception, you release your grip on space and time… On the forest floor, stirred by dawn, you try to make sense of the mist within your mind. To recall where you have been. To know who you once were. Around a glowing fire, deep in the woods, LUCID SINS are Dancing In The Dark… Will you dance with them?
LUCID SINS on tour: October 14th – Aberdeen, The Rusty Nail October 15th – Glasgow, Ivory Blacks (w/ Nebula) October 18th – Leeds, Fox and Newt October 19th – London, Helgi’s October 20th – Sheffield, Lughole (w/ Heavy Sentence, Parish) October 21st – Newcastle, Lubber Fiend (w/ Hey Colossus)
LUCID SINS : Andreas Jonsson – Vocals, guitars, bass, organ, synthesizer Ruaraidh Sanachan – Drums, bass, percussion, organ, mellotron, recorder, backing vocals + Album guests: Espen Andersen, Stuart Coleman, Hanna Tuulikki, Alex Ward
This 6 disc set of British rockers MAGNUM collect the band’s first 5 albums (on Jet Records), as well as includes loads of bonus material – outtakes, alternate takes, singles, live EPs, etc.. An awesome collection, and if you are not familiar with the band, since only a couple of these early albums saw release originally in Canada or the US, this is a good place to start. The band’s 1978 debut album Kingdom Of Madness is an absolute classic from beginning to end with standouts like “In The Beginning”, “All That Is Real”, “The Bringer”, and the title track. Magnum in those early days consisted of songwriter/guitarist Tony Clarkin, singer Bob Catley, bass player Colin (Wally) Lowe, keyboard player Richard Bailey (who also added flute on occasion), and drummer Kex Gorin. Interestingly, disc 2 of this box consists of archived recordings – 4 tracks from the band’s earliest sessions in 1974, as well as outtake material from 1976 and a great take of “Kingdom Of Madness” from ’79; these were previously released by Jet Records in 1993 as Archive. Magnum II, though I don’t find this as stunning as their debut, was still an excellent album, with classics like “Changes”, “If I Could Live Forever”, “Firebird”, and the Yes-influenced opener “Great Adventure”. This disc contains 5 bonus tracks, largely taken from single releases.
The band had recorded a new album in 1980, but Jet Records (at the time) opted to release a live album – Marauder. Bonus tracks on Marauder (here) include live tracks from the band’s 1980 Live EP, as well as Invasion-Live, which was recorded in 1982 on one of the band’s few tours of North America, where they opened for Ozzy Osbourne in the US. Recorded in 1980, and not released until 1982, Chase The Dragon was the band’s 3rd studio album, and marked a number of firsts, such as featuring Rodney Matthews cover-art, new keyboard player Mark Stanway, and their first to be released in Canada. CTD featured a bit more mainstream approach with favorites like “Soldier Of The Line”, “The Spirit”, and “Walking The Straight Line”. Bonus tracks on this disc include the non-LP single “Back To Earth” and it’s B-side “Hold Back Your Love”, as well as few other live tracks (more from Invasion) and oddities. The last album for Jet was 1983’s Eleventh Hour. A bit of a slide backwards, not so much musically, but with no North American release or singles. Eleventh Hour did feature a number of excellent tracks, with more of a hard-rock edge – “The Great Disaster”, “So Far Away” and “Hit And Run” all stand out, as does favorite “The Prize”. This last disc features 4 extras, notably the somewhat southern feel of “True Fine Love”, featuring slide guitar and piano.
A great collection of one of England’s finest, with undoubtedly some of their best studio albums. Following this period Magnum would go on to sign with FM (in the UK) & Polydor for a proper worldwide release of their legendary On A Storyteller’s Night album. Kex Gorin left the band before Storyteller’s Night, and would go on to record with Robin George, Leo Lyons, and Stanway (Guy Stanway). Gorin passed away in 2007. Magnum split in 1995, but resumed in 2001, but without Wally Lowe (retired). Richard Bailey (who’d previously been replaced by Mark Stanway) went on to work with Phenomena (Tom Galley), as well as Alaska and Whitesnake. Plenty of early pics included in the insert, with a brief history of the band’s early years. *For more check out the press release below, and to order go to: https://www.cherryred.co.uk/product/magnum-great-adventure-the-jet-years-1978-1983-6cd-box-set/
Magnum originally formed in Birmingham in 1972 around guitarist and songwriter Tony Clarkin and singer Bob Catley. Although a one-off single for CBS in 1975 failed to bring their singular brand of progressive but highly melodic hard rock to the masses, they eventually found a home for their debut – ‘Kingdom Of Madness’ (CD1) – on Jet Records in 1978, joining ELO, and later Ozzy Osbourne. The album had actually been recorded two years earlier, but the band were heavy enough to take advantage of the growth in popularity of hard rock and heavy metal in the late 1970s.
‘Magnum II’ (CD3) followed in 1979, promoted by the singles ‘Changes’ and ‘Foolish Heart’. Produced by Ten Years After’s Leo Lyons, who had previously produced UFO’s first three albums for Chrysalis. Regular touring with the likes of Judas Priest and Blue Öyster Cult built up a loyal following across the UK.
When their second album didn’t quite match the success of their debut, Jet recorded their December 1979 show at London’s legendary Marquee Club for release as a live album. ‘Marauder’ (CD4) made a suitable stop-gap until Magnum’s third studio record, and is expanded here with a further nine live bonus tracks.
Although recorded in 1980, ‘Chase The Dragon’ (CD5) didn’t get released until 1982. An early career peak, as well as one of the band’s formative masterpieces, the wait was well worth it, as it entered the UK Top 20, peaking at a creditable No. 17.
‘Eleventh Hour’ (CD6), their fourth and final studio album for Jet, was released in 1983. Tellingly it was their first not to feature any singles.
After leaving Jet, Magnum went from strength to strength, releasing their best seller, ‘On A Storyteller’s Night’, in 1985, before signing a major label deal with Polydor Records.
The classic Remember The Future was originally released in 1973, consisted of just the title track – Parts one and two. Nektar was/is a legendary British progressive rock album, with Remember The Future being, arguably, the band’s best album. This 5 disc box set includes a number of bonus tracks – live and single edits, as well as a live show from early ’74, a blue-ray disc including a new 5.1 surround sound & stereo mix from the original tapes & TV footage, as well as a new essay and booklet. Coming November 24. *Check out the link below to order… and to read the official press release: https://glassonyonpr.com/2023/09/01/nektar-remember-the-future-4cd-blu-ray-box-set/
Steve Hackett has issued a new single/video from his upcoming Live album – Foxtrot at Fifty + Hackett Highlights: Live in Brighton, which comes out September 15. “A Tower Struck Down” was originally recorded for Hackett’s first solo album Voyage of the Acolyte, in 1975.
Well, another Heep list… My list of their best album opening cuts, ranked 1-11. These picks aren’t all necessarily from my favorite Heep albums, but those opening songs that are best representative of the album they’re from, and made the most impact to grab your attention. Feel free to disagree and put your own picks in the comments!
1 – Gypsy
The first song on Uriah Heep‘s first album, with that riff and Hammond organ. “Gypsy” is one of Heep’s most memorable tunes and set the tone for some of what was to come in the early days. Still a live favorite. This started it all!
2 – Sunrise
From The Magician’s Birthday. I love the gentle build up before the band and vocals come in, like a huge alarm. Imagine listening to the intro to this for the first time and not knowing what to expect!? It’s a ballad with a heavy dose of Heepy sound making this so intense.
3 – Too Scared To Run
After so many changes the band returned in ’82 with a new line-up, and an album – Abominog. This song kicked off the album and ’80s comeback. Penned by new singer Peter Goalby it’s one of the biggest and most memorable riffs in the Heep catalogue. This song really screams that the band is back. A fan favorite, and one from this era that still gets performed live. Such a ‘metal’ sounding riff, I can’t believe more modern metal bands haven’t covered this one!
4 – One Way Or Another
Opening 1976’s High And Mighty, which would be the last with David Byron, but surprisingly it’s sang by John Wetton (who also left after this album). It’s got a great opening riff and organ, sounding fresh and energetic. Just a great song. A shame it wasn’t given a global single release and promoted.
5 – Against The Odds
After a string of so-so albums and a bit of a break, Heep returned in 1995 with Sea of Light , which is lead by this killer tune. Another huge riff from Mick Box, and dynamite solos… one of the best tracks from the Bernie Shaw era. Fair to say I usually pick the lead-off track as my favorite on a number of Heep albums.
6 – Speed Of Sound
From 2014’s Outsider (hmm, cool name for a website!). Starting with Hammond organ, and as the organ comes up in volume the guitar and drums kick in before Phil Lanzon’s organ riff takes over. An uplifting tune a shame it didn’t get more attention. Followed nicely by the single “One Minute”.
7 – The Wizard
This acoustic based favorite was a very different start to the band’s classic Demons and Wizards album, a unique way to start an album back then (see also Golden Earring’s “Silver Ships”). The song is pure fantasy Heep from the start, and kicks off their biggest period.
8 – No Return
The lone album with John Sloman, and I love the start of this song and album right away. One of 2 songs penned (but not credited to) the new singer. I like the quiet built up intro, and although it’s not crushingly heavy, this is a very good song, my favorite from Conquest. Would have made a better first single as well, IMO.
9 – Bird Of Prey
From Salisbury (everywhere but North America where the album opened with “High Priestess”). Another trademark Heep classic with that powerful opening and high harmonies. This one kept up the weight and energy of “Gyspy”.
10 – Between Two Worlds
And my favorite track from Heep’s post-’90s era. Love the spooky keyboard intro , and the band coming in to a rockin’ and catchy classic Heep tune. Much like “Against The Odds”, it’s heavy on the guitar and hammond organ, with fantastic solos from Mick Box (love the lengthy outro after the last lyrics), and one of Bernie Shaw’s best vocals on a song with some cool story to it. I really liked Sonic Origami, but nothing else on the album comes close to this killer track.
11 – The Hanging Tree
And here I am at #11… A great start to the band’s first of 3 with John Lawton singing. A memorable little keyboard intro before the drums and rest of the band kick in. Not sure how Heep fans heard this at the time, but as a later Heep fan, I think Lawton did an excellent job at selling the new-look Heep right off the bat with his voice on Firefly. Ken Hensley would re-write and re-record this for his last album as “Right Here, Right Now”. It is worth noting that in Canada and the USA this song kicked off side 2, and the album started with “Been Away Too Long”. The Fallen Angel album also featured different opening cuts from various territories.
Legendary and influential British singer and performer Arthur Brown will have his classic 1975 album Dance reissued in October. The remastered 2-CD package will feature 1 disc consisting of a rare 1975 BBC Radio One concert. The live show features 6 songs from the Dance album. The package will feature all original artwork reproduced, as well as added notes.
As a fan, I very much looking forward to this release – a 2CD compilation of John Lawton recordings. John was a great singer, and a great person. This first review of this album was posted by Richard Wagner – a fan and friend of John’s. With Richard’s permission I am sharing it here, along with a few images. Enjoy, and check out this release at the link below…
I’m a lucky guy who received a copy of the “Celebrating the Life of John Lawton” double-CD at the CD-launch party last Sunday (July 9).
And I must say I love it!
There are 33 songs on the two CDs which Iris Lawton personally selected. And don’t expect the typical Best Of. Far from that. There are songs which I never heard, some of them Iris found on old cassette tapes. All the music was beautifully mastered and sounds really good indeed.
The songs show John’s versatility, feeling and huge talent. His name really should be mentioned with the best of the best.
There are funny moments too, e.g. the Colgate toothpaste jingles sung in German or the impromptu “Mamma Lou” jam at a concert in Hamburg.
The front cover design and booklet paintings by Polish artist Damian Bydlinski are outstanding.
The booklet designed and put together by Iris has 15 pages and holds a lot of information and quite a number of photos. It is fun reading through the booklet like it was a vinyl cover in the old days . Iris tells where the songs originate from and also why she selected them.
I can only guess how hard and difficult it must have been for her to go through all these songs and hear John’s voice.
Thank you, Iris, you really did John proud.
A must have for those who know John and definitely a must have for those who are not so familiar with his voice and work.
John Wetton’s solo catalogue is being released in box set format in November. This comes after the book An Extraordinary Life, as well as the John Wetton Tribute concert this week (August 3), which can also be live-streamed! Check out all the info below on the box set.
On 24th November the first in a series of box sets commemorating the life and music of one of the UK`s most extraordinary and prolific musicians, John Wetton, will be released.
The An Extraordinary Life box set contains 8 newly remastered CDs, featuring the six solo albums Wetton released between 1980 and 2011. Each album now includes special bonus tracks. Additionally, two further discs are included which feature a gold mine of rare, live and unreleased material from the vaults, compiled by John`s archivist, Rick Nelson.
*Check out trailer for the box set here:
Housed in a sumptuous 12” by 12” box, this set includes a 64-page book with an introduction by legendary artist, Roger Dean and contains comprehensive sleeve notes by Nick Shilton, author of Wetton’s biography, ‘An Extraordinary Life’, published earlier this year. The book also features a raft of photographs taken from the Wetton archive and has been designed by John’s long-time friend, Michael Inns.
This whole project has been lovingly crafted and compiled with the full blessing of John`s son Dylan and his wife Lisa and is endorsed by the Wetton estate.
With a career spanning more than four decades, John Wetton`s rich baritone voice and accomplished bass playing has adorned many recordings. In this ‘An Extraordinary Life’ his extensive solo career is captured for posterity all in one sumptuous box set, making this a fitting tribute to one of the UK most loved and respected artists.
Arguably Genesis finest album, Foxtrot was released in 1972. It is now being celebrated by former guitarist Steve Hackett, who’s latest tour has included performing the album with his band. Hackett in recent years has toured, performed and released a series of ‘Genesis Revisited‘ live albums celebrating the classic ’70s era of Genesis with Selling England By The Pound & Spectral Mornings: Live At Hammersmith (2020), and last year’s Seconds Out And More. Hackett’s band features singer Nad Sylvan, who does a remarkable job with the Peter Gabriel era songs. Check out the clip of “Wacther Of The Skies” below! Steve Hackett is coming to North America in the fall to perform Foxtrot at 50, looking forward to it. *See dates below. *For more on the upcoming Live release see the press info below….
Legendary guitarist Steve Hackett presents his brand-new live audio/visual extravaganza, with the release of ‘Foxtrot at Fifty + Hackett Highlights: Live in Brighton’, set for release on the 15th September 2023.
Filmed & recorded live on his 2022 UK tour, in the coastal city of Brighton, UK, this release documents Steve and his band celebrating the 50th anniversary of the much-loved Genesis album ‘Foxtrot’. Played in full, this album features fan favorites including ‘Watcher Of The Skies’ and ‘Supper’s Ready’. The show also features a set of Hackett solo material, including ‘The Devil’s Cathedral’ from his latest studio album ‘Surrender of Silence’, and the powerful ‘Ace of Wands’.
Shot by long time collaborator Paul Green, you can now watch the band perform ‘Watcher of the Skies’ –
Mixed by Chris Lord-Alge & mastered by Ted Jensen at Sterling Sound, the album is now available to pre-order on Ltd 2CD+Blu-ray & Ltd 2CD+2DVD, both including bonus behind the scenes interviews, as well as 5.1 surround sound. A Ltd Deluxe 180g 4LP edition will also be available, and you can pre-order now here:https://stevehackett.lnk.to/FoxtrotAtFiftyHackettHighlights-LiveInBrighton
Track-listing:
1. Intro / Ace of Wands
2. The Devil’s Cathedral
3. Spectral Mornings
4. Every Day
5. A Tower Struck Down
6. Basic Instincts
7. Camino Royale
8. Shadow of the Hierophant
9. Watcher of the Skies
10. Time Table
11. Get ‘Em Out by Friday
12. Can Utility and the Coastliners
13. Horizons
14. Supper’s Ready
15. Firth of Fifth
16. Los Endos
Steve Hackett & band continue their busy touring schedule with further “Foxtrot At Fifty & Hackett Highlights” dates in North America beginning in October. For the full list of dates, head to: http://hackettsongs.com/tour.html
Steve Hackett is joined live by Roger King, Rob Townsend, Nad Sylvan, Craig Blundell & Jonas Reingold, as well as on occasion special guest Amanda Lehmann.
. Iris tells where the songs originate from and also why she selected them.
Outsider Rock 