Frontiers will release Jimi Jamison’s ‘1998 Live Hits’ on December 12. Jamison fronted SURVIVOR during the 80s, through a pile of hits and a few excellent albums. I always thought this guy was right up there with the likes of Brad Delp and Lou Gramm. His pre-Survivor bands COBRA and TARGET were more hard rock, making the albums he did with those bands highly recommended. But this Live Hits features largely Survivor’s biggest hits, as well as a few from Jamison’s solo catalogue, and a cover of The Doors “Riders On The Storm”. Check out the press info, as well as the bio below, the 2 videos released so far, tracklist…below.
‘1998 Live Hits’ is a powerful time capsule capturing the energy, emotion, and artistry of legendary vocalist JIMI JAMISON at a pivotal point in his post-Survivor career. Recorded across three vibrant shows in Little Rock, AR, Nashville, TN, and Bettendorf, IA, and now to be released by Frontiers Music Srl, this album showcases JAMISON’s electrifying live presence and undeniable vocal prowess as he revisits some of the most iconic songs from his time with Survivor, along with deep cuts, original solo work, and inspired covers. The album will be out on December 12, 2025.
Backing JAMISON is a seasoned and soulful ensemble: longtime collaborators Jeff Adams (bass, vocals) and Hal Butler (keyboards, vocals) were joined by guitarist Chris Adamson, drummer Pete Mendillo, and Memphis-based producer and guitarist Wes Henley, who also supervised these live album recordings. This lineup reflects a strong musical camaraderie built over years of touring, with several members having roots alongside JAMISON that date back to his 1970s band Target.
Now, years later, these recordings allow fans—old and new—to reconnect with a voice and spirit that remains timeless. ‘1998 Live Hits’ is more than a concert album; it’s a tribute to an era, a legacy, and the enduring magic of JIMI JAMISON.
One standout from the set is a haunting performance of “Riders on the Storm” by The Doors — a testament to JAMISON’s ability to tap into a wide range of emotions and his gift for storytelling through song. His delivery brings an atmospheric intensity, drawing the listener deep into the moment.
The track list includes fan favorites such as “Burning Heart,” “High on You,” “I Can’t Hold Back,” “The Search Is Over,” and “Eye of the Tiger,” all songs that defined a generation of melodic rock. Deeper cuts like “Oceans” and “Too Hot to Sleep” reveal the richness of Survivor’s catalog, while JAMISON’s originals, such as “Rock Hard” and “I’m Always Here” (the iconic Baywatch theme), showcase his creative versatility.
Of particular note is the interplay between Chris Adamson and Wes Henley on guitars. Though Henley’s primary role was behind the board, his friendship with JAMISON and passion for the Survivor material often brought him onstage. Together, he and Adamson bring layered, textured performances that do justice to the intricate compositions of Peterik and Sullivan.
Through warm crowd interactions and powerful vocal moments, ‘1998 Live Hits’ highlights JAMISON’s authentic stage presence, Memphis soul, and deep bond with both his band and his audience. As friends and collaborators reflect, this wasn’t just a group of musicians—it was a family.
1. Burning Heart 2. High On You 3. Rebel Son 4. I’m Always Here 5. I See You In Everyone 6. Rock Hard 7. Oceans 8. The Search Is Over 9. Is This Love 10. I Can’t Hold Back 11. Riders On The Storm 12. Too Hot To Sleep 13. Eye Of The Tiger
Line-up: Jimi Jamison – lead vocals Jeff Adams – bass and vocals Chris Adamson – guitars Hal Butler – keyboards and vocals Pete Mendillo – drums Wes Henley – guitars
Photo courtesy of Debbie Jamison
JIMI JAMISON earned recognition as the frontman for hard rock bands Target and Cobra before reaching platinum heights with Survivor, singing the hits “Burning Heart” from the film Rocky IV, “I Can’t Hold Back,” “High on You,” “The Search is Over,” and “Is This Love.” Acclaimed by legendary U.S. disc jockey Casey Kasem as “The Voice,” JIMI JAMISON’s performances are treasured by connoisseurs of AOR and melodic rock who consistently rate him as one of the genre’s Top 5 vocalists of all time.
Raised on R&B, Blues-Rock, and Country music in Memphis, Tennessee, JIMI JAMISON released his first single in 1967 with a band called The Debuts. “If I Cry” was originally intended for fellow Memphis band, The Box Tops, featuring lead singer Alex Chilton. Jamison honed his craft by singing commercial jingles by day and fronting gritty rockers Target by night. His next band, Cobra, with Mandy Meyer on guitar, cut a cult classic in 1983’s First Strike, but that was just a prelude to Jamison’s breakthrough as lead singer of Survivor.
With JIMI JAMISON at the mic, Survivor proved that its earlier success with “Eye of the Tiger” was no fluke. The combination of JAMISON’s emotion-charged vocals with Jim Peterik and Frankie Sullivan’s masterful songwriting and Ron Nevison’s radio-friendly production resulted in 1984’s Platinum-selling ‘Vital Signs’ album. Its hit singles “I Can’t Hold Back,” “High on You,” and “The Search Is Over” were massive hits, later joined by Survivor’s Rocky IV theme, “Burning Heart,” and the further Top 10 hit “Is This Love.” Survivor’s 1980s trilogy featuring JAMISON – ‘Vital Signs’ (1984), ‘When Seconds Count’ (1986), and ‘Too Hot to Sleep’ (1988) – are acclaimed as AOR and melodic rock landmarks. Concurrently, JAMISON’s voice could be heard singing prominent harmony vocals on ZZ Top’s smash ‘Eliminator’ album, most notably on ‘Gimme All Your Lovin’.’
Striking out on his own in the 1990s, Jimi Jamison released the solo albums ‘When Love Comes Down’ and ‘Empires.’ His voice and songwriting reached new audiences through “I’m Always Here,” the theme song for Baywatch, the most-watched television series in the world with a weekly audience of over 1.1 billion viewers. But touring became his primary focus throughout the decade, both with all-star projects including Voices of Classic Rock and with his own band. JAMISON’s primarily Memphis-bred group comprised acclaimed musicians including keyboardist Hal Butler; guitarists John Roth, Jerry Riggs, Hal McCormack, and Chris Adamson; bass players Jeff Adams and Barry Dunaway; and drummers Bill Marshall and Pete Mendillo. The most stable lineup of Butler, Adamson, Adams, and Mendillo was captured live in concert in 1998, but the recordings went unreleased.
JAMISON returned to the record racks with a vengeance in the 2000s, with projects including Survivor’s 2006 album, ‘Reach’; the 2008 collaboration with Jim Peterik, ‘Crossroads Moment,’ and its 2010 companion piece ‘Extra Moments’; 2011 duo albums ‘Kimball Jamison’ with his longtime friend, Toto lead vocalist Bobby Kimball, and ‘One Man’s Trash’ with guitarist Fred Zahl; and his final solo album, 2012’s ‘Never Too Late.’ JAMISON’s triumphant first-ever UK appearance at Firefest 2010, backed by a band featuring guitarist Tommy Denander, was memorialized on the CD and DVD Live at Firefest. JAMISON performed his final show just two days before his untimely passing on September 1, 2014.
JIMI JAMISON’s family and friends have worked diligently to keep his memory and music at the forefront. Several all-star “Jam for Jimi” concerts have been staged in Memphis to raise money for JAMISON’s favorite charity, St. Jude Children’s Research Hospital. A stretch of Highland Street in Memphis was named “Jimi Jamison Street” in 2022. That same year, the first of several CD releases from the Jimi Jamison Archives, ‘Rock Hard,’ presented his 1990 solo debut album as it was originally intended. JAMISON was inducted into the Memphis Music Hall of Fame in 2023. Memorabilia, including a fan-funded bronze bust, is on permanent display at the iconic Memphis venue, Lafayette’s Music Room. The tenth anniversary of JAMISON’s passing was acknowledged by Representative Steve Cohen in the United States House of Representatives. Jimi’s shelved 2008 country rock collaboration with Jim Peterik, entitled ‘Jimmy Wayne Jamison,’ was unvaulted at the same time. Members of JAMISON’s solo bands continue to play together in both .38 Special and Starship. A film, Resonating Voices: The Jimi Jamison Documentary, is in the early stages of development.
2025 brings the most exciting Jimi Jamison Archives release yet, one which his fans have been anticipating for 25 years: the never-before-issued live album he recorded in 1998. With a setlist drawn from Survivor, his solo career, and even a cover of The Doors’ “Riders on the Storm,” ‘1998 Live Hits’ ensures that JIMI JAMISON’s strong, clear voice will continue to thrill fans worldwide.
PETER GOALBY, former URIAH HEEP and TRAPEZE singer, has announced his 3rd solo album of ‘new’ previously unreleased songs written and recorded after he left Heep. Don’t Think This Is Over features 9 songs, as well as a few former bandmates guesting. Just to be clear, over the last few months Peter let out a few of these songs on Youtube, but these songs have all been worked on for this release, withoverdubs and solos added, making them more than just the demos you might have heard or would think. It is safe to that if you liked Peter’s Easy With The Heartaches or I Will Come Runnin’ – you will definitely enjoy this! Artwork was done (as part of a series) by Michael Inns. Please read to the bottom, as Peter has more news to share. *Ordering link below!
“Hello everyone, great news, I am one happy bunny. I would like to tell you all about my new Album to be released December 5th 2025. Title is DONT THINK THIS IS OVER . (on Cherry Red) Songs written and recorded after I left Heep. We have spent the last few weeks overdubbing and adding some more to the tracks. We have used the same winning formula of Paul Hodson and Eddy Morton. I have also had some help from special guests. I know you will be excited when I tell you who they are lets just say old friends for now. This time no co-writes all Goalby tunes which I hope you are going to love .”
Peter has also given his insight and some recall into the tracks featured on the new album –
I’ll Be The One
I don’t remember to much about this other than I was thinking Bryan Adams. I wanted to write it in his style . ? Lots of guitars and a good guitar theme.
Don’t Think This Is Over
Yes you guessed it Foreigner. Loved it they were such a great influence on all of us British Bands…Great Band .The Singer Sounds a bit like me LOL LOL
The Sound Of A Nation
Well, where did that come from my god. Lyrics perfect for someone to record today. I often wonder where the words came from. Sometimes they just came out from nowhere I just sang them. I sent it to my dear friend Mick Box . He loved it so much he asked if he could play on it . No sooner said than done Mick thank you . If I had any money I would pay you lots great Solo!
Another Paper Moon
Did I write such a song? I always loved the Title Paper Moon it’s an old song from a movie of the same name, as is Poor Little Rich Girl . So I thought I will write Another Paper Moon LOL . I sent it to John Parr a couple of months ago, he said he filled up and got goose bumps. (Thank you my dear friend John). We wrote 3 songs together for his Man With A Vision Album back in the day. I also sent it to Mick Box. He said he never realized I had that other voice and could sing like that. Again thank you Micky Box X.
It’s Just My Heart Breakin‘
Well no prizes here . Only 2 words – Tina Turner LOL. “If you hear the Thunder as you walk away Don’t worry darling , Every Thing Is OK . Its Just My Heart Breakin’ !!!!!!” Am I mad or can you hear her singing it ??
Show Some Emotion
I love the emotion of the song . The 2 part harmony I do . I imagine this song as a Rock Duet Boy Girl . Leather Jackets all the way .
Heart What Heart
I wanted to write a song that Dusty Sprinfield would sing . I just love Dusty (waving her arms about LOL ) I think I captured the 60s vibe. Can you dance to it? Yes you can Mini Skirts everywhere . I can see her LOL.
Fallin’ Apart
I was so proud of this song. I have a Diamond Disc on my wall from 80.000 sales in Norway. The band Smokie recorded it on an album. I gained a couple more Discs when I was in Heep.
I Don’t Wanna Fight
Well , How long have you got. One of my favorite compositions it really is. I did a great demo of this at the time which got lost. This song got me a record deal with RAK records . We recorded it . Micky Most Produced it and lost the magic of the song. I have not played it for many years although I love the song, the arrangement was pretty awful. My Dear friend John Sinclair also loves the song . Recently John did a brand new arrangement for me, A complete new backing-track with a modern vibe WOW! what a difference. We put the original vocal on the new track. I got my dear friend Pete Kent (who I have known since he was 8 years old) to do the guitars and a great solo on the track. I think the song now has legs and I am convinced we will get a cover by one of today’s artists. Fingers Crossed!
I hope this has let you in to my writing world and that you will enjoy the Album.
AND there is more to come from Peter: “I have one more project to do before I close the book. Its a Rock Album which I am hoping to release next year. Recorded in 1980 this is Peter Goalby’s DESTINY…FINGERS IN THE FIRE”.
More to come on Destiny, as well as Peter recalls his short time in RAINBOW!
Well, as often happens, I get into (or pick up) an album, and some of the names and associations lead to further records and bands to look into. I previously posted on the debut from NWOBHM band MORE, which featured singer Paul Mario Day (RIP), who went on to a few other bands of note, but it is guitarist Laurie Mansworth, who left after the first album and soon put together a new band. AIRRACE would be Mansworth’s new band, and over a few decades the band put out 3 albums.
The first AIRRACE album, Shaft Of Light, came out in 1984 and was the debut of drummer Jason Bonham, who’s connection to Led Zeppelin manager Peter Grant helped the band land a record signing. Bonham left after that to join VIRGINIA WOLF, before forming his own band BONHAM. The band also included keyboard player Toby Sadler (ex White Spirit, and pre Samson), singer Keith Murrell, and bass player Jim Reid. The debut was produced by Beau Hill (who at that point, had produced Ratt’s Out Of The Cellar), Anyway, that album got great reviews. It had a lighter 80s AOR production sound to it. It did feature the single “I Don’t Care”, as well as rockers like “Promise To Call” and “Not Really Me” . After Bonham left, the band seemed to fade away, with Murrell joining MAMA’S BOYS for a bit, and Mansworth going on to various other things, most notably producing THE TREATMENT. In 2009 Rock Candy released a 25th anniversary edition of Shaft Of Light, with bonus tracks. This anniversary edition lead to the band reforming for shows and eventually a new album.
Mansworth, Murrell, and Reid returned for Back To The Start was released in 2011, joined by Chris Williams (keyboards), Dean Howard (guitar), and Simon Dawson (ex Outfield; now Iron Maiden’s drummer). Back To The Start was a better sounding and more hard rocking release, with guitars more up front, and a much more lively production. Still had that 80s appeal, with the keyboards and the backing vocals reminiscent of Journey. Back To The Start is a fairly solid listen beginning to end, with standout tracks being opener “Keep On Going”, “So Long”, “Call Me Anytime”, and the riff driven “Enough Of Your Loving”. Well worth checking out, but not easy to find, as this only got a CD release on Frontiers (Italy), as well as a Japanese release. Here’s hoping someone reissues this one (yes, I need one).
Laurie Mansworth put together a new line-up for the third AIRRACE album, 2018’s Untold Stories, which included singer Adam Payne, drummer Dhani Mansworth (The Treatment), and bass player Rocky Newton (MSG, Lionheart). Since 2019 Laurie has put together a new band ‘MANSWORTH’, and from what I read they were recording an album.
KANSAS’ second studio album of the ’80s was the first to feature a change to a more 80s AOR/Hard rock direction. Gone was singer/keyboard player Steve Walsh, and in was new singer John Elefante. Now, let me add in – I was never a Kansas fan, but I liked the single “Play The Game Tonight” when this came out in the summer of 1982, as well as 1983’s hit “Fight Fire With Fire”, and that is really where my big ‘like’ for this band starts and ends. Oddly, back in the day of super-cheap vinyl LPs, when hardly anyone wanted them in the mid-90s I regularly filled gaps in catalogues and added to my collection picking up albums for 1 or 2 dollars at the flea markets. So, one Sunday I came across the entire Kansas catalogue (up until 1983) for $2 a piece! I never got in to them much, I found the debut tough to get through, but occasionally would pull out Vinyl Confessions and Drastic Measures due to the hits. Over the past year I’ve pulled this one out a lot more, and dig most of this album. I’ve also been motivated to revisit the band’s catalogue more due to Tim Durling’s book Let It Be Your Guide: The Kansas Album Review (who’s Youtube channel is ironically titled Tim’s Vinyl Confessions!). The first 4 tracks here are all very good, from the well known “Play The Game Tonight” (a top 20 hit in the US, and my favorite Kansas song), the 2nd single “Right Away” (a minor hit), “Fair Exchange” and the piano based ballad “Chasing Shadows”. Not so enthused with “Diamonds and Pearls”, but things pick up again with “Face It” (tho’ I can do without the sax solo). The latter half also features “Windows”, a faster paced progressive track, curious why they did a video for this one if it wasn’t released as a single(?), “Borderline”, “Play On” (this is a great track, that might’ve made a decent single, though it was a B-side), and closing out is the minor epic “Crossfire”, another pretty progressive track, lots of changes, and a memorable chorus – all good songs. Some pretty Christian based lyrics throughout this album, with both Livgren and Elefante being religious (this causing a rift amongst some bandmembers, which lead to Walsh leaving prior to and Livgren leaving after the next album), but really, I haven’t taken much notice, and enjoy most of this album; probably their most accessible for those not so familiar with Kansas. Also noted is Roger Taylor (Queen) singing backing vocals on a few tracks (uncredited).
KANSAS -Vinyl Confessions, Kirshner FZ 38002 (CBS). Produced by Kansas and Ken Scott. Producer Scott’s high -tech studio finish is as well- suited to the progressive pop /rock sextet as it was to such kindred souls as Supertramp, yielding expansive keyboard crescendos, sweeping drum codas and layered choral harmonies, among other headphone highlights. Brass and reed choruses from the Heart Attack horns, borrowed from LA’s Jack Mack, inject a whiff of soul into the proceedings, but the main suit is still the rococo, portentous brew that’s made their reputation.
KANSAS (Kirshner ZS5 03084) Right Away (4:06) (Full Grown Man Music/Mastodon Music — BMI) (J. Elefante, D. Elefante) (Producers: Kansas, K. Scott) After the great chart recovery with “PlayThe Game Tonight,” Kansas continues in the by-now-familiar cascading keyboards and thundering guitar vein with this encore from “Vinyl Confessions.” It may seem a bit more suited to AOR, but Kansas is hot again, and pop will keep that In mind. (CashBox, 08-07-82)
KANSAS- Drastic Measures, CBS Associated Records QZ 38733. Produced by Kansas, Neil Kernon. Kansas made it back to the top 20 last year with the album “Vinyl Confessions,” and here returns with another set of high- energy pop – rock. The sound is a bit punchier and more uptempo, almost in the Loverboy vein. It’s been awhile since Kansas was a top 10 consistent platinum act, but it still has a sizeable audience. The label designation is CBS Associated Records rather than Kirshner.
HIRSH GARDNER is best known as the drummer for American AOR band NEW ENGLAND, who burst on to the rock scene in the late ’70s, releasing their classic AOR debut album in ’79. That album, co-produced by Paul Stanley and Mike Stone featured the hit “Don’t Ever Wanna Lose Ya”, as well as favorites “Alone Tonight” and “Nothing To Fear”. New England released 2 further albums – Explorer Suite (1980) and Walking Wild (81), before splitting up. Hirsh Gardner moved on to produce other artists and has just released his third solo album Third Time’s A Charm (Deko ent.), which features a mix of Hirsh’s new songs and revisits of some classic New England songs. An excellent disc of hard-rock and AOR, and a ‘must’ for any fans of New England. In our conversation a few weeks back Hirsh talks about the making of his new album, and a bit about his past, influences, and old days in Toronto, as the first thing i learned was Hirsh was born in Ontario, and grew up in the Toronto scene of the late ’60s, before moving to the US for school in 1969.
I’m just a little north of Boston. Boston has been my basic hometown for many, many years. I came here in 1969 from Toronto.
You must have caught a good part of the Toronto scene back then!?
Oh man, big time. Basically, when I was in high school, I used to sneak out at night and go down to Yorkville and just hang out in all the clubs – The Purple Onion, the Minor Bird, the Riverboat, the Avenue Road Club, all those guys are peers of mine. All the musicians, Luke and The Apostles, Mandala, Edward Bear.
I was born in 1969, but through all the Canadian groups that I’m on on Facebook, I’ve heard all these names.
Yeah, I mean Crowbar – Sonnie Bernardi and I basically grew up together. We played hockey, and on Sunday afternoons, his parents ran the coat check down at the Concord Tavern.
So, Sonnie and I would just say, we both became drummers and Sonnie and I would go down on the Sunday afternoon matinee at the Concord and we’d see everybody play down there. That was amazing. It was a great time to be a rock and roll musician in Toronto.
Were you born in Toronto?
I was born in Toronto, yeah, and went to school there and then in ’69 decided to go to Berklee College of Music in Boston. So that’s what brought me down here.
So, Third Time’s A Charm is half new songs and half New England songs that you’ve redone.The new songs, which very much fit the mold of New England, got a little bit more bite and the drums sound great on this album. I’m wondering how you came about to do this like half and half type thing.
Yeah, it’s a great question and it’s one that a lot of people are getting inquisitive. So I had between 9 and 11 songs that were completely done. And a few years back New England was doing a gig in LA and Jimmy Waldo and I arrived at the rehearsal studio slash recording studio first. So we set up the drums and set up Jimmy’s keyboards and just to try things out; we figured ‘well, let’s run down a couple songs’.
So obviously, “Don’t Ever Wanna Lose Ya” was our biggest hit song, so we decided to record the keyboard tracks and the drum tracks just to see how everything sounded. It was nothing that we were planning on releasing. And then in the last year or so, year and a half, as I was recording the new album, I came across the old files of the drum tracks and the keyboards and I listened to it in my studio and I’m going ‘holy shit, this sounds amazing!’ So, what I did is I grabbed my guitar, and I played a little bit of the guitar tracks. Of course, I was nowhere near as good as John Fannon, but I was able to outline the song with the guitar, put a little bass on it and then I just decided to sing the lead vocal and put in all the background vocals and it just started to sound so amazing.
And I’ve heard a lot of covers of the song, “Don’t Ever Wanna Lose Ya”, over the years. I mean, BRONZ, a band from England did it and a band called HOUSTON did it. It just seemed to me that nobody really did this song the justice that I think it deserved. I mean, the song definitely deserves to be hard again because it’s such a classic song and judging from the responses that I’m getting on social media, most people agree with that. So as I was recording the new album and the nine to 11 songs, I sent the version of “Don’t Ever Wanna Lose Ya” to Chris Laney. Chris Laney is the co-producer on the album. Chris is also the guitar player, keyboard player for the band PRETTY MAIDS, and I’ve been a huge fan of theirs for years. Chris and I hooked up a few years back and became fast friends. So, Chris laid down all the guitar tracks, and ff course, he erased all mine because they sucked (lol). And when I got the song back, it just sounded incredible. Chris did such an amazing job. So, I thought at that point, let’s take four or five more New England songs, especially the songs that I’m either singing lead on or songs that I wrote in New England, or co-wrote in New England.
Then I decided to do “She’s Gonna Tear You Apart”, which was on the third New England album. I sent that basic track to Chris and he just recorded some more amazing guitar tracks and then “Hello, Hello, Hello” was next, which I think that was our second hit single. And then, I don’t know if you know, Ron Bumblefoot Tahl; Ron’s an amazing, amazing guitar player and a pretty good friend of mine. I found out that Ron was a big New England fan from way back when, so we hooked up, he’s actually playing on my second album, and I sent him “Nothing To Fear” because I knew he loved New England songs and he could play anything. So, I asked him if he would record all the guitar tracks for “Nothing To Fear”. So, what you’re listening to on the new album is Ron Bumblefoot Tahl on guitar, Jimmy Waldo on keys, Gary Shea on bass, and me on drums and vocals. That song turned out amazingly well. And then, (of course) I wanted to get all the guys in New England on one of the songs, so “Holding Out On Me” was a great choice because that’s definitely a diehard heavy metal AC/DC type of song, I had John Fannon play guitar on that, Jimmy Waldo on keys, Gary Shea on bass, and I have a guest drummer on that, Allan Sorensen. Allan is the drummer in Pretty Maids. I asked Chris Laney if Alan would be interested, and he loved it. Listen to the drums on that song, they are just stellar!
How much of the album does Chris Laney play on?
Well, he’s playing on, he’s playing on “Faith In Your Heart”, which is one of the originals, “Angel In The Sky”, which is a co-write with me and Chris. And he’s playing on “Never Gonna Lose You, “Tear You Apart”, and I think that’s it. He contributed a lot of guitar and he’s just such a talented young man. He really is great.
The original songs you wrote, have they been songs that you’ve written in recent years or things you’ve kind of had over the years?
No, I think most of them are pretty new. I’m looking at my song list here, “Lover’s Lullaby” was written in the last few years and “Reach Out For Love” is the most current song. Maybe “Faith In Your Heart” has been around for about four years. “Angel In The Sky” was a co-write with Chris Laney, so most of these are pretty new. Yeah. I’d say within the last year to two years at the most.
Wasteland For Broken Hearts was your first solo album. How did that do? I’m just looking into this stuff the last couple weeks now.
Yeah. I mean, all the albums that I’ve put out, definitely have some rabid fans out there. So Wasteland was released worldwide, on MTM in Europe.
Yeah, I think the first album. Yeah, I don’t know where I dropped out, but Wasteland For Broken Hearts was the first solo album that I did. Yeah.
And that was released worldwide on MTM Records in Europe and Marquee Avalon in Japan. And of course, it was released on GB Music, which was our own label here in the States. Still getting great response from a lot of the songs on that album from folks on social media, which is pretty cool.
How does it compare to your new album? Is it still in that same mold, that AOR hard rock?
I think that the best way to describe my music is it’s definitely AOR. But one of the things that I love doing is I love mixing it up. On the first album, you’ve got even a ballad that’s in acappella, which is just all voices. And then you’ve got some, just piano and voice. And you’ve got some hard rock stuff.
I like to put a diversity in there. I mean, a lot of albums that I listen to, a lot of heavy metal,… It starts with heavy metal and it ends with heavy metal, which is fine. I prefer to mix it up a little bit and show people a little bit of a different taste on my songwriting abilities. And that seems to have been working for me, so I’ll keep doing that.
From the first New England album, and the second, you guys had a very hard rock – AOR sound, very catchy, very memorable. What influenced you guys and influenced you as far as where you went?
Well, New England’s influences go back to, you know, the melodic prog bands – YES, King Crimson, and then later on, 10CC, Electric Light Orchestra, The Beatles, of course, were a huge influence on all of us, especially with the vocal harmonies and things that you hear. The first New England album, you’ve got a lot of those influences that come through. And even the name of the band. You know, we get a lot of flack for, we came out after Boston. Boston came out in 77, we came out in 79. And people go ‘Oh, they’re just copying Boston!’ And that wasn’t the case at all. Essentially, the name New England, was because (number one), we’re from the area, but we thought we were writing a new English style of music, because those were all our influences. So ‘New England’, that’s what it meant to us. It wasn’t necessarily, because of the area that we lived in, but partially. But there’s a new English sound by an American band. That’s sort of stuck.
Do you consider yourself more of a singer or drummer, or do you like adding the singing, or is that kind of a, something you’d rather somebody else do, or?
Well, that’s a good question. I definitely consider myself a singer now. And, I’m actually playing less drums now than I was even two or three years ago, but… I guess I would say that vocally is kind of where I’m at right now, because I’m always writing, and if I’m coming up with lyrics and melodies, you know, I’ve got to put them down. So, I’ve worked with vocals now more than I have before, and it seems to be working out okay.
The first New England album did well; you had the hit off it, and it’s kind of easily found, and the second one, but the third one never got released up here. What was going on at that point that you guys didn’t have more of a deal?
I think Elektra Records, they had the second album, which is Explorer Suite, and the third album, Walking Wild. And, I’ll be quite honest with you, they just blew it. They just completely blew it for the band. The head of A&R in that record company was pretty lame. And they really didn’t do anything to help us out, and they didn’t distribute it properly. And I think that that was part of the reason that the band met it’s demise, is that it just didn’t get any support from the record company. And years and years later, here we are, I just saw a poll of the top 50 AOR bands ever, and New England was voted number 14! It’s like, okay, if the independent people are telling us that that’s what they thought of the band – unfortunately, the record company didn’t really log on to that program back in the early 80s.
That’s the one album I’ve never seen up here. The third album is a bit of a mystery. Who produced that one?
That was produced by Todd Rundgren, believe it or not. And Todd did an amazing job. I mean, some of the songs on that album are just incredible. “Love is Up In The Air”, “L-5”; there’s “She’s Gonna Tear You Apart”, which is the song I covered on my album. Todd did a great job. It’s unfortunate the record company and the head of the A&R department didn’t do their job.
The first two albums were co-produced with Mike Stone. How did you like working with him? He had a long history, worked with a lot of big bands.
Mike was unbelievable! Rest in peace, Mike Stone. He was a wonderful human being. He was a funny guy. He was great to be in the studio with. But yeah, he produced QUEEN right before he came and produced our band. The vocals, the sounds that he got from us were just amazing. He got great drum sounds.
This is a pretty cool story. So, we were recording, I believe it was at Cherokee or the Record Plant in LA. And, Geoff Workman was in the studio next to us producing the 1979 JOURNEY album (ed: with roy Thomas Baker). Well, I guess…they were just marveling at the sounds that Mike was getting. and low and behold, they hired Mike to record their next album based on what they’d heard from the New England album. And they asked us to go on tour with them. So, I can’t say enough about Mike Stone and his production abilities. I had always been interested in production and, recorded and was producing for many years after New England broke up. And a lot of the things that I do in the studio are just direct copies of what Mike did because it works.
Are you planning on doing any live shows either doing your own thing to promote this album or is there more New England shows in the works?
Well, I think that in the future, there’s a possibility that we’ll be doing live shows. A lot of the live stuff that I have been doing has basically been with myself, my guitar player Joe Filoni and my keyboard player David Sumner. We’ll actually go out as a trio and crank it up just like a regular rock band without drums and bass. And we’ll do like a 45 to an hour set of all of these songs with just the three of us. Because it’s really difficult these days getting a band together, getting people off the road. And everybody’s in a tribute band, so it’s difficult putting five people or six people together in the same room and rehearsing for six months and then going out on the road. So, we have our trio, which we do and I’m looking forward to doing some gigs in the future with that as well.
I know you did stuff with Warrior with Vinnie Vincent and the other New England guys. There’s that three CD set coming out on Cherry Red of all the recordings. I imagine you’re on that.
Well, I play on all of that stuff. I really didn’t have anything to do with the release of that and, I’ve disavowed myself from being involved with that particular record for a bunch of personal reasons. But all the stuff that’s on there is stuff that I played on and, I’ll tell you what man, WARRIOR was an incredible band and it’s just too bad that it didn’t work out. Vinnie got the offer to join KISS right when we were in the middle of recording all those songs and, obviously he’d be dumb not to take that offer. So, our band Warrior just broke up, and I came back to Boston and Jimmy Waldo and Gary Shea stayed out in L.A. So, that was that story. But yeah, it was fun listening to some of those songs and I’m glad that any fans that are out there of New England and Vinnie’s get a chance to hear this new music – or Old music, as it were.
Going back, who were some of your favorite songwriters, and what were some of your favorite albums growing up?
Obviously The Beatles. They were just such a huge influence on all of us. I think I learned Rubber Soul , it was, I think the first album that I ever bought. And of course I’d been listening to records long, long, long before that. My aunt was a huge Swing era fan so she turned me on to all of these – Duke Ellington, Buddy Rich, Gene Krupa…So I had a huge record collection of all the Swing era guys and then … I just became a huge Beatles fan. Songwriters(?)…a lot of people ask me, ‘who influenced you on drums?’ and ‘who’s your favorite songwriter? I’ll listen to anything that is quality production and quality songwriting. I don’t care if it’s Taylor Swift or if it’s Chris Laney from Pretty Maids. I love those guys, and I love their songs. So that’s kind of where I’m at with that. I really don’t focus on any individual, particular person for drums or for songwriting. I hope that answers the question but that’s kind of where I’m at. I’ll listen to anything at all that’s out there that has a great hook and quality songwriting.
I was kind of looking for a few of your favorite albums growing up that kind of influenced where you ended up, that type of thing.
All the Deep Purple stuff. Ian Paice is one of my favorite drummers out there as well. Of course the Beatles. I remember watching the Ed Sullivan show when the Rolling Stones came on and played “Get Off My Cloud”, and I remember that drumbeat was so melodic, and Charlie Watts just killed it, because I was transfixed to the TV.
So those are some of the things that hit me early on that were influential. Electric Light Orchestra were amazing! I love the songs, I love the production. Todd Rundgren – the Something / Anything album was something that I lived with. Humble Pie, Steve Marriott, those were the bands that I listened to. A lot of the English rock bands…of course, King Crimson and YES, I mentioned those guys earlier. And Bill Bruford, listening to him play drums was a mindblower! Just amazing.
Have you kept up with any of the Canadian bands from way back?
Not really. I visit my sister up in Toronto every once in a while, and I think about 10-12+ years ago there was this incredible show that featured all the ‘early 60s-70s artists. It was down by the lake front, in some warehouse type of building. Crowbar played, I think The Paupers played, Stichin Time… That was when Domenic Troiano was still alive, he was there. Mike McKenna from Luke & The Apostles. Luke and The Apostles were probably one of my favorite all-time bands out of Toronto. I still keep in touch with Mike McKenna. He was sort of a mentor to my band in Toronto, which was called The Blues Faction. And we played the village, we played all over the place in ’66, ’67, ’68 – right in those glory days, back in Toronto.
Are you doing any more videos for the new album?
Well, we did one for “Don’t Ever Wanna Lose Ya”, I thought it turned out pretty darn good. And we’ve talked about doing a video for “Nothing To Fear”. I’m always doing a bit of video editing and throwing stuff up on my website (www.hirshgardner.com). Right now, there’s 3 or 4 videos up there, plus there’s a lot of blogging and other things, so check it out!
British rockers FM have a new single out today from their upcoming album Old Habits Die Hard, which will be released May 3.
“Heartache draws influences from the bands love for bands like free and Bad Company,” says FM’s lead singer Steve Overland. “It’s a straight-to-the-point, classic blues rock track.” ‘This song will probably be in the live set for the 40th anniversary tour as it’s one of our favourites from the album,” explains drummer and founder FM member, Pete Jupp.
Check out the new video for “Don’t Need Another Heartache” below, as well as links, lyrics and ordering in the video description.
One-man band RISING WINGS releases their first full album on September 22 via Pride & Joy Music, titled Reach. The ‘band’ is multi-instrumentalist/songwriter Florian Bauer, who’s used a few drummers on Reach as well. A solid 10 track set of hard-rock and AOR. There are 3 videos released so far, the latest being the ballad “Remember”. Favorites include the lead off rocker “Ride On”, as well as “Whatever It Takes”, “Keep Going On”, and “Reach The Sky”. An excellent 10-track melodic hard-rock album that’ll appeal to fans of Giant, Harem Scarem, Coney Hatch, H.E.A.T., Bonfire, and Eclipse . Reach will be out on CD and Vinyl LP (in gatefold) *Check out the clips below, as well as the bio, and links.
Rising Wings was founded in 2006 by Florian “Flo” Bauer in Schrobenhausen in the Ingolstadt region, as a melodic rock one-man-band. Florian Bauer has been playing in various rock formations for years, such as the AOR band Youringa and the hard rock cover band Saviors Cry.
In 2006 the first steps were taken with the 3-track EP “Rising Wings”. The second 5-track EP “Higher” followed in 2008. Both releases received consistently positive feedback. Since then, various singles have been released.
In autumn 2023 Rising Wings will release the first full-length album “Reach” via Pride & Joy Music. The album features Florian Bauer on vocals, guitars, bass and keyboards and Franz Raßhofer (Joe Leila), Falco Münch (Reload), Markus Herzinger (2nd East) and Bobby Santiago (Bloodwork) on drums.
The album was recorded by Ray Balconis at Studio Ray Recording in Queens, New York, by Rolf Beyer and Peter Hillinger at Klangwasserstudios Halsbach, Germany and by Chris Lausmann at MS Productions Studio in Poing, Munich.
“Reach” was produced by Florian Bauer with Chris Lausmann (Bonfire, Voices Of Rock) co-producing and mixing the album at MS Production Studio. The album was mastered by Rolf Beyer (CD & digital) and Ludwig Maier (Vinyl).
CHARLIE was a British band, that initially started out as a fairly hard-rock guitar band, and it’s the band’s 1976 debut album Fantasy Girls that is easily the best in their catalogue (IMO). The band here comprised of Terry Thomas (lead vocals, guitar), John Anderson (bass, backing vox), Steve Gadd (drums, percussion), and Martin Smith (guitar, backing vox). Fantasy Girls came with different covers for each side of the Atlantic; I prefer the UK version, subsequent albums would feature models on the covers, which were an improvement.
As for the songs, this album is full of great guitar, with plenty of different styles and blends, heavy in places, harmonies, melodies… Not quite an overly heavy band, but holding back with smooth production, and a variety of cuts. Some massive solos, like these guys were torn between wanting to be an-out 2-guitar hard-rock/metal act and vocally an American smooth sounding AOR band. Regardless, every track is good here, but highlights have to be the title track, as well as “Prisoners”, the single “TV Dreams”, and the closing straight ahead rocker “Summer Romances”.
There’s not a lot out there (that I could find) in the press, and I suspect it wasn’t huge at the time. No North American single. Follow up albums seemed to get somewhat softer and smoother (tho’ I do like No Second Chance and Good Morning America!). Fantasy Girls has been reissued a few times – including one from Renaissance Records in 2006 with Another cover! Drummer Stephen Gadd would go on to be a drum tech for Iron Maiden years later, and Terry Thomas would become a major producer, notably with Bad Company in the ’80s (notably with Tommy Shaw, Bad Company, Foreigner, Giant, and Tesla).
CHARLIE- Fantasy Girls, Columbia PC 34081. Good, straight -ahead rock set from British quartet who approach rock in a simple, forward fashion. Good lead and good harmony and backup vocals, with lyric quality better than in most of the newer rock groups. Nothing extreme, as the band stays away from the heavy metal syndrome. More along the lines of some of the better fun rock of the ’60s. Best cuts: “Fantasy Girls,” “Don’t Let Me Down,” “First Class Traveller,” “Please Let Me Know,” “Summer Romances.” Dealers: Several potential singles here. – Billboard
CHARLIE: ‘Fantasy Girls’ (Polydor Super 2383 373) When I saw Charlie on the Old Grey Whistle Test, I thought they were tedious Their album, however, shows a much tighter control of the music then the live appearance. Their main problem scorns from a lack of originality. Their playing is competent but couldn’t be distinguished from the sound of a 101 other bands. Their lyrics aren’t exactly gripping either, le: “I have my dreams although I’m broke, acute skintitús is no joke.” That speaks for itself I think. – Rosalind Rusael, Record Mirror
German hard-rockers CZAKAN return with their first new album in 30 years titled Unreal, due to be released April 14. The band’s 1989 debut State Of Confusion was recently reissued, an album that sold 25 thousand copies in Germany upon it’s original release.
Unreal is straight out of that class of great ’80s hard-rock & aor, think fellow German bands like Scorpions, Frontline and Bonfire, as well as the likes of Dokken and Firehouse. Guitar driven rockers, with keyboards, harmonies, cool solos, 14 tracks. First run through and I like this; like a lost favorite ’80s heavy melodic rock album, with excellent tracks like – “City Nights”, “Under The Gun”, “Living In A Nightmare”, and “Show Me All Your Love”, sounds excellent. Not a duff cut here! If this was an ;80s album, it’d be tough choosing a first single, but lead off rocker “Free Line” will is an excellent choice!
Line Up: Michael Schennach – Vocals, Oliver Güttinger – Guitar, Tom Fein –Keyboard, Randy Arcachon – Drums, Frank Schrafft – Bass
From Sweden, Autumn Child release their 4th album of hard-rock/AOR. Fronted by Michael Erlandsson (ex Secret Service, as well as solo artist) Starflower features a number of well produced songs, including upbeat rockers and a few ballads, full of hooks, synths and melodic guitars, with big vocal arrangements on the choruses. Favorite tracks include “Gamechanger”, “Welcome To The Show”, and “1995”. If you’re in to the likes of Europe, Fair Warning, or Gary Hughes’ Ten, check this out. * For more info check out the bio/press info below.
Mikael Erlandsson needs no further introduction when it comes to melodic rock. He has released six successful solo albums and a lot of titles with groups like Phenomena, Salute among others. Between 2006-2018 Erlandsson fronted the Swedish super group Secret Service which he toured with live all over the world. Together with the fantastic guitar player Andy Malecek from the successful German hard rock band Fair Warning he founded the band LAST AUTUMNS DREAM in 2003 which also featured Ian Haugland, Mic Michaeli and John Leven of Europe fame at the time.
Last Autumn’s Dream went on releasing another 14 albums with different line ups including great musicians like Jamie Borger (Treat) and Marcel Jacob (Talisman). They toured Japan, England and Germany but decided to take a break in 2018. Shortly after, Erlandsson founded the group AUTUMN’S CHILD who have released three extremely successful albums so far (“Autumn’s Child” – 2019, “Angel’s Gate” – 2020, “Zenith” – 2022).
January 2023 sees Autumn’s Child returning with their fourth album “Starflower”, their second release via Pride & Joy Music. The group still features Michael Erlandsson on vocals, keyboards & guitars, Pontus Åkesson on lead guitar, Robban Bäck on drums, Claes Andreasson on piano and Magnus Rosen on bass.
“Starflower” was produced by Mikael Erlandsson & Claes Andreasson, mixed and mastered by Mikael Andersson at Soundport Studios, Sweden; drums recorded by Mikael Andersson at Soundport Studios.
Track list: 1. Gamechanger, 2. Aphrodite’s Eyes, 3. Welcome To The Show, 4. Opera, 5. Karenina, 6. 1995, 7. Dorian Gray, 8. I Can’t Get Enough, 9. The Final Call, 10., Love From Tokyo, 11. It’s Not Too Late
Outsider Rock 