This is the first 10 I’ve selected of classic album covers that feature a photo of the band on the cover. Not all album covers featuring the band on the front cover are interesting or memorable, but I think these 10 are a good start. If you have any suggestions for the next 10 (or further), let me know in the comments. (Actual photos, not drawings or separate photos put together).
Alice Cooper – Love It To Death (1971)
One of 2 early AC album covers that featured the band on the front cover, and really, what inspired me to start this list. Released in March of 1971, and featuring the band’s breakout hit “I’m 18”. This came in a black & white gatefold sleeve, with the band on the front, photographed by Roger Paul Prigent, who also shot cover photos for Nancy Wilson (jazz singer) and Barbara Streisand. A classic shot, with the band around their lead singer, in cape, with a black backdrop lit up with a spotlight. The cover shot originally saw Alice sticking his thumb out of above his cape, which some took as an obscene gesture, thus subsequent reprints air-brushed out the thumb or cropped it out.
The debut album from Southern rock’s greatest band. This album featured classics – “Free Bird”, “Tuesday’s Gone”, “Simple Man”… The cover photo taken on Main Street, in Jonesboro, Georgia, after a day of photography (other shots used for publicity). A casual shot of the band on the sidewalk, against a local business, was taken by the photography team of Emerson-Loew (Sam Emerson, Anthony Loew).
The Who –Who’s Next (1971)
My favorite Who album, and arguably their best, with “Baba O’Riley”, “Won’t Get Fooled Again”, “Bargain”, “Behind Blue Eyes”… This classic cover shot taken of the band, by Ethan Russell, who’s cover photo credits include The Beatles, Spooky Tooth, and Burton Cummings, among others. I’ve added a link to the story, as told by Russell below. https://www.loudersound.com/features/album-artwork-the-who-whos-next
Beatles – Abbey Road (1969)
The Beatles iconic cover, a photo of the band on the cross-walk, in front of Abbey Road Studios. Taken by Scottish photographer Iain Macmillan, who only took a half dozen of the band, in a short period of time, as it was a busy roadway. Macmillian also took cover shots for John Lennon, Yoko Ono, Kenny Rogers & The First Edition. The Abbey Road photo was also recreated by the band New York City, Soulful Road, 1974 (also by Macmillian), as well as Booker T & The MGs, McLemore Avenue (the band’s 1970 album that covers the songs on Abbey Road). The crosswalk is a popular place apparently for tourists to be photographed at as well. *I’ve added a link to an in-depth feature on the album cover, as well as a link to the outtakes.
Fin Costello photographed URIAH HEEP a number of times over the years, notably for the Live January 1973 insides, which in turn inspired the KISS Alive packaging. The Sweet Freedom cover, by the legendary Peter Corriston marked a new beginning for the band, having switched to a new record label, as well as getting away from the fantasy themes of their previous 2 albums. Costello took this cover shot at the Chateau in France, (where the album was recorded). Note Lee Kerslake’s left arm hidden behind Ken Hensley, as he had an injury, and Mick was actually holding it up,
Golden Earring – Contraband (1976)
Contraband was the Dutch rockers 12th studio album, as it preceded the classic double Live album. It was the band’s lowing charting album in their homeland since the 1969, but still making the top 10 there. Included the hit “Bombay”, as well as classics “Fightin’ Windmills” and “Mad Love’s Comin'”. The cover photo of the band’s 5 piece line-up, which included guitarist Eelco Gelling, was taken by the legendary Dutch photographer, Ronnie Hertz (RIP, 2024). Hertz had photographed the band for their 1969 album On The Double, as well as photographing the model for the classic Moontan cover. Not totally sure what’s happening here, with bandmembers all decked out in different costumes, making for an odd ‘band’ photo. Released in Canada and the US as Mad Love with a totally different cover.
New York Dolls – New York Dolls (1973)
The debut album from the NEW YORK DOLLS. These guys pre-dated the likes of KISS and TWISTED SISTER with the trashy outfits and make-up, as is here on the cover, taken by Toshi Matsuo. Must’ve been a shocker for that era. This album would feature the band’s 2 best known songs – “Looking For A Kiss” and “Personality Crisis”.
April Wine – First Glance (1978)
Canada’s APRIL WINE had already had a number of hits here before their US (Capitol) breakthrough album First Glance, which included the hit “Roller”. And while the Canadian (Aquarius) version of the LP featured artwork done by the label’s in-house artist (Bob Lemm), who had done most of the band’s previous covers, the US version featured the classic debut shot of the new 3-guitar line-up, having recently added Brian Greenway. The same cover photo would be used by Aquarius for the band’s Greatest Hits album, as well as later CD compilations.
Max Webster – High Class In Borrowed Shoes
One of Canada’s most underrated great bands of the 70s. This is MAX WEBSTER’s 2nd of a 6 album run in that decade. High Class In Borrowed Shoes would feature the hit “Diamonds Diamonds”. The cover was a design by Bob King and Hugh Syme (who also worked on a few Max Webster labelmate Rush covers), with photography by David Street. It’s the cover photo, with each bandmember dressed so oddly and different to one another, that makes a huge impression here.
PETER GOALBY, former URIAH HEEP and TRAPEZE singer, has announced his 3rd solo album of ‘new’ previously unreleased songs written and recorded after he left Heep. Don’t Think This Is Over features 9 songs, as well as a few former bandmates guesting. Just to be clear, over the last few months Peter let out a few of these songs on Youtube, but these songs have all been worked on for this release, withoverdubs and solos added, making them more than just the demos you might have heard or would think. It is safe to that if you liked Peter’s Easy With The Heartaches or I Will Come Runnin’ – you will definitely enjoy this! Artwork was done (as part of a series) by Michael Inns. Please read to the bottom, as Peter has more news to share. *Ordering link below!
“Hello everyone, great news, I am one happy bunny. I would like to tell you all about my new Album to be released December 5th 2025. Title is DONT THINK THIS IS OVER . (on Cherry Red) Songs written and recorded after I left Heep. We have spent the last few weeks overdubbing and adding some more to the tracks. We have used the same winning formula of Paul Hodson and Eddy Morton. I have also had some help from special guests. I know you will be excited when I tell you who they are lets just say old friends for now. This time no co-writes all Goalby tunes which I hope you are going to love .”
Peter has also given his insight and some recall into the tracks featured on the new album –
I’ll Be The One
I don’t remember to much about this other than I was thinking Bryan Adams. I wanted to write it in his style . ? Lots of guitars and a good guitar theme.
Don’t Think This Is Over
Yes you guessed it Foreigner. Loved it they were such a great influence on all of us British Bands…Great Band .The Singer Sounds a bit like me LOL LOL
The Sound Of A Nation
Well, where did that come from my god. Lyrics perfect for someone to record today. I often wonder where the words came from. Sometimes they just came out from nowhere I just sang them. I sent it to my dear friend Mick Box . He loved it so much he asked if he could play on it . No sooner said than done Mick thank you . If I had any money I would pay you lots great Solo!
Another Paper Moon
Did I write such a song? I always loved the Title Paper Moon it’s an old song from a movie of the same name, as is Poor Little Rich Girl . So I thought I will write Another Paper Moon LOL . I sent it to John Parr a couple of months ago, he said he filled up and got goose bumps. (Thank you my dear friend John). We wrote 3 songs together for his Man With A Vision Album back in the day. I also sent it to Mick Box. He said he never realized I had that other voice and could sing like that. Again thank you Micky Box X.
It’s Just My Heart Breakin‘
Well no prizes here . Only 2 words – Tina Turner LOL. “If you hear the Thunder as you walk away Don’t worry darling , Every Thing Is OK . Its Just My Heart Breakin’ !!!!!!” Am I mad or can you hear her singing it ??
Show Some Emotion
I love the emotion of the song . The 2 part harmony I do . I imagine this song as a Rock Duet Boy Girl . Leather Jackets all the way .
Heart What Heart
I wanted to write a song that Dusty Sprinfield would sing . I just love Dusty (waving her arms about LOL ) I think I captured the 60s vibe. Can you dance to it? Yes you can Mini Skirts everywhere . I can see her LOL.
Fallin’ Apart
I was so proud of this song. I have a Diamond Disc on my wall from 80.000 sales in Norway. The band Smokie recorded it on an album. I gained a couple more Discs when I was in Heep.
I Don’t Wanna Fight
Well , How long have you got. One of my favorite compositions it really is. I did a great demo of this at the time which got lost. This song got me a record deal with RAK records . We recorded it . Micky Most Produced it and lost the magic of the song. I have not played it for many years although I love the song, the arrangement was pretty awful. My Dear friend John Sinclair also loves the song . Recently John did a brand new arrangement for me, A complete new backing-track with a modern vibe WOW! what a difference. We put the original vocal on the new track. I got my dear friend Pete Kent (who I have known since he was 8 years old) to do the guitars and a great solo on the track. I think the song now has legs and I am convinced we will get a cover by one of today’s artists. Fingers Crossed!
I hope this has let you in to my writing world and that you will enjoy the Album.
AND there is more to come from Peter: “I have one more project to do before I close the book. Its a Rock Album which I am hoping to release next year. Recorded in 1980 this is Peter Goalby’s DESTINY…FINGERS IN THE FIRE”.
More to come on Destiny, as well as Peter recalls his short time in RAINBOW!
The first live recording of longtime Black Sabbath/Ozzy Osbourne keys and guitar player Adam Wakeman’s project JAZZ SABBATH. Eleven Black Sabbath songs re-imagined as classic jazz tracks. On the three studio albums released by Jazz Sabbath, the trio are backed up by additional musicians on brass, horns, guitars and a wide range of key instruments. Jazz Sabbath’s live shows are basic and raw, with just an upright bass, drums and a grand piano. In this set-up the trio takes these songs into long, elaborate improvisation sessions, miles from the versions they recorded in the studio, not knowing if songs like Rat Salad will be seven minutes long, or fourteen. This live album was recorded at the legendary Paradox Jazz Club in Tilburg, The Netherlands, twenty-five shows into their 2025 tour, and shows Jazz Sabbath at their best. It’s available as part of RSD Black Friday at indie record stores as a double album pressed on translucent orange vinyl, in an exclusive gatefold sleeve.
Tracklist A1 Black Sabbath A2 The Wizard A3 War Pigs B1 Behind the Wall of Sleep B2 Iron Man B3 Fairies Wear Boots C1 Hole in the Sky C2 Paranoid C3 Into the Void D1 Rat Salad D2 Children of the Grave
In celebration of the 50th Anniversary of Alice Cooper’s debut solo record Welcome To My Nightmare comes this previously unreleased live show from the Forum, recorded June 17, 1975. The tour was categorized as one of the most over-the-top excursions of the era. From Rhino, 11/28/2025
Tracklist SIDE ONE: 1. Welcome To My Nightmare 2. Years Ago 3. No More Mr. Nice Guy 4. Years Ago 5. Billion Dollar Babies 6. Years Ago 7. I’m Eighteen SIDE TWO: 1. Years Ago 2. Some Folks 3. Cold Ethyl 4. Only Women Bleed SIDE THREE: 1. Devil’s Food 2. The Black Widow 3. Steven SIDE FOUR: 1. Welcome To My Nightmare (Reprise) 2. Escape 3. School’s Out 4. Department Of Youth
TWO WOLF is the Southern rock band formed by Blackfoot bass player Greg T. Walker, and features guitarists/vocalists Lance Lopez (Supersonic Blues Machine) and Kris Bell, as well as drummer Rusty Valentine. Their 11 track album was released on CD (via Cleopatra) in June, with a vinyl version coming in soon. Two Wolf is a guitar heavy band, with cuts like “Keep On Movin'”, “The Wrong Road”, and “Great Spirit” all easily likeable heavy tunes. There’s also 3 Blackfoot remakes here – “Too Hard To Handle”, “Diary Of A Working Man”, and “Fox Chase”.
Anyway, if you’re a Blackfoot fan, a Southern rock fan, or just looking for some cool heavy guitar rock check this out! (Original press info below)
TWO WOLF UNLEASHES SELF-TITLED DEBUT ALBUM -Southern Hard Rock Titans Deliver a Ferocious Modern Take on Classic Grit- Southern Hard Rock torchbearers Two Wolf are set to make their thunderous debut with their self-titled album, “Two Wolf,” dropping June 6, 2025, on Cleopatra Records. A gritty, groove-soaked storm of soaring guitars, swampy rhythms, and raw vocal fire, this release marks a bold new chapter in American rock music. Founded by Greg T. Walker, the legendary bassist of Southern Rock pioneers Blackfoot and former member of Lynyrd Skynyrd, Two Wolf unites a powerhouse lineup including fiery guitarists and frontmen, Lance Lopez and Kris Bell, and hard-hitting drummer Rusty Valentine. Together, they blend Southern soul, hard-edged blues, and blistering rock ‘n’ roll into a sound that’s both reverent and rebellious. “This record is about reclaiming what rock was always meant to be — loud, honest, and unapologetically real,” says Walker. “We’re carrying the torch for the legends while forging something fresh for a new generation of fans.”
A NEW REMASTERED AND EXPANDED EDITION OF THE LEGENDARY 1976 SOLO ALBUM BY YES DRUMMER ALAN WHITE.
· REMASTERED FROM THE ORIGINAL TAPES.
· FEATURING STEVE HOWE AND JON ANDERSON.
· RESTORES THE ORIGINAL ALBUM ARTWORK.
· WITH ILLUSTRATED BOOKLET AND NEW ESSAY.
Originally released in March 1976 when members of Yes were each exploring solo projects, Ramshackled showcased some of the finest session musicians in Britain, including keyboard player Kenny Craddock, guitarist Pete Kirtley and bassist Colin Gibson (both of whom had played with Alan in the short-lived bands Happy Magazine and Griffin in the late 1960s). The album also featured guest appearances from Jon Anderson and Steve Howe on the track Spring-Song of Innocence.
This new edition of Ramshackled has been remastered from the original master tapes and adds the single versions of Ooh Baby (Goin’ to Pieces) and One Way Rag as bonus tracks (making their first appearance on CD). Presented with an illustrated booklet and new essay, it stands as the definitive edition of this unique album.
“The track is beautiful, Jon sounds great. It’s a most noteworthy idea to re-release it now, 50 years later. I’m sure the ‘YES’ fans will love it!” Steve Howe (on Spring-Song Of Innocence)
“Mystical and a wonderful memory. Such a peaceful event for me.” Jon Anderson
It is most unique to have both Jon Anderson and Steve Howe endorse such a release – underlining its special place within the extended Yes legacy.
As I recently had the privilege of interviewing Steve Bolton and Paul Everett to discuss the upcoming new Atomic Rooster album. It was an interesting and lengthy discussion on the band and mainly their current happenings. But, until I’m done editing, I thought I’d take up a retro review on the band’s 1972 album Made In England, which featured Bolton on guitar. ….
On ATOMIC ROOSTER’s 4th album, the line up changed once again, with Steve Bolton now on guitar, and singer Chris Farlowe replacing Pete French. Farlowe already had a lengthy career going back to the early 60s, recording with various bands and as a solo artist, but was a more soul and blues singer and writer. He’d also been (and still is) with COLOSSEUM. And although Atomic Rooster may have gained a reputation as being a heavier, darker sounding band (early proto-metal) on their previous albums, Farlowe brought with him some of that soul and funk influence, as Made In England took a bit of a turn from the earlier albums.
Like most Atomic Rooster albums, Made In England came with different covers from country to country. In Canada and the USA, the album came with very detailed piece from American artist Abe Gurvin, who had done covers for The Mothers of Invention, Jimmy Smith, Bread, and many different genres of music during the late 60s to early 70s. In other countries, Made In England came in a denim wrapped cover, which varied in color depending on the country. The denim cover was designed by Mike Gill, and I gotta wonder if anyone out there has collected them all!? (I have not pictured all different colors below).
While Vincent Crane wrote the bulk of this album, it also featured contributions from other members, with (drummer) Ric Parnell and (guitarist) Steve Bolton each adding 2 cuts, Parnell penned and sang the excellent slower heavy psych rock of “Little Bit Of Inner Air” and the evil titled “All In Satan’s Name”, a rocker that is lead by Crane’s organ playing, while both tracks are highlighted by heavy solos from Bolton. The guitarist would contribute the stand out “Space Cowboy” (a b-side to “Save Me”, that wound up on the next LP); musically fits it’s title, as well as the slower “Never To Lose”; somewhat of a ballad that builds up and then comes back down, again, featuring a heavy solo from Bolton, and so suited for Chris Farlowe’s big voice. “Never To Lose” has also been reworked and rerecorded for the band’s upcoming new album Circle The Sun.
Vincent Crane, aside from organ and piano throughout this, would also add orchestration arrangements, notably on the first 2 cuts “Time Take My Life” and the funk rock of “Stand By Me”. The latter was issued as a single, and I’m sure if this was Rare Earth in the US, it might’ve been a hit in North America. The added soul and funk influence also comes up in tracks like “People You Can’t Trust” with it’s added gospel-like backing voices, and “Close Your Eyes”, featuring piano, and having a pretty upbeat feeling, between Farlowe’s vocals and the backing vocals, and “Breathless”, with it’s jazzy piano, and featuring a powerful guitar break thrown in for added weight, before dropping back to the piano.
Made In England was certainly a new direction for the band, and perhaps an underrated gem of early 70s progressive rock. Although the album didn’t chart well in the UK or US, it did reach #60 in Canada, and #42 in Australia. Bolton left not too long after, and formed Headstone, and later toured with The Who and Paul Young. The band recorded one more album, Nice ‘n’ Greasy (aka as ‘IV‘ in North America), before disbanding until a new line-up emerged in 1980. Later CD reissues of this album would add bonus tracks, notably the band’s BBC performances in ’72.
Two New LPs From Elektra Elektra Records will soon release new albums by Atomic Rooster and Casey Kelly. “Made In England” is the third album by Atomic Rooster to be released in this country. The group is headed by Vincent Crane, former organist for the Crazy World of Arthur Brown and composer of his greatest hit, “Fire.” This album marks the first appearance with the group of their newest member, Chris Farlowe, who is now their lead singer. The LP contains Rooster’s current single, “Stand By Me.” A tour for the group is being planned for November. (Cashbox, 08-26-72)
ATOMIC ROOSTER – Made In England. Elektra EKS 75039 Although A.R has previously only attracted a small following of self -proclaimed anglo- philes their future now appears bright and their destiny obvious. The acquisition of Chris Farlow as lead singer is a coup to be envied and admired. Farlowe is no musical novice; his credentials are legion his suc- cesses legendary. Group organizer and or- ganist Vincent Crane is again treading upon virginal musical territory. Best cuts are “Little Bit of Inner Air,” and “Breathless.” (Billboard, 09-09-72)
MADE IN ENGLAND- ATOMIC ROOSTER-Elektra 75039 Chris Farlowe, Ric Parnell, Vincent Crane and Steve Bolton present the third installment of their unique brand of heavy British rock. Eleven cuts meant to be played at only the highest volumes, and sure to test the eardrums of all good Rooster fans. (Record World, 09-09-72)
Canadian rock writer Martin Popoff has a new book on DEEP PURPLE, coming out October 28. Popoff has penned a number of Deep Purple and related books, notably Gettin Tighter (2005) and Castle Full Of Rascals (2009). *Check out book info below, as well as ordering link at the bottom.
Dive into the saga of Deep Purple and unravel the untold stories behind the legendary band, from their groundbreaking albums to their tumultuous journey through rock history to the present.
Seven Decades of Deep Purple tells the electrifying story of one of the most iconic bands in rock history. From the band’s explosive formation in 1968 to the classic Mk. II lineup—Gillan, Blackmore, Glover, Lord, and Paice—and through all the iterations to the present day, this book delves deep into the band that brought the world unforgettable hits like “Hush,” “Speed King,” “Child in Time,” “Smoke on the Water,” “Highway Star,” “Burn,” and “Perfect Strangers.”
Through nearly 50 interviews by the author with Purple alumni, plus dozens more with others who are part of this story, readers will journey through the group’s formation, lineup changes, album sessions, and live performances, with the narrative emerging as the story of creativity itself, a tale enhanced by the use of over 450 images. Album by album, it’s Deep Purple’s music that gives this book its solid-rock foundation. Starting with 1968’s Shades of Deep Purple, the book discusses all their genre-defining albums, including In Rock, Fireball, Machine Head, Burn, Purpendicular, Whoosh!, and 2024’s =1. Seven Decades of Deep Purple captures the essence of a band whose influence transcended generations and shaped the sound of modern rock. Whether you’re a lifelong fan or new to their music, this book is a must-read for anyone wanting to explore the legacy of one of rock’s most enduring and relentlessly vital and creative forces.
PURPENDICULAR, the band named after one of my favorite Deep Purple albums, and also features Ian Paice , on drums, have their 4th album ‘Banned‘ coming out on October 4th! Check out the bio below, as well as the 2 videos released so far, band photos, and links below.
In the hot summer of 2024, PURPENDICULAR decided to write their fourth album in a remote village high in the mountains near Porto, Portugal.
The concept was agreed on the first night, but that concept took a twist when the devastating fires took place that very evening, putting the lives of the band in grave danger.
The band were rescued off the mountain from their villa, to a safer option and to an alternative accommodation, where they spent the night watching the fires rage on the veranda.
It was here titles and more ideas came to fruition, to add to the already conceptual theme of Banned, which summarizes today’s sensitive culture, in that the slightest wrong word can get you banned, adding the pun Banned with the last two letters before the last D in the word being crossed out equaling the word BAND.
With all this in mind and the whole band in agreement, it was then decided to add an autobiographical theme also, telling the story of events as they unfolded that treacherous night where many people lost their lives and homes.
The final recordings of the album were completed in Italy, Poland, and the UK. The record is produced by Alessandro Debiaggi and Robby Thomas Walsh. It is a fresh modern look back at the ’70s! It is advised to play this record very loud!
Line-up: Robby Thomas Walsh (Ireland) – vocals (Roger Glover, Tony Carey, Joe Lynn Turner) Ian Paice (UK) – drums (Deep Purple, Whitesnake, Gary Moore) Murray Gould (UK) – guitars (Eric Clapton, Elton John, Joe Bonomassa) Alessandro Debiaggi (Italy) – keyboards (has toured with Ian Paice Purpendicular since 2022) Mauricio Torchio (Italy) – bass (has toured with Ian Paice Purpendicular since 2022, here replacing the unavailable Nick Fyffe)
This is an interview I did (via email) with David Glen Eisley in 2001 to promote his solo album Stranger From The Past. I’ve added in a few youtube links and images, but the text is as it was in 2001.
David Glen Eisley was best known as the former singer for the 80s rock band GUIFFRIA, who released 2 albums [featuring ex ANGEL keyboardist Greg Guiffria]. Since then Eisley has had a few other projects, that didn’t rival the success of Guiffria, and with many 80s rockers was seemingly brushed aside by the music labels and biz. But Eisley is back with his debut solo album released last year on Frontiers Records titled “Stranger From The Past”. It features Eisley not only as vocalist/songwriter/producer, but also on guitar, keyboards, bass, and even drums [on one track], as well as notable friends and former bandmates – guitarist Craig Goldy [Dio/Guiffria], bassists Chuck Wright [Guiffria] and Stephan Ellis [Survivor], and drummer Ron Wikso [The Storm, Foreigner].
Here I swapped questions and answers with David, who discuses his career, notably the Guiffria days, as well as the making of his new solo album.
What sorts of music did you grow up on? Can you give me a short list of favorite bands, singers, guitarists, songwriters, etc… ? Any heroes in particular?
DGE- Beatles, Dylan, CSN&Y, Bad Company were bands that I was into. Paul Rodgers, McCartney, Little Richard were singers I admired. My Dad was really into big band jazz and got me into it at a young age before I discovered rock and I started studying drums, which I became fairly proficient at. But the Beatles hit and that was it!
Can you give me a Top 10 [or more] of all-time favorite albums?
1.Sgt. Pepper (Beatles), Blood on the tracks(Dylan) Exile on main street(Stones) Joshua Tree(U2) Highway 61(Dylan) Déjà vu(CSN&Y) Blue(Joni Mitchell) Straight Shooter(Bad Company) Nebraska(Springsteen) Blonde on Blonde(Dylan)
Were you in any name bands prior to Guiffria?
No!! I was busy drinking and playing baseball!!
How did the whole Guiffria thing come together? Were you familiar with Angel and Gregg Guiffria prior to then? That band had quite a few great names in it, with Chuck Wright and Craig Goldy, how did things seem to work?
I had no idea who Gregg or Angel was. He got my number from a bass player that I had done a session with and the guy recommended me as Gregg was tryin too put a new band together. He called me and just the sound in his voice sounded different than the norm so I figured it might be something kinda real. I showed up for the “audition” and we immediately started writing a song. It was a real strange connection. But it seemed to work. Things just started to evolve from there.
What was the deal with Gregg initially wanting to call that band ‘Angel’? And is it true You were the one who suggested ‘Guiffria’’?
I think he was just thinking that it was a known name so maybe that would help in getting a new deal. Well, we did get a deal but ultimately the company and us realized that we sounded nor looked at all like Angel so we weren’t! Nobody seemed to be able to come up with a name so at the last minute being we were in the era of Van Halen, Montrose and all the other namesake bands I came up with Giuffria. What the fuck was I thinking?? Oh well.
In retrospect, what do you think of those Guiffria albums? Highs and lows? Was there ever any conflict in the band with the excessive use of Greg’s keyboards over Craig Goldy’s guitar work?
I think the first record has some great moments. I think we didn’t have a clue as to what we were until we hit the road. Then we realized we were a potent rock band. Unfortunately that band couldn’t keep it together for #2. I think we would have given Goldy more room and we would have done a great record. Instead the keyboard prominence became even more on Silk and Steel. I think Gregg and I wrote some good songs on that record and we should have sold them to a big adult contemporary artist to do. We would have made more money!! The record really wasn’t the band as it was, although Lanny is a great player. Yea, as in any ego driven entity there were a lot of conflicts but I think the split was just Gregg and I were just not feeling the same about shit anymore and we were sick of all the bullshit we went through with the record company. We just said ”See Ya”.
Did you have any contact with Gregg [or still have] after the Guiffria days? Any reason he didn’t ask you to participate in House of Lords? [How many Guiffria outtakes ended up on the first HOL album?]
He did not ask me to join House of Lords because that would just be Giuffria again with a new drummer! Besides I had already met up with Earl Slick and Dirty White Boy was on the horizon. I don’t talk to Gregg much. He really doesn’t play much anymore and has gotten very successful in business. Although I think he’s going to play a bit on the HOL record.
Any stories from the Guiffria days and the tour supporting the reformed Deep Purple?
The Deep Purple tour was a great experience in learning what to do on the road and what not to do. I had a great time but at times it was pretty rough. I mean dealing with Mr. Blackmore at that time was interesting to say the least. We finished that tour and hooked up with Foreigner on their last big one. That was a big improvement in terms of general treatment.
What can you tell me about DIRTY WHITE BOY? You guys only did 1 album? Any major gigs or breaks there? How did that whole project come and go? [in a nutshell]
DWB was a victim of timing and circumstances. Thee record company, Polygram was getting ready to clean house and make more room for the Grunge attack and R&B acts. We were touring in Europe as the record was released there first and were being told there was really no company back home. Dismantling of a sorts. We had no support for a domestic release and it all just fizzled away! Although the record was produced all wrong I really dug that bands vibe. We really became a “freight train from hell” on the road. The record does not reflect that unfortunately.
You did the Stream album with such names as Bob Daisley [Ozzy / Heep / Rainbow] – a great bass player, as well as Eric Singer ! Quite a line up!! What happened with this project? Any stories from working with the likes of Daisley & Singer?
Stream was really just a money gig. I had known Bob from another situation that I passed on and he called me to do this thing. There was really no ample time and everything was rushed. It really had no band thing going at all. I think all of us were just throwing it together, collect the doe and not give it much thought beyond that. Eric is a likable guy and a great drummer!! I really never hung with them other than that short trip. Forgettable period!
What else have you been involved in over the years? Any bands, sessions, guest appearances … ?
I’ve been getting into some acting the last couple of years and find I like it. Some independent films, some TV and a couple commercials one being a thing with Ringo which was a great gig!! He’s a real trip and a great guy!! You hang with a Beatle for a couple of days and everything else kinda pales away after that!!
When did you begin work on ‘Stranger From The Past’?
I started Stranger in May of last year. They released it in November of last year and here I am again frying in the summer again. Time is going way to fast my friend!
I take it ‘Stranger…’ is your first solo venture (? ) Why so long, having been around for so long?
Truthfully there have been three periods where I was going to go it solo. Two of which were just prior to my two main bands. The thought of the band thing at each turn felt comfortable to me so I passed the solo thing up. In hindsight I kinda wish I would have just had the balls and said “Sorry I don’t do bands” but I didn’t. That’s OK.
What’s the history of the songs on Strangers? Were they written more recently or things you’ve had from past years and saved?
It was about 50/50. I had a few of them existing for awhile in one form or another. So after being approached by Frontiers I got an idea as to what they were looking for and then picked ones I had and then proceeded to write the rest.
You wrote, produced, and played a lot of instruments on this album. Was it a very personal record, musically and lyrically ?
Yea, to a degree I guess anything someone writes it’s a bit personal. Everything comes from different times in one’s life. Some things are a little less heavy than others but are still from personal trips or memories.
This album has a somewhat classic rock / aor style to it. Was there a particular direction or audience you intended to go at? I think it’s quite an appealing album that many rock fans would enjoy.
Like I said I got an idea what they the market would bare so to speak and then tried to be true to myself and came up with this collection. If I had not considered what anybody or any audience expected from me it would have been much more stripped down, funkier and acoustic driven but I’m happy with the overall results.
Can you give me a few words or any stories to go with a few of my favorite cuts from the album > Stranger From The Past, Can’t Call It Love, Don’t Turn Away [which is my favorite here] and When It’s Over(?) Do you have any personal favorites [and stories to go with] ?
Stranger began with a lyric idea I put together after listening to a taped lecture on passed life trips experienced by this woman who was documented for real. About coming back and all that kind of stuff. After writing it the title seemed to apply to me and my career so that’s how that happened. Cant Call it love was part of a song I wrote awhile back. I re-worked it for the record and really had fun with that one. My daughter India can be heard at the end when she sneaked into my studio one day and I was giving her the “please be quiet” sign. She got a little pissed at me and left slamming the door behind her. I kept it as it hit just as I hit the last chord. Thanks India!! It is really representative of me and my “rock” roots. Don’t Turn Away was written off of a piano lick I had come up with awhile back. Lyrically it was written about a friend who was going through a messy relationship. When its Over was about the same period of time and kind of based on the same subject matter. Goldy played some really nice stuff on that I thought. Funny though, we had nothing around at the time but a tiny little practice amp. We just stuck it in a little closet with a mic. That guitar solo was done awhile back in another space and time! But I loved what he played so I did everything I could to transfer it into the master track. It seemed to work.
Craig Goldy plays a lot of guitar on this disc. I take it you guys are good friends!? Do you have plans to work together in the near future? Perhaps form a band ? 🙂 And do you have plans to gig or tour to promote Stranger From The Past?
Goldy and I have remained very good friends. He’s been busy with Dio, who is another really nice guy. I’m glad they are hangin’ again. Goldy was one of the people who were always tellin’ or asking me when I was gonna go it solo. Always supportive. So I called him while he was out on the road and he said “cool I will be back such and such a time. I’ll come right over. He did lucky for me. He is one of the few people who know me well enough to know exactly what I’m lookin for. He did his entire bit in a day and a half with never hearing the songs before. Although he drank all my Vodka in the process! If it was possible I think we’d love to put something together in the future. Who knows. Tour plans for Stranger?? I really don’t know. That has a lot to do with the record company, tour support etc, etc.
How has fan and press reaction been to Strangers.. ? What have been some of the highlights as far as reviews and/or press features go? Any chart placings around the globe?
The response to the record has been really good generally. The press and ads have been very positive. I think I’ve been gone for awhile so it has been a bit of re-aquatinting myself to the scene again. A couple of the larger mags in Europe have placed me in different charts and its all been positive. I’m really not on top of all that. Sorry.
You sang all the vocals [w/ harmonies], played a lot of guitar, keyboards, bass, and drums on this album. Why did you take on so much yourself, and how did you determine where and when to use the various guests?
I did most of it myself because I kinda of know how I want it to feel. That’s my main thing. I don’t really care if it’s not the best technical playing going on. My songs are just that and if the feel ain’t right then I have trouble carrying it through. The guys who played on it know me very well and played what I would have played if I had the chops to do it. But some of the stuff I heard in my head I can’t execute. So enter my “wiz kid buddies”.
I take it singing is your first love? How do you see yourself as guitar player, keyboard player, etc… ?
Singing for me is on and off. I wont sing for a long time and then all of a sudden I will be writing or doing sessions and be singing again. When I do it makes me feel good but I don’t go out of the way to go and sing with the guys every other night. I’d rather sit in playin’ drums or a little guitar. Weird huh?? I am really quite a sloppy and un-educated guitar player as well as keyboard player but for my stuff it seems to work and I have fun doin it. And my stuff is really all I’m concerned with. I do outside money sessions with my voice. So I really don’t give a shit. I mean I would love to do what Craig can do but I cant. But he cant ballroom dance like I can! HaHa!
Having played alongside Greg Guiffria for a few years, it’s interesting that the only keyboards you tend to use here are piano, Hammond, and some synths as background effect. I take it you wanted to make this a very guitar oriented album?
Gregg was really into Keith Emerson through his life and chose that really over the top keyboard trip which worked great for us. My thing isn’t really guitar or keyboard driven. I think its more song driven. I had no need for all of that stuff. But your right it’s a little more guitar oriented than keys.
Any stories from the recording or making of this record you’d wish to share?
Other than I had a good time doing it in my studio in my barn alongside the horse and my pot belly pigs there is really nothing out of the ordinary to report on it.
Do you have plans to make another solo album in the near future? Anything you’d do differently?
I think I might do another one for Frontiers at end of the year but I’m not sure. Might do it on my own label Ol’ Boothill Records. A new album would be just that. “A new one”. So until I’m into it I don’t know what will be different other than songs.
What Kiss album did you guest on?
I think it was the Animalize record. I’ll check on that. I was working on a record in the same studio as them and Gene found out I was there. He sent a note over to our room and asked if I could come across and give them a hand on some song. So I did. Me Paul Winger (Kip’s bro) Gene, Paul and I. We had a good time. Paul was funny as shit! Anyway, I left. They sent me a check and I never even asked what record it was as I was really not into Kiss at all. I will ask Bruce or Bob Kulick who are friends of mine. They obviously will know
What do you listen to these days? and what do you think of the rock scene out there for artists like yourself compared to how it was 15 years ago?
I primarily listen to older stuff. My Dylan records, U2, Springsteen, a lot of soundtrack stuff. I only really listen to music in the car. I’m busy doing other things. Well the rock scene as we knew it in say the mid 80’s through the mid 90’s has changed quite a bit. As rock and roll should, it caters to the very young. But generally the corporate powers aren’t interested in shoving really good stuff down kid’s throats. I find it very interesting that us baby boomer kids that have our own kid’s see our own kids getting into Hendrix, Zeppelin, Beatles, Stones, etc … as well as Britney Spears and that lot which is cool. I mean, the stuff we grew up with was very powerful music and it stands the test of time. Everything now is nothing more than quick soundbites for the most part. Here today then See Ya!!!
Anything else you’re currently involved in – musically or other interests?
I’m writing a screenplay right now and working on a kids’ album concerning education which I hope to have finished and out by next year.
There is a compilation record of sorts coming out in August that has old stuff from Giuffria and DWB days. It’s kinda cool. Its called David Glen Eisley/ ‘The Lost Tapes’. You might find it interesting.
Outsider Rock 