Tag Archives: Classic Rock

RUSH – ‘Grace Under Pressure’: the last classic Rush album!?

Well, the box set for RUSH’s 1984 album Grace Under Pressure has been announced. For me Grace Under Pressure is the last in the line of classic RUSH albums, before I started losing interest. I’d also say it’s probably one of the band’s most underrated. The Grace Under Pressure Tour was the first Rush show I saw, Maple Leaf Gardens Sept 21, 1984. I saw the Power Windows tour as well, but beyond “Big Money”, not much of that album stuck with me, and I didn’t get excited about Rush again ’til the mid ’90s albums.

Grace Under Pressure followed 1982’s Signals, which saw the band use more keyboards, less guitar, more so less big riffs, more of a lighter guitar sound, where the guitar was not as forceful or heavy sounding, but leaving space and toned down for the band’s new direction for the ’80s. But Signals was the 3rd in a trio of my favorite Rush albums – Permanent Waves and Moving Pictures before it, all seeing the band producing shorter songs, more direct, without the lengthy progressive tracks, full of energy, and classics that remain FM rock staples. And Signals followed that, for the most part. “New World Man”, “Chemistry”, as well as “Subdivisions” and “Analog Kid”, which were 2 of the band band’s best, and at the time, a new fresh sound, that still sounded like Rush. Grace Under Pressure came out a year and a half later, and another great album; featuring 8 songs, most of which either got some radio play at the time, and all of which were played live (at some point) throughout the tour. This album, like the 3 before it, had a good flow from song to song, “Distant Early Warning”, “The Enemy Within”, “The Body Electric”, and “Between The Wheels” stand out (for me), but really, there’s nothing here I tend to pass over. However, as much as I like this album, and those 4 mentioned tracks, one thing I have never been able to claim is there is that huge Rush favorite here, a trademark tune, the one that stands out for me as perhaps “Freewill”, “Spirit Of Radio”, “Limelight”, or “Subdivisions” do. I’d be curious if anyone else sees it similarly, Or what is THE biggest track on this album?

Now, as for the box set…. I passed on the Signals box, mainly because there was nothing new to listen to in it, ie a live show from that tour. This Grace Under Pressure box announced includes the full recording from the band’s September 21st , 1984 show at Maple Leaf Gardens (the one I was at). So, it includes the missing tracks that were cut from the Grace Under Pressure Live CD that came out years ago. There’s also a remix of the album by Terry Brown, who didn’t originally produce this album, as well as a new remastered version of the album, a blu-ray of the Toronto show, and a Dolby Atmos / Dolby TrueHD 5.1* stereo mix of the album (I’ll be honest, I’m not up on such technology, so this is kinda irrelevant to me), plus videos mixed in Dolby TrueHD 5.1″. And then there’s all sorts of visual and print material, such as new art, prints, photos, book, press release, liner notes, poster, etc… Not sure Why this whole thing required new cover-art!? I would love to add this box set, but with the price (!!!) at present ($438 on Amazon, Canadian, for the CD version, and 545 for the vinyl version), I don’t foresee this anytime soon in my future. What I really want is the live recording, (and maybe the 2025 remaster). A shame with these sets that some of these pieces aren’t made available separately. Not sure if they will be down the road, but for those of us who more so just want to hear the music, and are willing to pass on the extras, that would be a great option.

Check out:

URIAH HEEP – Beautiful Dream, compiles albums and rarities from 1975-77.

To be released April 24, HNE (Cherry Red) has compiled another bunch of URIAH HEEP albums, along with their extra tracks (see remasters), as they did with the previous release The Shadow And The Wind: 1973-1975. This one, titled after a Return To Fantasy track, features the last 2 to include original singer David Byron and bassist John Wetton, and the first 2 that feature replacements John Lawton (vocals) and Trevor Bolder (bass). A strange period for Heep, particularly in North America where their popularity and sales declined with each album, while in other parts of the world they had a few hit singles from the Lawton albums.

Return To Fantasy, from ’75 was a huge seller in the UK, perhaps in part to the addition of the well known John Wetton, and features the classic title track, as well as the favorites “Devil’s Daughter” and “A Year Or A Day”. The band undertook a major world tour at the time, but the album didn’t fare well over here. High And Mighty sold even worse, with the band self-producing. I really like this album, it sounded new and fresh, but it didn’t feature a global single, and the band toured it in North America well before it’s release. But songs like “One Way Or Another”, “Weep In Silence”, and “Can’t Keep A Good Band Down” are favorites among old fans, a shame this one came and went so fast, and often considered one of the band’s weakest. Heep carried on, with a long list of candidates to replace David Byron, before choosing John Lawton (Lucifer’s Friend) to record Firefly, released in early ’77. It was a solid album, featured the ballad “Wiseman”, a hit in Germany, as well as fan favorites “Sympathy” and “The Hanging Tree”. This was quickly followed towards the end of the year with Innocent Victim, a more varied album, which featured “Free Me”, a lighter pop song, which became a big hit in various European countries, as well as Australia, but that did not carry over to North America, with the album (in a different sleeve here) just breaking Billboard’s Top 200. Innocent Victim did feature a huge favorite in “Free N Easy”, the hardest & fastest rocker the band had done in years. It also featured a few fine tracks written by American writer Jack Williams (a friend of Ken Hensley’s), most notably “The Dance” and “Choices”. As with many Heep albums, particularly during this whole period (75-77), there were a number of good songs left over from each album session. Arguably, a few if these would’ve improved each album at the time (such as “River” from Innocent Victim), included here.

Even though I have everything here (as do many Heep fans), a collection of the rest of the Lawton era recordings (including, Fallen Angel, Live In Europe 1979, and the unreleased 4th album) would be a welcome collection, as would a set of the Peter Goalby era albums (along with perhaps the Live In Auckland recording?) But, oh well. An interesting (and odd) package cover, featuring a blend of the 4 album covers.

For more info and tracklisting

https://www.cherryred.co.uk/uriah-heep-beautiful-dream-1975-1977-4cd-box-set

The Story Behind The Album Cover: MARK FARNER’s Closer To My Home, w/ John O’Brien.

Here is another album cover, which was created by American artist John O’Brien. I’d featured John a few years ago discussing an April Wine cover, and again a few weeks ago, discussing the 2 Great White covers he was responsible for. Somewhere in there John mentioned a Mark Farner cover. And silly me for not even knowing Mark released an album in 2024, titled Closer To My Home. I loved Grand Funk, got the LPs, put together a little newsletter at some point in the 90s, and featured one of their album covers in a previous post a few years ago. So, upon John mentioning this latest album, I got a day later, and it is a great listen, and highly recommended to any Grand Funk fans; after all Mark wrote and sang most of the band’s greatest material in the 70s. *Check out John’s details of the Closer To My Home cover art, as well as the links below. *Thanks again to John for his time (and images) discussing his work and an excellent cover.

More recently you did the cover for Mark Farner’s Closer To My Home. How did that one come about? 

Marks manager, Obi Steinman recommended me for review. The previous year I completed a project with Obi for Felix Cavaliere, “THEN AND NOW”, it went quite smoothly from concept to completion. So thankfully he had faith in my creative process and final product, since we had never met personally.

Can you tell anything about the photo chosen for the front cover? Do you where it was taken, significance?

The image was based on the heritage of Marks roots in the Midwest to be a part of the communication.

I spent a lot of time researching the perfect barn and location which I could add the American Flag which was one of my concepts. I finally found it online in a series of personal images by Ken Heins. The barn angle was perfect and the sky went from an uplifting blue to having an overhanging ominous darker presence. While not being a professional photographer, he captured the location, mood and angle that I needed to modify and portray the communication. It is great to go direct to a photographer, especially someone who shoots for personal reasons. He was great to deal with on securing the image and all usage rights.

I love the big bright lettering of Mark’s name, the layout… a very patriotic cover. Did Mark have a lot of input or suggestions? 

Like many things the simplest direct communication is the best. In one sentence Obi stated the project was to reflect “Marks Heritage, Origin, Rock & Roll Legacy, Values and American Pride”. He is a true Rock & Roll Patriot. A variety of comps were proposed for discussion but, as discussed previously the Barn image with the flag summed it up visually. As far as typography chosen, I wanted to play off of Marks history and Rock & Roll energy. Some solutions related to GF to closely, but he gritty red type communicated the power and intensity he delivers. “Midwest American Rock & Roll” to be sure.

The American Eagle was used for some comps as well as for the record label direction. It was determined that it would best be utilized on the back cover as well as a label on one side of the album.

I submitted suggestions for limited release of the album in Red, White & Blue as well as classic Black.

The initial release is Red Vinyl and some were signed by Mark personally, which were available on his website listed below.

I assume this is the only Farner (Grand Funk) cover you’ve done(?)

Yes, the only one. Who would have thought I would get to work on Marks first solo studio album in 18 years, featuring the 55th Anniversary re-recording of “I’m Your Captain (Closer To Home).  The project produced, engineered, mixed and mastered by Mark Slaughter, and co-produced by Mark Farner. A definite alignment in the stars for me to contribute to the visual communication.

It is also fun as I get to submit comps for merch such as T-Shirts for consideration. These are but a few versions with regard to the printing process of 3-5 Color for pricing considerations.

How familiar were you with him (and Grand Funk)?  

Any teenager in the 70’s was aware, as everyone was at the time of GF. Blasting “Grand Funk Live” in my bedroom and hearing various songs played live by cover bands at Junior High School dances. It was a very loud year in 1970 when that album released. Ironically, it was released on Capitol Records, the future company I was to work for from 1983-1989 in the Art Department. Some synchronicity to be sure.

A special thank you to Obi Steinman for his support on projects.

LINKS:

John O’Brien – www.artministry.com

Mark Farner website for updates and merch. – www.markfarner.com

HONEYMOON SUITE – ‘The Singles’, RSD vinyl reissue

Record Store Day Canada is proud to announce that legendary Canadian rockers Honeymoon Suite have been named the official Record Store Day Canada Ambassadors for 2026. To celebrate their role as Ambassadors, the band will release a special, Record Store Day exclusive version of their hit-packed compilation The Singles, issued on Limited Edition Translucent Red Vinyl and only available at independent record stores across Canada.

This exclusive collector’s item features some of the biggest songs in Canadian rock history, including “New Girl Now,” “Burning In Love, ” “Wave Babies,” “Stay In The Light,” “Feel It Again,” and “What Does It Take” (from the One Crazy Summer soundtrack). It also includes the band’s hard-hitting contribution to the Lethal Weapon soundtrack.


“We are thrilled to be the Record Store Day Canada Ambassadors for 2026, ” says Honeymoon Suite’s lead guitarist and songwriter, Derry Grehan. “To me, vinyl isn’t just a format; it’s how I fell in love with music in the first place. There’s a magic to holding the jacket, reading the liner notes, and dropping the needle that you just can’t replicate. We’ve always been a band that lives for the fans and the music, so getting to champion independent record stores, the place where that magic still lives, is a huge honor us.”


“We are so excited to have Canadian music legends Honeymoon Suite representing us as RSDC Ambassadors in 2026,” says Ryan Kerr from Record Store Day Canada. “With an arsenal of great music under their belts, The Singles album is hotly anticipated by fans coast to coast. Honeymoon Suite’s catalogue represents some of the greatest and most memorable music in Canadian history, so we are proud to be working with them to bring that music to fans through our country’s incredible independent record stores.”


Adds Noble Musa of Microforum Vinyl, “Pressing The Singles title for the Record Store Day Canada 2026 Canadian Ambassadors Honeymoon Suite is so meaningful to us! Seeing this record grace stores nationwide and giving fans the opportunity to hear timeless hits in an analog format is why we do what we do.”

Formed in Niagara Falls, Ontario, Honeymoon Suite has been a driving force in Canadian rock for over four decades. With over a million units sold worldwide, their music is woven into the fabric of the country’s rock history. From their self-titled debut to the multi-platinum The Big Prize and Racing After Midnight, the band delivered an undeniable string of radio anthems that defined an era.

The Singles Tracklist

A1. New Girl Now
A2. Burning In Love
A3. Stay In The Light
A4. Wave Babies
A5. Feel It Again
A6. What Does It Take

B1. Bad Attitude
B2. Lethal Weapon
B3. Love Changes Everything
B4. Lookin’ Out For Number One
B5. Still Lovin’ You
B6. Long Way

LINKS:

https://www.honeymoonsuiteband.com/

REVIEW: Honeymoon Suite – The Singles (1989)

LOU GRAMM – new album ‘Released’ coming in March.

Cherry Red released the Lou Gramm‘s ’80s solo material in 2021, as Questions And Answers (The Atlantic Anthology 1987-1989). Prior to that the last release of ‘new’ music from the original FOREIGNER singer was 2009’s Lou Gramm Band CD, which is well worth finding. This upcoming collection, strangely titled ‘Released‘, comes out March 27 through Cherry Red Records/HNE (UK). Check out details & tracklisting below in the press info.

Both Released and 1987’s Ready Or Not are being reissued on color vinyl through Friday Music, for details click on the titles.

The first single from Released is an instantly likeable upbeat 80s pop-rock track title “Young Love”, which features Vivian Campbell on guitar.

Released is the long-awaited new solo album from legendary vocalist Lou Gramm, best known as the iconic voice of Foreigner. Arriving in March 2026,​the album presents ten original songs written by Lou alongside former Black Sheep bandmate Bruce Turgon, capturing the classic AOR sound that has defined Lou’s career while delivering a powerful sense of rediscovery and completion. 

Lou says: “My new album ‘Released’ is a collection of unreleased songs that were recorded in the 1980s during the production of my 2 previous solo albums. These are powerful, heartfelt songs with a great vintage sound taken right from my old multitrack tapes. This new album was a long time coming and it’s a real nostalgia trip. When I pulled these songs out of the vault, I knew I had to finish them for my fans around the world, so they can experience what I did when I first heard them after all these years. It means a lot to me to finally see this album released, to be taken back in time when I hear this music again, to remember working with all these great musicians, and to feel that my catalog is now complete.”

Produced by Lou Gramm himself, Released features appearances from an outstanding cast of musicians, including Tony Franklin on bass for “Long Gone” and Vivian Campbell on guitar for the opening track “Young Love”, alongside long-time collaborators such as Lou’s brother Ben Gramm on drums. The result is a collection that feels both timeless and deeply personal, rooted in the era that made Lou one of rock’s most recognizable voices.

Born and raised in Rochester, New York, Lou Gramm emerged from a highly musical family before forming Black Sheep, whose two albums for Capitol Records have since become cult favourites. A pivotal meeting with Mick Jones in 1975 led to the formation of Foreigner the following year, launching a career that produced a run of multi-platinum albums and hit singles. Foreigner famously became the first band since The Beatles to see their first eight singles reach the US Top 20.

Alongside his work with Foreigner, Lou enjoyed major solo success with Ready Or Not​(1987), featuring the hit “Midnight Blue”, followed by Long Hard Look (1989), which included “Just Between You And Me”. Now, with Released, Lou delivers his third solo studio album, completing a vital chapter in his solo catalogue while standing proudly alongside both his earlier solo work and his defining recordings with Foreigner.

The album also includes “True Blue Love (Unplugged)”, originally appearing on Long Hard Look, and follows recent high-profile collaborations with Foreigner connected to the band’s induction into the Rock and Roll Hall of Fame in 2024. Lou Gramm will be touring throughout 2026 in support of Released, with dates announced in March.

TRACKLISTING

1 Young Love 
2 Lightning Strikes 
3 Walk The Walk 
4 Long Gone 
5 Heart And Soul 
6 Long Hard Look 
7 True Blue Love (Unplugged) 
8 Deeper Side of Love 
9 Time Heals The Pain 
10 Word Gets Around

Formats
Digital Album
Dolby Atmos Album
CD (HNE Recordings / Cherry Red Records)
Vinyl (Friday Music)

LINKS:

https://www.lougrammofficial.com/

https://www.instagram.com/LOUGRAMMGRAM

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BOB HORNE – RIP to A FOOT IN COLDWATER keyboard player

Keyboard player & founding member of Canada’s legendary 70s band A FOOT IN COLDWATER, Robert (Bob) Horne passed away January 12.

Bob Horne had played in the pre-Foot band NUCLEUS, who released one album in 1969. He then went on to play on A Foot In Coldwater’s first 3 albums before leaving prior to the band’s 4th and final album (Breaking Through, 1977), and relocating to the US. He did contribute keyboards to the standout track “Why” from that last album.

*Below was posted on A FOOT IN COLDWATER’s Facebook group page, as were many other stories, images, and tributes. Please also check out the links below.

It is with profound sadness that we announce the passing of our dear friend and founding member of Nucleus and A Foot in Coldwater, Robert (Bob) Horne. Bob died suddenly on January 12, 2026. Our deepest sympathy and sincere condolences to Fran, Bonnie, Kari and the extended family.

Bob was a classically-trained keyboardist, and was one of the most unique and proficient B3 organists we ever knew. He loved R&B music and played with Toronto icons David Clayton Thomas and Dominic Troiano before joining The Power Project in the late 1960s.

When The Lords of London made the switch from a commercial rock band to a progressive fusion style, we asked him to join us in Nucleus. When Bob, Hughie Leggat and myself met Alex Machin and Paul Naumann, A Foot In Coldwater was born.

Our relationship with Bob was multi-faceted. He became our de facto leader. He excelled in the business side of music. He was tough, enterprising and talented. If you were lucky enough to be his friend, you were his friend for life. To us, he was more than a friend…he truly was our Brother.

Rest in Peace our dear Brother. You will be forever in our hearts

Danny Taylor, Alex Machin, Hughie Leggat (Foot), Greg Fitzpatrick, John Richardson (Nucleus), the late Brian (Turtle) Hamelin, Wayne Ferguson, Stephen (Tex) Paquette, Steve Byron, Jimmy (Mung) Leggat, Bob McFee and all our crew members.

https://ca.billboard.com/fyi/obituaries-a-foot-in-coldwater-keyboardist-bob-horne-fugees-producer-john-forte

http://www.afootincoldwater.com/

ATOMIC ROOSTER – ‘Atomic Rooster’, 1980

After disbanding 5 years earlier, and after a number of line-up changes, British progressive rockers ATOMIC ROOSTER were reformed as a trio with keyboardist and founder Vincent Crane was rejoined by guitarist / singer John Du Cann, and new drummer Preston Heyman.

This was the first Atomic Rooster LP I picked up, likely on a trip to Toronto, and out of curiosity, seeing as I knew nothing of them then, and this album never got released here. This would be the band’s heaviest and closest thing to ‘metal’, and having come out during the NWOBHM, I guess I can see where they got lumped in with the heavy metal crowd. But the interplay of Du Cann’s heavy guitar riffs and solos, with Vincent Crane’s 70s sounding Hammond organ, and the the way they feed off each other throughout this 10 track release, makes for a great album for the period, and an underrated gem in the band’s catalogue. Favorites include the lead off cut “They Took Control Of You”, “She’s My Woman”, “Don’t Lose Your Mind”, and the instrumental “Watch Out”. “Do You Know Who’s Looking For You?” was issued as the lead off single.

Last year Cherry Red issued a 2 disc set from this, which included the album, a couple of outtakes, some very good sounding demos, and a not so great show of the band at London’s Marquee, which included songs from this record mixed in with the Rooster classics. Again, not a proper pro recorded show, but listenable, and historically interesting for Rooster fans.

ATOMIC ROOSTER, one of the foremost heavy bands from the early Seventies, have re-formed with original members Vincent Crane and John DuCann. Their first single to be released by EMI is Do You Know Who’s Looking For You, followed by an LP, Atomic Rooster, in September. (Record Mirror, 08-02-80)

ATOMIC ROOSTER: ‘Atomic Rooster’ (EMI EMC 3341), By Malcolm Dome
NO, ‘ATOMIC Rooster’ isn’t the greatest comeback album of ’em all and cynics will doubtless suggest that the reason for this once all -conquering band’s return from beyond the grave was something to do with the singular failure of its two prime protagonists, Vincent Crane and John DuCann, to make their solo mark. However much truth there may be in such idle thinking, the fact remains that this Is a worthy effort and a 1980 recording. ‘Do You Know Who’s Looking For You’ could almost be the Boomtown Rats with a glossy metallic sheen, so catchy Is the heavy melody, while ‘They Took Control 01 You’, taken at almost Olympic sprint – speed, Is propelled along by some vintage firebrand guitar work from DuCann and the slower, subversive ‘In The Shadows; allows Crane to stretch out a little on some claustrophobic keyboard passages. The album’s classic cuts though, are saved for the latter half of side two with ‘Watch Out’ proving to be a red-blooded and lar from pompous ‘theme tune’ that, given free-reign from the production viewpoint’ could Join Iron Maiden’s ‘Transylvania’ and The EF Band’s ‘Instrumental Dufort’ as the year’s most outstanding HM instrumentals. Finally, closing ‘AR’ we have ‘Lost In Space’, a spine-tingler, I assure you. All In all, the Rooster crow once again means happy listening, although in the final analysis I must admit to having serious doubts as to whether the Crane I DuCann re – alliance can sustain its initially promising momentum and EMI would have been better advised to Inject their sagging, moneybags into a younger, more long term prospect. (Record Mirror, 09-22-80)

ATOMIC ROOSTER Atomic Rooster. EMI EMC 3341.
Producers: John Du Cann and Vincent Crane. The old ones are still
the best ones, yet good though this reformation album is, they do not
seem to know quite whether to return to their roots or become an
out and out Heavy Metal band. No matter as they succeed on both
counts and this should find them a whole new audience, while drawing
back much of the old one,
(Music Week, 09-13-80)

LINKS:

https://www.cherryred.co.uk/atomic-rooster-atomic-rooster-remastered-expanded-2cd-edition

https://www.facebook.com/AtomicRooster16

RAINBOW – The Temple Of The King, 1975-1976

9CD BOXSET FEATURING THE CLASSIC ALBUMS RITCHIE BLACKMORE’S RAINBOW, RISING, THREE FULL LIVE SHOWS ALONG WITH UNRELEASED TRACKS & RARE RECORDINGS

RAINBOW – THE TEMPLE OF THE KING 1975 – 1976 is the most comprehensive collection of the opening phase of Rainbow’s career to date, and is the first in a series of anthology sets covering the career of legendary guitarist Ritchie Blackmore. The 9-CD set, newly mastered by Andy Pearce & Matt Wortham, is housed in Deluxe 7” packaging featuring a 24-page booklet featuring memorabilia, photos and sleeve notes by music writer Rich Davenport.

The set spans the band’s first two years and includes their debut album, Ritchie Blackmore’s Rainbow; their breakthrough record, Rising and the extended German concerts that were compiled as part of the double live album On Stage.

The final two discs comprise rare recordings, many of which are featured on CD for the first time, including band rehearsals, single edits, and rough mixes.

Rainbow was initially formed as a Ritchie Blackmore solo project in the early months of 1975, after a Deep Purple tour of the previous year. On that tour, they were supported by the American band Elf. The singer of Elf, Ronnie James Dio, left an impression on the already legendary guitarist Blackmore. Blackmore asked him to sing on a cover of the song Black Sheep Of The Family. The sessions went so well that a full album began to take shape, with Blackmore and Dio collaborating on original songs. Blackmore had such foresight in this project, he solely financially funded the work and thus began the mystical musical world of Rainbow.  The resulting record, Ritchie Blackmore’s Rainbow, was recorded between February and March 1975 at Musicland Studios in Munich, Germany. With Blackmore’s composing prowess and Dio’s mystical lyrics, the band was set to take fans to a new level.

The album’s unusual stylistic blend of hard rock and classical music was partly inspired by Blackmore taking up the cello to help him break free of the confines of conventional guitar chord progressions. Ritchie Blackmore’s Rainbow was a top 15 hit in the UK and top 30 in the US, and was such a positive experience that in the Summer of 1975, that Blackmore left Deep Purple to commit himself fully to Rainbow.

Recruiting bassist Jimmy Bain, keyboard player Tony Carey and ex-Jeff Beck Group drummer Cozy Powell, Ritchie Blackmore’s Rainbow undertook their first tour. By 1976, the band’s name had been shortened to Rainbow, and a second album, Rising, was recorded in February of that year once again at Musicland. Rising, with its iconic sleeve of a fist holding a rainbow in a mystical scene, only features six tracks, including two epic compositions on side two, one of which, Stargazer, is widely regarded as a Rainbow classic and a landmark in hard rock. The original musical stylings are often touted as the 1st neo-classical metal band. It was the perfect melding of Ritchie’s guitar wizardry and Ronnie’s soaring powerful vocals.

Taking the album on the road in 1976, the band added Deep Purple’s Mistreated to their setlist, and song lengths were stretched to include improvisational sections. The band recorded shows in Germany and Japan, which were edited and compiled as the live album On Stage, released in the summer of 1977. Three of the German shows from Cologne, Düsseldorf, and Nürnberg are being released together for the first time outside of Japan on The Temple Of The King 1975 – 1976.

By the end of 1976, Rainbow had established itself as one of the cornerstones of British rock, and, under the leadership of the never-predictable but ever-astonishing guitarist Ritchie Blackmore, would become synonymous with some of the most loved and popular Rock songs of the seventies and eighties. To be continued….

TRACKLISTING

CD ONE: Ritchie Blackmore’s Rainbow
Man On The Silver Mountain
Self Portrait
Black Sheep Of The Family
Catch The Rainbow
Snake Charmer
The Temple Of The King
If You Don’t Like Rock ‘n’ Roll
Sixteenth Century Greensleeves
Still I’m Sad

CD TWO: Rising
Tarot Woman
Run With The Wolf
Starstruck
Do You Close Your Eyes
Stargazer
A Light In The Black

CD THREE: Ritchie Blackmore’s Rainbow
Live In Köln 1976 – Kölner Sport Halle 25.9.1976 – Part 1
Kill The King
Mistreated
Sixteenth Century Greensleeves
Catch The Rainbow
Man On The Silver Mountain

CD FOUR: Ritchie Blackmore’s Rainbow
Live In Köln 1976 – Kölner Sport Halle 25.9.1976 – Part 2

Stargazer
Still I’m Sad
Do You Close Your Eyes

CD FIVE: Ritchie Blackmore’s Rainbow
Live in Düsseldorf 1976 – Düsseldorf Philips Halle 27.9.1976 – Part 1

Kill The King
Mistreated
Sixteenth Century Greensleeves
Catch The Rainbow

CD SIX: Ritchie Blackmore’s Rainbow
Live in Düsseldorf 1976 – Düsseldorf Philips Halle 27.9.1976 – Part 2

Man On The Silver Mountain
Stargazer
Still I’m Sad

CD SEVEN: Ritchie Blackmore’s Rainbow
Live in Nurnberg 1976 – Nurnberg Messezentrum Halle 28.9.1976 – Part 1

Kill The King
Mistreated
Sixteenth Century Greensleeves
Catch The Rainbow
Man On The Silver Mountain

CD EIGHT: Ritchie Blackmore’s Rainbow
Live in Nurnberg 1976 – Nurnberg Messezentrum Halle 28.9.1976 – Part 2 + Rarities

Stargazer – Live in Nurnberg 1976
Still I’m Sad – Live in Nurnberg 1976
Do You Close Your Eyes – Live in Nurnberg 1976
Getaway (Kill The King) – Studio Rehearsals for 1976 World Tour*
Mistreated – Studio Rehearsals for 1976 World Tour*
Sixteenth Century Greensleeves – Studio Rehearsals for 1976 World Tour*
Catch The Rainbow – Studio Rehearsals for 1976 World Tour*

CD NINE: Rarities  
The Temple Of The King – Bolivian Mono Mix
Man On The Silver Mountain – Mono Edit
Man On The Silver Mountain – Stereo Edit
Tarot Woman – Rough Mix
Run With The Wolf – Rough Mix
Starstruck – Rough Mix
Do You Close Your Eyes – Rough Mix
Stargazer – Rough Mix
A Light In The Black – Rough Mix
Stargazer – Pirate Sound Tour Rehearsal
Starstruck – Mono Edit
Starstruck – Stereo Edit

*Previously unreleased.

RAINBOW – THE TEMPLE OF THE KING 1975 – 1976 is the most comprehensive collection of the opening phase of Rainbow’s career to date, and is the first in a series of anthology sets covering the career of legendary guitarist Ritchie Blackmore. The 9-CD set, newly mastered by Andy Pearce & Matt Wortham, is housed in Deluxe 7” packaging featuring a 24-page booklet featuring memorabilia, photos and sleeve notes by music writer Rich Davenport.

9CD BOXSET RELEASING MARCH 6th 2026
ON EDSEL RECORDS
AVAILABLE FOR PRE-ORDER NOW
https://rainbowband.lnk.to/templeoftheking

FOR MORE INFORMATION: 
www.ritchieblackmore.com
RITCHIE BLACKMORE INSTAGRAM
RITCHIE BLACKMORE FACEBOOK
RITCHIE BLACKMORE YOUTUBE
RITCHIE BLACKMORE X
RAINBOW FACEBOOK
 RAINBOW INSTAGRAM

DENNY SOMACH – ‘Get the Led Out: How Led Zeppelin Became the Biggest Band in the World’

Denny Somach has released Get The Led Out: How Led Zeppelin Became The Biggest Band In The World‘. I have the 2014 title of this book, which featured artwork by album cover artist Ioannis, who passed away earlier this year. This 2025 edition features a new cover, a forward by legendary drummer Carmine Appice. According to Somach – “This is a new book with over 200 new pages and photos, it does include 10 or so of the best interviews from the original, but being treated as a new book”. See the press info below, and link at the bottom.

In-depth, lushly illustrated coffee-table book. The book starts with a unique day-by-day timeline that reveals quirky insider details, achievements, and exploits. Thirty-plus rare, candid interviews follow, featuring all Zeppelin members and other musicians and industry insiders, including Jason Bonham (drummer and son of legendary Zeppelin drummer John Bonham), Chris Squire (Yes), Joe Perry (Aerosmith), Alice Cooper, Paul Rodgers, and music producers industry legends Eddie Kramer and Ron Nevison, Danny Goldberg (Swan Song Records, Vice President) and Craig Kallman, current Chairman of Atlantic. The book is illustrated throughout with photographs, reproductions of memorabilia from a major private Zeppelin collector, and specially commissioned artworks by noted album cover artist Ioannis. It also features a comprehensive timeline of the band and complete discography including solo projects from each member. Coverage of the reunion concert film in 2012 at the O2 in London, Celebration Day and the presidential Kennedy Center Honors appearance in 2012.

For the first time anywhere from the personal collection of Craig Kallman, a copy of every 45 picture sleeve from around the world. Zeppelin rarely allowed singles to be released, but different countries pressed up singles that were immediately recalled and/or destroyed.

For the first time an interview with Mark Andes, the only living member of Spirit who was involved along with the estate of Randy California in the Stairway to Heaven vs Taurus copyright trial. 

https://RocknRoll4grownups.com

APRIL WINE to tour North America, as special guest to reunited TRIUMPH

This past year was a busy year for APRIL WINE, having toured the UK with Uriah Heep and Tyketto, then Canada with BTO and the Headpins, and then over to Europe to (again) join Uriah Heep and Heavy Pettin’. And 2026 looks like they’ll be on another bigger tour, supporting Triumph! Check out the press release, tour dates, and links below!

(From left to right. Roy Nichol, Richard Lanthier, Brian Greenway, Marc Parent
Photo Credit: Taylor Jones)

Fans of classic Canadian rock n’ roll must be overjoyed with not only the announcement of Triumph’s first North American tour in decades, but that they will have another one of the Great White North’s top rock bands supporting these spring dates: April Wine.  Running from April 22nd through June 6th, the tour will hit all the spots that both Triumph and April Wine amassed legions of fans over the years; Toronto, Edmonton, Calgary, St. Louis, San Antonio, New York, etc.

*Tickets are now on sale for all the shows, and can be ordered via this link:  https://www.livenation.com/artist/K8vZ917CqB0/triumph-events 

Comprised of members Brian Greenway (guitar), Richard Lanthier (bass), Roy Nichol (drums), and Marc Parent (lead vocals, guitar), this will not be the first time April Wine and Triumph have shared the stage before. Longtime fans may recall a show at the Municipal Auditorium in San Antonio, Texas on February 18, 1977, which served as Triumph’s major American debut and a significant breakthrough for the band.  Also, in San Antonio during March 1978, as part of a run of five shows in Texas for promoter JAM Productions. One fan recalled the lineup for this show as April Wine, Crack the Sky, and headliner Triumph. Both bands have a strong history with the state, as San Antonio radio station KISS-FM was an early supporter of Canadian hard rock acts, helping both bands gain a significant U.S. following.   

April Wine has been a staple in the rock music scene for over five decades. Known for their powerful ballads and rock anthems, the band has seen several lineup changes but has always stayed true to their roots. April Wine has weathered the storms of the music industry with remarkable resilience and the band continues to captivate audiences with their electrifying performances. Fans are eagerly awaiting the next show, ready to experience the magic that April Wine delivers.   

The journey began in 1969, marking the start of a legendary career in rock music. With hits like “Just Between You and Me”, “Sign of the Gypsy Queen”, “Roller”, “I Like To Rock”, “Say Hello”, “Oowatanite”, “Enough Is Enough”, “Rock N Roll Is A Vicious Game” and many more, April Wine has left an indelible mark on the music industry.  

Significant milestones include their induction into the Canadian Music Industry Hall of Fame in 2009, the Canadian Music Hall of Fame in 2010 and Canada’s Walk of Fame in 2023. These accolades are a reflection of their hard work, talent, and the significant role they have played in shaping the rock genre. April Wine’s ability to consistently deliver powerful performances and connect with audiences has earned them a place among the greats in rock history.    

Today, the band continues to tour, keeping the spirit of rock alive for their dedicated fanbase. And in 2026, they will bring their melodic and anthemic brand of rock once more to North America!

TOUR DATES:

CANADA

April 22 – Sault Ste. Marie, ON | GFL Memorial Gardens
April 24 – Toronto, ON | Scotiabank Arena
April 25 – Hamilton, ON | TD Coliseum
April 28 – Halifax, NS | Scotiabank Centre
April 29 – Moncton, NB | Avenir Centre
May 1 – Laval, QC | Place Bell (Montreal)
May 2 – Ottawa, ON | Canadian Tire Centre
May 5 – Winnipeg, MB | Canada Life Centre
May 7 – Edmonton, AB | Rogers Place
May 8 – Calgary, AB | Scotiabank Saddledome

UNITED STATES

May 13 – Rosemont, IL | Rosemont Theatre (Chicago)
May 14 – Milwaukee, WI | Miller High Life Theatre
May 16 – Kansas City, MO | Starlight Theatre
May 17 – St. Louis, MO | Hollywood Casino Amphitheater
May 20 – Irving, TX | The Pavilion at Toyota Music Factory (Dallas)
May 21 – San Antonio, TX | Frost Bank Center
May 22 – Houston, TX | Smart Financial Center at Sugar Land
May 24 – Tampa, FL | MIDFLORIDA Credit Union Amphitheater
May 26 – Atlanta, GA | Synovus Bank Amphitheater at Chastain Park
May 28 – Camden, NJ | Freedom Mortgage Pavilion (Philadelphia)
May 30 – Sterling Heights, MI | Michigan Lottery Amphitheatre at Freedom Hill (Detroit)
June 3 – Darien Center, NY | Darien Lake Amphitheater
June 5 – Wantagh, NY | Northwell at Jones Beach Theater (New York)
June 6 – Boston, MA | Leader Bank Pavilion

LINKS:

www.aprilwine.ca

https://www.facebook.com/AprilWineOfficial

https://www.instagram.com/aprilwineband