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LIPS TURN BLUE – An interview with DON MANCUSO

DON MANCUSO is the guitarist and a major songwriter in the band LIPS TURN BLUE. The band started out as DDRIVE years ago, which had originally taken the name of Don’s second solo album DDrive, from 2004. Upon starting the band’s new album the band decided to change the name due to the name D_Drive also being used by a young prog-metal band from Tokyo. In the ’70s Don was part of the legendary band Black Sheep, along with singer Lou Grammatico – who went on to Foreigner. Black Sheep released 2 classic albums on Capitol Records. Don went on to various bands including Cheater, Red Heart, as well The Lou Gramm Band (see their 2009 self-titled album).

In this interview Don discusses the new Lips Turn Blue album – the making of it, the songs, the late Phil Naro, LTB’s current happenings, as well a bit on Black Sheep, and what else he has on the go.

For more, check out all the links below!


How much of the album was done when Phil was still with you?

Probably 90 per cent of it was done while Phil was still with us. He couldn’t sing after he went through the 2nd round of the chemo and therapy he was doing, trying to beat it, but he was in on what songs we were going to pull from earlier albums. You know, we ended up using a couple of songs, where he couldn’t sing, we had to go back in the catalogue and we picked up a couple of DDrive songs and we re-did those around his vocals.

You co-wrote most of the songs with Phil. Were the lyrics his and it was all put together from that?

It was a group effort – Phil and I wrote a couple of songs, and Phil and I and the keyboard player, Eric Beiber wrote. We all contributed with music, words, ideas, melodies. And there was a couple that Eric wrote with just Phil and Steve Major, the producer up in Toronto.

Can we talk about some of the songs? I just saw the new video for “Pray For Tomorrow”.

That was a total remake. That’s what started the album going. Phil had some friends during the pandemic that said it would be a great idea to do an acoustic version of it, and we said ‘it’s a good idea – we’re sitting around anyway.’ We all kinda chipped in at our home studios and we got that rendition of it.

“Just Push” was the first single. Can you tell me anything about that song?

That was an idea Phil brought to the table, and him and I worked on it actually til we completed the song. It was during the pandemic, so we couldn’t actually work face to face. We were working on the internet, doing tracks with the other guys, and the producer coordinated it, sending all the tracks up to Toronto to have them mixed. It was our first take on the pandemic.


I like “Build My Castle”, that’s a great one. and I like Phil’s intro to that, it’s kind of a different approach.

Steve came up with. It’s actually off my 2nd solo album with Phil. And he wanted to re-do it in a different light, so we added keyboard passages, and melodies with keyboards, and changed the solos around a little bit, and he did the thing with intro and the chant in the breakdown in the middle, also. A great song. That was actually getting some airplay in Pittsburgh.

“Better Than I Used To Be” ?

Yes. That’s one of my favorites. That one is close to my heart. I actually wrote the basic hook part, and most of the lyrics on it – with Phil’s help. And Eric Beiber contributed, I think he wrote the solo section. That’s a good one. It’s the story of my life – haha – ‘I may not be perfect, but I’m always better than I used to be.’

There’s a couple of things on here that have kinda reflective lyrics, and I’m wondering if those are things that Phil wrote – “No Need For You To Call” and “Life’s Crazy Ride”

“No Need To Call” was one that I helped him with. He had just had a falling out with his fiancé, and I had a new girlfriend, and we kind of wrote that one. And the other one – that was basically how he summed up his life before it was over — for everybody, not just for him, for all of us.

Was he well aware of his situation when he wrote that stuff?

Oh God yeah. He was in the middle of wondering how long it was going to be. It was tough.

What stands out for you on the album – what are you happiest with?

I think “Sit Up” is one of my more .. .I mean even though it’s a real R & B metal tune, it’s got a great hook to it, and it’s one of those ones that makes you want to move. That one, and “Better Than I Used To Be”. There’s a couple of Eric’s that I really like, that are really amazing.

“Chain On Me”?

That was one that Lou and I wrote with Bruce (Turgon). We re-did it from the Black Sheep days; it was on the Encouraging Words album. That was Phil’s last request, he said ‘I always wanted to do that song.’ And I was like – ‘you got it – let’s do it!’. And he did it, he pulled it off great.

The last cut on the album Lou sings on.

Yes. That’s from my 2nd solo album. And we decided to add that in to the que when Phil really couldn’t do any more. And we didn’t want to put anything out that was half-baked. So we took a song that Phil and I wrote from my 2nd solo album, and had the new guys play on it. The only other original guy we left on it was Joe Lana, he also passed away 5-6 years ago.

Who’s idea was it to do the Beatles’ cover? It’s an interesting choice.

That was mine and Phil’s. That was another one originally off of my 2nd solo album that we always loved, so we said ‘let’s re-do this one too!’

Now when I see the album – I love the cover, but I see there is no vinyl option of it , yet. When I look on Discogs and on Amazon I only see the CD.

No? I thought they were going to do that, I heard they were going to do it. I know I want vinyl.

Now you guys have moved on, and you have Iggy Marino as your new frontman. How many shows have you done?

We’ve done 2 shows so far, one in Rochester, and one in Phoenix, Arizona.

So you are part way or mostly done a new album as well?

Yes, about half way. We’ve got a lot of it in the can.

Will we still see Phil in any of the credits?

Oh yeah, he’ll be on 2 or 3 of them, I think, as far as credits. He wasn’t able to sing on them, but he was part of writing them, And I think we did have some vocal parts that are still usable that we’ll probably slip in here or there, I’m sure.

Is there a projected date for the next album?

No. We’re just trying to put together a tour, and get out and promote the Hell out of this one. It’s going to take time, I mean we’re not a super huge classic rock band or anything, so we’re going to be toughing it out for probably the next 6 months to a year to try and get that out there. And in the interim we’ll slowly widdle away at the next album.

Are you still working with Lou at all, on the side?

No. I still play with him periodically when he needs me, and he calls me up and says ‘I’m in trouble I need a guitar player and a band.’ But he’s actually retired, but he’s been doing these guest spots with other groups who want to bring him in to the fold just for a few gigs, or special shows, kind of ‘all-star’ band stuff.

I just want to ask about Black Sheep. Is there anything in the vaults that would interest you guys in putting them out as reissued with anything extra?

No, probably not. Lou was actually thinking about that a few years ago and tried to check in to who owned it, and it was like a circle-jerk, no one could really nail it down as to who owned it. So to do something like that might be a lawsuit in the making. I’ve got digital copies of the mastered albums that I just turn friends on to, and give it to them if they want it.

That’s a shame there’s not newer pressings of them out there because they’re hard to find and they’re albums.

Oh they are! That’s why I’m glad I’ve got the digital remaster of it. I was really fortunate because it’s a cut-out in the catalogue now, and luckily a DJ who happened to get a copy of it before they burned them all, he sent them to me, and I was ‘Oh thank you – you’re my hero!’

Did Black Sheep have any regional hot spots, aside from where you guys were from in Rochester and New York – any places where you guys got a lot of air-play or had a hit?

Yeah, we had a hit in Knoxville, Tennessee. We had a hit in Japan. And I think in Europe there were a couple of classic rock stations that were giving us a lot of air-play – like in Germany, Switzerland, Austria.

Was that back when the albums came out?

Yes, when the albums were out and we were touring with Kiss, Hall & Oats, and Ten Years After, and all that.

What else are you working on now?

Basically, right now my main focus for original acts is Lips Turn Blue because we’ve got the deal with MIG Records over in Germany, and the record’s doing good. Then I’m still working with Tony Carbone and Derek Crom in Johnny Smoke. We’re going to be coming to Buffalo in January, I think, at The Rock. And I’m still working with Lisa Gee, from Chicago, who’s last albums and EPs were done with a different drummer, he’s a session drummer out in California, but now I’ve been working with Carmine Appice on her new stuff. We’ve got 5 songs in the can; she’s going to be releasing an EP, and she’s got 1 song we’re still finishing up, it’ll be a separate single with Carmine. (ed: single premiers June 18)

I interviewed Carmine a few months ago. A busy guy.

Yeah he is. Great musician, I love working with him.

Do you know the name Mike Marconi?

Oh God yes! I used to go watch him when I was in Black Sheep just to learn new licks and get my sound down. He was one of the guys – him and Mike Nicoles were my local heros. He’s a good guy, great guitar player. He was in a band called Wale here. They were a good band. They were the one voted ‘most likely to succeed’ over Black Sheep. haha. We fooled them.

Can you give me a bit of insight in to Phil as a writing partner, bandmember, and person, how you got along with him and that?

We got along great because we loved writing together, and playing together. Every opportunity we would get we would both work at it, but we were always involved in other projects to keep moving forward, learn more stuff, and hopefully grab more contacts.

Anything else you can add in about the album..

It was the biggest labor of love any of us have ever done. It was like pulling teeth to get it out. Luckily we were blessed with a guy that got behind us – Bruce Pilato, he manages the band and he kind of tied up all the lose ends and got it to a point where we can get it out to people. So, you gotta hand it to him.

Are you guys going to be adding a store to the website to order CDs and merchandise directly?

Yeah. We want to. Because I mean with the gigs we played we probably could’ve sold hundreds of those t-shirts with the cover art on them.

Do you know much about it (the cover)?

Yes. It was done by a gentleman in the mid-west who’s referred to as ‘Man In The Mountain’ , and he does all graphic art covers, a lot of CD stuff, and big time artwork.

Links:

https://www.facebook.com/LipsTurnBlue/

https://donmancuso.com/

https://www.discogs.com/artist/1116275-Don-Mancuso

https://cbsaustin.com/news/entertainment/new-york-rockers-lips-turn-blue-keep-promise-to-fallen-singer-by-releasing-debut-album-rock-music-guitarist-bassist-drummer-band-pandemic-cancer

https://www.goldminemag.com/blogs/foreigners-black-sheep-beginnings

http://www.pilato.com

http://www.travellersintime.com/UniversalWheels/LouGrammBand.html

06/’22

JOHN SLOMAN – Fans Ask The Questions (Interview)

This interview appeared recently on the Uriah Heep facebook group page https://www.facebook.com/groups/1799464413661777 . The site is administered by Heep fan Rikki Fox who set up this Q & A with John and has allowed me to re-post the entire exchange here.

Rikki Fox: From the age of 5 until now, a lofty nearly 63, music has been my passion in life At the age of 14 I got into Uriah Heep 49 (FORTY NINE!!) years later they remain, through all the eras, line up changes and sad losses, my all time favorite group
A couple of years back I started my own little site “Friends Who Like Uriah Heep” (Yes, I know it’s a naff name) but it’s great laid back fun and has grown way beyond my expectations
I’m honored and humbled to have John Sloman as a FB buddy and suggested a Q & A exclusive for my site To my utter surprise he agreed

What follows are answers that pull no punches given in John’s usual lucid articulate forthright and intelligent manner.

Enjoy, and please check out John’s stunning new release “Two Rivers”

(Understand if the question is too sensitive) Did Ken and you try and work things out or was there too much friction at the time? (Johnny Har)

JS: There was never any friction between Ken and me. We never had a cross word. It was strictly one way traffic. I knew he loathed my singing. And the fact he’d been overruled by the other guys pissed him off. But the real friction was between Ken and the other guys. I just happened to walk in on a climate of distrust which had existed since when I was still in school. I didn’t engage with Ken, because I knew he hated me. And that hatred continued for years after I left the band. If I had my time over again, I wouldn’t have joined Heep…mainly because the band’s main man wasn’t happy with me. But I was young and thought things might turn around. But I had complete respect for Ken’s contribution to the band. And I loved his playing. We never got to sit in a bar and talk. And now he’s gone, the possibility of that has gone with him.

Your solo output has been incredibly and refreshingly diverse, Is this a conscious decision or do ideas just “hit” when you start on a new album? (Rikki Fox)

JS: It’s not a conscious thing. Other than the decision to do what I like. As opposed to what people expect. But once I’m into an album, the subconscious will throw ideas at me. Sometimes I’ll doubt it’s any good. But often, those doubtful tracks can turn into the best thing on an album. The Last Coalminer is a case in point. When I started reciting the lyric as a poem I thought ‘Sloman, are you sure?’ But fortune favors the brave, as they say.

Given the chance once again…would you join Heep?…Was your tenure beneficial to your later career or rather negative? (Richard Pascoe)

JS: If I had my time again, I wouldn’t join Heep. And I don’t think they’d have me either. Nothing good ever comes out of forcing an issue. And some of the criticism I took in the years after I left, proves that. When I talk about the stuff I did way back, it’s like stumbling through a minefield. I’ve never traded on Heep etc. And if it has come up, it’s been seen as a negative. Which is why I never ever talk about the stuff from back then, unless I’m asked a specific question. And whenever that happens, I always give an honest answer. And I can honestly tell you now, that the stuff I did back then, as a larynx for hire was no benefit to me at all. And in most instances, quite the opposite.

Re John’s time with Paul Young – was there any bootleg recordings, video, or promo photos? (Kevin Julie)

JS: I’m not aware of any bootlegs from the tour I did with Paul Young. The very first thing I did with him, months before the tour, was the video for the single “Wonderland”. Felt like a fish out of water. As the tour progressed, I acclimatized to the role. But that first day was awkward. I did various TV shows around Europe with Paul ahead of the tour. But the highlight was Saturday Night Live.

How did you feel about your image in the late 70s -80 being compared to Robert Plant, and in retrospect did Plant influence him in some ways? (Kevin Julie)

Of course Plant was an influence. And I took a lot of stick. But I made it easy for them by wearing Plant style shirts on stage. If I had my time over again, I would crop my hair really short and burn the silky shirts. I was a talented kid who wasn’t as confident as he might’ve been. So I hid my light.

John’s list (top 10?) Of his favorite Heep songs (from before his time)!? (Kevin Julie)

Top Ten Heep tracks?
Look At Yourself
July Morning
I Wanna Be Free
Traveler In Time
Rain
Blind Eye
Magician’s Birthday
Sweet Freedom
Stealin
Suicidal Man

Would John please come to London Palladium in October? (Sue Cullen)

So Heep are playing The Palladium? That will be quite an event. I don’t think they’ll need me showing up though after all these aeons. But it will be a great night, I’m sure.

I hear Motown and Stax as well as some Stevie Wonder and Robert Plant in your voice. What are your influences? (Mike Shannon)

JS: Well, all of the above. Stevie was an inspiration. His version of We Can Work It Out was amazing…changing the emphasis from the word We, to the word Can. I already loved jazz, and could see a link between Stevie and Ray Charles. Motown was everywhere in that late 60s early 70s period. James Brown and Marvin Gaye. Led Zeppelin were a huge influence on me. They were like my big brothers. And, once again, there was a thread running through all the great soul acts to Zep. Especially on the first two albums, where Plant is channeling the Blues, Soul and Jazz. All that while inventing Hard Rock! And, just like Stevie, doing lots of improvisation. I learned a lot from listening to Todd Rundgren. Genius. And of course, Joni Mitchell. But the two people who really inspired me most early on were Stevie and Robert.

If you know what you know now, would you still have gone into the music business ? If not what would have been your career path of choice? (Ian MacLaren)

JS: By the time I was 13, I knew music was the only road I wanted to take. So it’s hard to think of an alternative route. When I left school I worked on a tugboat at Cardiff Docks and served part of an apprenticeship as a fitter/welder. But I knew I was only marking time until I could do music full time. It’s been a bumpy ride, but I can’t let it go. But if you’d asked me what I wanted to be when I was in primary school, I would’ve said ‘Archaeologist’.

You express so much in your music, how else do you use your talent to reach out to the world? Do you teach or mentor ? (Julie Shannon)

JS: Up until the Covid thing, I was doing some teaching. Guitar and a bit of voice stuff. I really enjoyed it. It’s a responsibility I took seriously. Someone placing their trust in you. I taught someone from when he was ten till he was around 16. Natural talent. He was offered a place at The Brits School here in London when he was 14. He declined. But then eventually re-applied and got in when he was 16. He’s now playing around London with his own band.
Soon I’ll be publishing a book on Amazon. Kind of a rock memoir. But it’s a bit more than that really. I intend to do more writing. It’s a side of me that is largely unknown. I spent a number of years trying to get a film made, during which I kept recording music as well.

What is your opinion of the Abominog, Peter Goalby sung version of ‘Think It Over’? (Mike Shannon)

JS: I’ve only heard Pete’s version of Think It Over once, many years ago. But my immediate impression was how tailor made for American radio it was. Right on point for that time. Not too fussy. Good vocals…guitar break. Wasn’t it a bit of a radio hit?

Are there any Heep songs you would like to sing today ? (Ian MacLaren)

JS: The first Heep album I heard was Look At Yourself. So the first Heep track I ever heard was the title track. That would fun to sing. The other one is Rain off The Magician’s Birthday.

Is there any chance of you ever appearing to perform a song or two with Uriah Heep as a special guest? This fan would certainly dig it! (Mike Shannon)

JS: If I said yes to that, it would open a floodgate of emotion. Next thing Mick and me are looking at each other across a stage. Our friend Trevor gone. All the people gone out of each of our lives. Lee Gone. Ken gone. And here we are connecting again. And in the same instant reactivating that emotional circuit which lay dormant for decades. People think being in a band is just about music. But it’s so much more than that. Which is why I’ve stayed away. But who knows.

The Bells Of Berlin has rightly achieved iconic status What’s your take on that track John? (Wendy Fox)

JS: The Bells Of Berlin is probably the best thing Lone Star ever recorded. It had something to say about the world at that time (and possibly in future times, given the current situation). Dixie’s drumming is epic. Those guys were so good, they didn’t really need a vocalist.
Back a few years, someone gave me a Marshall digital radio for my birthday. I took a break from working on one of my albums one day, turned on this digital radio (which was tuned to Planet Rock). My finger hit the on button and the very first chord of The Bells Of Berlin came thundering out of the speaker. For a moment, I thought the radio also had a CD player which had Firing On All Six inserted into it. But no, it was Planet Rock. Spooky.

Links:

https://www.facebook.com/johnslomanofficial

https://www.facebook.com/Red-Steel-Music-244496395603999/

https://www.facebook.com/groups/1799464413661777

LIPS TURN BLUE – LTB album out now (a review)

LIPS TURN BLUE is the band formerly known as DDrive, which features guitarist Don Mancuso [ex Black Sheep], and the late Phil Naro on vocals & guitar. this album also features keyboardist Eric Beiber, bass player Mike Mullane, as well as a few drummers (Roy Stein is the band’s permanent drummer), backing singers, and guests – most notably Lou Gramm! Producer Steve Major also adds guitar and percussion. Most songs here co-written by Naro & Mancuso, with a few others adding to variety of tracks here.

First off is the awesome cover shot by Martin Kornick / Man In the Mountain ! Love the photo and the blue. Makes me wonder why no one issued this on blue vinyl!?

LTB features 13 tracks, a few of which have been re-worked from previous releases, most notably a cool remake of Black Sheep’s “Chain On Me” (the 70s band that featured Mancuso and Lou Gramm, as well as co-writer Bruce Turgon) – love that piano intro and Hammond organ! The band also revisit their own “Pray For Tomorrow”, which is a timely and memorable; a song of hope featuring a fine vocal from Naro, as well as acoustic guitar and mandolin from Mancuso. “Pray For Tomorrow” has been made in to the 2nd video from the album, with the band also offering the video in efforts to raise money for the people of Ukraine.

There are a few tracks reworked here from Mancuso’s 2nd solo album, titled DDrive – the upbeat (and a favorite here) “Build My Castle”, and though the original was good this is a great production, adding a vocal intro and love the keyboard & guitar exchange here, as well as the solo – this track sounds like it would be an exciting in the live set. As well there’s Lou Gramm singing the Mancuso / Naro penned “A Little Outside” (a nice close to the album), and a cover of Beatles’ favorite “Hey Bulldog”. Favorite tracks here also include the opener (lead single) “Just Push” and “Better Than I Used To Be” (great AOR rocker – love the keyboard runs in this one from Eric Beiber) – actually the first 5 songs here make this worth getting! A couple of excellent ballads included here as well, “No Need For You To Call” and “Life’s Crazy Ride”, both reflective, and one of Phil’s best vocal performances on the latter.

Lips Turn Blue is one of two albums Phil Naro completed before his passing. LTD will appeal to fans of melodic rock, classic AOR, and anyone familiar with Phil’s vocals (the guy did a lot in his career!). Cheers to Don Mancuso and the band and producer Steve Major for getting this album done and out. Lips Turn Blue are currently working on a 2nd album and live dates with new singer Iggy Marino.

Links:

https://www.lipsturnblue.com/

https://www.facebook.com/LipsTurnBlue/

Bill Nelson’s Red Noise 6-disc box set due out in August

Bill Nelson’s Red Noise “Art/Empire/Industry – The Complete Red Noise” 6CD Remastered Box Set Available August 26, 2022

• A NEW SIX DISC BOXED SET OF THE COMPLETE RECORDINGS MADE BY BILL NELSON’S RED NOISE – COMPRISING FOUR CDs AND TWO DVDs (NTSC/REGION FREE).

• FEATURING A NEWLY REMASTERED EDITION OF THE ALBUM ‘SOUND ON SOUND’, ALONG WITH NEW 5.1 SURROUND SOUND AND NEW STEREO MIXES BY STEVEN WILSON.

• INCLUDES A PREVIOUSLY UNRELEASED CONCERT RECORDED IN LEICESTER IN FEBRUARY 1979 NEWLY MIXED FROM THE ORIGINAL MULTI-TRACK TAPES, PLUS BILL NELSON’S HOME DEMOS, ADDITIONAL SESSION TRACKS AND A BBC RADIO SESSION FROM 1979.

• WITH BONUS VIDEO CONTENT OF THE PROMOTIONAL VIDEO OF ‘REVOLT INTO STYLE’ AND A SESSION FILMED FOR BBC TV’S OLD GREY WHISTLE TEST IN 1979.

• INCLUDES A LAVISHLY-ILLUSTRATED BOOK WITH EXTENSIVE ESSAY BY BILL NELSON AND A FOREWORD BY STEVE WILSON, A FACSIMILE TOUR PROGRAMME, POSTER AND FOUR POSTCARDS.

Following the release of the album “Drastic Plastic” and tour, Bill Nelson disbanded Be-Bop Deluxe. Aware of the emergence of the New Wave artists and out of a desire to continually evolve, he announced the formation of Red Noise.

Working with co-producer John Leckie, Bill recorded a new wave masterpiece, a record that would influence a new generation of musicians with its intelligent and punchy material. “Sound On Sound” and the subsequent live shows would divide opinion of both fans and critics, but with the passage of time, the album is now regarded as one of Bill Nelson’s finest works.

This boxed set features the complete Red Noise recordings; the original album newly remastered by Steven Wilson from the original master tapes, along with stunning new stereo and 5.1 Surround Sound mixes.

The set also includes an outstanding complete live concert recorded in Leicester in 1979, newly mixed from the original 24-track tapes, a session recorded for BBC Radio One and a further Red Noise studio session from May 1979 plus a bonus CD of Bill Nelson’s home demos. The set also includes video material, including the video for “Revolt Into Style” and the band’s session for the BBC TV show “The Old Grey Whistle Test” from February 1979.

Track Listing:

DISC ONE
SOUND ON SOUND REMASTERED
1 Don’t Touch Me (I’m Electric)
2 For Young Moderns
3 Stop / Go / Stop
4 Furniture Music
5 Radar in My Heart
6 Stay Young
7 Out of Touch
8 A Better Home in the Phantom Zone
9 Substitute Flesh
10 The Atom Age
11 Art / Empire / Industry
12 Revolt into Style Bonus tracks
13 Wonder Toys That Last Forever
14 Acquitted by Mirrors (B-side of ‘Furniture Music’ EP)
15 Stay Young (BBC session 17.02.1979)
16 Furniture Music (BBC session 17.02.1979)
17 Don’t Touch Me (I’m Electric) (BBC session 17.02.1979)
18 Out of Touch (BBC session 17.02.1979)

DISC TWO
LIVE AT THE DE MONTFORT HALL, LEICESTER 1979
PREVIOUSLY UNRELEASED
1 Don’t Touch Me (I’m Electric) (live)
2 For Young Moderns (live)
3 Furniture Music (live)
4 Out of Touch (live)
5 Stop-Go-Stop (live)
6 Atom Age (live)
7 Possession (live)
8 Superenigmatix (live)
9 Substitute Flesh (live)
10 Phantom Zone (live)
11 Radar in My Heart (live)
12 Art / Empire / Industry (live)
13 Revolt into Style (live)
14 Stay Young (live)
15 For Young Moderns (Encore) (live)

DISC THREE
SOUND ON SOUND NEW STEREO MIX
1 Don’t Touch Me (I’m Electric)
2 For Young Moderns
3 Stop / Go / Stop
4 Furniture Music
5 Radar in My Heart
6 Stay Young
7 Out of Touch
8 A Better Home in the Phantom Zone
9 Substitute Flesh
10 The Atom Age
11 Art / Empire / Industry
12 Revolt into Style Bonus tracks
13 Wonder Toys That Last Forever
14 Acquitted by Mirrors
15 My Light (previously unreleased) Recorded for the “Sound on Sound” sessions
16 Instantly Yours
17 Ideal Homes
18 Disposable

DISC FOUR
SOUND ON SOUND
96 kHz/24-BIT 5.1 SURROUND SOUND MIX
NEW STEREO MIX ORIGINAL STEREO MIX
1 Don’t Touch Me (I’m Electric) (5.1 mix)
2 For Young Moderns (5.1 mix)
3 Stop / Go / Stop (5.1 mix)
4 Furniture Music (5.1 mix)
5 Radar in My Heart (5.1 mix)
6 Stay Young (5.1 mix)
7 Out of Touch (5.1 mix)
8 A Better Home in the Phantom Zone (5.1 mix)
9 Substitute Flesh (5.1 mix)
10 The Atom Age (5.1 mix)
11 Art / Empire / Industry (5.1 mix)
12 Revolt into Style (5.1 mix)

DISC FIVE
ADDITIONAL RED NOISE SESSIONS
96 kHz/24-BIT 5.1 SURROUND SOUND MIXES
NEW STEREO MIXES ORIGINAL STEREO MIXES
1 Wonder Toys That Last Forever (5.1 mix)
2 Acquitted by Mirrors (5.1 mix)
3 My Light (5.1 mix) Recorded for the “Sound on Sound” sessions
4 Instantly Yours (5.1 mix)
5 Ideal Homes (5.1 mix)
6 Disposable (5.1 mix)
RAK Studios, London May 1979

VIDEO CONTENT
PREVIOUSLY UNRELEASED
1 Revolt into Style (Promotional video 1979)
2 Don’t Touch Me (I’m Electric) (BBC TV Old Grey Whistle Test – 1979)
3 Furniture Music (BBC TV Old Grey Whistle Test 1979)
4 Stay Young (BBC TV Old Grey Whistle Test 1979)

DISC SIX
BILL NELSON RED NOISE DEMOS 1978 – PREVIOUSLY UNRELEASED
1 Acquitted by Mirrors (demo)
2 For Young Moderns (demo) 3 Stop Go Stop (demo)
4 Furniture Music (demo)
5 Radar in My Heart (demo)
6 Stay Young (demo)
7 Out of Touch (demo)
8 A Better Home in the Phantom Zone (demo)
9 Substitute Flesh (demo)
10 The Atom Age (demo)
11 Revolt into Style (demo)
12 Waiting for the Night (demo)
13 My Light (demo)

To pre-order: https://www.cherryred.co.uk/product/bill-nelsons-red-noise-art-empire-industry-the-complete-red-noise-6cd-remastered-box-set/

Bill Nelson’s Dreamsville official website: https://www.billnelson.com/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Links:

BIRTH – US prog-psych rockers to release debut album

California band Birth is set to release their debut album “Born” in July. You can check out the band’s 9 minute + psych-epic “For Yesterday”, and order their album on CD, vinyl, or digitally here – https://birthprog.bandcamp.com/album/born

Fans of heavy psych-rock will love “For Yesterday” with it’s heavy guitar, and various keyboards, making it sound like it’s from a different era. Love the album’s artwork, and looking forward to hearing the full album!

[from press release] On ‘Born’, Birth musically and creatively constructs a science-fiction-inspired sound-world in which bleak tumult and skybound rapture co-exist. The result is an intoxicating album haunted by earthly concerns while its sonics aim simultaneously for the stars.   “I’m a scientist by trade and I read a lot of dystopian sci-fi, which I believe is relevant to many of the events that have been occurring lately,” notes Riley. “These views feed a dark, spiritual and mystical relationship that I have with scientific thought”. 

Birth features members of San Diego retro-rockers Astra along with current or former members of Joy, Radio Moscow, and Sacri Monti.

Conor Riley (vocals, keyboards, acoustic guitar), Brian Ellis (lead guitar, keyboards), Trevor Mast (bass), and Thomas DiBenedetto (drums). Drums on ‘Born’ performed by Paul Marrone.

Album Track listing:
01. Born
02. Descending Us
03. For Yesterday
04. Cosmic Tears
05. Another Time
06. Long Way Down

photo: C. Martinez, Z Oakley

https://birthprog.bandcamp.com/album/born

BIRTH ONLINE:
Website // Facebook // Instagram

METAL BLADE RECORDS ONLINE:
Website // Facebook // Instagram // Twitter

06/’22

WINGS OF STEEL – Release debut EP.

Wings Of Steel is a new hard-rock / metal band out of California based around Swedish singer Leo Unnermark and guitarist Parker Halub, who met in 2019 while studying music in Los Angeles. The pair wrote and recorded a 5 track EP (CD). They’ve produced and released it themselves, with Mike Mayhem on drums, Damien Rainaud mixing it, and Spencer Caligiuri providing some pretty cool CD artwork.

The band delivers 5 excellent ’80s type of heavy guitar rockers, with great riffs, hooks, solos, and Unnermark’s high end vocals. These guys take on plenty of classic ’80s influences from Whitesnake and Scorpions, Maiden, and sometimes reminiscent of the likes of Skid Row, Dokken, and MSG.. There’s 4 rockers here, plus 1 acoustic ballad. The ballad is good, but for me it is the other 4 that are solid rock tunes. Lead off track “Stormchild” is a good rocker, a bit pf a euro metal feel, as does the title song, which stands out right away, a bit of power metal, great vocals, fast solos, reminds me of Germany’s Helloween,. “Rhythm Of Love” is another excellent track, this one is a bit more LA 80s, aside from the shredding solo, parts of this remind me of Great White, very cool song. Favorite track here is the last one – “Black Out The Street”; a great 80s melodic hard rocker, reminding me a bit of late 80s Whitesnake. Love the production on this EP, just a great big sound, lots of cool guitar solos, harmonies,hard hitting drums, all mixed well.

Tracklisting: Stormchild / Wings Of Steel / Rhythm Of Desire / Khamsin Riders / Black Out The Street

*You find put more about the band, listen to and order the CD at the band’s site – http://www.wingsofsteelband.com

Links:

https://m.facebook.com/113063034623709/

https://www.filthydogsofmetal.com/interviews/interview-with-wings-of-stee

REBEL PRIEST – Vancouver Metal trio to release EP, Announce tour dates

L-R – Jayme Black – Vocals/Bass, Nate Pole – Drums/Vocals, Benny Kemp – Guitars/Vocals

Another Canadian metal trio, Rebel Priest is from Vancouver, and will be heading out in British Columbia and Alberta with Toronto’s Deadwolf. Rebel Priest has a new 4 track EP coming out titled Lesson In Love, which has also been released as a video. “Lesson In Love” is good heavy rocker, that quickly reminds me of D’ianno era Iron Maiden. Check out the video below. Following that fast rockers like “Dive Bomber” and “Coatcheck Girl” feature cool riffs, with shades of Motorhead, early Maiden and Motley Crue. The last track is “Bonfire”, coming in under 2 minutes, and musically reminded me of 70s Sabbath and AC/DC. Plenty of energy here, nothing tame or smooth here, and dig the guitar sound. Matching Rebel Priest with Deadwolff sounds like a pretty cool bill, as both bands have a definite Motorhead influence, as well as a few others, and loads of rock energy on their new releases.

Press Release:

Vancouver’s Rebel Priest has been bringing its eclectic brand of rock n’ roll to fans for years in a true unadulterated, unapologetic fashion. A little bit greasy, a little bit sassy, but 100% committed, they have released four records, with a fifth on its way this year. “Lesson In Love” is the name of the upcoming EP as well as the first single, an untraditional ballad, like a love song sung by a Tommy gun. According to the band, it’s about going through the trials and tribulations of loving something – the ups, the downs, the spirals, but without the direct subject being a person. The band explains further:

“It’s open-ended in that it is what you love or love doing and how it’s a journey that can always find a way home. There’s always that one thing in your life that keeps you going, a person, a hobby, a theology. No matter what your vice is, it always comes at a price. You have to go through the blood, sweat, and tears to get what you need outta it and it doesn’t always come easy. This is your education, your lesson in love.”

When people put on the new record, Rebel Priest intends for them to forget about everything else, take a break from the grind, and get pumped! Whether you’re working out, going out, or down and out, put it on and play it loud! Get into it and go wild! Their music is fluid, they find a riff and then follow it where it wants to go. They say it’s just about finding the groove and cruising the wave.

Rebel Priest is headed out on tour with Toronto’s Deadwolff this summer, and spectators are in for a rock n roll treat – guitarist/vocalist Benny Kemp is the embodiment of a denim tornado; that guy will (and has) break his legs to party on stage! Drummer/vocalist Nate Pole is a groovin’ attitudn’ mean machine behind the drums that will sometimes make a wood chipper look like a pencil sharpener on those skins. As for vocalist/bassist Jayme Black, he’s a bit of a mouthpiece and likes his bass real gritty.

The trio just wants to bring rock n roll back to street level, when it was outlaw music for the underdog, so expect a greasy, sweaty, down and dirty rock show. They are recommended for fans of Motörhead, ZZ Top, and Rose Tattoo.

About:

Rebel Priest is a no-nonsense, real-deal rock n’ roll band composed of three seasoned musicians who have been making their way through the Western Canadian rock n roll scene for years. Vocalist/bassist Jayme Black (Lust Boys, The Toxiks); guitarist/vocalist Benny Kemp (Lust Boys, Road Rash); and drummer/vocalist Nate Pole (Kill Matilda, The Toxiks) bring nothing but unadulterated, high energy grease infused Trash N’ Roll!
The band has had the pleasure of touring Japan, and performing alongside bands such as Udo (Accept), Lordi, Diamond Head, Crystal Pistol, Flotsam, and Jetsam along with playing many headlining gigs with the energy of Motorhead meets Motley Crue. Since forming in 2014, the band has released three studio albums “R’ley Heavy”
(2019), Enabler (2017 ), Self-Titled (2015) along with one live record “Dead Alive @ SBC (2017). and an EP – Lost In Tokyo (2021)

The Rebel Wolff Tour w/ Rebel Priest and Dead Wolff
June 24 – Vancouver, BC – Have A Good Laugh Festival. *Afternoon show – Deadwolff only
June 24 – Vancouver, BC – Lana Lous
June 27 – Maple Ridge, BC – The Wolf Bar
June 28 – Kamloops, BC – Pogue Mahones
June 29 – Kelowna, BC – Missions Tap House
June 30 – Lethbridge, AB – TBA
July 1 – Calgary, AB – The Palamino
July 2 – Edmonton, AB – Starlite Temple

https://www.facebook.com/rebelpriestofficial

https://www.youtube.com/channel/UCbLTWUXBUoaFGhffZ3m5GRw

https://batcaverecords.com/

YES Legend Jon Anderson w/ The Paul Green Rock Academy To launch ‘Close to the Edge’ 50th Anniversary Summer Tour 2022!

Legendary YES vocalist/songwriter Jon Anderson will be playing select shows with The Paul Green Rock Academy in Summer 2022! Jon and the ensemble will be celebrating the 50th Anniversary of the release of YES’s classic album “Close to the Edge” by performing the album in its entirety, along with other classics and surprises!

This Jon Anderson with The Paul Green Rock Academy tour is a resumption of the tradition started in 2005 when Jon toured with Paul Green’s original School of Rock all stars.

These early shows, over 30 in total between 2006-2008, were nothing short of magical, and now Jon Anderson returns to continue that magic with a set of Yes Classics, deep cuts, mash ups, and solo works, all with lush arrangements featuring choral singing, horns, and all the other benefits of having a backing band with 25 young musicians.

Says Paul Green, “Having done a few of these songs in the past with Jon and my students, I couldn’t wait to add them to the current show. Once we did ‘Close to the Edge’ and ‘And You and I’ on our Florida run in April, I was reminded of the magic of hearing these songs recreated by young musicians…They really capture the frenetic energy of the original recordings. Then when I heard it was the 50th anniversary of the album I just knew we had to do the whole thing. Jon agreed.”  

There are so many wonderful moments in my musical life, and being on stage with these young teenagers performing Classic Yes songs, makes me so happy and proud …..

It’s a marvel and a tremendous pleasure for me..

They are a joy to be with and so much fun!!!

I am grateful, thankful and feel very blessed to be able to sing along with them.
Janee and I love them all
Love and light… Jon Anderson

Jon Anderson with The Paul Green Rock Academy tour dates:

7/7: Plymouth NH – The Flying Monkey Performing Arts Center
7/8: Beverly MA – The Cabot
7/13: Huntingdon NY – The Paramount
7/14: Montclair NJ – Wellmont Theater
7/16: Ridgefield CT – Ridgefield Playhouse
7/17: Sugar Loaf NY – Sugar Loaf Performing Arts Center
7/20: Glenside PA – Keswick Theatre
7/22: Kent OH – The Kent Stage
7/23: Des Plaines IL – Des Plaines Theatre
7/27: Greensburg PA – The Palace Theatre
7/30: Milwaukee WI – Pabst Theater
8/3: State College PA – The State Theatre
8/6: Albany NY – The Egg

photo by Robin Gilbert

Jon Anderson is undoubtedly one of the most recognizable voices in music as the lead vocalist and creative force behind YES. Anderson was the author and a major creative influence behind the ground-breaking album “Fragile” as well as the series of epic, complex pieces such as “Awaken,” “Gates of Delirium” and especially “Close to the Edge” which were central to the band’s success. Additionally, Anderson co-authored the group’s biggest hits, including “I’ve Seen All Good People,” “Roundabout” and “Owner Of A Lonely Heart.” After 50 years of success in the music business, Jon has worked with many variations of YES, as well as collaborations with Vangelis, Kitaro, Roine Stolt and Jean-Luc Ponty. He has released several critically acclaimed solo albums including “Olias of Sunhillow,” “Song of Seven,” “Animation,” “Three Ships,” “Toltec” and “Survival and Other Stories” to name just a few. In 2017 Jon reformed YES with former band members Trevor Rabin and Rick Wakeman. YES Featuring ARW toured the world to rave reviews and released “Live At The Apollo” CD/DVD in September 2018. Never to stand still musically, in 2019 Jon released an album he started 28 years ago, now called “1,000 Hands,” a reference to the fact that numerous guest musicians perform on the album, including Ian Anderson, Billy Cobham, Jean-Luc Ponty, Chick Corea, Zap Momma, Chris Squire, Alan White, Steve Howe and many more.

For more information:
Paul Green official website: www.PaulGreenRock.com
Jon Anderson’s official website: www.JonAnderson.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Links:

https://www.facebook.com/TheJonAnderson

https://www.youtube.com/c/JonAndersonOfficial

YES – 50th Anniversary Celebration of Close To The Edge UK Tour Dedicated to the late Alan White

 [press release]

Following the sad news of the passing of drummer Alan White, YES will go ahead with their forthcoming The Album Series Tour 2022 in June celebrating the 50th anniversary of their iconic album Close to the Edge, dedicating the tour to Alan.

Alan White joined YES in June 1972, just days before their Close To The Edge Tour began. Over the following 50 years Alan would appear on every YES album including 2021’s The Quest. Following the global pandemic, Alan had been looking forward to this tour and re-joining his bandmates on stage, something he lived for, in the run up to his 50th anniversary of joining Yes.

Sadly that was not be, but Alan’s towering presence will be omnipresent on the tour. Alan’s good friend, Jay Schellen, will join Yes for the forthcoming tour, alongside Steve Howe (guitars), Geoff Downes (keyboards), Jon Davison (vocals) and Billy Sherwood (bass guitar and backing vocals).

Steve Howe: It is with great sadness that I join with the other members of Yes to acknowledge the passing of our dearest friend and drummer, Alan White.

He gave so many of his best years to the band and was a true believer and determined professional til the very end.

Being a kind and loving human being just came naturally to him, with his mellow, non-confrontational personality and abundant generosity, which made him so popular with his friends and everyone he met.

Geoff Downes: It is with the utmost sadness I have received the news of the passing of my dearest friend and bandmate Alan White. He was truly one of the greatest men I have ever met. Honest, loyal, passionate, caring, kind, generous, considerate, charitable, funny – so many superlatives, too many to mention – simply, an all-round top guy and one of the best. And despite living for many years in his adopted hometown of Seattle, he never lost that Geordie wit, irony and charm.

As a musician he was unique in every way, and his powerhouse technique influenced whole generations of drummers and percussionists – an absolute legend in the true sense of the word. He was a joy to share the same stage with, often glancing over at the keyboard riser with a wink and a smile, but still laying down that solid, yet intricate groove as only he could. This was Alan – a genius who never took himself too seriously.

We had some great laughs together, became very close, and always looked after each other to the point where they started referring to us as ‘The Odd Couple’!

The Close to the Edge show will comprise full production and a high-definition video wall featuring the work of Roger Dean who will also be joining the tour with an exhibition of YES related art.

Following the release of The Yes Album and Fragile, in 1971, YES released what is widely considered one of the most defining albums, not only for YES but for the whole progressive movement. Close to the Edge became an inspiration for their contemporaries and for successive generations of musicians.

YES 2022 UK Tour Dates Are:

15th June Wednesday Glasgow Royal Concert Hall

17th June Friday Manchester Bridgewater Hall

18th June Saturday Nottingham Royal Concert Hall

20th June Monday Liverpool Philharmonic Hall

21st June Tuesday London Royal Albert Hall

22nd June Thursday York Barbican

24th June Friday Birmingham Symphony Hall

26th June Sunday Newcastle O2 City Hall

28th June Tuesday Dublin Vicar Street, Eire

29th June Wednesday Cork Opera House, Eire

For full details and to book tickets for all shows go to venue website or http://yesworld.com/live where you can also book Meet and Greets with the band.

UK http://www.yesworld.com

http://www.facebook.com/yestheband

http://www.twitter.com/yesofficial

http://www.youtube.com/user/yesofficial

http://www.instagram.com/yesofficial

soundcloud.com/yesofficial

https://www.loudersound.com/features/alan-white-best-drum-performances?fbclid=IwAR2rpJ5WaWNyoN-GpJdZsRLzP8XlqpsBYfBS_vJWaM4hb_b8rBzUbSGSX7c

PETER GOALBY : I Will Come Runnin’ (a review)

A mere 6 months after Peter Goalby’s surprise solo debut album, decades after he retired from the business, a sequel has arrived! Easy With The Heartaches came out last November 2021, and the quality of the songs, recording, and Peter’s vocal performances were a long awaited (and overdue) treat to fans who’ve wondered where and why he disappeared years ago. Heck that album only made many wonder even more why he went away with so many great songs yet to see the light of day! Now, there is a ‘part 2’ to his long lost solo recordings – I Will Come Runnin’, featuring the same cast – Paul Hodson and Eddy Morton, as well as Robin George on 2 tracks. Safe to say if you enjoyed the first release – you will love this as well. The song quality and performances are as good as Easy With The Heartaches, being from the same period and recording sessions. The difference being that overall I think I Will Come Runnin’ is a bit more in the softer AOR realm, with a few less ‘punchy’ tracks than it’s predecessor. “Hold The Dream” may still be my favorite of either of these releases, but there’s some damn great tunes here, with early favorites being “Somebody’s Fool” and “Waiting For An Angel To Call”. The title track leads off this disc (as with the first one), and it’s a good positive lighter aor pop-rock tune, but like most, what makes Peter’s songs so good is the catchy and memorable choruses, I also think Eddy Morton’s guitar break here gives the song a nice lift.

Lots of potential here for ‘hits’ had this come out in another era – “Dancing On Water” (co-written with Robin George), “It Was There All The Time”, “Perfect Strangers” (one of the excellent ballads here), “There’s Always A Place In My Heart”…. Robin George also co-wrote the rockier “Rock N Roll Crazy” – this one is a bit different, sounding like it would’ve fit nicely on one of George’s ’80s releases, or on Heep’s Equator (ala “Party Time”) . The last track here is the last track Peter recorded – “A Little Piece Of Heaven”, and judging from the lyrics (especially the opening lines), I would think he was already planning on getting out of making music – “Saved up all my rainbows, cashed in all my yesterdays / Changing my direction, giving all my things away / It’s time to make a new start, “ It is one of the best ballads Peter ever wrote and sang, but marks the end of his musical career, so it’s a bit sad in that case. Paul Hodson does a superb job on this one as well, and Eddy Morton delivers a cool short guitar break (sounds )a bit country. This is The Big ‘hit’ off this album, IMO.

I Will Come Runnin’ likely marks the end of Peter Goalby’s ‘archived’ material that we’ll see a proper release of. I don’t believe there is that much in the way of good material / recordings left that could or would possibly be released in the future. So, enjoy this and Easy With The Heartaches as much as you can. They are both fantastic CDs of songs we are fortunate to get to have. Decades after leaving the business Peter can now add “successful solo artist” to his legacy, besides just “former lead singer of _____” .

*CD cover art designed by Mike Inns (who also did Easy With The Heartaches), and who’s done album covers and art for numerous acts, including Collins / Shaw, Asia, John Wetton, Alan Simon and Focus, among others. https://www.discogs.com/artist/2879524-Michael-Inns

*https://glassonyonpr.com/2022/06/01/peter-goalby-second-long-lost-solo-album/

https://www.facebook.com/groups/petergoalby

05/’22