Tag Archives: Classic Rock

PETER HESSLEIN – Talks About New Solo Album & New Lucifer’s Friend Compilation

For Lucifer’s Friend fans, despite the recent deaths of both Dieter Horns and John Lawton [Dec ’20 / June ’21], there are a couple of upcoming releases that will [hopefully] lift fans’ spirits. October will see the second solo release – Night Drive 2, from guitarist Peter Hesslein, and in December there will be the Lucifer’s Friend compilation The Last Stand. In this exchange Peter Hesslein gives some answers regarding both of these new releases, as well as future releases that fans can look forward to.

*For pre-ordering of both of these CDs check out > http://www.cherryred.co.uk

Regarding Night Drive albums: 

How was response to the first one? 

The reaction to the first Night Drive album was a huge surprise for me, with unanimously positive reviews, I had planned the album for myself to relax and to bridge the gap until the next Lucifer’s friends album for the loyal fans, I was initially a little insecure as the rock lovers can be felt, I was immediately motivated to find a successor with many good reactions, especially since John still had not started with the vocals, although the playbacks were completely finished.

When was the 2nd Night Drive recorded? and does it differ much from the first one?

Night Drive 2 was finished in May 21st, it’s a little more rocking than number one.

After so many years of working in bands or with other people, how did you enjoy recording solely for yourself?  

Working while listening to top musicians from all over the world naturally shaped me, as I have already done everything myself for Lucifer’s Friend and John had given the vocals, it was a habit for me.

Do you foresee yourself doing another such solo album, or is there something else [musical direction] you’d like to record in? 

I finished the recordings for Night Drive 3 and I even aimed it towards Brazilian music, inspired by my long-time friend and percussion player Pablo Escayola

Nice. when is this planned for release?

In May 2022.

Lucifer’s Friend :

The Last Stand compiles songs from the LF albums ’94 to 2019. Is this basically your own choices or how did you choose the tracks? 

The Last Stand was supposed to be the new Lucifer’s Friend album, as this wasn’t possible now, management decided to turn it into a sampler of tracks from the last four albums. I chose these songs in the sense of being John’s favorite songs.

Is there more Lucifer’s Friend stuff in the vaults that could be released — be they leftover studio tracks, demos…? 

Lucifer’s Friend only have playbacks without vocals.

You had mentioned previously a LF recording from Japan. Might this be something you could still release, and is there any other live recordings that was  could be issued? 

There is a live recording from Japan, but unfortunately the quality is too poor to be released.

Regarding the unfinished LF album –  I understand that everything was done except for the vocals!? If so, is this something that could be finished musically OR with ‘guest’ singers? 

The management has decided to close the chapter of Lucifer’s Friend for the time being.

Curious if there were any song titles [?]

Since John always wrote his lyrics shortly beforehand, so unfortunately, none exist.

Is there any chance we could still get proper CD reissues of the entire Lucifer’s Friend catalogue? [maybe a box set]

When the management gets the rights for a box set from the different companies, maybe at the end of ’23.

Is this something that is being planned with a particular record company? 

That is planned with Cherry Red. 

Might you consider writing a memoir of your career in music? 

My rheumatism makes it difficult to write.

Links:

https://www.cherryred.co.uk/product/peter-hesslein-night-drive-2/

https://www.facebook.com/Lucifersfriendph

https://www.facebook.com/LucifersFriendOfficial

*Photos courtesy of Richard Wagner.

KJ, 09 / ’21

SPIRIT – Sunrise And Salvation [Box Set]

In my teenage years I came across Spirit, probably from “I Got A Line On You” or a few other classics on Toronto radio. I think I picked up the LP Spirit of ’84, with all the remakes of the few songs I knew. On one of my excursions to downtown Toronto with my uncle when I was 14 or 15 I picked up a number of Spirit albums in various used shops along Yonge Street – heck, I’ve still got a few stickers from those stores on my records! (Peter Dunn’s Vinyl Museum was a favorite stop). Years later I had written an address I found for Spirit in a magazine (I assume), as I was writing the odd review for a local music magazine. Sometime in late 1996 I received a package from their management, and it was a letter from Randy California, along with the band’s latest [and last] CD – California Blues. I reviewed it sometime soon after, and not too long after read that California had drowned off the coast of Hawaii. It was sad news indeed. I (obviously) still have that CD as well as the letter, which I will dig out and post here sometime.

• NEW REMASTERED EIGHT DISC BOXED SET FEATURING EACH ALBUM RECORDED BY THE LEGENDARY BAND SPIRIT RELEASED BY THE MERCURY LABEL
BETWEEN 1975 AND 1977 AND IN 1984
• PLUS 102 PREVIOUSLY UNRELEASED LIVE RECORDINGS AND DEMOS COMPILED BY SPRIT ARCHIVIST MICK SKIDMORE
• INCLUDES THE ALBUMS ‘SPIRIT OF ‘76’, ‘SON OF SPIRIT’, ‘FARTHER ALONG’, ‘FUTURE GAMES’, AND ‘THE THIRTEENTH DREAM (SPIRIT OF ’84)’
REMASTERED FROM THE ORIGINAL MERCURY MASTER TAPES PLUS A BOOKLET WITH NEW ESSAY BY MICK SKIDMORE.


A very thorough 8 CD set from one of American’s classic late 60s / 70s bands. Sprit may be better known for their earlier material like The 12 Dreams Of Dr Sardonicus [the band’s 4th album] and the hits like “I Got A Line On You” and “Nature’s Way”, but the band carried on for years, and this box set compiles the band’s recordings during the mid 70s and 1984, while on Mercury Records. It includes the 5 albums recorded during this time, as well as a disc of demos & live tracks, a previously unreleased live show from ’75, a disc of studio outtakes from 74-75 + Randy California demos, and the 5 discs of the albums all contain a number of bonus tracks. There’s over a 100 previously unreleased tracks here! So safe to say a must have for Spirit fans.

This collection starts with 1975’s Spirit Of ’76, which saw a new line-up of the band. Following 1970’s highly successful-classic 12 Dreams Of Dr Sardonicus, Jay Ferguson and Mark Andes also left to form Jo-Jo Gunne, and following a riding accident and head injury Randy California also left, and would record a solo album Kaptain Kopter and the (Fabulous) Twirly Birds. Founder/drummer Ed Cassidy and keyboardist John Locke recorded Feedback in ’72 with a new line-up, before Cassidy and California [his stepson] got back together and eventually created the double album – Spirit Of ’76. Recorded as 3-piece, Spirit Of ’76 consists of 25 tracks, largely written by California & Cassidy with favorites like “Victim Of Society”, “Sunrise”, and the gospel ballad “Thank You Lord”. For being mid ’70s, this album still has a definite ’60s psych feel throughout, with plenty of folk, blues, rock, country influences, as well as off spoken word, and a number of interesting covers such as Dylan’s “The Times They Are A Changing”, “Like A Rolling Stone”, the Stones “Happy”, as well as “Hey Joe” – tho’ not penned by Hendrix, California had played with Hendrix early in his career. There’s 14 bonus tracks on the 2nd disc, consisting of alternate takes and live tracks recorded in ’74.

Next up was Son Of Spirit, recorded later in ’75, followed by 1976’s Farther Along. These 2 albums make up disc 3, along with 5 bonus tracks. Son Of Spirit, still recorded as a trio, with Barry Keene on bass, included almost all Randy California material, a bit more country-ish in places, featured the single “Holy Man” and a cover of The Beatles’ “Yesterday”. Farther Along saw Spirit return to being a 5 piece with Locke and Andes returning, as well as Matt Andes on guitar/vocals. I liked this album a lot more, though it took on a number of new styles, as well as strings on some tracks, horns on a couple. Favorites include “Stoney Night”, “Mega Star”, “Diamond Spirit”… the title track was issued as the single (and a live version is included among the bonus cuts), and it closed with a instrumental string version of “Nature’s Way”. The band’s final album for Mercury in the ’70s was 1977’s Future Games, which seems like more of a Randy California solo project, mainly written by California, and a bit of help on a few tracks from Cassidy, as well as guests like Kim Fowley. A strange album , featuring no other original band members [aside from Cassidy]. It’s like some strange sci-fi concept with all sorts of odd tv clips inserted, and sound effects, amongst the 22 [!!] titles, many of which clock in around or just under a minute. It does include a decent cover of “All Along The Watchtower”. Tacked on the Future Games disc is 11 bonus tracks, including alternate takes and demos. 1984’s The Thirteenth Dream (aka Spirit Of ’84) saw the original band reunited again. The band would re-record many of their classics, as well as include a few new songs. I liked this album, as it was nicely up to date at the time, and a bit heavier. It also featured a number of guests, notably Bob Welch, Howard Leese, Neal Doughty, and Matt Andes. The disc is filled out by a half dozen excellent sounding live tracks from 1986. Disc #6 is titled Spirit Of Salvation and is full of unreleased studio material from 1974-75, as well as a pile of Randy California demos. Next up is a 15 song concert from the Armadillo in Austin, Texas, recorded in June of ’75. A really solid performance and recording, features a killer rendition of “All Along The Watchtower”. The 8th (last) disc consists of the Future Games demos, and I really dig this, as you can hear the songs better without so much clutter; sounds very good. It is completed with 8 live tracks recorded at the Agora in 1975; among them is a great 9 minute take of “Like A Rolling Stone”, as well as excellent performances of such classics as “Mr Skin” and “I Got A Line On You” – to close things out.

This is a very thorough and valuable collection of one of America’s great, underrated bands. Loads of different material album to album, and so much bonus material, with live stuff, makes this a highly recommended addition to any Spirit fan’s collection, as well as a cool piece for curious types who don’t want to pick up the band’s output separately.

Incidentally, this is the latest Spirit box set from Cherry Red, as there are a number of others, covering every era of the band, and Randy California’s work.

KJ. 09/’21

Added links:

https://www.loudersound.com/features/spirit-interview-we-were-one-of-the-first-progressive-bands

http://www.progarchives.com/artist.asp?id=2643

https://www.facebook.com/RandyCaliforniaSpirit

PETER GOALBY : Post Heep Solo Recordings Finally Get Official Release!

Peter Goalby left Uriah Heep following 1985’s Equator album and world tour. His first move was to release a single under the name Perfect Stranger in 1988. The singer, who also was a major songwriter during his time in Heep would resurface on the band’s 1989 album Raging Silence, as he wrote the single “Blood Red Roses”. As well he wrote “Falling Apart”, for Smokie on their 1989 album Boulevard Of Broken Dreams. He would also record a number of tracks for a solo project in 1990. A few of these tracks would see the light of day on official releases – “Mona Lisa Smile” was issued as a single in 1988, co-written & arranged by guitarist Robin George [ex Byron Band], and produced by Mickie Most. That track, as well as “Chance Of A Lifetime” [also on Easy With The Heartaches] were also recorded by UK band Estrella for their 2012 album Come Out To Play [an album produced by former Heep keyboardist John Sinclair]. Peter also wrote for a few other artists [notably John Parr], as well as guested on stage with Uli Roth, but would retire from the business, and taking on a job for a guitar company. But these recordings would later find their way out on the internet – bootlegged to download or on Youtube. His 1990 unreleased solo album was no secret amongst Goalby’s fans. Recently retired, and knowing these are the last things he wrote and recorded, and was proud of, the singer finally decided it might be a good idea to get his lost solo album out as an official release. Easy With The Heartaches features 11 tracks personally overseen (from tape transfer, mastering and artwork) by Peter Goalby. And here’s hoping that fans enjoy it, it’s not the last we hear from him!

Track Listing:

1 Easy With The Heartaches
2 Hold The Dreams
3 I Found Real Love
4 Chance Of A Lifetime
5 Mona Lisa Smile
6 They’ll Never Find Us (Running For Our Lives)
7 I Used To Be Your Lover
8 Take Another Look
9 Perfection
10 I Built This House
11 The Last Time

*Also released on the same label in 2019 was a 2 CD Trapeze compilation , which includes a previously unreleased live show featuring Peter Goalby [his debut with the band] from 1977. https://www.cherryred.co.uk/product/trapeze-leavin-the-bad-times-behind-the-best-of-trapeze-2cd/

GOLDEN EARRING : Moontan Remastered & Expanded

Golden Earring – Moontan (Gatefold, Vinyl) - Discogs

Golden Earring’s best known album, and their biggest success in North America, Moontan is a ’70s must hear classic album, not only boasting the band’s biggest hit, but also a number of live favorites, with 4 cuts featuring on the band’s awesome 1977 Live album. It featured a cover photo from Dutch photographer Ronnie Hertz, a pic perhaps too much for North America where this market got a different cover or …an earring!

MOONTAN – REMASTERED & EXPANDED To be released September 10.

New expanded 2CD edition of the 1973 classic Golden Earring album, featuring the worldwide hit Radar Love

For the first time ever remastered from the first-generation master tapes.

Featuring 9 previously unreleased mixes/different versions

Featuring 6 bonus tracks, including Big Tree, Blue Sea (1973 version) and Instant Poetry

Including a 32-page booklet with a new essay, memorabilia, and photos

Founded in 1961 by George Kooymans and Rinus Gerritsen, Dutch rock band Golden Earring (or Golden Earrings, until 1969) started off as a beat-band, experimented as a psychedelic quartet and finally became a heavy rock group. Their ninth album Moontan (1973) hit the international album charts and is the band’s most successful album in the United States, being the only Golden Earring album to be certified Gold by the RIAA. The single “Radar Love” reached #10 on the Cash Box Top 100 and #13 in Billboard in the United States. It also hit the Top 10 in many countries – including The Netherlands (#1), Spain (#1), Germany (#5), United Kingdom (#7), Canada (#10) and Australia (#10) – and consequently became a bonafide international classic rock song. In June 2020, the original master-tapes of this classic album were unearthed for a long-awaited remastered edition – 48 years after its original release.

Alongside a fresh remaster from the IBC Studios first-generation album masters, six bonus tracks have been added, including the 1973 remake of “Big Tree”, “Blue Sea” that was added to the UK and US editions of the original album, the original single versions of “Radar Love” and “Candy’s Going Bad”, the B-side “The Song Is Over” and the 1974 single “Instant Poetry”.

In addition, a second CD entitled The Moontan Sessions features nine previously unreleased mixes/different versions that give insight into the whole production process of the album. Taken from a variety of archive tapes, these include the original basic recordings of “Radar Love”, “The Song Is Over”, “Are You Receiving Me” and “Vanilla Queen”, taped in early 1973 at Phonogram Studios in Hilversum (The Netherlands), which were overdubbed and finished at London’s IBC Studios in July 1973. All tracks have been 24 bit/192 kHz remastered from the original master-tapes.

A special 2LP edition of Moontan (remastered & expanded) released by Music On Vinyl will follow in early 2022. This 2CD edition of Moontan starts off a special series of remastered & expanded albums by Golden Earring, overseen by Red Bullet catalogue and band archivist Wouter Bessels.

No photo description available.

TRACKLISTING

CD 1: Original album version remastered plus bonus tracks
1. Candy’s Going Bad 6.13
2. Are You Receiving Me 9.32
3. Suzy Lunacy (Mental Rock) 4.26
4. Radar Love 6.26
5. Just Like Vince Taylor 4.22
6. Vanilla Queen 9.19
BONUS TRACKS:
7. Big Tree, Blue Sea (1973 version) 8.12
8. Candy’s Going Bad (single version) 2.52
9. Radar Love (single version) 3.45
10. The Song Is Over 4.52
11. Instant Poetry 5.08
12. From Heaven, From Hell (1974 version) 6.05

CD 2: The Moontan Sessions
1. Vanilla Queen (early version) 10.03
2. Radar Love (basic track) 6.27
3. The Song Is Over (basic track) 5.14
4. Are You Receiving Me (basic track) 9.30
5. Candy’s Going Bad (rough mix) 4.06
6. Vanilla Queen part 1 (rough mix) 5.36
7. Just Like Vince Taylor (alternate mix) 4.27
8. Big Tree, Blue Sea part 1 (rough mix) 3.14
9. Radar Love (instrumental mono mix) 6.30

Moontan (remastered & expanded) will be released by Red Bullet Productions on 10 September 2021 and will be available through all renowned worldwide music dealers and online shops.

https://styrous.blogspot.com/2019/07/20000-vinyl-lp-191-golden-earring.html

[pre order] https://shop.rockart.nl/product-categorie/golden-earring-diversen/

Story Behind The Album Cover : Grand Funk’s Shinin’ On

Released in March of 1974 – Shinin’ On is one of my favorite Grand Funk albums! Shinin’ On is known for including the band’s #1 hit single – “The Loco-Motion”, the classic title track [love that organ solo], And for the unique 3D cover! Anyone who has seen this cover in it’s original LP form, knows it came with a 3D cover & tear away 3D glasses, a poster, even upcoming tour dates on the inner sleeve … an amazing package. The cover / package concept & design was credited to Lynn Goldsmith and Andrew Cavaliere. Lynn worked not only as the band’s photographer, but also directed the 1973 promotional film for We’re An American Band, and created a number of other Grand Funk & Mark Farner [solo] covers,. She would also be credited on hundreds of album covers for art directing, creating, and photography by the likes of Alice Cooper, Tom Petty, Ted Nugent, Patti Smith Group, Ian Hunter, and loads more in various genres.

You can find out more about Lynn’s career and her massive list of credits, and classic albums she was a part of at :

Earlier this year I had written Lynn with questions about Shinin’ On, and a few weeks back she was kind enough to reply via a video on her Facebook page. It’s a very interesting clip, detailing the album cover, and and a good bit of insight into her time with Grand Funk. Any Grand Funk fan will want to check it out. Thanks to Lynn Goldsmith for this video. [below, enjoy!]

https://fb.watch/7ADlBXPvLA/

KJ, 08/’21

JOHN LAWTON : 15 Classic Career Spanning Tracks

It was just over a week ago that the shocking news that British singer John Lawton had passed away on June 29 came out. July 11th would’ve been John’s 75th birthday. Though best known for his time with Lucifer’s Friend and Uriah Heep, John had a very lengthy career full of great recordings — not only the 2 major bands he was known for, but plenty of one-off projects, solo albums, singles, guest appearances. One thing that is undeniable is that regardless of who John was performing with – it was his vocals that stood out. A buddy of mine used to say – “he could sing the phone book and make it sound great!”.

I’ve picked 15 tracks from throughout John’s career to celebrate his life and recordings. And this is just a scratch on how much great stuff the man was a part of. *Please leave a few favorite tracks in the comments.

Ride The Sky – Lucifer’s Friend

The best known song from Lucifer’s Friend, and probably the most well known vocal from John. He and the band sounding like they could fit in alongside the biggest names in early hard-rock / metal in 1970. Covered by a few bands, most notably Avantasia. One of a few LF songs that John would later include in his live repertoire for years. Lucifer’s Friend [II] would also re-record the song in 1994 for Sumo Grip.

Burning Ships – Lucifer’s Friend

From Lucifer’s Friend’s 2nd album – Where The Groupies Killed The Blues. An acoustic ballad that builds up. One of John’s trademark numbers, and many o’ Lucifer’s Friend fans’ favorite song. More recently Jason Kane & The Jive did an excellent cover of this. *I’ve included the 2015 live version here, as I’d previously included the original studio take in my post on John’s passing. I think the band still did an incredible job on this 43+ years later!

Mama Loo – The Les Humphries Singers

Many people may not realize that John’s main gig prior to Uriah Heep was recording and touring with The Les Humphries Singers, a pop band featuring a number of great singers, who played many top hits [covers], as well as songs written by Les Humphries. This was written by Les, and was the group’s biggest hit, with John singing lead.

High Flying Lady (Goodbye) – Lucifer’s Friend

From Lucifer’s Friend’s most ambitious album, and the one John cited as his favorite – Banquet. It was one album he’d have liked to have performed live in full. This is the a great upbeat rocker, full of brass, great production, and amazing vocal from John.

Little Chalk Blue – Roger Glover’s Butterfly Ball

John sang on this track written and recorded for Roger Glover’s 1974 theatrical album The Butterfly Ball And Grasshopper’s Feast. A sweet orchestrated ballad. It was issued as a single and part of an EP, but not on the 1974 LP. John would perform it at the 1975 live staging of The Butterfly Ball, where he also sang the song “Love Is All”.

Wiseman – Uriah Heep

Written by Ken Hensley, “Wiseman” was a minor hit in Europe. It’s a classic Heep ballad, and John once cited it as the first song he sang with the band. He would keep it in his live repertoire years later, and re-recorded it with Steve Dunning for their 2002 album Steppin’ It Up. The song also earned Heep a spot on UK TV show Top Of The Pops.

Free N Easy – Uriah Heep

John wrote a few songs on the last few Heep albums, and a couple of them were the heaviest things the band did during this period. “Free N Easy” [co-credited to Mick Box] was a huge fan favorite, from Innocent Victim [altho’ “Free Me” was the massive hit in some countries during this era]. The band would bring this one back in more recent years, and it would feature on the band’s Live In Europe ’79 album, as well as John’s reunion album with Ken Hensley – The Return.

Hey Driver – Lucifer’s Friend

After leaving Heep, following the recording of a 4th [as yet released] album, John recorded a solo album [co-written with Peter Hesslein, and using Lucifer’s Friend as the backing band], followed by an awesome reunion album with LF – Mean Machine. A return to straight ahead hard-rock, influenced by the New Of British Heavy Metal at the time. One of my top 3 LF albums with so many great hard rockers to chose from.

Heart Of The Night – Zar

In the early ’80s John sang on an album by German hard-rock band Rebel, featuring Tommy Clauss on guitar. Another opportunity arose for John to step in and recording with Clauss again at the end of the decade with the band Zar. Released in 1990, Live Your Live Forever was a fairly commercial sounding heavy metal album, full of killer tunes. John proving he could still rock as hard as he did on the first Lucifer’s Friend album.

Don’t Stop Believing – Gunhill

Gunhill was the band John formed in the mid ’90s. They were primarily a working band, doing plenty of covers, some originals, and a few from John’s past. They did release a CD in 1997 titled Nightheat, which included this as the opener. Written by John, I really liked this one, and a the band’s few other originals here.

Tonight – John Lawton [solo] / Uriah Heep

John was extremely busy in the early 2000s, with Gunhill coming to an end, and a few other projects, a new band, and this solo album from 2000 titled Still Payin’ My Dues To The Blues. A great set of lighter blues and blues based tracks. This is an outstanding ballad that John originally wrote and recorded as part of the 4th [unreleased] album with Uriah Heep. John also re-did this one with Steve Dunning in 2002 Should be interesting to hear Heep’s version.

Written On The Wall – John Lawton Band

The short lived John Lawton Band followed Gunhill, and the band toured and would release this line album, as well as a live DVD . Sting In The Tale was a solid set of blues based rockers. This is the stand-out track for me, a nice heavy rock song.

Steal The Night – OTR

OTR [On The Rocks] was a short-lived project John did latter day Focus guitarist Jan Dumee, as well as a few Brazllian musicians in 2008. A very different album that showed again how much John could sound great in any type of music.

Fairytale – Intelligent Music Project [Diana Express]

Intelligent Music Project is a recording band that is the brains of Bulgarian producer / songwriter Milen Vrabevski . John sang on the first 2 albums in this act. The first one billed as John Lawton & Diana Express and titled Power Of Mind.was a concept album, Diana Express being the Bulgarian band playing here as well. Again, a very different album, more adult contemporary, hard-rock, orchestrations… The ballad “Fairytale” was the first song released from the album, and the standout track John did with these albums.

Passengers – Lucifer’s Friend

From the last Lucifer’s Friend album Black Moon in 2019. A fantastic album, showing John and the band could still come up with good, memorable songs. The band had re-grouped in 2015 for a compilation album [with 4 new tracks], a live album, and a studio album Too Late To Hate in 2016.

*photo of John – courtesy of Richard Wagner

07 / ’21

TEN YEARS AFTER TO RELEASE “NATURALLY LIVE” (DELUXE EDITION)



AFTER THE SUCCESS OF “A STING IN THE TALE (DELUXE EDITION)”, TEN YEARS AFTER IS NOW RELEASING “NATURALLY LIVE” (DELUXE EDITION) THROUGH DEKO ENTERTAINMENT. THIS RELEASE COMES WITH 2 BONUS TRACKS INCLUDING “I SAY YEAH”.

Ten Years After are best known for their Platinum selling album “A Space in Time” which featured the Top 40 hit “I’d Love to Change the World“, and their prodigious performance appearance at the Woodstock Festival in upstate New York, August 1969. Their rendition of “I’m Going Home” was featured in both the subsequent film and soundtrack album and catapulted them to star status.



Original members Ric Lee and Chick Churchill have continued this legacy and are now rounded out by Guitarist/Vocalist Marcus Bonfanti and Bass Icon Colin Hodgkinson. “Naturally Live” was recorded at HsD, Erfurt, Germany on 24th March 2018 and contains live recordings such as: ”Land Of The Vandals”, “Silverspoon Lady” & “Last Night Of The Bottle” taken from their phenomenally successful studio album A Sting In The Tale. These tracks are combined with old favorites such as “I’d Love To Change The World”, “Hear Me Calling”, “Good Morning Little Schoolgirl” and, of course, the Woodstock killer track “I’m Going Home”. Also included is the band’s semi-acoustic section of their current live show which features three tracks from the very early days in 1967:  “Portable People”, “Don’t Want You Woman” & “Losing The Dogs”. 

This Deluxe Edition due out August 13th also contains “I Say Yeah” which was previously only available on the vinyl edition and the previously unreleased rendition of “32-20 Blues” performed by bassist Colin Hodgkinson. Founding member Ric Lee states, “In the early days at London’s Marquee Club we did an acoustic performance where Alvin Lee played an acoustic guitar, Leo Lyons played an upright string bass, Chick played the Marquee’s acoustic piano and I went from the drum set to the front of the stage to join the guys with just a snare drum on a stand and a pair of brushes. The slot went down really well and several years later when we were playing larger venues, I suggested we played the acoustic spot again to add some variety to what we were doing. Alvin didn’t think it would work and so it didn’t happen. Much later, after Alvin had more or less retired and we had Joe Gooch on vocals and guitar I again suggested we do the acoustic set but this time Leo didn’t think it was right. 

When Marcus and Colin joined us and we were discussing new material for the set, they were both very enthusiastic about doing the three acoustic songs included on the Naturally Live (Deluxe Edition) album and it proved to be a good decision, as that part of the set goes down fantastically well with our audiences. “I Say Yeah” always sounded like an unfinished song to me so we worked out a new arrangement and it’s become somewhat anthemic and involves audience participation. 

What can I say about Colin’s performance of John Lee Hooker’s 32-20 Blues? It’s a superb showcase of his amazing bass playing and vocalizing. Colin is an extremely talented and experienced musician. The people he’s played with throughout his long career reads like a who’s who of the music business. From my point of view it’s an honor and a pleasure to have him in the Ten Years After rhythm section and, to cap it all, he’s a great guy too!”.  

“On this record you can hear a band that lives on its legacy but also wants to look ahead….New frontman Bonfanti further enhances the band’s rock image. Never before had Ten Years After a singer with such a rough and growling voice. With his equally rough guitar playing, Bonfanti is the rock star among the old veterans.” 
BLUES MAGAZINE

There are limited edition bundles (while supplies last), which can be ordered via: https://bit.ly/30fsewb

Product Includes:

– One (1) TEN YEARS AFTER – “Naturally Live (Deluxe Edition)” CD
– One (1) TEN YEARS AFTER Tee
– One (1) TEN YEARS AFTER Tote Bag
– One (1) TEN YEARS AFTER Autographed Photo
 
“Naturally Live” (Deluxe Edition) Tracklist: 

Land of the Vandals 
One Of These Days 
Hear Me Calling 
I’d Love To Change The World 
Silverspoon Lady 
Last Night Of The Bottle 
Portable People 
Don’t Want You Woman 
Losing The dogs 
50,000 Miles Beneath My Brain 
Good Morning Little Schoolgirl 
I’m Going Home 
Ric Lee Introducing TYA 
I Say Yeah (bonus track) 
32-20 Blues (bonus track) 

FOR MORE INFORMATION, VISIT: 

http://www.ten-years-after.co.uk/

www.dekoentertainment.comCopyright © 2021 Chipster PR & Consulting, Inc., All rights reserved.

07 / ’21

The Bolton Iron Maiden: 1970-76 & Today

Paul O'Neill of The Bolton Iron Maiden: Interview – At The Barrier

As pointed out in a previous article, long before Steve Harris formed Iron Maiden in England, there were other bands who had used the name, most notably a band from Bolton, in northern England, who existed from 1970 to ’76. The trio featured Ian Boulton-Smith [guitar], Derek George Austin [bass, backing vocals] and Paul T.J. O’Neill [drums, lead vocals, keyboards…]. Noel Pemberton Billing would later replace Boulton-Smith, who would return later as well. Although the band would go through a few other changes those were the 4 members who would be captured on cassette live and on tape in the band’s lone studio recording of 4 tracks. Ian Bouton-Smith [aka Beak] passed away June 23rd, 1976 of testicular cancer, and thus this Iron Maiden came to an end. Ironically, Steve Harris’ band was just getting off the ground, and I believe I read that it was Beak who informed Harris that another band was already using the name! Fast forward 30 years, and Paul T.J. O’Neill wanted to honor Beak’s passing and decides to compile a CD of the band’s recording – 4 taken from their only studio venture and a number of live tracks salvaged from a fans’ cassettes at the time. Proceeds of this 12 track CD are also donated to Macmillan Cancer Relief and Cancer Research UK in the guitarist’s name.

Maiden Flight was released in 2005 under the name The Bolton Iron Maiden, as Paul O’Neill had reached out to the world famous band’s manager Rod Smallwood, who not only suggested adding the Bolton to the name [for clarification and legalities], but also threw his support behind the release by having it mentioned on the band’s website and in their news. The Iron Maiden Bolton were a good band back in the day, and judging from the 4 proper studio tracks alone, it’s a shame they never got signed and had some of these songs put out in the day. Citing the likes of Zeppelin, Cream, and Free as influences back then, it is pretty spot on as far where to put this band — a solid blues-based hard rock band. The first of the studio 4 is “Cracked Path”, a song about addiction, and it is a definite Zeppelin early type of rocker, would’ve made a neat single! “Crawl Crawl Night-time” is a longer rocker, lyrically penned about O’Neill’s insomnia. You may recognize the riff, as it is pretty much “Hocus Pocus” by Focus; the Dutch band had recorded their hit classic not too long before this, and the similarity caused the band a bit of stress [an interesting story at their website]. But aside from the Hocus Pocus riff, this is really a stand out track here, love the lead guitar and fills. “Cell Debris” is a tale of man who’s wife has passed and he stands at her grave, reflects on his past and awaits his own end. A pretty interesting and chilling tune, musically reminds me of Cream in places. “Red Sky” is the last of the studio tracks, and it’s a rocker about a time traveler. An interesting theme [time travel], as many of the band’s songs would be based around sci-fi topics, and the time traveler would idea would be the basis for the 2020 album Puppet Master : the Rise and Rise of Slick Dandy. The rest of the originals are well worth hearing, though the sound is not great, and Paul O’Neill would overdub the vocals.

There is plenty of good original songs here performed live and one can only imagine that the likes of “A New Place Of My Own” and “The Naughtiest Girl Is Alive And Well” – which features a lengthy guitar solo [and a nod to Bowie’s “Ziggy Stardust”] that this Iron Maiden could’ve delivered a pretty decent album in the early ’70s, perhaps one of those odd rarities we’d all be paying stupid prices for!? Last of the live tracks is the band’s signature song “Maiden Flight”, another based on time travel, and this containing a good bit of jamming, clocking in at over 12 minutes. *Gotta say also, great detail put in to the CD packaging, filled with stories and notes about the songs and times, and a few pics!

A 2nd CD of live tracks was issued in 2007 titled Boulton Flies Again : The Covers [the spelling of Boulton after the band’s guitarist Ian Boulton Smith]. It consists of 11 songs featured in the band’s set, and were [again] saved from a fan’s cassette recordings at the time. The sound is not great, but again – very good for an audience recording of the time, and you can get a good listen and feel for how the band was then. It’s an interesting blast back to the early 70s pub scene, with a band that was still trying to make it, playing plenty of others’ material. Funny thing is Bolton Iron Maiden didn’t play a predictable batch of hits, but some pretty cool gems from other bands who weren’t too far in to their careers, notably they played “Black Cloud” by Trapeze, Spirit’s “Fresh Garbage”, Mountain’s “Mississippi Queen”, Free’s “All Right Now”, The Groundhogs’ “Cherry Red”, and the early Mott The Hoople classic “Thunderbuck Ram”, in which Beak does a fine job covering brilliant Mick Ralph’s guitar work . Heck, I am glad to hear this CD being a fan of ’70s rock [and born too late to be there then], so I am finding a few gems I want to hear more of.

In 2018 Paul O’Neill decided to resurrect the Bolton Iron Maiden name again with a concept album about – time travel, as it was the basis for the band’s “Maiden Flight”. The album and story included within the CD titled Puppet Master: The Rise And Rise Of Slick Dandy tell the tale of a 50 year old musician named Norman Normal who’s wishes are answered when the Time Traveler takes him back 30 years, introducing him to an agent, who then introduces him to the ‘Sven Gali to the stars’ who has Norman change his name, becomes a huge star, but in time falls in love, loses the girl, and wants another chance to go back and not lose her. It is quite a unique and detailed stories, with a number of characters and great ending. But it is the story one will enjoy along with the music and the booklet [detailing the characters and tales]. As such, this album is quite varied in musical styles, and theatrical. There are 17 tracks, though some of them are short pieces relevant to telling the story. So you get some excellent rockin’ tracks [closer to the old Iron Maiden sound], and you get more theatrical pieces / ballads, as well as a bit of spoken word where required. Among favorite cuts are the upbeat rocker “Menamong Men”, “Rock n Roll Star” and “Gone Are The Days”. There’s also the excellent “Slick Dandy” [the main character], it’s a pop rock song that builds up heavier – it reminds me of The Fixx’s “One Thing Leads To Another”, and it features Don Airey [this guy is everywhere] on Moog synthesizer, There’s a few fine ballads in “Time Traveler” [the opener], “Old Sad Clown”, and “Who Pulls The Strings” – which has a very David Gilmour feel to it musically, and in Paul’s vocal.

The Rise And Rise Of Slick Dandy is a very detailed album, and once you sit down to ‘get’ the story, it is quite unique, and the music suits it so well. As mentioned there are some excellent individual pieces, but it’s more worth hearing the whole thing. O’Neill unfortunately could use a few former bandmates due to travel issues, but all are mentioned in some way in the detailed liner notes. He does use guitarists Rob Harris and Martin Low, as well as bass players Garry Cutress and Brian Ralph, his daughters on backing vox, and guests Nick Hill [trumpet] and Brian Sage [sax]. All mixed at the legendary Abbey Road Studios!

*Aside from this latest project Paul O’Neill also released a solo album in 2009 titled Totally Swept Away, which features 10 tracks – which are all stories based on Sea adventures / legends, with titles like “Pirates”, “The Mayflower – Hearts Of Oak”, “The Loss Of The Birkenhead”, and “The Captain Is Mad”. Musically more adult contemporary, progressive, pop, well produced… if I dare say this reminds me a bit of Phil Lanzon’s [Uriah Heep] solo albums and even Jethro Tull on occasion. Love the cover art!

*And just to be clear this Iron Maiden [from Bolton] existed before Steve Harris’ band, but there was no connection, though it would be interesting to hear the world famous metal band covering “Cracked Path” or “Maiden Flight”. Nor is this band to be confused with the Iron Maiden from Basildon, UK, who existed from the mid ’60s til mid 1970 and released a single that year. They too released a CD of recordings several years later titled Maiden Voyage.

*all images borrowed from CD cover and the band’s website. + CD promo poster courtesy of PO!

Links / Ordering / More info:

The Bolton Iron Maiden

http://paultjoneill.com/

(20+) The Bolton Iron Maiden | Facebook

Paul TJ O’Neill of The Bolton Iron Maiden – Puppet Master: The Rise And Rise Of Slick Dandy: Album Review – At The Barrier

One to Watch: The Bolton Iron Maiden | The Bolton News

KJ, 07 / ’21

Foghat 50th Anniversary Live Album!

Noisy S.O.D., Inc.

FOGHAT CELEBRATES 50TH ANNIVERSARY WITH JULY 16TH RELEASE OF LATEST LIVE ALBUM,

‘’8 DAYS ON THE ROAD” VIA FOGHAT RECORDS, DISTRIBUTED BY SELECT-O-HITS

Multi-Platinum rockers FOGHAT celebrate 50 years of Rock n’ Roll with 8 DAYS ON THE ROAD, a 14-track live performance that will be released as a double CD/DVD package on July 16, 2021 on their own Foghat Records label, distributed by Select-O-Hits (which is part of the Sun Records family and is owned by Sam Philips’ son and nephew). It will also be available on 180 Gram Vinyl later this summer.  Recorded on November 17, 2019 at Daryl’s House Club in Pawling, NY, the collection features the band’s biggest and most legendary hits, including “Slow Ride,” “I Just Want To Make Love To You,” “Fool For The City,” and so many others. Pre-orders are available on digital outlets including Spotify , and iTunes includes an instant download of “Road Fever” with purchase.
A video for “Road Fever” can be seen on the band’s official YouTube page today. The collection will also be available on 180 gram vinyl in the coming months.
 The band has already started to work on a new Blues/Rock studio album to be released in 2022. Track listing:
1. Drivin’ Wheel
2. Road Fever
3. Stone Blue
4. Fool For The City
5. It Hurts Me Too
6. Take Me To The River
7. Home In My Hand
8. 8 Days on the Road
9. Chateau Lafitte ’59 Boogie
10. I Just Want To Make Love To You
11. Chevrolet
12. Maybellene
13. Play That Funky Music
14. Slow Ride


Also available on the Foghaonline store: 
PRESS CONTACT:
Amanda Cagan
ABC Public Relations
Amanda@abc-pr.com
 
Contact us directly at boogie@foghat.com 
www.foghat.comwww.facebook.com/foghatwww.youtube.com/foghatwww.twitter.com/foghat  

06 / ’21

Be Bop Deluxe – Live! In The Air Age [Box Set]

If you weren’t familiar with this British band from the ’70s, you are missing out, and perhaps one of the greatest live albums of the era, released with the shows – 7 full shows to be precise. 7 shows from the band’s spring 1977 UK tour! While Live In The Air Age was initially released as an 10 track LP/EP and would become the band’s biggest seller, this box set includes all the shows recorded to draw from for that album – in their full glory. Lead by founder Bill Nelson, who handled all guitar and vocals, as well as being the band’s songwriter. Live In The Air Age set list of 15 tracks each night was pulled from the band’s 4 studio albums to that point. Be Bop Deluxe mixed various styles, with the glue being Nelson’s often blues influenced soaring guitar leads with bits of jazz influence, and his stunning and lengthy solos. He had such a unique tone. Musically the band were ahead of their time, likely influencing many hard rock and new wave acts of the late ’70s & ’80s with their progressive style of rock, smooth vocals, keyboards, and harmonies, delivered so well played each night. There are no ‘off’ sounding nights. And though the set-list rarely changed [save for the odd night without the encore], each night is a fantastic listen for the improvisations, Bill Nelson’s speech intros, and simply the playing of the band’s best material such as their biggest hit “Ships In The Nights”, and favorites such as “Sister Seagull” [classic riff], “Life In The Air Age” [the opener each night], and the rockin’ “Mill Street Junction”. The latter half of the shows would feature lengthier improvised jams and solos on such tracks as the instrumental “Shine”, as well as “Terminal Street” [killer heavy guitar solo here] and encore “Blazing Apostles” [which usually runs for 20 minutes] . Nelson’s amazing guitar sound was complimented not only by the rhythm section of Charles Tumahai [bass, backing vocals] and Simon Chase [drums] , but also by the varied spacey keyboards of Andy Clark [see “Adventures In A Yorkshire Landscape”]. The box also comes with a colored booklet full of photos, images, and an essay from Bill Nelson, detailing the era, his recollections of that UK tour, adding a few stories, as well as his eventual reasons for putting the band to rest after 1978’s Drastic Plastic. There’s also further notes from journalist Mark Powell. *There is also a condensed 3 disc version featuring the restored original album, as well as the full show from one of the evenings at Hammersmith Odeon.

LIVE IN THE AIR AGE Box details:

• A DELUXE 16 DISC LIMITED EDITION BOXED SET OF THE CLASSIC 1977 LIVE ALBUM BY BE BOP DELUXE
• THE ORIGINAL ALBUM IS NEWLY REMASTERED FROM THE ORIGINAL MASTER TAPES RESTORING THE CORRECT ALBUM
RUNNING ORDER
• WITH AN ADDITIONAL 14 CDs FEATURING EVERY CONCERT RECORDED ON THE BE BOP DELUXE UK TOUR OF
FEBRUARY & MARCH 1977 ALL NEWLY REMIXED FROM THE ORIGINAL MULTI-TRACK TAPES BY STEPHEN W. TAYLER
• INCLUDES A BBC RADIO ONE JOHN PEEL SESSION FROM JANUARY 1977
• ALSO INCLUDES A DVD (NTSC / REGION FREE) OF THE STAR RIDER IN CONCERT TV FILM FIRST SCREENED IN 1977,
RELEASED HERE FOR THE FIRST TIME
• INCLUDES A LAVISHLY ILLUSTRATED BOOK WITH MANY PREVIOUSLY UNSEEN PHOTOGRAPHS & NEW ESSAY BY BILL NELSON
• ALSO INCLUDES POSTCARDS AND A REPLICA POSTER

Esoteric Recordings is proud to announce a new re-mastered super-deluxe expanded boxed set limited edition release (comprising 15 CDs and a DVD) of LIVE! IN THE AIR AGE by BE BOP DELUXE. This legendary live album was released in July 1977 and would prove to be the band’s most successful album, peaking at number 10 in the UK charts. The album was issued at a time of growing commercial success for the band and followed on the heels of two highly acclaimed studio albums in thirteen months, Sunburst Finish and Modern Music, both of which reached the top twenty of the UK album charts. Live! In the Air Age would be the band’s only live record and was recorded on a series of dates in the UK in February and March 1977 on the Rolling Stones mobile unit with John Leckie, who had engineered co-produced the band’s previous two albums, supervising the location recordings.

The band’s UK tour began in late January and was an audio-visual extravaganza that featured the use of projection screens and excerpts from the 1927 German silent film Metropolis, director Fritz Lang’s striking science fiction masterpiece. Continuing into February, the first concert to be recorded was at the De Montfort Hall in Leicester on the 12th of that month. The following two nights saw concerts at the Grand Theatre in Leeds which were both captured on tape and saw Bill Nelson perform to an enthusiastic home audience. However, at this juncture fate would intervene to cause a postponement to the remainder of the tour. Travelling to a concert in Bristol on 15th February 1977, Bill Nelson and John Leckie were involved in a car accident which resulted in them being hospitalized at Huddersfield Infirmary. Thankfully, all involved recovered quickly from their injuries, but as a result of the accident, the remaining concerts were postponed until the end of March. The tour began again with two concerts at Hammersmith Odeon in London on March 25th and 26th 1977 which revealed the band to be on top form, feeding off the tremendous warmth of the audience. Further shows in Bristol and Bournemouth on the 27th and 28th March respectively also contained many fine moments. Bill Nelson and John Leckie selected the best performances for mixing at Abbey Road and Advision studios in London and LIVE! IN THE AIR AGE was released in July 1977.

Research of all of the Be Bop Deluxe master tapes revealed that multi track tapes of all the shows recorded on the UK tour of 1977 had survived. After digitizing and listening through to all of the Rolling Stones mobile unit 24-track tapes it was decided to include each concert in its entirety in this expanded boxed set. The concerts were mixed over a period of several months by Stephen W. Tayler and are presented here for the very first time. They reveal the improvisational side of Be Bop Deluxe, particularly on pieces such as Shine and Blazing Apostles which made each concert unique.

This set features the original album, newly remastered from the original master tapes, and restores the correct running order of the original LP release and has three bonus tracks drawn from a BBC Radio One JOHN PEEL SHOW session from January 1977. This box also adds an NTSC / Region Free DVD of STAR RIDER IN CONCERT – BE BOP DELUXE, which was first screened on television in 1977 and appears exclusively in this boxed set for the first time. Finally, this limited-edition boxed set includes an illustrated 68-page book with many previously unseen photographs and an essay of recollections by Bill Nelson. Additionally, the set includes postcards and a replica poster. This special deluxe limited-edition boxed set of LIVE! IN THE AIR AGE is a fitting tribute to a fine live band and the creative vision of Bill Nelson.

Additional Links:

Pre-order- Be Bop Deluxe: Live! In The Air Age, 15CD/1DVD Limited Edition Box Set – Cherry Red Records

Be Bop Deluxe: Live! In The Air Age, 3CD Remastered & Expanded Edition – Cherry Red Records

Bill Nelson – 40 Years Of Recordings – Interview by Mark Powell – YouTube

Bill Nelson: Be Bop Deluxe And Beyond… – Music Republic Magazine

Bill Nelson – Talks about Be Bop Deluxe, His Guitar, Influences & more – Radio Broadcast 02/05/21 – YouTube

06 / ’21